The Inventory of the William P. Mcgivern Collection #147
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LETTERS to the EDITOR Nod to the Cultures of Asia's 1,000,000,000 Plus
to suggest some alternative. One possibility is "Humanist Way." "Way" connotes action, unlike "stance," and it represents at least a LETTERS TO THE EDITOR nod to the cultures of Asia's 1,000,000,000 plus. Molleen Matsumura Berkeley, Calif. On Eupraxophy Hook and Homnick From now on I'm a eupraxopher ("Breaking mology course, I was interested in your with the Old Humanism," FI, Winter coinage of the word eupraxophy. I would I wish I could agree with Morris Feller 1987/88). also point out that eu-, besides meaning ("Letters," FI, Winter 1987/88) that the frac- The real problem word is religion and "good," also appropriately means "true." I tion of Orthodox Jewry which accepts the the loose definitions ascribed to it by many doubt the word will catch on, but here's to idea that the Holocaust is an example of humanists. Yet I fear even we eupraxophers eupraxophy anyway. God's justice "must approach zero." Unfor- (I'm trying to get used to the term!) may tunately, Rabbi Yaakov Homnick ("Hook find it difficult to break old habits. We shall Ken Saladin Is Mired in Secular Confusion," FI, Fall have to work to avoid using religious words Milledgeville, Ga. 1987) is by no means alone in this belief. and concepts and eliminate from our vocab- The concurring views of the Chief Orthodox ulary "spirit," "soul," "heaven," and "hell," Rabbi of Great Britain and Rabbi Joel Tei- and find expletives that don't use the names Six reasons not to adopt "Eupraxophy": telbaum are cited by Adolf Grünbaum ("God of the deities. -
Fantastic Worlds #2
THE ACKERMAN STORY by Sam Sackett . Tucker . Browne • Neville IB VERY DAY the Postman passeth, and envelopes tumble upon your ed- ISitor's desk. Some are like gentle rain, a few like hailstones; and occasionally there is a king-sized thunderbolt. Most numerous are the gentle-rain type, the simple communica tions: "Enclosed find 25/ for a sample copy of your magazine," or "That first issue of yours was great," or "Here is a short yam I want you to consider." All of which are well and good# But then come those hailstones. A 50,000-word manuscript, dog-eared and wrinkled, bearing cigarette bums and coffee stains of every editorial office from Curtis to Standard, and with this note: "If you don't like this, just throw it away. It's too beat up, and I don't like it much anyway." By an odd coincidence, we didn't like it much either. Or manuscripts with notes like this: "Just don't have enough dough for return postage, so the return trip—if any—is on you." Remembering the days when we used to sacrifice lunch in order to solve a similar problem, we weren't too impressed by such subtle humor. Then there was the lady in Maine who naively thunderbolted, "I red your first ishue and spechully liked the stories by Trueman Capote and Anthony Butcher. I hope you kan offord to pay more than 3 dollars a storie soon." At which, we hastened to explain that our magazine was Fantastic Worlds and that our name was not Howard Browne. -
“The Invaders”
TEMECULA VALLEY HISTORICAL SOCIETY NEWSLETTER January 2018 Invasion of Temecula Volume 18 Issue 1 “The Invaders” By Rick Reiss “How does a nightmare begin? For David Vincent, architect, return- 2018 Officers ing home from a business trip, it began at a few minutes past four on a lost President Rebecca Farnbach Tuesday morning, looking for a shortcut that he never found. It began with a Vice President Shari Crall welcoming sign that gave hope of black coffee. It began with a closed, deserted Secretary Cheryl Cady Treasurer Roger Cudé diner and a man too long without sleep to continue his journey. In the weeks to Past President Dick Fox come, David Vincent would go back to how it began many times.” So begins the Prologue of the premiere-pilot episode of the 1960s sci-fi Directors TV series The Invaders, starring Roy Thinnes as David Vincent, in which Lynn Cudé much of this historic episode was filmed on location in Old Town Temecula in Elaine Culverhouse March 1966. The episode, titled “Beachhead”, serves as a convenient video Suzanne Dechert time capsule of Temecula’s Old Town area as it was some five decades ago. Elaine Eshom “Beachhead” was broadcast for the first time on the ABC Network on January Darell Farnbach 10, 1967. Jeffery Harmon Bob Kent The fast paced TV series was the brainchild of TV creator Larry Co- Bonnie Martland hen, who modeled the show on the very successful “man-on-the-run” TV series Carol Strode The Fugitive as well as inspirations from past Alfred Hitchcock films like North By Northwest, The 39 Steps and Saboteur as well as 1950s era sci-fi movies Committee Chairs like Invasion of the Body Snatchers. -
A Historical/Critical Analysis of the Tv Series the Fugitive
A HISTORICAL/CRITICAL ANALYSIS OF THE TV SERIES THE FUGITIVE THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By David P. Pierson, B.S. Denton, Texas May, 1993 Pierson, David P., A Historical/Critical Analysis Of The TV Series The Fugitive. Master of Science (Radio/TV/Film), May 1993, 168 pp., bibliography, 70 titles. In many respects, the popular 1960's television series, The Fugitive perfectly captured the swelling disillusionment with authority, alienation, and discontent that soon encompassed American society. This historical/critical study provides a broad overview of the economic, social, and political climate that surrounded the creation of The Fugitive. The primary focus of this study is the analysis of five discursive topics (individualism, marriage, justice & authority, professionalism, science and technology) within selected episodes and to show how they relate to broader cultural debates which occurred at that time. Finally, this study argues that The Fui1gitive is a part of a television adventure subgenre which we may classify as the contemporary "wanderer-hero" narrative and traces its evolution through selected television series from the last three decades. TABLE OF CONTENTS Chapter Page I. INTRODUCTION . 1 The Sixties The Emergence of a Television Culture The Fugitive Notes on Methodology II. THE TV INDUSTRY AND THE FUGITIVE . 26 The Great Shift ABC-TV Network and the Creation of The Fugitive 60's Programming Trends and The Fugitive III. THE DISCURSIVE FUGITIVE . 70 Individualism Marriage Justice and Authority Professionalism Science and Technology Conclusion IV. -
Earl Kemp: E*I* Vol. 3 No. 5
Vol. 3 No. 5 October 2004 --e*I*16- (Vol. 3 No. 5) October 2004, is published and © 2004 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. Contents -- eI16 -- October 2004 Earl Kemp by Robert Bonfils, by Earl Kemp Bonfils Cover Art is Back!, by Robert Speray Wankering Through Time and Space, by Earl Kemp …Return to sender, address unknown….8 [eI letter column], by Earl Kemp 1955 Advent:uring Through the Years 2005, by Earl Kemp The Advent:Publishers Master Archive, compiled by George W. Price I am A Fandom of One: A Fan's Manifesto, by J.G. Stinson How I (Almost) Became Ivar Jorgensen, by Mike Deckinger Incredible (ecover), by Ditmar (Dick Jenssen) Discovering Olaf Stapledon, by Bruce R. Gillespie A Valedictorian Forbidding Melancholy, by Bruce R. Gillespie "Shrink, I Wanna Kill….," by Earl Kemp The Dragon's Asshole, by Earl Kemp The Year of the Phoenix, by Earl Kemp Hot Damn, Vietnam!, by Earl Kemp His view, reiterated continually, is that our government, however popularly elected, represents only the large corporations that control it, as they control the media, through which they persuade the voters to support only two parties, conservative and reactionary. Wars fill their coffers, so at their behest the government levies heavy taxes for the purpose of waging unprovoked and undeclared wars: Perpetual War for Perpetual Peace lists almost two hundred from 1945 to 2001. --Edmond S. Morgan, review, Gore Vidal's Inventing a Nation: Washington, Adams, Jefferson THIS ISSUE OF eI is dedicated to my pal Bob from The Porno Factory-Robert Bonfils-The World's G*R*E*A*T*E*S*T Paperback cover artist. -
2019-07-08 Catalog P
Pulp-related books and periodicals available from Mike Chomko for July and August 2019 Given that I’m writing these words in early September, I’m way behind on my bookselling chores. As I’ve relayed via email, between PulpFest 2019 and helping my wife with her mother — now in hospice care — this summer has been extremely busy. PulpFest is over for another year — actually eleven months, given the timing of this catalog. The convention’s organizing committee is already working on next year’s gathering. It will take place August 6 - 9 at the DoubleTree by Hilton Pittsburgh — Cranberry, located in Mars, Pennsylvania. PulpFest 2020 will focus on Bradbury, BLACK MASK, and Brundage. We may even throw in a touch of Brackett and Burroughs for good measure. In October, we’ll be announcing our very special guest of honor. Over the Labor Day weekend, Dianne and I drove to the Burlington area of Vermont to acquire a substantial collection of pulps, digests, vintage paperbacks, first edition hardcovers, underground comics, fanzines, and more. The primary focus of the magazine collection is the science fiction genre. There are also miscellaneous periodicals from the adventure, detective, hero, spicy, and war genres. The collection contains magazines in both the pulp and digest formats. The vintage paperbacks run the gamut of genres that are popular in that area of book collecting. PulpFest will begin selling the collection via auction during our 2020 convention. Given its size, it will take a number of years to disperse the entire collection. Now begins the difficult and time-consuming work of organizing, cataloging, lotting, and photographing the collection. -
Science-Fantasy Religious Cults the Story of Ray Palmer, Forgotten Flying-Saucer Pioneer
Science-Fantasy Religious Cults The story of Ray Palmer, forgotten flying-saucer pioneer Martin Gardner cience-fiction fans have a long, dreary history of falling States government aircraft? Soviet planes? Spaceships from for outrageous quasi-religious, pseudoscientific cults that Mars or Venus? Sarise within the community of science-fiction writers and The time was ripe for a new mythology. Traditional reli- editors. L. Ron Hubbard's Scientology, first introduced as gions were declining, and the fundamentalist revival was yet to "dianetics" by John Campbell when he was editor of Astound- begin. Sea serpents had long ago retired to isolated spots like ing Science Fiction, is of course the prime example. This article Loch Ness. Not many people were seeing visions of the Virgin will tell the story of an almost forgotten science-fiction editor, Mary or conversing with angels the way Joan of Arc did. But Ray Palmer, and the curious roles he played in the notorious out there, over our heads, was dark, endless space—a region "Shaver hoax" and, later, in promoting the cult of UFOlogy. teeming with mysteries far more exotic than any in earth's Although reports of mysterious unidentified flying objects ancient seas. Were aliens from other planets watching us? Could go back to ancient times, and numerous UFO reports are scat- they be here to conquer us? To save us from self-destruction? tered through the writings of Charles Fort, the UFOmania of Add to these fears and hopes the steady deterioration of science the present century had an abrupt beginning. It was almost teaching, widespread resentment against technology for inven- exactly forty years ago, on June 24, 1947. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
" Ninteenth Annual Report Alumni News Note Feature Vdlume 24, Number 4, Summer 1980 Quadranglelaw Notes
" Ninteenth Annual Report Alumni News Note Feature Vdlume 24, Number 4, Summer 1980 QuadrangleLaw Notes Vol. 24, No. 4 Summer 1980 contents Reading Between 1 the Sheets by Roy F. Proffitt Letter of Transmittal 1 Letter of Acceptance 1 I Regional Summaries I I 1978-1979 Comparisons 9 by Regions Tops in Percentage 10 of Participation Thousand Dollar Cities lo 1 Law School 11 Fund Contributors Annual Growth Chart 20 Law Quadrangle Notes (USPS 893- 460), issued quarterly by the Uni- Class Summary of Gifts 26 versity of Michigan Law School. Second class postage paid at Ann Special Donor Groups 28 Arbor, Michigan. Office of publica- tion, 409 E. Jefferson, Ann Arbor, Corporate Matching 32 Michigan 48109. Gift Program POSTMASTER: Send Form 3579 to: Law Quadrangle Notes, Law School, In Memoriam 3 3 The University of Michigan, Ann Arbor, MI 48109. Alumni News Notes 3 4 This issue of the Law Quadrangle Deceased 3 8 Notes is the nineteenth annual report of the Law School Fund. The Fund is About the Cover: The photography of Michigan Special 4 1 under the direction of Professor Roy John Elam, Law School student F. Proffitt; Mrs. Lois A. Richards is photographer, is of a model of the new Donor Groups supervisor of the Fund and is construction-at least that part which responsible for gathering the names will be a connectingpoint between the and data used in this report. Editorial old and the new. The stairs will lead and design responsibilities were out of the south wall of the library handled by the University of reading room down to the new three- Michigan Publications Office. -
An Economic Analysis of the Prime Time Access Rule
BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18 -
The Inventory of the Howard Browne Collection #1195
The Inventory of the Howard Browne Collection #1195 Howard Gotlieb Archival Research Center BROWNE, HOWARD 1908- (Pseudonym: John Evans] Arrived February 1988 - March 1993 Novelist, mystery, crime, and short story writer; television and film script writer. A collection of 6 manuscript boxes (3 linear feet) consisting of over 30 TV scripts, many for popular series; a few film scripts; short stories; prefaces to mystery reissues; articles; photographs; correspondence, mainly 1987-1992, with a few 1962-1986 (Correspondents include agent, editors, friends and fans); printed pieces, a few by him; publicity and reviews for recent novels and films; general items about him, including interview. Photocopies of manuscript material permitted only with permission of Howard Browne. 1 I. SCRIPTS, 1956-1974 Box 1 A. Television Scripts: by series and alphabetical by title within series. Most mimeo. 1. Alias Smith and Jones The Girl in Boxcar #3 December 28, 1970 2. Bourbon Street Beat Public Enemy Final March 18, 1958 Rev. Final November 9, 1959 3. Bus Stop ••• And the Pursuit of Evil September 5, 1961 4. Cheyenne Hard Bargain March 25, 1967 Hell Waits at Dodge September 11, 1956 Renegades November 14, 1957 White Warrior December 30, 1957 5. Chrysler Theatre The War and Eric Kurtz Prod. #25557 n.d. (carbon typescript) 6, Colt ,45 Circle of Fear December 24, 1957 7, Conflict The Incorrigible January 23, 1957 Pattern for Violence March 18, 1957 8. Destry One Hundred Bibles Prod. #2420 n.d. 9. Follow the Sun Another Part of the Jungle September 25, 1961 Box 2 A Rage For Justice August 15, 1961 10. -
N3fhandbook2007public
The Mother Ship’s “This can’t be right. .” “Sure it is, I looked it up in the manual!” Reference Console Produced by the National Fantasy Fan Federation Page 1 Page 2 Table of Contents Welcome to N3F 3 N3F 2006 Officers 4 Elementary Table of the N3F 4 Editorial Cabal 5 Bureau’s and Activities 5 Head listing 6 Round Robin Bureau 8 N3F Awards 10 Bookseller Discounts for Neffers 11 Your Place in Fandom 12 Brief History of SF Fandom 14 SFF Author Pseudonyms 18 Glossary of Terms 24 What? We’re Not Done Yet? 28 Amatuer Short Story Contest 29 A bit of Randomness 30 N3F Membership Form 31 Art CreditsArt Credits Ruth R. Davidson Cover & 30 (layout, dialog) Lorna Hansmann – Pg. 2 Bernadette “Usagi” Glasgow Pgs. 8, 14, 19 & 25 David Heath Jr. Pgs. 9 & 11 David Speakman – Pg. 10 Sarah Glasgow Pgs. 17 & 27 Jennett Kaerie – Pg. 28 All else is clip art (yes, really) “Science fiction is the most important literature in the history of the world, because it's the his- tory of ideas, the history of our civilization birthing itself. .Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.” —Ray Bradbury “For each of us comes a time when we must be more than what we are.” —Lloyd Alexander The Castle of Llyr Welcome to the N3F! www.n3f.org That phrase has greeted new fans Robin is? We’ve got a few of those.