The Carroll News- Vol. 59, No. 8
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Steve Harley Lee Nelson
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary. -
July 2016 Box Office: 01405 763652
February - July 2016 Image Theatre: The Railway Children (Saturday 2 April) Tickets available online at www.junctiongoole.co.uk Box Office: 01405 763652 @junction_goole | junction goole Welcome Welcome to our new season at Junction, featuring our trademark wide range of music, theatre, comedy, family events and local performers, representing the best on offer to our audiences. We’re excited to have launched our new membership scheme which will be of interest to our regular audience members or people keen to support their local theatre. All of Junction’s own professional live shows will be available at a discount ticket price and there are other benefits too. For fuller details, please see below. Among the bigger names we are delighted to welcome (or welcome back) this season, the hottest selling ticket is likely to be Northern Ballet Theatre’s Tortoise and the Hare. I saw the public premiere of this last October and it was the most enjoyable children’s ballet the company has produced. The mighty Snake Davis also returns with a new show, his Classic Sax Solos with a stunning set list of sax classics. For theatre fans, we have the only Yorkshire date for Big Telly’s stage adaptation of Spike Milligan’s hilarious book Puckoon, and are also trying our first presentation of live opera, from the Yorkshire based company, Radius. The season wraps up with a short festival devoted to guitar music, showcasing the amazing variety of music, genres and effects that can be drawn out of this versatile instrument when in expert hands. With a strong slate of satellite screenings (and more of these to be confirmed) and the monthly cinema programmes still to come, there’s something for everyone. -
Slap Magazine: Issue 67 (March 2017)
Issue 67 Mar2017 FREE Lamb & Flag The Tything, Worcester, WR1 1JL Fantastic Food, Superior Craft Ales Cocktails & Exceptional Guinness... Folk Music, Poetry Conkers! Local Cider, Backgammon, Tradition We Have It All!! Fresh, Homemade, Authentic Italian Cuisine Thurs - Sun Cocktail Master Class! Open 7 Days - Parties & Functions Catered For [email protected] Tel: 01905 729415 www.twocraftybrewers.co.uk Well February shot by in the blink of an eye and here we are again! Welcome to the March edition of Slap. I was hoping to say ‘Spring is in the air’ but I’ve just seen the weather forecast and it’s far from Spring-like. It really feels like it’s been a long winter of discontent with news of more venue closures almost weekly. The latest to go at the end of February was the Pig and Drum in Worcester which has been prominent on the local music seen for a few years now. Thanks to the efforts of landlady Rachel Cale bands from out of town loved playing there. We don’t yet know the long term fate of the Boar’s Mar 2017 Head in Kidderminster since Sid & Sandra announced they’re moving on in the summer, But I don’t think it’ll be the last to go. With business rates rises due very soon and so many people feeling the pinch, these places are really suffering. There are SLAP MAGAZINE rumours of other venues around the counties who may also be Unit 3a, Lowesmoor Wharf, shutting their doors soon. And It’s not just the music scene that Worcester WR1 2RS suffers either, many of these spaces are now multi functional art Telephone: 01905 26660 spaces as well as platforms for comedy, spoken word and poetry. -
Maine Alumnus, Volume 65, Number 1, December 1983
The University of Maine DigitalCommons@UMaine University of Maine Alumni Magazines University of Maine Publications 12-1983 Maine Alumnus, Volume 65, Number 1, December 1983 General Alumni Association, University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/alumni_magazines Part of the Higher Education Commons, and the History Commons Recommended Citation General Alumni Association, University of Maine, "Maine Alumnus, Volume 65, Number 1, December 1983" (1983). University of Maine Alumni Magazines. 337. https://digitalcommons.library.umaine.edu/alumni_magazines/337 This publication is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in University of Maine Alumni Magazines by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. xr* • c alumnus I ‘ t 4. ’ - 9 .-•■ • x • Mail-order church goods— big business for Michael<, Fendler '74 « r « I _ 9. * 'S * r i BILL JOHNSON '56 is one of the University of Maine at Orono's top salesmen. When he is at the University, which isn't often, the president of the Alumni Council bounds up the steps of Crossland Alumni Center and reaches the administrative offices of the Alumni Association by 7 a.m. When he is traveling, which is often, Johnson is "up and cracking early," relating the University's fundraising needs to alumni and friends. He usually finds a receptive audience. 1 "The University has contributed a lot to experiences that have helped me in the business world," said Johnson, district sales manager for Mobil Oil Corporation. "I want to return a small portion of what UMO has done for me." By that standard, Johnson may be a consummate "UMO man." He describes himself as enthusiastic and competitive. -
Modernity and the Film Western
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2014-07-02 "No Goin' Back": Modernity and the Film Western Julie Anne Kohler Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Kohler, Julie Anne, ""No Goin' Back": Modernity and the Film Western" (2014). Theses and Dissertations. 4152. https://scholarsarchive.byu.edu/etd/4152 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. “No Goin’ Back”: Modernity and the Film Western Julie Anne Kohler A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Kerry Soper, Chair Carl Sederholm George Handley Department of Humanities, Classics, and Comparative Literature Brigham Young University July 2014 Copyright © 2014 Julie Anne Kohler All Rights Reserved ABSTRACT “No Goin’ Back”: Modernity and the Film Western Julie Anne Kohler Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts This thesis is inspired by an ending—that of a cowboy hero riding away, back turned, into the setting sun. That image, possibly the most evocative and most repeated in the Western, signifies both continuing adventure and ever westward motion as well as a restless lack of final resolution. This thesis examines the ambiguous endings and the conditions leading up to them in two film Westerns of the 1950s, George Steven’s Shane (1953) and John Ford’s The Searchers (1956). -
Top 40 Singles Top 40 Albums
04 October 1976 CHART #69 Top 40 Singles Top 40 Albums Don't Go Breaking My Heart You To Me Are Everything Best Of Abba The Royal Scam 1 Elton John and Kiki Dee 21 The Real Thing 1 Abba 21 Steely Dan Last week 2 / 9 weeks EMI Last week 13 / 9 weeks PHONOGRAM Last week 3 / 34 weeks RCA Last week 12 / 11 weeks RCA Dancing Queen Number One With A Heartache A Night On The Town Spirit 2 Abba 22 Neil Sedaka 2 Rod Stewart 22 John Denver Last week 1 / 5 weeks RCA Last week 29 / 3 weeks PHONOGRAM Last week 1 / 14 weeks WEA Last week 15 / 2 weeks RCA Kiss And Say Goodbye You Should Be Dancing Beautiful Noise Viva 3 Manhattans 23 Bee Gees 3 Neil Diamond 23 Roxy Music Last week 3 / 5 weeks PHONOGRAM Last week 14 / 2 weeks FESTIVAL Last week 2 / 9 weeks PHONOGRAM Last week 20 / 3 weeks FESTIVAL Shannon When You Walk In The Room Bay City Rollers Wish You Were Here 4 Henry Gross 24 Annie Whittle 4 Bay City Rollers 24 Pink Floyd Last week 4 / 15 weeks DIRECTION Last week 18 / 4 weeks EMI Last week 5 / 4 weeks EMI Last week 32 / 42 weeks PHONOGRAM Fernando Disco Duck Second Album Of The Very Best Of... Changesonebowie 5 Abba 25 Rick Dees 5 Roger Whittaker 25 David Bowie Last week 6 / 21 weeks RCA Last week - / 1 weeks PHONOGRAM Last week 4 / 3 weeks EMI Last week 37 / 9 weeks RCA Misty Blue Let Your Love Flow Frampton Comes Alive An Evening With John Denver 6 Dorothy Moore 26 Bellamy Brothers 6 Peter Frampton 26 John Denver Last week 5 / 12 weeks RCA Last week 24 / 20 weeks WEA Last week 7 / 15 weeks FESTIVAL Last week 29 / 62 weeks PYE A Fifth Of Beethoven You'll Never Find Another Love Like.. -
Learning from John Ford. History, Geography, and Epic Storytelling in the Works of Peter Handke Zumhof, Tim [Hrsg.]; Johnson, Nicholas K
Carstensen, Thorsten Learning from John Ford. History, geography, and epic storytelling in the works of Peter Handke Zumhof, Tim [Hrsg.]; Johnson, Nicholas K. [Hrsg.]: Show, don't tell. Education and historical representations on stage and screen in Germany and the USA. Bad Heilbrunn : Verlag Julius Klinkhardt 2020, S. 131-159. - (Studien zur Deutsch-Amerikanischen Bildungsgeschichte / Studies in German-American Educational History) Empfohlene Zitierung/ Suggested Citation: Carstensen, Thorsten: Learning from John Ford. History, geography, and epic storytelling in the works of Peter Handke - In: Zumhof, Tim [Hrsg.]; Johnson, Nicholas K. [Hrsg.]: Show, don't tell. Education and historical representations on stage and screen in Germany and the USA. Bad Heilbrunn : Verlag Julius Klinkhardt 2020, S. 131-159 - URN: urn:nbn:de:0111-pedocs-205158 - DOI: 10.35468/5828_09 http://nbn-resolving.org/urn:nbn:de:0111-pedocs-205158 http://dx.doi.org/10.35468/5828_09 in Kooperation mit / in cooperation with: http://www.klinkhardt.de Nutzungsbedingungen Terms of use Dieses Dokument steht unter folgender Creative Commons-Lizenz: This document is published under following Creative Commons-License: http://creativecommons.org/licenses/by-nc-sa/4.0/deed.de - Sie dürfen das http://creativecommons.org/licenses/by-nc-sa/4.0/deed.en - You may copy, Werk bzw. den Inhalt unter folgenden Bedingungen vervielfältigen, verbreiten distribute and transmit, adapt or exhibit the work in the public and alter, und öffentlich zugänglich machen sowie Abwandlungen und Bearbeitungen transform or change this work as long as you attribute the work in the manner des Werkes bzw. Inhaltes anfertigen: Sie müssen den Namen des specified by the author or licensor. -
The Significance of the Wasteland in American Culture
Berkeley Undergraduate Journal 160 THE SIGNIFICANCE OF THE WASTELAND IN AMERICAN CULTURE By Joshua Peterson n this paper, I examine the sense of restlessness and the resultant apocalyptic fantasy in contem- porary American culture by distilling two film genres—the Hollywood western and the post- apocalyptic—down to their basic structural elements. The post-apocalyptic genre’s aesthetic Iand thematic borrowing from the Hollywood western signifies a cynical critique of the frontier myth. In 1893, Frederick Jackson Turner presented The Significance of the Frontier in American His- tory, his “Frontier Thesis,” which mourns the closure of the frontier and celebrates the American institutions built upon it.1 The frontier only exists insofar as it is available for human exploration and settlement. Though the frontier is long gone, the desire for open space and freedom from social restriction remains prominent in American culture. The post-apocalyptic genre continues Turner’s mourning and indulges the fantasy of free and open space. In essence, it gives the frontier back to viewers by undoing everything that the frontier made possible. The characters in the post- apocalyptic genre then explore the possibilities of rebuilding society and struggle (and often fail) to avoid the mistakes of America’s historical past. In this sense, the wasteland functions as a revision of the frontier myth. This paper explores the post-apocalyptic genre’s view of the frontier myth as a trajectory towards civilization’s collapse. It posits a more cynical view of humanity and, in doing so, aims to expose the feet of clay on which our social order stands. -
Bill Bans Interstate Traffic Net of 5 Branches May Pry Lid Appeal Across the U.S
NEWSPAPER NEWSPAPER 08120 March 16, 1974 $1 .25 A BILLBOARD PUBLICATION EIGHTIETH YEAR The International Music -Record Tape Newsweekly TAPE /AUDIO /VIDEO PAGE 32 HOT 100 PAGE 64 o TOP LP'S PAGES 66, 68 Cable Ruling Caytronics Sets Bill Bans Interstate Traffic Net of 5 Branches May Pry Lid Appeal Across the U.S. By Pub Wins By HALL By JIM MELANSON By ROBERT SOBEL MILDRED interstate trans- On Copyright NEW YORK -Caytronics Corp., NEW YORK -A U.S. Appeals Court decision handed WASHINGTON -A bill to make the a misde- struck a heavy blow portation, sale or receipt of pirated recording WASHINGTON The Supreme manufacturer and distributor of down Feb. 28 in Oklahoma has - author- under Section 18 of the U.S. Criminal Code that Latin music product, has completed against those unlicensed duplicators claiming meanor Court's ruling last week import by Sen. William E. Brock (R., setting up a network of five branch ization under the compulsory licensing section of the has been introduced of distant stations by Cable TV sys- such commercial transfer offices throughout the U.S. Copyright Act. The opinion, filed in the 10th Circuit Tenn.). The bill would ban any tems does not make them liable for the Denver, Wyoming, Utah, New Mexico or receipt for sale or profit of any recording without copyright payments under the 1909 Located in Los Angeles, Court, embraces Kansas, Oklahoma, and supports a consent of the original owner. The Brock bill (S. 3107) an earlier truce in the San Antonio, Chicago, and Miami, and Colorado, in addition to law, may prod fines of up to $ I,000 and up to one year in each Caytronics' branch will main- 1972 Appeals Court ruling in Arizona for the 9th Circuit, would provide standoff between Cable TV and at this time. -
Concerts Photographed up to Thursday, December 22, 2011 Only
Concerts photographed up to Thursday, December 22, 2011 Only those concerts underlined are available electronically – others have not yet been transferred from original negatives. Alan Perry [email protected] www.concertphotos.uk.com Group Venue Date !!! (chk chk chk) Coventry 02 07 2006 10CC Guildford 18 07 2010 21st Century Schizoid Band The Robin 2, Bilston 29 10 2003 ABBA Wembley 10 11 1979 AC/DC Coventry 08 11 1979 AC/DC Wembley 18 8 1979 AC/DC Donington 22 08 1981 AC/DC Wembley 25 10 1982 Adverts Birmingham 19 11 1977 Adverts Leicester 11 1977 Aiden Leeds 27 08 2006 Jan Akkerman The Robin 2, Bilston 13 06 2004 Jan Akkerman The Robin 2, Bilston 23 03 2005 Jan Akkerman The Robin 2, Bilston 22 02 2006 Jan Akkerman Stratford Upon Avon 09 05 2007 Jan Akkerman The Robin 2, Bilston 10 05 2007 Jan Akkerman The Robin 2, Bilston 10 04 2008 Alkaline Trio Reading 28 08 2005 All American Rejects Birmingham 22 09 2006 Also Eden The Robin 2, Bilston 09 05 2010 Jon Anderson The Robin 2, Bilston 03 07 2009 Jon Anderson – Rick Wakeman The Robin 2, Bilston 25 10 2006 Jon Anderson – Rick Wakeman The Assembly, Leamington Spa 21 10 2010 Angel Witch Reading 23 08 1980 Angels and Airwaves Reading 25 08 2007 Anti-Flag Reading 22 08 2008 Antimatter Manchester 12 12 2011 The Answer London 24 07 2010 April Wine Donington 16 08 1980 Arcade Fire Reading 25 08 2007 Arctic Monkeys Leeds 27 08 2006 Argent The Robin 2, Bilston 07 12 2010 Joan Armatrading Blackbush 15 07 1978 Gwyn Ashton Wilbarston 01 10 2005 Gwyn Ashton Leamington 16 04 2011 Gwyn Ashton Wolverhampton -
KLASSICS LIST Criteria
KLASSICS LIST criteria: 8 or more points (two per fan list, two for U-Man A-Z list, two to five for Top 95, depending on quartile); 1984 or prior release date Sources: ten fan lists (online and otherwise; see last page for details) + 2011-12 U-Man A-Z list + 2014 Top 95 KSHE Klassics (as voted on by listeners) sorted by points, Fan Lists count, Top 95 ranking, artist name, track name SLCRPS UMan Fan Top ID # ID # Track Artist Album Year Points Category A-Z Lists 95 35 songs appeared on all lists, these have green count info >> X 10 n 1 12404 Blue Mist Mama's Pride Mama's Pride 1975 27 PERFECT KLASSIC X 10 1 2 12299 Dead And Gone Gypsy Gypsy 1970 27 PERFECT KLASSIC X 10 2 3 11672 Two Hangmen Mason Proffit Wanted 1969 27 PERFECT KLASSIC X 10 5 4 11578 Movin' On Missouri Missouri 1977 27 PERFECT KLASSIC X 10 6 5 11717 Remember the Future Nektar Remember the Future 1973 27 PERFECT KLASSIC X 10 7 6 10024 Lake Shore Drive Aliotta Haynes Jeremiah Lake Shore Drive 1971 27 PERFECT KLASSIC X 10 9 7 11654 Last Illusion J.F. Murphy & Salt The Last Illusion 1973 27 PERFECT KLASSIC X 10 12 8 13195 The Martian Boogie Brownsville Station Brownsville Station 1977 27 PERFECT KLASSIC X 10 13 9 13202 Fly At Night Chilliwack Dreams, Dreams, Dreams 1977 27 PERFECT KLASSIC X 10 14 10 11696 Mama Let Him Play Doucette Mama Let Him Play 1978 27 PERFECT KLASSIC X 10 15 11 11547 Tower Angel Angel 1975 27 PERFECT KLASSIC X 10 19 12 11730 From A Dry Camel Dust Dust 1971 27 PERFECT KLASSIC X 10 20 13 12131 Rosewood Bitters Michael Stanley Michael Stanley 1972 27 PERFECT -
NEW RELEASE for the Week of January 8, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of January 8, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! CLEAN "Mister Pop (re-issue 2009)” (MERGE) MRG325 LP January 29 street date. David Kilgour on "Mister Pop": ""Mister Pop" began in Brooklyn, NY, at Gary Olson's Marlborough Farms studio and was completed in the basement hall of First Church Dunedin. There is more synthesizer on this album than the others, mainly an old Juno synth. I do remember having a bath in Brooklyn while Robert was downstairs singing and writing. I thought he was singing "he's a factory man", so I dried off and went down and wrote "Factory Man" while thinking heavily of The Kinks". Robert Scott on "Mister Pop": "I remember thinking at the start of the NY sessions with Gary Olson, "is this the start of a new album?". We were coming up with quite a bit of new stuff, and of course, Gary is great to work with. We carried on at Burlington St in Dunedin with (engineer and Heavy 8) Tex Houston at the controls, good fun from what I remember, lots of mucking around with keyboards and synths. We were going for that Krautrock groove and we sure got it on "Tensile", one of my faves along with the pure pop of "Dreamlife". CLEAN "Unknown Country (re-issue 1996)” (MERGE) MRG739 LP January 29 street date. David Kilgour on "Unknown Country": "The Clean always wanna try something different, but on this LP, we were obsessed with the idea. I remember we generally left vocal ideas to last, after the tracks were recorded, so we never really knew where we were headed.