Felix Issue 1045, 1996
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Metal Híbrido Desde Brasil
Image not found or type unknown www.juventudrebelde.cu Metal híbrido desde Brasil Publicado: Jueves 11 octubre 2007 | 12:00:08 am. Publicado por: Juventud Rebelde La ciudad de Belo CubiertaImage not found del or CD:type unknown Dante XXI de la agrupación brasileña Sepultura. Horizonte, ubicada en el estado brasileño de Minas Gerais, fue el sitio que vio nacer, a inicios de los 80 del pasado siglo, a la banda de rock de nuestro continente que más impacto ha registrado a escala universal: el grupo Sepultura. Integrada en un primer momento por los hermanos Cavalera, Max (guitarra y voz), e Igor (batería), junto al bajista Paulo Jr., y Jairo Guedez en una segunda guitarra, la agrupación conserva total vigencia a más de 20 años de fundarse. Las principales influencias que el cuarteto reconoce en sus comienzos, provienen de gentes como Slayer, Sadus, Motörhead y Sacred Reich, quienes les ayudan a conformar un típico sonido de thrash metal. En 1985, a través del sello Cogumelo Produçoes, editan en Brasil su primer trabajo fonográfico, Bestial devastation, un disco publicado en forma de split (como se conoce a un álbum compartido con otra banda), en compañía de los también brasileños de Overdose. El éxito del material sorprende a muchos y así, Cogumelo Produçoes se asocia a Road Runner Records, para sacar al mercado, en 1986, el primer LP íntegro con música de Sepultura, Morbid visions, valorado al paso del tiempo como un clásico del universo metalero, gracias a cortes como War, Crucifixion y, en especial, Troops of doom, tema que pasó a ser una suerte de himno para la banda. -
Metal Extremo: Estética “Pesada” No Black Metal
UNIVERSIDADE FEDERAL DE JUIZ DE FORA INSTITUTO DE CIÊNCIAS HUMANAS – ICH PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS LUANA CRISTINA SEIXAS METAL EXTREMO: ESTÉTICA “PESADA” NO BLACK METAL Juiz de Fora 2018 LUANA CRISTINA SEIXAS METAL EXTREMO: ESTÉTICA “PESADA” NO BLACK METAL ORIENTADORA: Elizabeth de Paula Pissolato Juiz de Fora 2018 LUANA CRISTINA SEIXAS METAL EXTREMO: ESTÉTICA “PESADA” NO BLACK METAL Dissertação apresentada ao Programa de Pós- Graduação em Ciências Sociais do Instituto de Ciências Humanas da Universidade Federal de Juiz de Fora, como parte dos requisitos necessários à obtenção do título de Mestre em Ciências Sociais. Orientadora: Prof.ª Drª. Elizabeth de Paula Pissolato Juiz de Fora 2018 Fiiha iatalográfia elaboraaa através ao "rograma ae geração automátia aa Biblioteia Universitária aa UFJF, iom os aaaos forneiiaos "elo(a) autor(a) SEIXAS, Luana Cristnaa Metal extremo: : estétia "esaaa no Blaik Metal / Luana Cristna SEIXASa -- 2018a 75 "a : ila Orientaaora: Elizabeth ae Paula Pissolato Dissertação (mestraao aiaaêmiio) - Universiaaae Feaeral ae Juiz ae Fora, Insttuto ae Ciêniias Humanasa Programa ae Pós Graauação em Ciêniias Soiiais, 2018a 1a Est1a Estétiaa 2a Blaik Metala 3a Juiz ae Foraa Ia Pissolato, Elizabeth ae Paula, orienta IIa Títuloa AGRADECIMENTOS Este trabalho apenas se tornou possível devido à contribuição e compreensão de várias pessoas. Agradeço aos meus pais, que no início da faculdade, quando nem compreendiam a minha área de atuação e me deram todo o apoio e que hoje explicam com orgulho o que sua filha estuda, até mesmo para os desconhecidos. Por me apresentar ao Rock quando ainda criança, e quando a situação se inverteu e eu apresentei o Metal, eles estavam abertos a conhecer. -
Antimicrobial Resistance in Mycobacterium Tuberculosis: the Odd One Out
1 Antimicrobial Resistance in Mycobacterium tuberculosis: the Odd One Out 2 3 Vegard Eldholm1 and François Balloux2 4 5 Correspondance: Vegard Eldholm [email protected] 6 François Balloux [email protected] 7 8 1. Division of Infectious Disease Control, Norwegian Institute of PuBlic Health, LovisenBerggata 9 8, Oslo 0456, Norway 10 2. Department of Genetics, Evolution and Environment, University College London, Darwin 11 Building, Gower Street, London WC1E 6BT, UK 12 13 Keywords 14 TuBerculosis, AntiBiotics, Evolution, Mutation, Transmission, Latency, Biofilms 15 1 16 Abstract 17 AntimicroBial resistance (AMR) threats are typically represented By Bacteria capable of 18 extensive horizontal gene transfer (HGT). One clear exception is Mycobacterium tuberculosis 19 (Mtb). It is an oBligate human pathogen with limited genetic diversity and a low mutation rate 20 which further lacks any evidence for HGT. Such features should in principle reduce its ability to 21 rapidly evolve AMR. We identify key features in its Biology and epidemiology that allows it to 22 overcome its low adaptive potential. We focus in particular on its innate resistance to drugs, 23 unusual life cycle including an often extensive latent phase and its ability to shelter from 24 exposure to antimicroBial drugs within cavities it induces in the lungs. 2 25 So Special 26 The rapid increase of antimicrobial resistance (AMR; see Glossary) in Bacteria is driven By the 27 widespread use, abuse and misuse of antiBiotics, and constitutes one of the most challenging 28 healthcare proBlems gloBally. With the notable exception of Mycobacterium tuberculosis (Mtb) 29 the agent of tuberculosis (TB), all other Bacterial species listed as current AMR threats By the 30 Centers for Disease Control http://www.cdc.gov/drugresistance/Biggest_threats.htmltrend 31 frequently exchange genetic material and frequently acquire novel mutations through gain of 32 new genes By horizontal gene transfer (HGT) rather than de novo mutations (Figure 1). -
Yourflesh Magazine :: Film/DVD/Video Review
YOURfLESh Magazine :: Film/DVD/Video Review http://www.yourfleshmag.com/artman/publish/article_1368.shtml May 11, 2009 | Email This Article | Printer Friendly Page | IGGY POP Lust for Life DVD ABC Entertainment, 2009 Nothing like a 1986 German documentary to cast Iggy in a new, dim, light. I was as big a fan as there ever was, knowing well that the Stooges were the best rock and roll band that ever existed. That is indisputable in these ears. But Iggy’s post-Stooges career has been one bad scene after another, and the footage from 1986 on this shows a true Stooge, unflatteringly arrogant and sadly benign. It conjures up that footage of the fake Stooges trying to make it through an uninspired tune on the set of Henry Rollins’ bad TV show on IFC (which was just awful and made worse by Rollins’ fawning, lapdog suck-up during the interview segment). No, watching the Lust for Life DVD forces one to recall the plainly poor music Iggy has tried to pass off over the years. Candy , Blah Blah Blah , New Values , Soldier . All bad, bad music. There has been the good post-Stooges as well, of course; The Idiot , Lust for Life , American Caesar , even Naughty Little Doggie . But the naked exposure of his 80s period shows just how much Iggy would grovel for acceptance. While he finally has received the attention that he deserved during those Stooges days, there is much he should be taken down for in his bid for stardom. The most compelling footage in Lust for Life is of Ron Asheton in his house on Ann Arbor’s West side, talking earnestly about playing in the band that he lived for. -
WDR 3 Open Sounds
Musikliste WDR 3 Open Sounds Iggy Pop 70 Zwischen Proto-Punk und Post-Chanson Eine Sendung von Thomas Mense Redaktion Markus Heuger 22.04.2017, 22:04 Uhr Webseite: www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/index.html // Email: akustische.kunst(at)wdr.de 1. Main Street Eyes K/T: Iggy Pop (James Osterberg Music/Bug Music BMI 1990) CD: Brick By Brick, 1990, Virgin Länge: 3.02 Minuten 2. 1969 K: James Osterberg (Iggy Pop)/ Ron Asheton, 1969 CD: The Stooges, 1988 Elektra/Asylum Records, LC 0192 Länge: 0.53 3. Search and Destroy K: Iggy Pop/ James Williamson, 1973 I: Iggy and The Stooges CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 0.42 5. I wanna live K: Iggy Pop/ Whitey Kirst CD: Iggy Pop: Naughty Little Doggie, 1996, Virgin 1996, LC 3098 Länge: 0.12 6. I wanna be your dog K/T: Pop/ Scott Asheton/ Ron Asheton/ Dave Alexander CD: The Stooges, 1969/1988 Elektra/Asylum LC 0192 Länge: 1.12 WDR 3 Open Sounds // Musikliste // 1 7. Penetration K/T: Iggy Pop/James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge: 2.30 8 . Dirt K/T: Iggy Pop/ Ron Asheton/ Scott Asheton CS. Funhouse, 1988 Elektra/ Asylum Records, LC 0192 Länge: 2.55 9. Gimme danger K:T. Iggy Pop/ James Williamson CD: Iggy And The Stooges: Raw Power, 1973, 1997 Sony Entertainment LC 0162 Länge:2.35 10. Nightclubbing K/T: David Bowie/Iggy Pop James Osterberg Music/Bewlay Bros.s:A.R.L./Fleur Music CD: Iggy Pop-The Idiot, Virgin Records 1990,077778615224 Länge: 1.00 11. -
Here Without You 3 Doors Down
Links 22 Jacks - On My Way 3 Doors Down - Here without You 3 Doors Down - Kryptonite 3 Doors Down - When I m Gone 30 Seconds to Mars - City of Angels - Intermediate 30 Seconds to Mars - Closer to the edge - 16tel und 8tel Beat 30 Seconds To Mars - From Yesterday https://www.youtube.com/watch?v=RpG7FzXrNSs 30 Seconds To Mars - Kings and Queens 30 Seconds To Mars - The Kill 311 - Beautiful Disaster - - Intermediate 311 - Dont Stay Home 311 - Guns - Beat ternär - Intermediate 38 Special - Hold On Loosely 4 Non Blondes - Whats Up 44 - When Your Heart Stops Beating 9-8tel Nine funk Play Along A Ha - Take On Me A Perfect Circle - Judith - 6-8tel 16tel Beat https://www.youtube.com/watch?v=xTgKRCXybSM A Perfect Circle - The Outsider ABBA - Knowing Me Knowing You ABBA - Mamma Mia - 8tel Beat Beginner ABBA - Super Trouper ABBA - Thank you for the music - 8tel Beat 13 ABBA - Voulez Vous Absolutum Blues - Coverdale and Page ACDC - Back in black ACDC - Big Balls ACDC - Big Gun ACDC - Black Ice ACDC - C.O.D. ACDC - Dirty Deeds Done Dirt Cheap ACDC - Evil Walks ACDC - For Those About To Rock ACDC - Givin' The Dog A Bone ACDC - Go Down ACDC - Hard as a rock ACDC - Have A Drink On Me ACDC - Hells Bells https://www.youtube.com/watch?v=qFJFonWfBBM ACDC - Highway To Hell ACDC - I Put The Finger On You ACDC - It's A Long Way To The Top ACDC - Let's Get It Up ACDC - Money Made ACDC - Rock n' Roll Ain't Noise Pollution ACDC - Rock' n Roll Train ACDC - Shake Your Foundations ACDC - Shoot To Thrill ACDC - Shot Down in Flames ACDC - Stiff Upper Lip ACDC - The -
Vancouver Special 4 SUPERCONDUCTOR" Bastardson$ $14.92 Double LP/CD Chocks Or Money Orders Pay- Discorder Magazino
MIMT/LOOKOUT MIGHT TH6 SMGGIBRS MM PANSY DIVISION 6R00VI6 0HOULI6S PUOTAM0 MAOW FRIPAY MAY 3RP ©ASTOWN MUSIC HALL ,f?**s\ I MAOWAAiV GROOVIE GHOULIES "THE IMF0R6IVIMS S0UW7S OF..." "WORt-C 40KTMT PAY" SUMMER! SPECIALLY PRICED AT THE SEYMOUR STREET AW COM VU0TM6 "THE MESSAGE" 7" AMP OTHER SURPRISES *i O U R STREET, DOWNTOV editor dylan griffith productlon manager sophle hamley May 1996 - #160 art director kevtn pendergraft graphic design/layout die-cover ken paul, dytan grifflth, kent matheso Who would ever guess that the cherubic promotion meager eophie hamley youths -gracing this month's cover are production assistant actually Vancouver's reigning kings of Sa krista peters tanic speed-metal? Well, it's true. Andrew miko hoffman Dennison snapped this rare shot ofthe Sparkmarker boys sans leather ware and feathered hair; Ken Paul took cane of the sophle hamley distribution graphic stylings. matt steffieh us distribution brian wieser, ben la die-contents contact:mork.phone.fax.604.872.1403.e-mail atomos&direcf.ca » quadra llnda scholten NARDWUAR vs. BILL KAYSING 6 computer savloure KEN HEGAN & TEN FOOT POLE 10 THE WEDDING PRESENT 11 *"996by*h-**Sh*- i* Radio Soci.ly of Hi* Uni- 12 sily ot British Columbia. All THE STINKIES fits r-s.rv.d. Circulation 17, SP@RKM(@RKER 15 Subscriptions, payable in ad- ice, to Canadian residents SLAY YOU! • $15 for on. year, to resi- ,fsof th. USA are SI 5 USD; $24 CON .Is.wh.r.. Singl. ON SALE THIS MONTH: $2.00 (to covor post- ago, of courso). Ploaso mak. Vancouver special 4 SUPERCONDUCTOR" Bastardson$ $14.92 double LP/CD chocks or money orders pay- DiSCORDER Magazino. -
RECORD SHOP Gesamtkatalog
RECORD SHOP Gesamtkatalog gültig bis 31.10.2018 Record Shop Holger Schneider Flurstr. 7, 66989 Höheinöd, Germany Tel.: (0049) 06333-993214 Fax: (0049) 06333-993215 @Mail: [email protected] Homepage: www.recordshop-online.de Gruppe / Titel Artikelbeschreibung B.-Nr.Preis Gruppe / Titel Artikelbeschreibung B.-Nr. Preis 10 CC LIVE CD D/92/ATCO M/M- 94179 6,99 € GREATEST HITS 1972 - 1978 CD M-/M 90675 4,99 € LIVE CD-DO Doppel-CD Collectors Edition im Digi von 2003 M/M50405 6,99 € LIVE AT RIVER PLATE DVD VG/VG- 02931 4,99 € 12 STONES NO BULL VHS LIVE PLAZA DE TOROS 122 MINUTEN00502 2,99 € 12 STONES CD M-/M 97005 6,99 € POWERAGE CD Digitaly Remastered AC/DC Collection EX-/M96500 4,99 € POTTERS FIELD CD M/M 97004 6,99 € POWERAGE CD Digitaly Remastered AC/DC Collection M-/M57652 6,99 € 18 SUMMERS ROCK OR BUST CD Lim. Edition im Digipack !!! EX/M 96501 6,99 € VIRGIN MARY CD EX-/M- 93108 6,99 € ROCK OR BUST CD Lim. Edition im Digipack !!! ORIGINALVERPACKT93937 9,99 € 24-7 SPYZ SATELLITE BLUES CD Maxi EX/M 70348 4,99 € 6 CD EX/M 85408 2,99 € STIFF UPPER LIP CD EX-/M 53656 6,99 € STIFF UPPER LIP CD Maxi EX-/M- 61532 4,99 € 36 CRYZYFISTS STIFF UPPER LIP LIVE DVD 2001 M-/M 02085 9,99 € COLLISIONS AND CASTWAYS CD M/M 89364 2,99 € THE RAZORS EDGE CD D/1990/ACTO M-/M 83231 6,99 € 38 SPECIAL THUNDERSTRUCK CD Maxi + Fire Your Guns + D.T. -
Sepultura Roots Bloody Roots Mp3, Flac, Wma
Sepultura Roots Bloody Roots mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Roots Bloody Roots Country: Australia Released: 1996 Style: Thrash, Heavy Metal MP3 version RAR size: 1308 mb FLAC version RAR size: 1175 mb WMA version RAR size: 1563 mb Rating: 4.7 Votes: 135 Other Formats: AC3 VOX ASF AU XM MP4 WMA Tracklist Hide Credits 1 Roots Bloody Roots 3:33 Procreation (Of The Wicked) 2 3:39 Written-By – Martin Ain*, Tom Warrior* 3 Propaganda (Live) 3:37 4 Beneath The Remains / Escape To The Void (Live) 3:33 Companies, etc. Phonographic Copyright (p) – The All Blacks B.V. Copyright (c) – The All Blacks B.V. Licensed To – Roadrunner Records Licensed From – The All Blacks B.V. Published By – Roadblock Music, Inc. Published By – Roadster Music B.V. Published By – EMI Blackwood Published By – Maldoror Musikverlag Manufactured By – Combined Creative Services Made By – PMI Credits Bass – Paulo Jr. Co-producer – Sepultura (tracks: 1, 2) Design, Artwork [B&W Montage] – Twelve Point Rule Drums – Igor Cavalera Guitar – Andreas Kisser Mixed By – Andy Wallace (tracks: 1, 2), Scott Burns (tracks: 3, 4) Photography By [B&w] – Gary Monroe Photography By [Cover And Band] – Michael Grecco Producer – Ross Robinson (tracks: 1, 2), Sepultura (tracks: 3, 4) Recorded By, Engineer – Steven Remote (tracks: 3, 4) Vocals, Guitar – Max Cavalera Written-By – Sepultura (tracks: 1, 3, 4) Notes Clone of the Netherlands issue. Main distinguishing characteristics are the matrix information and digipak manufacturer. Track 2 originally performed by Celtic Frost. Tracks 3, 4 recorded live, March 1994, Minneapolis, US. CD is housed in a digipak DIGIPAK Manufactured under exclusive licence from A.G.I., USA, for Australasia by Combined Creative Services. -
Newspaper $3.95 3
Newspaper $3.95 3 VOL. LIX, NO. 23 FEBRUARY 17, 1996 NUMBER ONES STAFF GEORGE ALBERT THE ENTERTAINMENT TRADE MAGAZINE President and Publisher POP SINGLE KEITH ALBERT One Sweet Day Cover Story Exec. V.P./General Manager M.Ft MARTINEZ Mariah Carey Blistering Pace For Stabbing Westward Managing Editor (Columbia) EDITORIAL If early notices are any indication, Columbia recording act Stabbing Westward Los Angeles JOHN GOFF might expand on the success it experienced as a new band in 1994. A combination STEVE BALTIN URBAN SINGLE of emotionally vivid rock ballads and touring with established acts that broadened GIL ROBERTSON IV KAREN SIDLOW Retail Gude its audience base proved to be what the marketing doctor ordered for this group's Not Gon’ Cry HECTOR RESENDEZ, Latin Ecitor Ungod debut. Cash Box’s Karen Sidlow talked with band vocalist Christopher Nashville Mary J. Blige WENDY NEWCOMER Hall about the music on and the upcoming club tour in support of Stabbing New York (Arista) J S. GAER Westward’s latest album. Wither Blister Burn & Peel. CHART RESEARCH —see page 5 Los Angeles BRIAN PARMELLY RAP SINGLE ZIV On A Blues Note TONY RUIZ Tonight’s The Night PETER FIRESTONE Cash Box this week launches what we believe will be a popular section. It's all Nashville Kris Kross GAIL FRANCESCHI about the blues and the people who make and market the music. Each installment (Ruffhouse/Columbia) MARKETING/ADVERTISING will feature notes and news about this oft-neglected segment of the business, Los Angeles reviews of current product, and most importantly a chart listing the top selling FRANK HIGGINBOTHAM JOHN RHYS blues titles. -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation.....................................................................................