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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Dennis Potter: an Unconventional Dramatist
Dennis Potter: An Unconventional Dramatist Dennis Potter (1935–1994), graduate of New College, was one of the most innovative and influential television dramatists of the twentieth century, known for works such as single plays Son of Man (1969), Brimstone and Treacle (1976) and Blue Remembered Hills (1979), and serials Pennies from Heaven (1978), The Singing Detective (1986) and Blackeyes (1989). Often controversial, he pioneered non-naturalistic techniques of drama presentation and explored themes which were to recur throughout his work. I. Early Life and Background He was born Dennis Christopher George Potter in Berry Hill in the Forest of Dean, Gloucestershire on 17 May 1935, the son of a coal miner. He would later describe the area as quite isolated from everywhere else (‘even Wales’).1 As a child he was an unusually bright pupil at the village primary school (which actually features as a location in ‘Pennies From Heaven’) as well as a strict attender of the local chapel (‘Up the hill . usually on a Sunday, sometimes three times to Salem Chapel . .’).2 Even at a young age he was writing: I knew that the words were chariots in some way. I didn’t know where it was going … but it was so inevitable … I cannot think of the time really when I wasn’t [a writer].3 The language of the Bible, the images it created, resonated with him; he described how the local area ‘became’ places from the Bible: Cannop Ponds by the pit where Dad worked, I knew that was where Jesus walked on the water … the Valley of the Shadow of Death was that lane where the overhanging trees were.4 I always fall back into biblical language, but that’s … part of my heritage, which I in a sense am grateful for.5 He was also a ‘physically cowardly’6 and ‘cripplingly shy’7 child who felt different from the other children at school, a feeling heightened by his being academically more advanced. -
@Mongrelmedia Mongrelmedia
Presents NARCOPOLIS A film by Justin Trefgarne (96 min., UK, 2015) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia 1 N a R c o p o l I s __________________________________________________ TSquared Films’ “Narcopolis” is the debut feature film of writer-director Justin Trefgarne. 2022: London. The world’s economic outlook is still precarious and to appease a restless population the authorities have decriminalised all classes of recreational drugs. The ‘Drecks’ are an elite unit created by an over- stretched police force to keep the black market dealers off the streets and the licensed drug companies rich. Dreck and recovering addict Frank Grieves is called to investigate an unidentifiable corpse out in the Kindle District, an industrial wasteland beyond the teeming Central City. The victim had been injected through the eye socket with a substance that cannot be traced on any of the licenced databases. As he starts to dig deeper, Grieves soon suspects that Ambro, the largest and most profitable of all the licensed drugs companies, is behind the new, experimental drug. When his superiors promptly warn him off any further investigation, Grieves soon learns that Ambro’s influence runs deep within the establishment. Nonetheless, Grieves returns to the crime scene for another look, where he discovers a young woman being attacked by a masked assailant. Grieves fails to apprehend the attacker, but soon learns that the young woman, Eva, has also been using this mysterious drug. -
Friday 17 – Sunday 26 November 2017
Friday 17 – Sunday 26 November 2017 www.foylefilmfestival.org WELCOME Welcome to the Foyle Film Festival – yes it is THAT time of year again. But this is an extra special time for the festival as it celebrates its 30th year. The programme has increased to 10 days in order to celebrate this milestone birthday in style with a jam-packed programme of screenings and special guest events. The festival launches with the Northern Ireland Premiere of Battle Of The Sexes – the true story of the famous tennis match between women’s world champion Billie Jean King (Emma Stone) and ex–men’s champion Bobby Riggs (Steve Carell). The event became one of the most popular televised sports events of all time. The Closing Night film is The Man Who Invented Christmas and recounts how Charles Dickens (Dan Stevens) created Ebenezer Scrooge (Christopher Plummer), Tiny Tim and other classic characters from A Christmas Carol. Other highlights include the Shorts To Features Conference with special guest Jim Sheridan in conversation about his long and distinguished career. Jim Sheridan will also introduce a special screening of My Left Foot in Brunswick Moviebowl. The cult movie Withnail And I shares Foyle Film Festival’s 30th birthday celebrations this year, and the festival programme includes a special screening with Richard E. Grant in attendance to talk about this hilarious classic and his career in the film industry. The festival pays tribute to the late Sam Shepard with a screening of Days Of Heaven. In a special event following the screening, Stephen Rea and Judith Roddy will read from the short stories of Sam Shepard. -
Film Club Sky 328 Freesat 306 JULY 2019 Newsletter Virgin 445
Freeview 81 Film Club Sky 328 Freesat 306 JULY 2019 newsletter Virgin 445 Dear Supporters of Talking Pictures TV & Renown Pictures, Talking Pictures TV turned 4 a few weeks ago, so a jolly happy birth- day to us! Here’s to many more years of preserving film history and making sure films and series don’t get left on dusty shelves where no– one can see them! I hate to think how old Renown Pictures is now…. We had trip to Devon this month to meet the wonderful Joss Ack- land at his home. We filmed with Joss for four hours as he delighted us with childhood memories and snippets of the strange sequence of events in his life and career, I can’t say too much – so watch out for the interview that will be airing on the channel later this year. We also filmed with the wonderful Tom Owen this month, what a lovely chap, fond memories of fishing on Brighton pier with his dear dad Bill Owen and some great insights into both his and his father’s career. We have received a number of complaints from people staying in hotels around the country recently that TPTV was not available on their hotel TV set. We should be available in all hotels but sadly the management of the hotels can be very lax at completing the tuning process on their TVs. If you stay somewhere and TPTV is not available please demand they re-tune so we will be there next time – it’s amaz- ing how many people have found us while on holiday and continue to watch us when they get home! This month we bring you the wonderful Mr Pastry Collection, fully restored from the original elements WITH SUBTITLES and some exclusive snippets from Richard Hearne’s private film collection as bonus extra features. -
A Told by an Idiot and Theatre Royal Plymouth
A Told by an Idiot and Theatre Royal Plymouth production with Royal & Derngate, Northampton and Unity Theatre, Liverpool created by Told by an Idiot The Strange Tale of Charlie Chaplin and Stan Laurel was first performed on Thursday 14th November 2019 at The Drum, Theatre Royal Plymouth. DIRECTOR’S NOTE “ Without him I would never have made a film. With Keaton he was the master of us all. His work is always contemporary, yet eternal, and what he brought to the cinema and to his time is irreplaceable” Jacques Tati on Chaplin “ They made us laugh because in them we kind of saw ourselves - ridiculous, frustrated, up to our necks in trouble, but nevertheless ourselves” Danny Kaye on Laurel and Hardy At Told by an Idiot we have often been fascinated by the deconstruction of an iconic figure and the idea of creating a ‘true fantasy’ has always appealed to us. As a company who has consistently sought to inhabit the space between laughter and pain, we were intrigued to uncover a hidden and poignant chapter of comedy history. In some ways we set out to create a comically unreliable tribute to two extraordinary artists. We were determined to value fiction over fact, fantasy over reality, and shine a very unusual light on a pair of show business legends. Paul Hunter Writer and Director of The Strange Tale of Charlie Chaplin and Stan Laurel CAST Sara Alexander Films include: Tim Burton’s Sweeney Todd; Hilary & Jackie; Pianist, Hannah Chaplin (Charlie’s Mother) Susie Gold; Sherman (short); The Tales of Despereaux (cartoon); Gullivers Travels; Gli Zii (short); Muppets Most Sara is Brit-Sardinian and a graduate of the University of Wanted; Men Who Sleep in Cars. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Cathy Elliott Thesis Final Version Mar 2013
The Blackmail of Democracy: A Genealogy of British/Pakistani Democracy Promotion by Catherine Elliott A thesis submitted to University College London for the degree of Doctor of Philosophy (PhD) 1 Declaration 2 Acknowledgements Any doctoral thesis is the product of a relational, radically ordinary, experience of collaboration, talk, mutual support and sometimes rather intense emotion. I have long been grateful to Mark Ferrigan for first introducing me to the ideas of Michel Foucault and other French “theory”. I still use his explanations and examples with my students. The idea of writing about the strange business of promoting liberal democracy first came to me when talking to Jack Elden one hot night in my garden in Islamabad. I am grateful not only to him but to all my other brilliant colleagues, too numerous to name, at the British Council in Pakistan and Manchester. Particular thanks to Jo Seaman for being a great boss, as well as all my friends and colleagues in Pakistan, particularly Parveen Hasan, Rehana Sheikh, Umbreen Baig, Aalya Gloeckler, Roohi Afrooze, Javed Akhtar, Aziz Ahmed, Hajji Mohammed Akhtar, Supriya Madhavan, Zarin Khan and, above all, Asghar Soomro for showing me so much about this beautiful and fascinating country. I am also deeply grateful to the extraordinary Tomáš Daňhel for teaching me, amongst many other things, that what should be is less important than what is. David Hudson and Sherrill Stroschein at University College London gave me a huge amount of support in taking this project from an idea to a research proposal and have been brilliant supervisors throughout. -
MARK ALDRIDGE Crime Files
MARK ALDRIDGE Crime Files Series Editor Clive Bloom Professor Emeritus Middlesex University London , United Kingdom Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in com- puter games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning read- ers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/14927 Mark Aldridge Agatha Christie on Screen Mark Aldridge Film and Television Studies Southampton Solent University Southampton , United Kingdom Crime Files ISBN 978-1-349-67695-8 ISBN 978-1-137-37292-5 (eBook) DOI 10.1057/978-1-137-37292-5 Library of Congress Control Number: 2016955645 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprint- ing, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, com- puter software, or by similar or dissimilar methodology now known or hereafter developed. -
Caroline Langrishe
www.cam.co.uk Email [email protected] Address Caroline 55-59 Shaftesbury Avenue London Langrishe W1D 6LD Telephone +44 (0) 20 7292 0600 Film Title Role Director Production BOXING DAY Brenda Sykes Aml Ameen BFI Films TREMORS: ISLAND FURY Jas Don Michael Paul Living Films PLASTIC Professor Julian Gilbey Gateway Films A SECOND SON Lorraine Turner Alistar Mitchell Shooting Movies LOVE'S KITCHEN Liz James Hacking Just Nut Films KISNA Jennifer Beckett Subhash Ghai Mukta Arts ROGUE TRADER Ash Lewis James Dearden Granada Film Productions CRIMETIME Jenny Lamb George Sluizer Focus Films PARTING SHOTS Vanessa Michael Winner Schimitar Films Producers Representative HAWKS Carol Robert Ellis Miller Organization DEATH WATCH Girl in the Bar Bertrand Travernier Films A2 EAGLE'S WING Judith Anthony Harvvey Peter Shaw Productions Television Title Role Director Production Universal 1440 TREMORS (Series 7) Jas Don Michael Paul Entertainment AGATHA RAISIN (Series 3) Sheila Barr Audrey Cooke Company Pictures A CONFESSION Judge Justice Cox Paul Andrew Williams ITV MIDSOMER MURDERS Janey Rafferty Matt Carter ITV AGATHA RAISIN Shelia Barr Geoffrey Sax Sky1 DEATH IN PARADISE Laura Masters Alrick Riley BBC THE CASE Saskia David Allison Channel 4 HOLLYOAKS Judith Harper McBride Phil Redmond Channel 4 OUTNUMBERED Jenny Andy Hamilton Guy Jenkin BBC George Jeffrie / Bert Tyler - PETE VERSUS LIFE Roz Channel 4 Moore MISOMER MURDERS Susan Fincher Caroline Graham ITV Judith Leicester (semi Dominic Keavey / Niall DOCTORS BBC regular) Fraser CASUALTY Marilyn Fox (semi regular) Jeremy Brock / Paul Unwin BBC JUDGE JOHN DEED Georgina Channing Gordon Newman BBC Television TRIPPING OVER Sarah Sam Miller Channel 5 Broadcasting EGYPT Lady Canarven Ferdinand Fairfax BBC Television SONS DAUGHTERS AND LOVERS Kate Mathew Parkhill BBC Television AS IF Vyvian Sutton Brian Grant Carnival Film & Television Charlotte Cavendish (2 LOVEJOY BBC Television - series) BROTHERLY LOVE Kate Cameron Ron Bain BBC Scotland NEWBORN (TV Movie) Dr. -
Matt Wolf Meets a Hollywood Superstar
August 1997 Issue 11 £2.50 Matt Wolf meets a Hollywood Superstar The thinking man's actor Prolific, precocious, provocative Making his mark Also in this issue... 08 9771364763009 i EDITOR'S LETTER n the very first imre of Applause , Matt Wolf wrote a piece in which he com/Jared the 'softne ss' of London's theatre critics to their more bmtal New York cmm ter/Jam. As CI gro up (or 'scathe ', if yo u like ) of critics , our tolerance ratio, Wolf maintained, WdS felr highe r than Broadway's bwchers who, at the risk of reducing the number of Brnw:ltuF siln us, m any seas on, to single figure s, would blast to oblivion the equivalent of the maJ1\ h<' luw-par /nodlfctions that find their way into the Wes t End. Well, if the last re i< mrdlths are an),thing to go by, London's reviewers wmrld a/Jpear to hal'e taken \CU/,;"5oh'C'T!'llt/ons to heart. The majority of them gave the thumbs down to Terrence ,'vfc.'\'alh s mmrd-lvinninf,; Mas[er C lass, Neil Simon's The Goodbye Girl, and to the 10hn Dem p,c\-I)ana Rowe musical The Fi x - all American in ori?;in, incidentally. Marlene also hl1d 11 rOI/!;h ride from some of the more disceminf,; reviewers bw, ~mlike the first two, it has manl1!;.;:,j 0 hong in on the strength of Sian Phillips' marve llous central performance. Blood has also recentl)' bee n drawn from Always, whose critical reception was the jO/tnwlistic eqHit>aient of Rese n'Olr Dogs. -
Saluting the Classical Tradition in Drama
SALUTING THE CLASSICAL TRADITION IN DRAMA UPCOMING PRESENTATIONS BY The Shakespeare Guild IN COLLABORATION WITH The English-Speaking Union The Royal Shakespeare Company The Royal Academy of Dramatic Art The Woman’s National Democratic Club BILL ALEXANDER Monday, March 15 BILL ALEXANDER, who is putting the finishing touches on the second half of a memorable staging of Henry IV, Parts 1 and 2, for THE SHAKESPEARE THEATRE, will soon be returning to Stratford-upon-Avon, the setting in which he’s done much of his work since 1977 as one of the most versatile and successful directors for the ROYAL WOMAN’S NATIONAL SHAKESPEARE COMPANY. There he’ll begin rehearsals for a much- DEMOCRATIC CLUB anticipated King Lear with Corin Redgrave in the title part. 1526 New Hampshire NW Mr. Alexander achieved renown for a rendering of Richard III that catapulted Antony Sher to stardom in 1984. His triumphs Dinner 6:15 since then include two other RSC productions with Sir Antony, Program 7:00 Molière’s Tartuffe and Shakespeare’s The Merchant of Venice. MEMBERS $30 Meanwhile he’s given us A Midsummer Night’s Dream with NON-MEMBERS $35 Janet McTeer and Pete Postlethwaite, The Merry Wives of PROGRAM ONLY $15 Windsor, with Nicky Henson and Lindsay Duncan taking the leads in a show that garnered its director an OLIVIER AWARD, Much Ado About Nothing with Roger Allam and Susan Fleet- wood, and The Taming of the Shrew with Amanda Harris and Anton Lesser. In the autumn of 2003 Mr. Alexander directed a Titus Andronicus for the RSC which The Daily Telegraph described as “gripping” and The Guardian praised for its “somber subfusc dignity.” His 1992 Troilus and Cressida for THE SHAKESPEARE THEATRE earned critical plaudits and endeared him to a cast that responded enthusiastically to the clarity of his artistic vision.