DOCSLIB.ORG

Photographers Index - 507

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Photographers Index - 507 Photographers index - 507 PHOTOGRAPHERS INDEX Abbas Alasadi (Iraq) . 24 Alina Mur (Latvia, Riga) . 427 Aryana Golchin (Iran, Isfahan) . 184 Dikky Oesin (Indonesia, Tangerang) . 222 Abdul Gapur Dayak (Indonesia) . 217 Alina Utkina (Russia, Moscow) . 399 Asamanj Maiti (India, Chinsurah) . 229 Dima Brave (Belarus, Minsk) . 290 Abdul Hameed (Sri Lanka, Colombo) . 433 Ali Nejatbakhsh (Iran, Esfahan) . .33 432 Ashraful Islam Shimul (Bangladesh, Pabna) . 448 449 Dimpy Bhalotia (India, Mumbai) . 15 231 Abdullah Hil Kafi (Bangladesh, Dhaka) . 229 Alireza Jahangiri Manesh (Iran, Tehran) . 230 Asif Mahmud Shuvro (Bangladesh, Dhaka) . 233 Dina Molokoma (Ukraine, Herson) . 386 Abhinav Chitransh (India, Varanasi) . 242 Alireza Khazaei (Iran, Nowshahr) . 51 Asya Molochkova (Russia, Novosibirsk) . 375 Dineeva Anna (Russia, Orenburg) . 257 Achintya Adhikari (India, Kolkata) . 219 Alireza Sahebi (Iran, Tehran) . 380 A . Tamboly (Germany, Berlin) . 51 Dipak Kumar Dey (India, Kolkata) . 16 Adil Kuandykov (Kazakhstan, Almaty) . 93 Alisa Avci (Turkey, Istanbul) . 426 Aung Ya (Myanmar, Yangon) . 96 Dipankar Paul (India, Kolkata) . 461 Aeromast (Ukraine, Vishnevoe) . 192 194 Alisa Chepurina (Russia, Ekaterinburg) . 236 Avanesova Inga (Armenia, Yerevan) . 347 Dipesh Shrestha (Nepal, Kathmandu) . 437 Afif Allahma Farabi (Bangladesh, Dhaka) . 230 Alla Korg (Russia, Moscow) . 491 Aws Zuhair (Malaysia, Kajang) . 336 342 Djeirana Sauleac (Moldova, Kishinev) . 132 Afshin Azarian (Iran, Esfahan) . 72 Alla Sokolova (France, Antibes) . 10 433 445 Ayala Fishaimer (Israel, Gane Tal) . 149 Dmitri Rogozhkin (Russia, Moscow) . 180 181 401 Agata Powers (United States) . 120 Alla Triplik (Israel, Tel Aviv) . 124 Ayaz Mikayilzadeh (Azerbaijan, Baku) . 504 Dmitriy (Russia, Krasnodar) . 463 Agatha Karaseva (Russia, Chita) . 451 Altan Gokcek (Turkey, Adana) . 449 Azamat Zhanisov (Kazakhstan, Astana) . 398 Dmitry Arhar (Russia, Ekaterinburg) . 287 Agnieszka Florczyk (Poland, Krakow) . 154 Alvaro Perez (Spain) . 351 Azart Travel (Russia, Moscow) . 472 Dmitry Arkhipov (Russia, Moscow) . 297 Agus Wahyudi (Indonesia, Palangka Raya) . 216 Alvaro Sanchez Jimenez (Spain, Candeleda) . 339 Azat (Turkmenistan, Ashhabad) . 118 Dmitry Fisenko (Russia, Tuapse) . 453 Ahmed Alsammar (Iraq, Baghdad) . 18 Alyona Panevina (Ukraine, Dnepr) . 289 Babak Mehrafshar (Iran, Isfahan) . 29 Dmitry Girev (Russia, Sankt-Peterburg) . 392 Ahmed (Oman, Fanjah) . 473 Amina Donskaya (Chile, Santiago) . 130 Babintseva Maria (Russia, Moscow) . 252 Dmitry Kolpakov (Russia, Murom) . 287 Aidong Ning (United States, San Jose) . 343 Amin Mahdavi (Iran, Rasht) . 21 55 Baglar Hasan (Cyprus, Nicosia) . 212 Dmitry Kuznetsov (Russia, Penza) . 203 Ajar Setiadi (Indonesia, Bogor) . 147 168 201 Amirhossein Naghian (Iran, Tehran) . 85 189 Bahram Fayaz (Iran, ardabil) . 75 Dmitry Leonov (Russia, Moscow) . 477 Ajit Kulkarni (India, Nagpur) . 157 Amir Tourang (Iran, Hormozgan) . 241 Bao Son Nguyen (Viet Nam) . 114 Dmitry Petryaev (Russia, Tolyatti) . .56 275 Albert Dobrin (Romania, Craiova) . 48 Amit Ghosh (India, Kolkata) . 431 Barbad Rahnama (Iran, Shiraz) . 195 Dmitry Posevich (Russia, Domodedovo) . 166 Albert Lesnoy (Ukraine, Harkov) . 293 Amjad Akib (Bangladesh, Dhaka) . 461 Barmina Anastasiya (Russia, Ekaterinburg) . 119 Dmitry Saltykov (Russia, Moscow) . 175 Albert Zagirov (Russia, Ufa) . 83 Amresh Mishra (India, Indore) . 155 Bazanov Andrey (Russia, Sankt-Peterburg) . 305 Dmitry Shamin (Russia, Vsevolozhsk) . 455 Alden Globo (Philippines, Naga City) . 243 Anastasia Kolesnikova (Russia, Voronezh) . 86 Bego Amare (Spain, Madrid) . 378 Dmitry Trishin (Russia, Velikiy Novgorod) . 283 Aleksandr Abrosimov (Estonia, Tallinn) . 154 Anastasia Kuchina (Russia, Nizhniy Novgorod) . 126 Behnam Nasri (Iran, Esfahan) . 9 Dmitry Usanin (Russia, Moscow) . 116 Aleksandra Kirievskaya (Russia, Magnitogorsk) . 389 Anastasia Mazureva (Russia, Moscow) . 74 Belozerov Andrey (Russia, Abakan) . 7 Dmitry Varlamov (Russia, Novosibirsk) . 395 Aleksandr Karyagin (Azerbaijan, Baku) . 9 Anastasiia Usoltceva (Russia, Kaliningrad) . 80 Berg Darya (Russia, Sankt-Peterburg) . 364 Dmitry Viliunov (Russia, Smolensk) . 153 Aleksandr Arbekov (Russia, Moscow) . 81 91 Anastasiya Dobrovolskaya (Russia, Moscow) 387 506 Ber Greco (Argentina, La Plata) . 194 Dragan Prole (Bosnia And Herzegovina) . 26 Aleksandr Atoyan (Russia, Sankt-Peterburg) . 92 Anastasiya Tordua (Russia, Sankt-Peterburg) . 415 Bertran Oaro (France, Saint Joseph) . 35 Dr Chandrashekhar Shirur (India, Hubli) . 171 Aleksandr Fedosov (Russia, Korolev) . 323 Anatolich (Russia, Krasnoyarsk) . 203 Bieganski Patryk (Poland, Krakow) . 327 Dung Nguyen Tien (Viet Nam, Ho Chi Minh) . 307 Aleksandr Filippov (Russia, Sankt-Peterburg) . 190 Anatoly Makoedov (Russia, Yuzhno Sahalinsk) . 143 Bimo Pradityo (Indonesia, Yogyakarta) . 448 Dzintra Zvagina (Latvia, Elgava) . 449 Aleksandr Gubarev (Russia, Smolensk) . 456 Anders Brakestad (Norway, Tromso) . 80 Bobby Kostadinov (Bulgaria, Sofia) . 285 Dzung Tran (Viet Nam, Ho Chi Minh) . 94 325 329 Aleksandr Hazov (Russia, Ivanovo) . 406 Andi Abdul Halil (Indonesia, Karawang) . 202 Boris Bekelman (Israel, Yoqneam) . 86 Eddie Adamov (Bulgaria, Sofia) . 318 Aleksandr Hvozd (Belarus, Minsk) . 221 Andrea Celli (Italy, Florence) . 330 Botas Bogdan (Romania, Ocna-Mures) . 503 Eduard Gorobets (Estonia, Tallinn) . 352 Aleksandr Koviazin (Russia, Armavir) . 180 Andrei Ionut Dascalu (Romania, Slatina) . 346 Brigitte Bourger (France, Papapa) . 302 Eduard Suleimanov (Israel, netanya) . 494 Aleksandr Kurennoi (Russia, Yaroslavl) . 382 Andrei Mikhailov (Russia, Sankt-Peterburg) . 74 Buddhadeb Adhikary (India, naihati) . 460 Edwin Loyola (Philippines, Manila) . 240 Aleksandr Lishchinskiy (Ukraine, Kiev) . 266 269 Andrew Senkevich (Russia, Moscow) . 45 Budi Rahardi (Indonesia, Cirebon) . 11 Egle Ellerman (Denmark, Vadum) . 291 Aleksandr Maiorov (Ukraine, Kropivnitskiy) . 453 Andrew Shapovalov (Belarus, Grodno) . 207 209 Busygina Ekaterina (Russia, Moscow) . 72 Egorova Natalya (Russia, Moscow) . 38 Aleksandr Makeev (Russia, Abakan) . 139 Andrew Vasiliev (Russia, Krasnodar) . 292 425 Buzmakov Nikolay (Russia, Perm) . 317 Egor Tetyushev (Moldova, Kishinev) . 50 407 Aleksandr Maksin (Russia) . 313 Andrew Yurchuk (Russia, Sankt-Peterburg) . 233 Camallonga Emmanuelle (France) . 163 Egveny (Canada, Calgary) . 323 Aleksandr Markelov(Russia, Sergiev Posad) . 160 Andrey Belavin (Russia, Moscow) . 83 Carlo Cinthi (Italy, Milan) . 152 Ekaterina Lapatey (Belarus, Minsk) . 117 Aleksandr Meln (Russia, Moscow) . 295 Andrey Bortnikov (Russia, Nizhniy Tagil) . 263 Carlos Andre Silva Antunes (Portugal, Lisbon) . 469 Ekaterina Podlegaeva (Russia) . 414 Aleksey Burcev (Russia, Tolyatti) . 499 Andrey Goryunov (Russia, Simferopol) . 341 Carlos Santero (Spain, Palleja) . 170 Ekaterina Sitnikova (Russia, Kazan) . 402 Aleksey Dovgulya (Russia, Moscow) . .504 506 Andrey Konopelko (Ukraine, Kiev) . 376 Cassandra Jones (Canada, Grande Prairie) . 108 Ekaterina Solomatina (Russia, Omsk) . 413 Aleksey Malikov (Russia, Magnitogorsk) . 386 Andrey Lobodin (Russia, Stavropol) . 396 Catalin Eremia (Romania, Pitesti) . 186 Ekaterina Vasyagina (Russia, Moscow) . 344 Aleksey Maratov (Russia, Novosibirsk) . 282 Andrey Maksimov (Russia, Moscow) . 473 Chandrashekar K (India, Bengaluru) . 151 Ekaterina Zaechkovskaya (Kazakhstan, Almaty) . 193 Aleksey Vasilev (Russia, Murmansk) . 350 Andrey Markelov (Russia, Moscow) . 82 Chee Keong Lim (Malaysia, Bentong) . 43. 107 Elena Bogdanova (Russia, Sankt-Peterburg) . 65 Aleksey Yakovlev (Russia, Krasnodar) . 474 Andrey Narchuk (Russia, Moscow) . 162 218 Chegarovskaya Dasha (Moldova, Kishinev) . 176 178 Elena Kozlova (Russia, Moscow) . 118 Alena Aleshkevich (Belarus, Minsk) . 127. 411 Andrey Nikolaev (Russia, Sankt-Peterburg) . 77 Cheraghchi Bazar Mehran (Iran, Tabriz) . 454 Elena Lisenko (Ukraine, Dnepr) . 246 Alena Gerasimova (Russia, Krasnoyarsk) . 407 Andrey Omelyanchuk (Russia, Moscow) . 304 Chernobay Anna (Ukraine, Mariupol) . 202 Elena Lookan (Russia, Ekaterinburg) . 369 Alena Gudz (Russia, Tver) . 260 Andrey (Russia, Moscow) . 161 Chetan Verma (India, Delhi) . 457 Elena luria (Russia) . 154 Alena Volkova (Belarus, Mogilev) . 119 Andrey Savin (Russia, Sofrino 1) . 219 Chikhnyaev (Russia, Saransk) . 197 Elena Mikhailova (Russia, Moscow) . 125 Aleshchenko Sergey (Russia, Moscow) . 479 Andrey Trifonov (Bulgaria, Plovdiv) . 76 Chinmoy Biswas (India, Kolkata) . 38 Elena Mironova (Russia, Nizhniy Novgorod) . 103 406 Alesya Osadchaya (Russia, Moscow) . 39 Andrey Vahrushew (Latvia, Riga) . 277 Chistyakov Vyacheslav (Russia, Omsk) . 389 Elena Pakhalyuk (Russia, Sevastopol) . 312 Alexander Drobkov (Russia, Volgograd) . 368 Andrey Yudin (Russia, Samara) . 185 Chornyi Aleksandr (Ukraine, Korostishev) . 204 Elena Rubinskaya (Russia, Kostroma) . 263 Alexander Ippolitov (Russia, Irkutsk) . 345 478 Andrii Chuiashenko / Seencleyr (Ukraine, Kiev) . 477 Chowdhury Shirshendu(India, Kolkata) . 30 Elena (Russia, Zhukovskiy) . 251 Alexander Kalinin (Russia, Moscow) . 378 Andy Golov (Russia, Voronezh) . 246 247 Christopher Piffel (Austria, Vienna) . 165 Elena Saiapina (Ukraine, Kiev) . 496 Alexander Khitrov (Russia, Vladivostok) . 372 Andy Seliverstoff (Russia, Sankt-Peterburg) . 130 Chuan Teik Heng (Malaysia, Petaling Jaya) . 232 Elena Shinkareva (Belarus, Mogilev) . 419 Alexander Khromeev (Ukraine, Mariupol) . 261 Angelina Egorova (Russia, Vladivostok) . 498 Constantin Shestopalov (Russia) . 272 Elena Silnitskaia (Russia, Sankt-Peterburg) . 142 Alexander Makushin (Russia, Ivanovo) . 199 Aniket
Load more

Recommended publications
  • Vi Saint Petersburg International New Music Festival Artistic Director: Mehdi Hosseini
    VI SAINT PETERSBURG INTERNATIONAL NEW MUSIC FESTIVAL ARTISTIC DIRECTOR: MEHDI HOSSEINI 21 — 25 MAY, 2019 facebook.com/remusik.org vk.com/remusikorg youtube.com/user/remusikorg twitter.com/remusikorg instagram.com/remusik_org SPONSORS & PARTNERS GENERAL PARTNERS 2019 INTERSECTIO A POIN OF POIN A The Organizing Committee would like to express its thanks and appreciation for the support and assistance provided by the following people: Eltje Aderhold, Karina Abramyan, Anna Arutyunova, Vladimir Begletsov, Alexander Beglov, Sylvie Bermann, Natalia Braginskaya, Denis Bystrov, Olga Chukova, Evgeniya Diamantidi, Valery Fokin, Valery Gergiev, Regina Glazunova, Andri Hardmeier, Alain Helou, Svetlana Ibatullina, Maria Karmanovskaya, Natalia Kopich, Roger Kull, Serguei Loukine, Anastasia Makarenko, Alice Meves, Jan Mierzwa, Tatiana Orlova, Ekaterina Puzankova, Yves Rossier, Tobias Roth Fhal, Olga Shevchuk, Yulia Starovoitova, Konstantin Sukhenko, Anton Tanonov, Hans Timbremont, Lyudmila Titova, Alexei Vasiliev, Alexander Voronko, Eva Zulkovska. 1 Mariinsky Theatre Concert Hall 4 Masterskaya M. K. Anikushina FESTIVAL CALENDAR Dekabristov St., 37 Vyazemsky Ln., 8 mariinsky.ru vk.com/sculptorstudio 2 New Stage of the Alexandrinsky Theatre 5 “Lumiere Hall” creative space TUESDAY / 21.05 19:00 Mariinsky Theatre Concert Hall Fontanka River Embankment 49, Lit A Obvodnogo Kanala emb., 74А ensemble für neue musik zürich (Switzerland) alexandrinsky.ru lumierehall.ru 3 The N. A. Rimsky-Korsakov 6 The Concert Hall “Jaani Kirik” Saint Petersburg State Conservatory Dekabristov St., 54A Glinka St., 2, Lit A jaanikirik.ru WEDNESDAY / 22.05 13:30 The N. A. Rimsky-Korsakov conservatory.ru Saint Petersburg State Conservatory Composer meet-and-greet: Katharina Rosenberger (Switzerland) 16:00 Lumiere Hall Marcus Weiss, Saxophone (Switzerland) Ensemble for New Music Tallinn (Estonia) 20:00 New Stage of the Alexandrinsky Theatre Around the Corner (Spain, Switzerland) 4 Vyazemsky Ln.
    [Show full text]
  • Gp 3.Qxt 7/14/17 2:07 PM Page 1 Page 4
    07-26 Taming Shrew v9.qxp_Gp 3.qxt 7/14/17 2:07 PM Page 1 Page 4 Lincoln Center Festival lead support is provided by American Express July 26–30 David H. Koch Theater Bolshoi Ballet Ballet Director Makhar Vaziev The Taming of the Shrew Ballet in two acts Choreography Jean-Christophe Maillot Music Dmitri Shostakovich Set Design Ernest Pignon-Ernest Costume Design Augustin Maillot Lighting and Video Projection Design Dominique Drillot New York City Ballet Orchestra Conductor Igor Dronov Approximate running time: 1 hours and 55 minutes, with one intermission This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Made possible in part by The Harkness Foundation for Dance. Endowment support for the Lincoln Center Festival 2017 presentation of The Taming of the Shrew is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2017 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. The Bolshoi Theatre gratefully acknowledges the support of its General Sponsor, Credit Suisse. 07-26 Taming Shrew.qxp_Gp 3.qxt 7/18/17 12:10 PM Page 2 LINCOLN CENTER FESTIVAL 2017 THE TAMING OF THE SHREW Wednesday, July 26, 2017, at 7:30 p.m. The Taming of the Shrew Katharina: Ekaterina Krysanova Petruchio: Vladislav Lantratov Bianca: Olga Smirnova Lucentio: Semyon Chudin Hortensio: Igor Tsvirko Gremio: Vyacheslav Lopatin The Widow: Yulia Grebenshchikova Baptista: Artemy Belyakov The Housekeeper: Yanina Parienko Grumio: Georgy Gusev MAIDSERVANTS Ana Turazashvili, Daria Bochkova, Anastasia Gubanova, Victoria Litvinova, Angelina Karpova, Daria Khokhlova SERVANTS Alexei Matrakhov, Dmitry Dorokhov, Batyr Annadurdyev, Dmitri Zhuk, Maxim Surov, Anton Savichev There will be one intermission.
    [Show full text]
  • Acting Relations, Mapping Positions Part I: the Individual HOW to GATHER Acting Relations, Mapping Positions
    Kunsthalle Wien Acting Relations, Mapping Positions Part I: The Individual HOW TO GATHER Acting Relations, Mapping Positions 3 21 Bart De Baere, Defne Ayas, Keren Cytter — Nicolaus Schafhausen — Note From Bed Background 23 9 Hanne Lippard — Marie Egger — Here’s it Editorial 25 Sergey Bratkov — Predictions on the Moon 33 Liam Gillick — Letters from Moscow 43 Li Mu — The Labourer 63 Ho Tzu-Nyen and Lee Weng-Choy — Curation is Also a Form of Transportation 77 Lee Weng-Choy — Three Degrees of Intimacy 81 Meggy Rustamova — Waiting for the Secret (Script) 85 Johanna van Overmeir — Janus 88 Janus Faced Freedom Marina Simakova Part II: In Relation Part III: Political Gestures HOW TO GATHER Acting Relations, Mapping Positions 89 119 176 225 Peter Wächtler — Mián Mián and Konstantin Zvezdochotov — Anna Jermolaewa and Leather Man / Woman of Nicolaus Schafhausen — About Ezgin Altinses Vanessa Joan Müller — the Bistro Talkshow Political Extras 180 104 131 Inventing Ritual 237 Jimmie Durham — Communicative Failures Leon Kahane — A Stone and Defeats 186 Figures of Authority Andrey Shental Gabriel Lester — 108 MurMure 243 Donna Kukama — 132 Nástio Mosquito — The Cemetery for Bad Honoré δ’O and 195 SOUTH Behaviours Fabrice Hyber — Honoré δ’O — Telepathic Protocol The Ten Commandments 246 114 Saâdane Afif — On Intimacy 137 215 Play Opposite Maria Kotlyachkova, Nadia Qiu Zhijie — Vaast Colson — Gorokhova Map of the Third World Ten Side Notes as Warm Up 250 Rana Hamadeh — 140 219 Performance Script Augustas Serapinas — Andrey Kuzkin — Conversation Behind
    [Show full text]
  • Energy in Good Hands
    Energy in Good Hands Annual report of Interregional distribution Grid company of Centre Joint-stock company For 2010 Preliminary approved by the Board of Directos of IDGC of Centre, JSC Minutes No. 11/11 of May 06, 2011 General Director of IDGC Director for Accounting Policies, of Centre, JSC Chief Accountant of IDGC of Centre, JSC D.O. Gudzhoyan S.Yu. Puzenko Table of Contents addrEss of THE CHairman of THE board of dirECTors To sHarEHoldErs and invEsTors 4 addrEss of THE GEnEral dirECTor To sHarEHoldErs and invEsTors 6 1. KEY indiCaTors 13 2. bUsinEss sUmmarY 17 Background 17 Present 18 Future 21 3. informaTion for sHarEHoldErs and invEsTors 25 Milestones for the Year 2010 25 Events Occurring After the Reporting Date 30 Stock Market 32 Dividends 35 Share Capital 36 Corporate Governance 40 Risks 72 4. sTraTEGY 81 5. dEsCripTion of bUsinEss 89 Market 89 Key activities 93 Electric Power Transmission 93 Technological Connections 99 Other Activities 102 Long-Term Development Program 104 6. inTrodUCTion of rab 109 7. finanCial pErformanCE 117 Profit and Loss Statement 117 Capital Structure 118 Basic Ratios 120 Information on the Credit Ratings of the Company 121 8. invEsTmEnTs and INNOVATions 125 Investments 125 Innovation Activities 139 Information Technologies 143 9. soCial rEsponsibiliTY 149 Personnel 149 Environmental Policy 159 10. pUbliC rElaTions 163 CONTACTS 166 GLOSSARY 167 aUdiT CommiTTEE rEporT 173 2 TablE of ConTEnTs annexes annEX 1 RAS Financial Statements for 2010 177 annEX 2 IFRS Financial Statements for 2010 274 annEX 3 Explanation of some Performance and Financial Indicators 316 annEX 4 Summary of Accounting Policy in 2010.
    [Show full text]
  • The University of Arizona
    Erskine Caldwell, Margaret Bourke- White, and the Popular Front (Moscow 1941) Item Type text; Electronic Dissertation Authors Caldwell, Jay E. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 10:56:28 Link to Item http://hdl.handle.net/10150/316913 ERSKINE CALDWELL, MARGARET BOURKE-WHITE, AND THE POPULAR FRONT (MOSCOW 1941) by Jay E. Caldwell __________________________ Copyright © Jay E. Caldwell 2014 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2014 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Jay E. Caldwell, titled “Erskine Caldwell, Margaret Bourke-White, and the Popular Front (Moscow 1941),” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: 11 February 2014 Dissertation Director: Jerrold E. Hogle _______________________________________________________________________ Date: 11 February 2014 Daniel F. Cooper Alarcon _______________________________________________________________________ Date: 11 February 2014 Jennifer L. Jenkins _______________________________________________________________________ Date: 11 February 2014 Robert L. McDonald _______________________________________________________________________ Date: 11 February 2014 Charles W. Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College.
    [Show full text]
  • BALLET DU THÉÂTRE BOLCHOI Directeur Général Du Théâtre Bolchoï - Vladimir Urin Directeur Du Ballet Du Théâtre Bolchoï - Sergei Filin
    1 2 DÉCEMBRE La programmation 2014-2015 illustre avec force cette idée, chère aux Ballets de Monte-Carlo et à son Directeur Jean-Christophe Maillot, que tous les styles de danse peuvent se côtoyer. Cette année encore, la Compagnie des Ballets de Monte-Carlo, le Monaco Dance Forum et l’Académie Princesse Grace œuvreront de concert pour faire de la Principauté un lieu dédié à l’art chorégraphique et un espace de liberté unique en son genre. La saison proposera une palette de couleurs la plus large possible. Cette année les touches de couleurs s’appelleront Sidi Larbi Cherkaoui, Emanuel Gat, Maguy Marin, Le Bolchoï, Le Béjart Ballet Lausanne, le Tokyo Ballet, parmi tant d’autres… Après une mise en bouche offerte par Les Imprévus fin octobre, le mois de décembre 2014 sera particulièrement généreux avec un Monaco Dance Forum qui fera converger vers le Rocher une pléiade de compagnies et de chorégraphes internationaux. Cette fin d’année verra d’abord la présentation d’une création poignante de Sidi Larbi Cherkaoui et de Yabin Wang où se rencontrent Orient et Occident. Le rêve se prolongera avec un spectacle en apesanteur de Mélissa Von Vépy, évoluant dans les airs telle une marionnette suspendue à des fils. Maguy Marin reviendra sur la scène du Grimaldi Forum avec une création qui ne manquera pas de nous transformer en nous interrogeant sur le rythme de la vie et ses possibles devenirs. La Compagnie La Veronal nous entrainera ensuite au cœur de la Renaissance toscane pour un ballet dense aux accents pasoliniens sur le corps et la matière humaine.
    [Show full text]
  • Königsberg–Kaliningrad, 1928-1948
    Exclave: Politics, Ideology, and Everyday Life in Königsberg–Kaliningrad, 1928-1948 By Nicole M. Eaton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, chair Professor John Connelly Professor Victoria Bonnell Fall 2013 Exclave: Politics, Ideology, and Everyday Life in Königsberg–Kaliningrad, 1928-1948 © 2013 By Nicole M. Eaton 1 Abstract Exclave: Politics, Ideology, and Everyday Life in Königsberg-Kaliningrad, 1928-1948 by Nicole M. Eaton Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair “Exclave: Politics, Ideology, and Everyday Life in Königsberg-Kaliningrad, 1928-1948,” looks at the history of one city in both Hitler’s Germany and Stalin’s Soviet Russia, follow- ing the transformation of Königsberg from an East Prussian city into a Nazi German city, its destruction in the war, and its postwar rebirth as the Soviet Russian city of Kaliningrad. The city is peculiar in the history of Europe as a double exclave, first separated from Germany by the Polish Corridor, later separated from the mainland of Soviet Russia. The dissertation analyzes the ways in which each regime tried to transform the city and its inhabitants, fo- cusing on Nazi and Soviet attempts to reconfigure urban space (the physical and symbolic landscape of the city, its public areas, markets, streets, and buildings); refashion the body (through work, leisure, nutrition, and healthcare); and reconstitute the mind (through vari- ous forms of education and propaganda). Between these two urban revolutions, it tells the story of the violent encounter between them in the spring of 1945: one of the largest offen- sives of the Second World War, one of the greatest civilian exoduses in human history, and one of the most violent encounters between the Soviet army and a civilian population.
    [Show full text]
  • Research News
    MAY 2011 Research News DEPARTMENT OF MUSIC CENTRE FOR CONTEMPORARY MUSIC CULTURE CENTRE FOR RUSSIAN MUSIC ELECTRONIC MUSIC STUDIOS AFGHAN MUSIC UNIT UNIT FOR SOUND PRACTICE RESEARCH POPULAR MUSIC RESEARCH UNIT image: Cardew ‘Treatise’ © Hinrichsen/Peters London FROM THE DIRECTOR OF RESEARCH In past issues of Research News I have referred Evaluation will be conducted through a to the Research Excellence Framework (REF) panel structure, and for the first REF the used to audit and evaluate university research previous RAE panel structure has been outputs, grading departments and dis- rationalized. Music will be submitted to a ciplinary areas according to a scale that will panel, and then within this to a sub-panel. determine the allocation of research funding The main panel will oversee the operations of (which will be concentrated in ‘research- the sub-panels, ensuring that criteria are being intensive institutions’). In the Research applied fairly and consistently across different Assessment Exercise 2008 the College was sub-panels. The main panel will then co- ranked at 34. The College’s aim is to be placed ordinate and become involved in the within the top 30 in the REF. Hence, the REF production of the final report. The main panel has an economic significance, in terms of for the Music Department is Panel D, chaired College and Depart-mental income, and a by Professor Bruce Brown, Professor of symbolic value, in terms of prestige and Design at the University of Brighton. The full ranking against other departments and constitution of the panel can be found at institutions. Since the last edition of Research www.hefce.ac.uk/research/ref/panels.
    [Show full text]
  • MOSCOW FORUM X Festival for Contemporary Music
    MOSCOW FORUM X Festival for Contemporary Music 1. TEN STEPS OF THE “FORUM” The beginning of the nineties […] A time when everything was possible. Some people opened up businesses, some people went into the government, whereas some people deviated from their professions. There was a mass exodus of composers to the West, comparable only to a similar exodus during the post-revolutionary years in Russia or to the situation in Germany during the 1930s. Here is an incomplete list of only Moscow- based composers who have left the country during that period: Alfred Schnittke, Sophia Gubaidulina, Vassily Lobanov and Alexander Raskatov moved to Germany, Elena Firsova, Dmitri Smirnov and Vladislav Shoot ended up in England, Leonid Hrabovsky moved to America and Nikolai Korndorf – to Canada, while Edison Denisov was compelled to relocate to France for medical treatment after a car accident. Following them, many younger composers, not being greatly on demand in their native land, go away in search for success to other countries more suitable for their professions. “A whole musical culture has left Russia” – this is how prof. Yuri Kholopov characterized the situation in one of the musicological conferences. Amid this cultural debris politicians were searching for a new national idea, economists were seeking a new life-saving economic model, while the average people in the street were scrambling together the means for a basic livelihood. “The tongue-less street is squirming – it has nothing by means it could scream of converse” – these lines by Mayakovsky had acquired a similar topicality in Russia at the end of the previous century as they had during the revolutionary years.
    [Show full text]
  • Johann Sebastian Bach (1685 – 1750) T T : 6 3
    SMC CD 0239 DDD/STEREO Johann Sebastian Bach (1685 – 1750) T T : 6 3 . 0 6 Ad Wammes (b. 1953) 1 Chorale “Jesus bleibet meine Freude” 12 “Twilight” for Harp and Organ (2016) 6.46 from the Cantata No. 147 “Herz und Mund und Tat und Leben”, BWV 147 3.01 John Thomas (1826 – 1913) & Julius Benedict (1804 – 1885) after transcription for Piano by Myra Hess 13 Duet for Harp and Piano on subjects from Gounod's “Faust” 9.13 Marcel Tournier (1879 – 1951) Jacques Offenbach (1819 – 1880) Four Preludes for Harp, op. 16 transcription for Harp and Organ by Olesya Kravchenko and Nadya Sergeeva 14 Barcarolle from the opera “Les contes d'Hoffmann” 2.33 transcription for Harp and Organ by Andrea Borgatti Schirinzi 2 1. Tranquille 1.48 3 2. Pas trop vite 1.19 4 3. Lent 2.07 Olesya Kravchenko, organ 5 4. Allegretto 2.02 Nadya Sergeeva, harp (–1 5 , 9 –)14 Jesus Guridi (1886 – 1961) Triptych of the Good Shepherd for Organ solo (1953) Live at Small Hall of the Moscow Tchaikovsky conservatory 6 1. “The Flock” 3.41 January 26, 2018 7 2. “The Lost Sheep” 4.32 8 3. “The Good Shepherd” 6.04 Isaac Albeniz (1860 – 1909) Sound Director: Svetlana Spasskaya Mastering: Svetlana Spasskaya From Suite Espa ola, op. 47: Engineer: Alexey Meschanov transcription for ñHarp and Organ by Olesya Kravchenko and Nadya Sergeeva Cover Illustration: Vladimir Kush 9 No. 1. Granada – Serenata 5.16 Design: Maxim Kompaneets 10 No. 8. Cuba – Capricho 4.35 Translation: Maria Lastochkina Cesar Franck (1822 – 1890 ) Executive producer: Eugene Platonov 11 Pr lude, Fugue et Variation in B minor, op.
    [Show full text]
  • Doing Agricultural Business in Ukraine: Legal Aspects 2016
    DOING AGRICULTURAL BUSINESS IN UKRAINE: LEGAL ASPECTS 2016 INTRODUCTION Agriculture is one of the most attractive sec- agriculture (including in the areas of veteri- tors of the Ukrainian economy. According to nary, agro-chemicals, livestock, food products, the Ministry of Agrarian Policy and Food of fisheries, use of natural resources), powers Ukraine, agriculture provides 14% of the total of certain state authorities were limited, risks GDP of Ukraine. Exports of agricultural sector of corruption were reduced, simplification of in 2015 amounted to USD 14.6 billion, repre- registration procedures for water use, as well senting the unprecedented 38.2% of Ukraine's as turnover of fertilizers and plant protection total exports. Last year the agricultural sector products were implemented, etc. attracted over one billion USD of investment. There are over 3 million people employed in ag- In this brochure, we provide an overview of the ricultural industry, which constitutes more than legal regulations applicable to agribusiness, 17% of all employed persons in Ukraine. including legislative framework for sale and purchase and lease of agricultural land, various Given the importance of this sector to the state, aspects of employment relations and taxation there were significant changes in legislation regime, etc. Our publication will be helpful for regulating economic activity in the agricultural potential agriculture investors, agriculture-ori- industry in 2015. The primary objective of these ented producing and processing enterprises changes was to simplify doing business in the and other persons interested in the Ukrainian agricultural sector. agriculture sector. In particular, more than twenty licensing pro- cedures were cancelled and some other man- Truly yours, datory licenses and permits were revised in DLF attorneys-at-law February 2016 DLF attorneys-at-law Torus Business Centre | 17 d Hlybochytska Street | 04050 Kyiv, Ukraine | www.DLF.ua | [email protected] | T +380 44 384 24 54 TABLE OF CONTENTS 1.
    [Show full text]
  • Social Sciences
    RUSSIAN ACADEMY OF SCIENCES S OCIAL S CIENCE S VOLUME 49 NUMBER 1, 2018 CONTENTS In This Issue 1 FOCUS ON RUSSIA Archaic Paternalism as an Organic Part of the “Power-Property” System N. Pliskevich 3 Income Stratification in Russia in Comparison with Other Countries N. Tikhonova 18 Departures from the Civil Nation in Russia and in the West: Similarities and Differences E. Pain, S. Fedyunin 35 ESSAYS Historical-Scientific Reconstructions: Pluralism and Cumulative Continuity in the Development of Scientific Knowledge V. Stepin 58 The Misfortune of Tradition, or Why Tradition Needs to Be Protected from Traditionalists S. Horujy 69 Britain and the February 1917 Revolution in Russia (based on British archival records) E. Sergeev 87 Literature in the Soviet School as an Everyday Ideology E. Ponomarev 105 BOOK REVIEW Human Sciences as a Vocation and Profession I. Dementev 125 (Reviewed book: Human Sciences: The History of Disciplines. Moscow, 2015) ACADEMIC LIFE Academic Journals 146 In This Issue 1 In This Issue: N. Pliskevich: “As a country of ‘catch-up development,’ Russia has repeatedly attempted to quickly make up for lost ground in the military-political sphere, which our rulers over the centuries have seen as the most important one for strength- ening the state. Reforms ... are usually implemented by means of mobilization drives and are not accompanied by institutional or sociocultural changes... the technical and organizational innovations required by the power elites are introduced by methods customary for an outdated system.” N. Tikhonova: “Russia still identifies its poor the way the developing coun- tries do, although the official living wage and the perception of poverty in Rus- sian society indicate that in this respect it is more likely in the category of ad- vanced countries.” E.
    [Show full text]