Black Panther Toolkit! We Are Excited to Have You Here with Us to Talk About the Wonderful World of Wakanda
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Darkest Africa" 1880-1910
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2013 "The most deadly spot on the face of the earth": The United States and antimodern images of "Darkest Africa" 1880-1910 Melinda Stump University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2013 Melinda Stump Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the African History Commons Recommended Citation Stump, Melinda, ""The most deadly spot on the face of the earth": The United States and antimodern images of "Darkest Africa" 1880-1910" (2013). Dissertations and Theses @ UNI. 28. https://scholarworks.uni.edu/etd/28 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. “THE MOST DEADLY SPOT ON THE FACE OF THE EARTH”: THE UNITED STATES AND ANTIMODERN IMAGES OF “DARKEST AFRICA,” 1880-1910 An Abstract of a Thesis Submitted In Partial Fulfillment Of the Requirements for the Degree Master of the Arts Melinda Stump University of Northern Iowa August 2013 ABSTRACT During the late nineteenth and early twentieth-centuries in the United States, images of Africa and Africans were prevalent throughout society. Africans were described as primitive or child-like and were contrasted with the so-called high civilization of middle-class Anglo-Saxons. This thesis will look at these images and attempt to complicate the current historiography on United States images of Africa. -
Marvel Studios' Black Panther Activity Packet
ACTIVITY PACKET Created in Partnership with Disney’s Animals, Science and Environment CONTENTS: Welcome to Wakanda 4 Meet the Characters 5 The Mantle of Black Panther 6 The Strength of Nature 8 Zuri’s Wisdom 10 Shuri’s Technology Hunt 12 Horns & Heroes 14 Acknowledgments Disney’s Animals, Science and Environment would like to take this opportunity to thank the amazing teams that came together to develop the “Black Panther” Activity Packet. It was created with great care, collaboration and the talent and hard work of many incredible individuals. A special thank you to Dr. Mark Penning for his ongoing support in developing engaging educational materials that arvel Studios’ “Black Panther” follows T’Challa who, after the death of his father, the connect families with nature. These materials would not have happened without the diligence and King of Wakanda, returns home to the isolated, technologically advanced African nation dedication of Kyle Huetter who worked side by side with the filmmakers and educators to help M create these compelling activities and authored the unique writing found throughout each page. to succeed to the throne and take his rightful place as king. But when a powerful old enemy A big thank you to Hannah O’Malley, Cruzz Bernales and Elyssa Finkelstein whose creative reappears, T’Challa’s mettle as king—and Black Panther—is tested when he is drawn into a thinking and artistry developed games and crafts into a world of outdoor exploration for the superhero in all of us. Special thanks to director Ryan Coogler and producer Kevin Feige, formidable conflict that puts the fate of Wakanda and the entire world at risk. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Winning Jazz Pianist Robert
Media Advisory Contact: Molly Hogin (310) 974-6680 | [email protected] GRAMMY-NOMINATED PRODUCER/MUSICIAN TERRACE MARTIN TEAMS UP WITH GRAMMY- WINNING JAZZ PIANIST ROBERT GLASPER FOR MILES DAVIS 90th BIRTHDAY TRIBUTE The Jazz Creative and All Music Television Partner in Community-Wide Celebration #Miles90, Hosted by Baldwin Hills Crenshaw LOS ANGELES— GRAMMY-nominated producer/musician Terrace Martin will join GRAMMY-winning jazz pianist Robert Glasper for a tribute to Miles Davis on May 19, hosted by Baldwin Hills Crenshaw in partnership with The Jazz Creative and All Music Television. The celebration honors internationally renowned music icon Miles Davis in recognition of what would have been his 90th birthday on May 26. The music, art, and cultural festivities feature Terrace Martin, who will perform a special Miles Davis tribute. Martin is one of the key collaborators on Kendrick Lamar's multi-GRAMMY award-winning album To Pimp A Butterfly. Robert Glasper, who scored the Miles Ahead soundtrack and produced the forthcoming "re-imagined" interpretations of Davis’s music titled Everything’s Beautiful (out May 27) featuring Stevie Wonder, Erykah Badu and Bilal among others, will also participate in a behind-the- scenes interview. Additional young contemporary artists will also honor and celebrate Davis during #Miles90. Visuals will be provided by jazz portrait artist Jazmin Hicks, whose work will be on display throughout the event. The Jazz Creative is a weekly television series dedicated to jazz and blues hosted on All Music Television, among the most relevant and popular jazz websites. Baldwin Hills Crenshaw, located in South Los Angeles, has long been referred to as the “Harlem of the West" and is known for fostering local and touring musicians since the 1930s. -
Csflyer485 Sm
Sun Apr 15 THE BOLSHOI BALLET: GISELLE 12:55 Sun Apr 15 4:30, 7:30 Mon Tue Wed Apr 16 17 18 IN THE FADE 7:30 Thu Fri Apr 19 20 A FANTASTIC WOMAN 7:30 Sat Apr 21 2:30, 7:30 Sun Apr 22 THE SULTAN AND THE SAINT Special Screening 5:15 Sun Apr 22 2:30, 7:30 Mon Tue Wed Apr 23 24 25 HOSTILES 7:30 Thu Fri Apr 26 27 ANNIHILATION 7:30 Sat Apr 28 2:30, 7:30 General Admission $10 Sun Apr 29 2:30, 7:30 Mon Tue Wed Apr 30 May 1 2 THE PARTY 7:30 Friends of Cinestudio $7 Thu May 3 CLOSED FOR PRIVATE EVENT Senior Citizens (62+) $8 Students with valid ID Fri May 4 TRINITY FILM FESTIVAL presents DESIGN NIGHT OUT: SCREEN FREE ADMISSION 6:00 ® Ticket Prices for NTLive, Special Shows & Benefits vary Fri May 4 OSCAR NOMINATED LIVE ACTION SHORTS 8:30 Sat May 5 OSCAR® NOMINATED ANIMATED SHORTS 2:30 Cinestudio’s boxoffice is now online, so you can buy Sat May 5 TRINITY FILM FESTIVAL Doors open at 4:00, Festival begins at 5:00 tickets for any listed show at any time - online Sun May 6 2:30, 7:30 or at the boxoffice. We’re on Fandango too. Mon Tue Wed May 7 8 9 LEANING INTO THE WIND 7:30 DONATING TO CINESTUDIO? You can do that online or at the boxoffice, and now Thu May 10 NTLive: MACBETH LIVE from LONDON 2:00 100% of your donation comes to Cinestudio! Thu Fri May 10 11 LOVE, SIMON 7:30 Sat May 12 2:30, 7:30 Sun May 13 NTLive: MACBETH ENCORE from LONDON 1:00 Sun May 13 5:00, 7:30 Mon Tue Wed May 14 15 16 ISMAËL’S GHOSTS 7:30 Thu Fri May 17 18 BLACK PANTHER 7:30 Sat May 19 2:30, 7:30 Sun May 20 5:00, 7:30 Mon Tue Wed May 21 22 23 LOVELESS 7:30 Thu Fri May 24 25 ISLE -
B E N N I N G T O N W R I T I N G S E M I N A
MFAW PUBLIC SCHEDULE June 15–24, 2017 NOTE: Schedule subject to change All faculty, guest, and graduate lectures and readings will be held in Tishman Lecture Hall, unless otherwise indicated. All evening Faculty and Guest Readings will be held in the Deane Carriage Barn. Thursday, June 15 7:00 Faculty & Guest Readings: Kaitlyn Greenidge and Amy Hempel Friday, June 16 Graduate Readings 4:00 Alexander Benaim 4:20 Andrea Caswell 4:40 Michael Connor 7:00 Faculty & Guest Readings: Benjamin Anastas and Mark Wunderlich 8:00 Historical Presentation: Lynne Sharon Schwartz: “Historic Recordings of Great 20th Century American Authors Reading their Work.” Deane Carriage Barn Saturday, June 17 Graduate Lectures 8:20 Ashley Olsen: “50 Shades of Consent: Sexual Desire and Sexual Violence in Contemporary Short Stories.” This lecture will examine tests from contemporary female authors including Mary Gaitskill, Margaret Atwood, and Roxane Gay. 9:00 Katie Pryor: “Persona & Violence in Ai’s Cruelty & Iliana Rocha’s Karankawa.” Both of these poets use persona poems to explore violence. What is powerful about this poetic device? How does the persona poem involve the reader and interrogate our notions of self? We’ll explore the connections and differences between these poets and their first books. 9:40 Karen Rile: “The Bad Writing Competition: Introducing Narrative Distance to Undergraduates.” A technique-centered workshop that offers coordinated readings and prompts can help beginning writers focus on discrete, achievable goals. But demonstrating smooth narrative distance shifts presents a practical challenge in an undergraduate workshop setting. The Bad Writing Competition, or mastery through parody, is a deft solution—with some unexpected ancillary benefits. -
Annual Report 2018-2019 a Note from the Chair
Annual Report 2018-2019 A Note from the Chair As WFF chair for the period 2017-2019, I am working on gender equity and policy in several different ways. First, as a linguist and social scientist, I am interested in ‘representation’ – that is, the ways in which gender, diversity, and equity are discussed on campus: who focuses on them, how we talk about them, and how we can be more effective in advancing our shared aims of an inclusive campus, where all faculty can do their best work. As a researcher, I am interested in using the data collected by organizations on campus to study the impacts of existing policies and procedures. WFF’s leadership on diversity, equity, and inclusion stems from three principles: first, we reject the idea that there is a trade-off between diversity and excellence. Diversity is excellence. As researchers, we understand that knowledge and insight come through many different paths. Secondly, inclusion and respect are at the base of good scholarship. No one can do their best work if they are being undermined or intimidated. Ideas are valued on their merits, and should not be revalued according to who says them. And, finally, we strive to build these principles into what we do at the foundation, not as a nod to some token idea of “diversity talk” or “virtue signaling” at the end. WFF, as one of the few organizations on campus which reaches across Schools and Divisions, has a vital role on campus as a place for research, for advocacy, and for community and mentoring. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
September/October 2014 at BFI Southbank
September/October 2014 at BFI Southbank Al Pacino in Conversation with Salome & Wilde Salome, Jim Jarmusch and Friends, Peter Lorre, Night Will Fall, The Wednesday Play at 50 and Fela Kuti Al Pacino’s Salomé and Wilde Salomé based on Oscar Wilde’s play, will screen at BFI Southbank on Sunday 21 September and followed by a Q&A with Academy Award winner Al Pacino and Academy Award nominee Jessica Chastain that will be broadcast live via satellite to cinemas across the UK and Ireland. This unique event will be hosted by Stephen Fry. Jim Jarmusch was one of the key filmmakers involved in the US indie scene that flourished from the mid-70s to the late 90s. He has succeeded in remaining true to the spirit of independence, with films such as Stranger Than Paradise (1984), Dead Man (1995) and, most recently, Only Lovers Left Alive (2013). With the re-release of Down By Law (1986) as a centrepiece for the season, we will also look at films that have inspired Jarmusch A Century of Chinese Cinema: New Directions will celebrate the sexy, provocative and daring work by acclaimed contemporary filmmakers such as Wong Kar-wai, Jia Zhangke, Wang Xiaoshuai and Tsai Ming-liang. These directors built on the innovations of the New Wave era and sparked a renewed global interest in Chinese cinema into the new millennium André Singer’s powerful new documentary Night Will Fall (2014) reveals for the first time the liberation of the Nazi concentration camps and the efforts made by army and newsreel cameramen to document the almost unbelievable scenes encountered there. -
Frank Settle's Marshall & the Atomic
THE MAGAZINE OF THE GEORGE C. MARSHALL FOUNDATION Frank Settle’s Marshall & the Atomic Bomb Mark Stoler’s Marshall Lecture at AHA The Whole Man: Letters of Rose Page Wilson Best New Books Marshall Legacy Series Marshall Shorts FALL 2015 photo credit: George C. Marshall Research Library FALL 2015 Features Marshall and the Atomic Bomb 4 By Frank Settle, Ph.D Marshall is best known today as the architect of Europe’s recovery in the af - termath of World War II—the Marshall Plan. He also earned acclaim as the master strategist of the Allied victory in World War II. He mobilized and equipped the Army and Air Force under a single command; served as the pri - mary conduit for information between the Army and the Air Force and the president and secretary of war; developed a close working relationship with Admiral Earnest King, Chief of Naval Operations; worked with Congress and leaders of industry on funding and producing resources for the war; and developed and implemented the successful strategy the Allies pursued in fighting the war. Last but not least of his responsibilities was the production of the atomic bomb. George C. Marshall and the “Europe-First” 12 Strategy, 1939–1951: A Study in Diplomatic as well as Military History By Mark A. Stoler, Ph.D. As Army chief of staff, secretary of state, and secretary of defense, George C. Marshall played a major role in creating, implementing, and defending the multilateral “Europe-First” global strategy that guided U.S. foreign and military policies through World War II and the Cold War. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Dialectics of Tradition and Memory in Black Panther Sailaja Krishnamurti Saint Mary's University, Halifax, Nova Scotia, [email protected]
Journal of Religion & Film Volume 22 Article 44 Issue 1 April 2018 3-30-2018 Dialectics of tradition and memory in Black Panther Sailaja Krishnamurti Saint Mary's University, Halifax, Nova Scotia, [email protected] Recommended Citation Krishnamurti, Sailaja (2018) "Dialectics of tradition and memory in Black Panther," Journal of Religion & Film: Vol. 22 : Iss. 1 , Article 44. Available at: https://digitalcommons.unomaha.edu/jrf/vol22/iss1/44 This Film Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Dialectics of tradition and memory in Black Panther Abstract This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler. Keywords Black Panther, Marvel, Race, Superheroes Author Notes Sailaja Krishnamurti is an Assistant Professor of Religious Studies at Saint Mary's University, Halifax. Her research and teaching take a critical race feminist approach to religion and representation in the South Asian diaspora, the Black diaspora, and in global popular culture. She is currently working on a book about South Asian religions in comics and graphic novels, and an edited volume about women and religion in diaspora communities. Sailaja co-chairs the Women of Color Scholarship, Teaching and Activism unit of the American Academy of Religion. This film review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol22/iss1/44 Krishnamurti: Dialectics of tradition and memory in Black Panther Black Panther tells the story of T’Challa (Chadwick Boseman), the crown prince of Wakanda who must take the throne after his father T’Chaka’s death (in Captain America: Civil War).