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Steven Spielberg's Early Career As a Television Director at Universal Studios
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Surugadai University Academic Information Repository Steven Spielberg's Early Career as a Television Director at Universal Studios 著者名(英) Tomohiro Shimahara journal or 駿河台大学論叢 publication title number 51 page range 47-61 year 2016-01 URL http://doi.org/10.15004/00001463 Steven Spielberg’s Early Career as a Television Director at Universal Studios SHIMAHARA Tomohiro Introduction Steven Spielberg (1946-) is one of the greatest movie directors and producers in the history of motion picture. In his four-decade career, Spielberg has been admired for making blockbusters such as Jaws (1975), Close Encounters of the Third Kind (1977), E.T.: the Extra-Terrestrial (1982), Indiana Jones series (1981, 1984, 1989, 2008), Schindler’s List (1993), Jurassic Park series (1993, 1997, 2001, 2015), Saving Private Ryan (1998), Lincoln (2012) and many other smash hits. Spielberg’s life as a filmmaker has been so brilliant that it looks like no one believes that there was any moment he spent at the bottom of the ladder in the movie industry. Much to the surprise of the skeptics, Spielberg was once just another director at Universal Television for the first couple years after launching himself into the cinema making world. Learning how to make good movies by trial and error, Spielberg made a breakthrough with his second feature-length telefilm Duel (1971) at the age of 25 and advanced into the big screen, where he would direct and produce more than 100 movies, including many great hits and some commercial or critical failures, in the next 40-something years. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
HISTORIC DODGE CITY Walking Tour
HISTORIC DODGE CITY Walking Tour Dodge City Convention & Visitors Bureau 400 W. Wyatt Earp Blvd. Dodge City, KS 67801 620-225-8186 | 1-800-OLD-WEST www.visitdodgecity.org @visitdodgecity 64 E. Cedar St. W. Cedar St. 63 I 68 Ark Valley Ave. HISTORIC 67 62 66 65 A . Vine St. e e v v A A h 69 . t e 5 v B A . Walking Tour e e d v . v n e A A 2 o Ave. v Ford C l A a r t t s 57 n 1 e C . e e v 59 v t. A uce S A pr 56 58 60 61 E. S h d t r 7 W. Spruce St. 3 54 50 71 70 55 52 48 47 49 y Ave. 53 51 46 Militar 72 45 35 36 37 38 39 40 41 42 43 44 Walnut St. Gunsmoke St. 33 32 31 29 28 27 26 25 24 34 30 23 73 76 9 vd. 3 6 7 8 10 12 13 p Bl Front St. 4 11 Ear Front St. yatt E. W 22 1 14 74 75 5 W 77 2 . Wy att E arp B 17 16 15 lvd. 20 21 18 19 W. Trail St. E. Trail St. e v A h Maple St. t 4 . e e v v A A u d a e n 2 Park St. n u J . e v A d n a l d o o 78 W. Water St. W E. Water St. e v A t s e r o F 79 80 64 E. -
Week's C Plete Television North Jersey's Only
WEEK'S C PLETE TELEVISION PROGRAMS T E NDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL MAG ZINE News Highlights of Clifton East Paterson Fair Lawn Garfield Haledon Hawthorne .•odi Little Falls Mountain Vtew •. rfh Haledon •'=terson Passaic :-'ompfon Lakes rospecf Park $incjac •owa ayne Zest Paterson 4-H KING AND •UEEN CROWNED X_UGI'ST l-l, 1960 OL. XXXII, No. 33 435 STRAIGHT STREET PA'FEKSON, N.J. MUlberry 4-7880 Gift Department ß' ß Living l•ooms •• • •.•"..., , BedroomsDining Rooms• Bedding Carpeting Appliances THE IDEAL PLACE TO DINE AND WINE ß', ß:!.-,', - ß • SEAI:00D "5.' aq PECIALTY ' BROILED LOBSTER • -- DAILY FROGS' LEGS - •FT SHrUb CRAU• - B•UKrISH - RAINBO• TROUT- HALIBUT - SALMON - SHRIMPS- SCALLOP•- OYSTERS - CLAM - COD FISH - S•OltD FISH - DAILY DIN . - LAmbertS- IS • i ENCOREFOR 'ANDROID'-- Rip Torn (right) portraysa me- chanicalman and KevinMcGarthy and Sono Osato play his keepers,inAlfred Bester's science-fiction colorcast drama, "Mur- der and the Android,"which NBC-TV will repeatMonday, Sept.5. "Murder and the Android" isthe drama of a manof the futurewho inherits an androidfrom his father, then loses con- trol whenthe mechanicalman develops a mindof hisown. I. PARRILLO TheMan from Equitable asks- Willyou lea.e your family a home --or a mortgage? .. % THZ ODDSthat you •-'11die beforeyou:. pay o6 your mortgageare 16 thnesgreater than the chanceyour house will catch fire. Yet, most prudent families wouldn't think of beingwithout fire insurance.Why be without mortgageinsurance? Equitable'sremarkable mortgage repayment insur- anceplan protects your family against forced Sale... lossof savings...cr lossof home. Costsare low for this basicprotection. For full informationcall.. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Steven Spielberg's the War of the Worlds
Alicante Journal of English Studies 29 (2016): 7-23 Alien Invasions and Identity Crisis: Steven Spielberg’s The War of the Worlds (2005) Rocío Carrasco Carrasco Universidad de Huelva [email protected] ABSTRACT The idea of national identity as threatened by foreign invasions has been at the centre of many popular Science Fiction (SF) films in the United States of America. In alien invasion films, aggressive colonisers stand for collective anxieties and can be read “as metaphors for a range of perceived threats to humanity, or particular groups, ranging from 1950s communism to the AIDS virus and contemporary ‘illegal aliens’ of human origin” (King and Krzywinska, 2000: 31-2). Such films can effectively tell historical and cultural specificities, including gender concerns. In them, the characters’ sense of belonging to a nation is destabilised in a number of ways, resulting in identity crisis in most cases. A fervent need to defend the nation from the malevolent strangers is combined with an alienation of the self in the search of individual salvation or survival. The present analysis will attempt to illustrate how threats to configurations of power are employed in a contemporary alien invasion film: The War of the Worlds (Steven Spielberg, 2005). Specifically, the film takes the narrative of destruction to suggest the destabilisation of US national power within the context of post September 11, together with a subtle disruption of the gender and sexual status quo. Indeed, new ways of understanding masculinity and fatherhood assault both the public and the private spaces of its white male heterosexual protagonist, Ray, performed by popular actor Tom Cruise. -
April 2016 CONTACT INFORMATION
Adath Israel Tradition Serving the Adath Israel Chavurah since 1904 Newtown, Monroe, Bethel, Brookfield, Southbury, Trumbull, Oxford, Danbury (The Little Synagogue that Could: First building: 1919, First rabbi: 1923) Ritual: Conservative Social: Progressive Oneg Shabbats: Priceless April 22 Adar II - 22 Nisan 2016 5776 The first night of Passover is on Friday April 22 School Vacation April 10 - 17 Enjoy your Spring Break! Adath Israel ANNUAL MEETING Sunday may 1 9:00 am More information on Page 9 Vote: Budget & Board Slate of Officers In This Issue Announcements 1 Just For the Record 5 Community Programs & Events 10 Rabbi’s & President’s Messages In Memoriam 2 The Nezvesky School 6 11 Community Care Committee Contact Information Pre-School Playgroup Donations Ritual 3 7, 8 12 Purim Carnival Photos Hosting an Oneg / Kiddush Photos 4 Upcoming Activities and Events 9 April Calendar 13 Name Tags 1 From the Rabbi’s Study During this month of April, we will celebrate the Festival of Passover. One of the imag- es of the observance of Passover is the envisioning of Elijah the Prophet visiting the Se- der. The Cup of Elijah represents God’s promise to give the Land of Israel to the People of Israel. We sing that Elijah will arrive with the Messiah. The messianic era, means a time of peace and security for all humanity. At the same time that we open the door for Elijah and sing his song, we also recite the passage, “Pour out Your wrath upon those groups of people who insist upon doing evil and bringing about death and destruction. -
PRODUCTION BIOS ROBERT HALMI JR. (Executive Producer)
“IT’S MURDER, MADAM” PRODUCTION BIOS ROBERT HALMI JR. (Executive Producer) – Emmy® Award winner Robert Halmi Jr. currently serves as President of RHI Entertainment, LLC (formerly Hallmark Entertainment, LLC). His career as a film producer began in 1980 with “Wilson's Reward,” which garnered numerous awards, including a gold medal at the Houston Film Festival. He has produced more than 100 movies and miniseries for television, including “Dreamkeeper,” “Dinotopia,” “Arabian Nights,” “The 10th Kingdom,” “Cleopatra,” “Alice in Wonderland,” “The Baby Dance” and “Lonesome Dove,” which earned seven Emmy® Awards and a Golden Globe for Best Miniseries. Recent Halmi, Jr. “event” productions include “Earthsea,” “Mitch Albom’s The Five People You Meet in Heaven,” “King Solomon’s Mines,” “La Femme Musketeer,” “Frankenstein,” “Frederick Forsyth’s Icon,” “Supernova,” “Mysterious Island” and “The Poseidon Adventure.” In 1984, at age 26, Halmi Jr. became President of RHI Entertainment Inc. (RHI) a publicly traded entertainment company founded by his father. In 1994, RHI was sold to Hallmark Cards Inc. and Halmi Jr. became President and CEO of Hallmark Entertainment, the successor to RHI. For over the past decade, Hallmark Entertainment has remained the largest supplier of movies and miniseries in the television industry, garnering more Emmy nominations for television movies than any other production company in the history of television. Under Halmi Jr’s guidance, Hallmark Entertainment produced over 2,000 hours of television programming. These shows received 448 Emmy® nominations and garnered 103 Emmy® Awards. From 1994-2005, Hallmark Entertainment provided four of the top five highest rated US miniseries and movies made for television, including 2004’s highest rated original movie, “Mitch Albom’s The Five People You Meet in Heaven.” Hallmark Entertainment productions have also topped the ratings charts of the major basic cable networks, “Earthsea” for SciFi Channel (their highest rated miniseries in 2005), “Single Santa Seeks Mrs. -
Science, Religion, and the War of the Worlds - Part I
Journal of Religion & Film Volume 11 Issue 1 April 2007 Article 3 April 2007 Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds - Part I Douglas Cowan University of Waterloo, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Cowan, Douglas (2007) "Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds - Part I," Journal of Religion & Film: Vol. 11 : Iss. 1 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol11/iss1/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds - Part I Abstract The War of the Worlds, which was scripted by Barré Lyndon and directed by Byron Haskin, reflects the Christian religiosity with which many of these films were charged—the overt references to a second Ark as humankind struggles to escape Earth in When Worlds Collide or the oft-repeated interpretation of Klaatu as a Christ-figure in The Day the Earth Stood Still. The significant question in this essay, though, is: In terms of its presentation of religion, why does the first cinematic version of The War of the Worlds, one of the seminal science fiction novels of the twentieth-century, differ so dramatically from Wells' original vision? This article is continued in Volume 11, Issue 2. -
Murder, She Wrote (An Episode Guide)
Murder, She Wrote (an Episode Guide) Murder, She Wrote an Episode Guide by Jeff DeVouge Last updated: Tue, 26 Jul 2005 00:00 264 eps aired from: Sep 1984 to: May 1996 CBS 60 min stereo closed captioned 4 TVMs Full Titles 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th (BIG) List Season Season Season Season Season Season Season Season Season Season Season Season Guide regulars: ● Angela Lansbury as Jessica Fletcher recurring characters: ● William Windom as Doctor Seth Hazlett ● Tom Bosley as Sheriff Amos Tupper [ 1-4 ] ● Jerry Orbach as Harry McGraw [ 1-6 ] ● Michael Horton as Grady Fletcher [ 1-11 ] ● Richard Paul as Mayor Sam Booth [ 3-7 ] ● Julie Adams as Eve Simpson [ 4-9 ] ● Will Nye as Deputy Floyd [ 5-7 ] ● Keith Michell as Dennis Stanton [ 5-9 ] ● Ron Masak as Sheriff Mort Metzger [ 5-12 ] ● James Sloyan as Robert Butler [ 6-7 ] ● Ken Swofford as Lt. Perry Catalano [ 6-7 ] ● Hallie Todd as Rhoda Markowitz [ 6-7 ] ● Louis Herthum as Deputy Andy Broom [ 8-12 ] http://epguides.com/MurderSheWrote/guide.shtml (1 of 67) [14.08.2012 16:48:50] Murder, She Wrote (an Episode Guide) SEARCH Back to TO Title TO Next Related links Menus FAQ epguides TOP of Page List Season via Google & Grids & TV.com Pilot 1. "The Murder of Sherlock Holmes" cast: Eddie Barth [ Bernie ], Jessica Browne [ Kitty Donovan ], Bert Convy [ Peter Brill ], Herb Edelman [ Bus Driver ], Anne Lloyd Francis [ Louise McCallum ], Michael Horton [ Grady Fletcher ], Tricia O'Neil [ Ashley Vickers ], Dennis Patrick [ Dexter Baxendale ], Raymond St. Jacques [ Doctor ], Ned