James Norton Is Sidney Chambers

Total Page:16

File Type:pdf, Size:1020Kb

James Norton Is Sidney Chambers GRANTCHESTER RETURNS TO ITV THIS MARCH The information contained herein is strictly and wholly embargoed from all press, online and social media use, non-commercial publication, or syndication until 00.01 Tuesday 23rd February 2016 Press Release ............................................................................................................................ Pages 3 - 4 Interview with James Norton ................................................................................................... Pages 5 - 8 Interview with Robson Green ................................................................................................. Pages 9 - 12 Interview with Neil Morrissey ............................................................................................... Pages 13 - 14 EpisoDe 1 Synopses ..................................................................................................................... Pages 15 EpisoDe 2 Synopses ....................................................................................................................... Page 16 EpisoDe 3 Synopses ....................................................................................................................... Page 17 EpisoDe 4 Synopses ....................................................................................................................... Page 18 EpisoDe 5 Synopses ....................................................................................................................... Page 19 EpisoDe 6 Synopses ....................................................................................................................... Page 20 James Runcie’s Grantchester books .............................................................................................. Page 21 Press contact: Sarah Woonton – 020 715 73066/ [email protected] Picture contact: Patrick Smith - 020 715 73044 / [email protected] 2 GRANTCHESTER SERIES 2 James Norton and Robson Green return to Grantchester and Neil Morrissey also joins the cast James Norton (Happy Valley, War and Peace) reprises his role as SiDney Chambers, the charismatic, charming, crime-fighting clergyman, anD Robson Green (Strikeback, Wire In The Blood) returns as his partner in crime, Detective Inspector GeorDie Keating, in the seconD series of Grantchester, proDuced by KuDos. Neil Morrissey also joins the cast as HarDing ReDmonD, a resiDent of Grantchester anD grieving father whose teenage Daughter Abigail (Gracie Brooke) is founD DeaD in suspicious circumstances. Heartbroken anD Desperate to get to the bottom of what happened to Abigail, Harding accuses Sidney of having an inappropriate relationship with her. Sidney is DetermineD to prove his innocence but will HarDing’s accusations change the way the villagers feel about him? Tessa Peake-Jones (Marchlands, Only Fools and Horses) dons her housecoat once again as she plays SiDney’s inDomitable housekeeper Mrs Maguire. Morven Christie (Hunted, From There To Here) is back as SiDney’s glamorous frienD AmanDa anD Kacey Ainsworth (EastEnders, The Wright Way) returns as GeorDie’s wife Cathy. Al Weaver (Southcliffe, Sherlock) also reprises his role as curate Leonard Finch, not forgetting the gorgeous black Labrador Dickens, who also returns. Other cast appearing in series two of Grantchester incluDe Claudie Blakley (Lark Rise To Candleford, The Driver), Nigel Planer (The Young Ones, Episodes), Andrew Knott (Black Work, The Driver), Seline Hizli 3 (Land Girls, Appropriate Adult), Nicky Henson (Downton Abbey, Vera Drake) anD Oliver DimsDale (Harley Street, He Knew He Was Right), Lorne McFaDyen (Shetland), Paul Nicholls (Law & Order: UK, The C Word), Tanya Franks (Broadchurch, EastEnders) anD Nick Brimble (War and Peace, Robin Hood: Prince of Thieves). In 1954 murDerers were still hangeD. AnD in this new series Sidney anD GeorDie have to face up to the consequences of becoming such an accomplisheD crime fighting Duo. For SiDney, in particular, as the vicar in a small village this becomes increasingly Difficult. In the final episoDe of the last series, GeorDie was shot on Duty. A year on, he appears to have put this behind him. But underneath his carefree exterior there are new feelings of vulnerability, and this puts a strain on his relationship with Cathy, anD his frienDship with SiDney. SiDney is still single anD Geordie makes it his mission to finD him a woman. But the handsome vicar clearly still has eyes for AmanDa – whom we last saw when she was about to marry SiDney’s rival Guy (Tom Austen). The feisty secretary in the police station, Margaret (Seline Hizli), sets her sights on SiDney, but will she be able to take his minD off AmanDa? The six new episoDes have been filmeD in LonDon, CambriDge, anD Grantchester, the picturesque Cambridgeshire village whose residents warmly welcomed the production team anD embraceD the drama being filmed in their community. Grantchester, which attracteD a series average of 6.6 million viewers anD a 24% share when it DebuteD in October 2014, is baseD on The Grantchester Mysteries by James Runcie. The lead writer is Daisy Coulam (EastEnders, Death In Paradise), who was responsible for aDapting the first series. John Jackson (Being Human, Lip Service) anD Joshua St Johnston (The Enfield Haunting, Material Girl) also write for the series. Grantchester is a KuDos proDuction, anD is executive proDuceD by DieDerick Santer (Cutting It, EastEnders) anD proDuceD by Emma Kingsman-Lloyd (DCI Banks, Lip Service), both of whom were responsible for the first series. The series is DirecteD by Tim Fywell (Happy Valley, Masters of Sex) who also DirecteD the first series, DaviD O’Neill (Death In Paradise, Law and Order: UK) anD EdwarD Bennett (Death in Paradise, Silent Witness). Grantchester is a KuDos anD MASTERPIECE co-production for ITV and Endemol Shine International hold the international Distribution rights. 4 JAMES NORTON IS SIDNEY CHAMBERS What response have you had from members of the public following series one of Grantchester? It’s been very positive anD lots of people have been asking when there’s going to be a seconD series. There seems to be a real Devotion to it, which is lovely. Generally if people have watcheD one or two episoDes they’ve watched them all anD they love it, which is fantastic. We feel blesseD by the response anD the Grantchester fans seem very loyal. They know everything about it anD they love all the Different elements from Dickens the Dog to all the other characters. Robson anD I have talked about how blessed we feel by the response. It’s testament to the show. It’s warm anD affectionate anD feels like a happy place that people want to return to. It’s got that bite but it’s also warm escapism. What was it like being reunited with the cast for series 2? It was lovely. For the last month of shooting the first series a lot of time was spent speculating as to whether or not there woulD be a second series. We only find out once the series has been aired, so there’s a strange moment when you say gooDbye to everyone having finisheD filming because we Don’t know if we’ll be seeing each other for a seconD series or not. We hopeD so much that Grantchester woulD return. Me, Al Weaver who plays LeonarD anD Tessa Peake-Jones who plays Mrs Maguire spent ages on set speculating anD fantasising over what storylines coulD be written and where it might take us, so it was so lovely to return for series two. It’s reassuring how quickly it all comes back. You realise that all those relationships anD interactions anD dynamics are all bedded in. It’s a nice back catalogue of memories so the seconD series was so easy because you’ve got all these memories you createD for the first series. What was it like returning to the real Grantchester village where the series is filmed? It’s lovely anD feels like home from home. First time arounD I think the villagers initially were slightly wary but this time, for them to have gone through the experience of one series, watcheD anD enjoyeD it 5 anD then have us back again, was great. It was lovely because they seemeD really happy to have us back which makes such a Difference. Our relationship with the village itself is so important to the show. When I stanD up in front of the congregation most of them are the real villagers from Grantchester (they were inviteD to be extras) anD they are the same faces from the first series. It’s so nice for me to see them again anD to get to learn more of their names anD have relationships with them as inDiviDuals – it helps it become more like a true village church in the 50s. We were very grateful anD so toucheD that they were happy to have us back anD visa versa. At the beginning of episode one, Sidney is accused of having an inappropriate relationship with a teenager. This is not the Sidney we know. Is this series a little darker than the previous series? That moment (of SiDney being accuseD), which is early on, sets the tone for this series. I think it will surprise people. Having spent the first series establishing all the characters anD the relationships anD allowing the auDience to grew an affection towards those people, it feels that with the second series we’ve earneD the right to thwart those relationships anD threaten them anD put them through their paces. Now the relationships are established we’re spending more time on the plot for each episode anD also on the overarching narrative. Now we can also take more risks anD be a bit Darker. The writing generally feels like it’s got more of an edge to it.
Recommended publications
  • Literariness.Org-Mareike-Jenner-Auth
    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting
    [Show full text]
  • Winter-Presskit-Aw.Pdf
    Eve Winter and her task force must solve the chilling murder of 23-year old mother Karly at a hauntingly beautiful fishing town south of Sydney. After the success of 2014’s TV movie The Killing connection between Indiana and Karly? And how Field, Rebecca Gibney returns to the screen as are these two related to Lachlan’s cold case? What Detective Sergeant Eve Winter in Seven’s new started as a straight domestic homicide will uncover series Winter. Peter O’Brien will reprise his role as secrets buried decades deep and push Eve’s team Detective Inspector Lachlan McKenzie. to breaking point. Enter Federal policeman Jake Harris (Matt This major landmark series is full of twists and turns Nable) who isn’t keen to share his case; or star as a detective under the gun works to put together witness Indiana, but Eve’s instincts tell her to dig the pieces of an intricate and mysterious crime. deeper. Meanwhile Lachlan is running a parallel investigation into his own cold case, another Winter is in an in-house Seven Production. Executives murder in the same costal town eight years ago. Producers are John Holmes and Julie McGauran. Producers are Chris Martin-Jones, Rebecca Gibney and Between the picturesque backdrop of the south Sarah Smith (producer/writer). coast and the busy city of Kings Cross, Eve has to juggle her personal life, professional life and Created by Michaeley O’Brien and Sarah Smith the competing interests of the case. What is the Detective Sergeant Played by Rebecca Gibney Passionate, dedicated and single-minded, Detective Sergeant Eve In Winter, Eve’s task force is assigned the murder investigation of Winter’s greatest strength is also her greatest weakness; she gets a young mother in a remote fishing village.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Playing Shakespeare with Deutsche Bank Production of Twelfth Night
    2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh.
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • 5 February 2015
    5 FEBRUARY 2015 Australian audiences will be able to celebrate an explosive four nights of television with the EastEnders 30th Anniversary premiering on UKTV from March 2 until March 5 at 6.15pm with a special flashback episode on March 4 at 7.25pm. The anniversary week will see a tempestuous week of drama with shocking revelations, story twists that will leave a lump in the throat and moments that will elicit gasps from fans. With storylines culminating and momentous events happening, the EastEnders 30th Anniversary will take its place in television history and change Albert Square forever. Viewers will discover who killed Lucy Beale and have an opportunity to see exactly how and why it happened as EastEnders takes viewers back to the night she was murdered in a flashback special at 7.25pm on Wednesday March 4, directly after an hour-long episode. This episode will fill in the blanks and answer questions that have been haunting the residents of Walford since last year. Hetti Bywater will be reprising her role as Lucy Beale, Tanya Franks returns as Rainie Cross and Jamie Lomas as Jake Stone. The week will also see the return of some of EastEnders most iconic characters. Barbara Windsor will reprise her role as Peggy Mitchell for one episode where she makes a visit to her beloved Queen Victoria. Jo Joyner and John Partridge will also reprise their roles as Tanya Cross and Christian Clarke to attend Ian and Jane’s wedding as part of the celebrations. Tim Christlieb, Acting Director of Channels for BBC Worldwide Australia & New Zealand, says “UKTV will mark the 30th Anniversary of its flagship series with a heated four nights of thunderous television.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • 2014 BAFTA TV Awards Full List of Nominations
    NOMINATIONS IN 2014 LEADING ACTOR JAMIE DORNAN The Fall – BBC Two SEAN HARRIS Southcliffe – Channel 4 LUKE NEWBERRY In The Flesh – BBC Three DOMINIC WEST Burton and Taylor – BBC Four LEADING ACTRESS HELENA BONHAM CARTER Burton and Taylor – BBC Four OLIVIA COLMAN Broadchurch - ITV KERRIE HAYES The Mill – Channel 4 MAXINE PEAKE The Village – BBC One SUPPORTING ACTOR DAVID BRADLEY Broadchurch – ITV JEROME FLYNN Ripper Street – BBC One NICO MIRALLEGRO The Village – BBC One RORY KINNEAR Southcliffe – Channel 4 SUPPORTING ACTRESS SHIRLEY HENDERSON Southcliffe – Channel 4 SARAH LANCASHIRE Last Tango in Halifax – BBC One CLAIRE RUSHBROOK My Mad Fat Diary – E4 NICOLA WALKER Last Tango in Halifax – BBC One ENTERTAINMENT PERFORMANCE ANT AND DEC Ant and Dec’s Saturday Night Takeaway – ITV CHARLIE BROOKER 10 O’Clock Live – Channel 4 SARAH MILLICAN The Sarah Millican Television Programme – BBC Two GRAHAM NORTON The Graham Norton Show – BBC One FEMALE PERFORMANCE IN A COMEDY PROGRAMME FRANCES DE LA TOUR Vicious – ITV KERRY HOWARD Him & Her: The Wedding – BBC Three DOON MACKICHAN Plebs – ITV2 KATHERINE PARKINSON The IT Crowd – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME RICHARD AYOADE The IT Crowd – Channel 4 MATHEW BAYNTON The Wrong Mans – BBC Two JAMES CORDEN The Wrong Mans – BBC Two CHRIS O’DOWD The IT Crowd – Channel 4 Arqiva British Academy Television Awards – Nominations Page 1 SINGLE DRAMA AN ADVENTURE IN SPACE AND TIME Mark Gatiss, Matt Strevens, Terry McDonough, Caroline Skinner – BBC Wales/BBC America/BBC Two BLACK MIRROR: BE RIGHT BACK
    [Show full text]
  • Everything Goes Back to the Beginning: Television Adaptation & Remaking
    Everything Goes Back to the Beginning: television adaptation & remaking Nordic noir Abstract: As television drama undergoes a renaissance across Europe and the US, this article focuses on remakes of ‘Nordic noir’ crime serials. The genre has its origins in contemporary literary fiction, and became a cinema cause célèbre with the Swedish adaptations of Stieg Larsson’s Millennium novels, and the controversial US remake of The Girl with the Dragon Tattoo. While adaptation scholars have long discredited comparative approaches based on the source/target text binary organised along value-judgement lines, in terms of television remakes, the opposite is fast becoming the case; comparisons between different versions of the same narrative becomes playful and almost vital aspect of contemporary adaptation. While some theorists have argued that remakes often attempt to efface previous versions, in television, the opposite can be true. In examining the remakes of The Girl with the Dragon Tattoo, Forbrydelsen (The Killing), Broen/Bron (The Bridge & The Tunnel) and Broadchurch (Gracepoint), this article proposes that a new type of ‘synchronous’ or ‘active’ adaptation invites some audiences to engage in a far more playful exchange of textual moments, augmented and overseen by social media, and that television remakes are now reflecting this. Back to the Beginning. 1. Contributor’s Details: Richard Berger is Associate Professor of Media and Education, at the Centre for Excellence in Media Practice (CEMP), Bournemouth University, UK. Richard is editor of the Media Education Research Journal (MERJ) and has written widely on adaptation and has presented at many European and US Conferences. Keywords: television, adaptation, active, remake, Nordic noir.
    [Show full text]
  • Broadchurch Breaks Prove Popular
    Broadchurch Breaks Prove Popular Ahead of the highly anticipated return of Broadchurch this evening (27th February 2017), leading self-catering holiday company cottages.com predicts a surge of bookings to the region by holidaymakers inspired by the locations seen in the show. Simon Norton at cottages.com said: “Broadchurch has become one of the biggest events in the television calendar and has had a clear influence on where people decide to go on holiday in the UK. Over the period the second series aired in 2015, bookings to Dorset were up 64% against the monthly average. What’s more, almost a third (31%) of the breaks booked to Bridport that year, where the show is filmed, were booked whilst the show was on our screens. This evident uplift leads us to believe that the third and final series will have just as big an influence on breaks to the county.” For more inspiration and to book your Dorset break, visit www.cottages.com or call 0345 498 6900. Sea Drift – West Bay, nr. Bridport, Dorset Property reference: 29953 Situated in West Bay, where Broadchurch is set, this holiday apartment is perfect for those looking for a relaxing break. Close to the quaint harbour and just 150 yards from the beach, guests can enjoy a characterful seaside getaway to this popular seaside resort. Weymouth is within easy reach, and guests could even pay a visit to the Abbotsbury Swannery – the place in the world that guests can walk alongside the baby swans during April and May. PRICE: £322 (£26.85pppn)* for three nights’ self-catered accommodation arriving 22nd April 2017.
    [Show full text]
  • Annual Report 2017
    ANNUAL REPORT 2017 Outside cover 2017.indd 1 01/05/2018 13:02:14 Outside cover 2017.indd 2 01/05/2018 13:02:14 EQUITY ANNUAL REPORT 2017 THE EIGHTY SEVENTH ANNUAL REPORT Adopted by the Council at its meeting held on 30 April, 2018 for submission to the Annual Representative Conference 20-21 May, 2018 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 020 7379 6000 Fax: 020 7379 7001 E-mail: [email protected] Website: www.equity.org.uk Annual report 2017 cover_contents FINAL.indd 5 01/05/2018 12:56:18 Annual report 2017 cover_contents FINAL.indd 6 01/05/2018 12:56:18 CHAPTERCONTENTS 1: GENERAL A. ANNUAL REPRESENTATIVE CONFERENCE ...............................................................................................................7 B. ELECTIONS & REFERENDUMS ..................................................................................................................................7 C. LOBBYING ACTIVITY ..................................................................................................................................................7 D. MARKETING AND COMMUNICATION .......................................................................................................................8 E. RECRUITMENT & RETENTION ..................................................................................................................................9 F. CLARENCE DERWENT AWARDS ..............................................................................................................................11
    [Show full text]
  • @Mongrelmedia Mongrelmedia
    Presents NARCOPOLIS A film by Justin Trefgarne (96 min., UK, 2015) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia 1 N a R c o p o l I s __________________________________________________ TSquared Films’ “Narcopolis” is the debut feature film of writer-director Justin Trefgarne. 2022: London. The world’s economic outlook is still precarious and to appease a restless population the authorities have decriminalised all classes of recreational drugs. The ‘Drecks’ are an elite unit created by an over- stretched police force to keep the black market dealers off the streets and the licensed drug companies rich. Dreck and recovering addict Frank Grieves is called to investigate an unidentifiable corpse out in the Kindle District, an industrial wasteland beyond the teeming Central City. The victim had been injected through the eye socket with a substance that cannot be traced on any of the licenced databases. As he starts to dig deeper, Grieves soon suspects that Ambro, the largest and most profitable of all the licensed drugs companies, is behind the new, experimental drug. When his superiors promptly warn him off any further investigation, Grieves soon learns that Ambro’s influence runs deep within the establishment. Nonetheless, Grieves returns to the crime scene for another look, where he discovers a young woman being attacked by a masked assailant. Grieves fails to apprehend the attacker, but soon learns that the young woman, Eva, has also been using this mysterious drug.
    [Show full text]