Main Heading
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
CMR NI Radio Charts
Radio and audio content Figure 3.1 Number of community radio stations on air, 2006-2012 2006 2007 2008 2009 2010 2011 2012 England 29 72 95 126 146 160 159 UK 36 90 123 163 184 199 197 Wales Northern Ireland Scotland 20 18 18 18 18 15 12 12 12 11 11 9 9 10 8 8 8 8 7 6 4 5 3 3 1 0 2006 2007 2008 2009 2010 2011 2012 Source: Ofcom, April 2012 36 Figure 3.2 Availability of radio stations in Northern Ireland Digital Analogue 14 12 10 8 13 6 12 10 4 8 5 2 4 3 0 BBC local/national National commercial Local commercial Community licences Source: Ofcom, April 2012 Note: This chart shows the maximum number of stations available in each area; local variations along with reception issues mean that listeners may not be able to access all of these 37 Figure 3.3 Ownership of DAB digital radios Figure above bar shows % point change in Percentage of respondents DAB sets in household from Q1 2011 +1 -6 +1 -2 +2 -5 -6 45% 30% 38 40 15% 29 29 28 22 25 22 22 18 19 19 0% UK 2012 N Ireland England Scotland Wales NI urban NI rural N Ireland N Ireland N Ireland N Ireland N Ireland 2012 2012 2012 2012 2012 2012 2008 2009 2010 2011 2012 Q4. You said earlier that you have (NUMBER) radio sets in your home that someone in the household listens to in most weeks. How many of these radio sets are digital radios? Source: Ofcom research, Quarter 1 2012 Base: Adults aged 16+ who listen to radio (n = 2963 UK, 405 Wales, 1790 England, 364 Scotland, 404 Northern Ireland, 191 Wales urban, 214 Wales rural, 638 Wales 2008, 848 Wales 2009, 854 Wales 2010, 397 Wales 2011, 405 Wales 2012) Note: Remaining percentages are Don’t know responses. -
Ramsey-OA-Con-2016
‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2016) ‘It could redefine public service broadcasting in the digital age’: assessing the BBC’s proposals for moving BBC Three online. Convergence. (http://dx.doi.org/10.1177/1354856516659001) Abstract In November 2015 the BBC Trust gave its final approval for BBC Three to cease broadcasting on television in the UK and become an online-only entity. The decision is a landmark moment in the history of BBC Television, and has significant implications for BBC planning in relation to the continued transition from broadcast television to streaming and download services. In this article the original proposals for BBC Three’s move online are assessed, and are discussed within the wider context of current BBC policy. It is argued that the rationale used for moving BBC Three online is based on arguments that vary in the extent to which they are backed by evidence. It is also argued that the plans have significant regulatory implications for the future of BBC Television and for the television licence fee in the UK. Keywords: BBC, BBC policy, BBC Three, online television, multi- platform approach, public service media, public value tests, media regulation. ‘It could redefine public service broadcasting in the digital age’: assessing the rationale for moving BBC Three online Introduction In March 2014 the BBC first announced that its UK television channel BBC Three, aimed at 16-34 year olds, would cease broadcast on digital terrestrial television (DTT) and on other broadcasting platforms and become an online-only entity. -
Quality Measures
BBC ‘Quality’ measures revealed to be at highest levels in recent years The BBC has today for the second time published a range of audience data showing how the BBC and its services perform against key attributes of Quality and Reach. These results cover the period April – June 2011. The results, which the BBC published for the first time in July 2011, are published quarterly. They include the audience Appreciation Index (AI) - a score out of 100 given to BBC services by an independently run panel of 20,000 people. The results here show the BBC is performing extremely strongly across TV, radio and online with many measures remaining at record levels. As well as the AI measurement, the BBC has also published reach data (how many people consume BBC services, and for how long) and whether audiences view programmes and services across the BBC as distinctive. James Holden Head of Audiences, BBC said “We are pleased with this recent set of figures. The BBC constantly strives to deliver a range of content and services that licence fee payers will choose and enjoy. These figures show that they continue to do so despite the wide range of media options available” Results for April - June 2011 include: Quality Measures Based on age of 15+ General Impression of the BBC Mean score out of 10 All BBC 7.0 Source: The BBC Brand and Reputation Tracking Survey by Kantar Media for BBC, Sample of 2940 Adults 15+, April – June 2011, Mean score out of 10 where 1= extremely unfavourable and 10= extremely favourable. -
BBC Radio Scotland’S Delivery of the BBC’S Public Purposes
BBC Nations Radio Review BBC Nations Radio Review Quantitative audience research assessing BBC Radio Scotland’s delivery of the BBC’s Public Purposes Prepared for September 20 2011 Prepared by Kantar Media: Trevor Vagg, Sara Reid and Julia Harrison. Ref: 45110564. © Kantar Media. Contact: 020 7656 5500 All rights reserved www.kantarmedia.com www.kantarmedia.com reserved P a g e | 2 Contents 1. Introduction .................................................................................................................................... 2 1.1 Objectives.................................................................................................................................... 3 1.2 Methodology ............................................................................................................................... 3 1.3 Explanation of Public Purposes and performance gaps.............................................................. 4 2. Executive summary ......................................................................................................................... 6 3. Overall performance measures for BBC Radio Scotland............................................................... 10 3.1 Overall impression of BBC Radio Scotland ................................................................................ 10 3.2 Likelihood to miss BBC Radio Scotland ..................................................................................... 12 3.3 Perceived value for money of BBC Radio Scotland .................................................................. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
Service Review
Delivering Quality First in Northern Ireland DELIVERING QUALITY FIRST IN NORTHERN IRELAND EXECUTIVE SUMMARY The BBC in Northern Ireland aims to bring the highest quality, most distinctive programmes and services to local audiences, reflecting the diversity of its cultures, communities and languages, and informing, educating and entertaining all its citizens. Our ambition is to deliver content driven by the unique needs of our local audiences, fulfilling the BBC’s public purposes within the context of political, economic and social change in Northern Ireland. The capacity to evaluate and reflect a Northern Ireland society during this period of significant transformation is at the heart of our proposition. Northern Ireland-specific output such as BBC Radio Ulster/Foyle is extremely popular and highly distinctive. On television, BBC Newsline and the current affairs programme Spotlight combine with live sports coverage and a wide range of non-news programming such as The Estate, Belfast Blitz and House of the Year to deliver significant value to local audiences. In the first quarter of 2011, ten of BBC One Northern Ireland’s top twenty programmes were locally made Northern Ireland programmes. Within a very competitive television news market, the BBC’s television news specifically for Northern Ireland audiences (BBC Newsline) is highly trusted and valued by our audience. When the BBC’s programmes for Northern Ireland audiences opt into the BBC One and BBC Two network schedules, they consistently add to the overall channel performance. BBC Radio Ulster/Foyle reaches on average almost 38% of the Northern Ireland adult population each week – amongst the highest reach of all of the BBC’s national and local radio services. -
Draft Operating Licence for the BBC's UK Public Services
Draft operating licence for the BBC’s UK Public Services For consultation Draft operating licence for the BBC’s UK Public Services About this document [NOTE: this document is a draft of the BBC’s operating licence for consultation.] This is the operating licence for the BBC’s UK Public Services. It sets the regulatory conditions that Ofcom considers appropriate for requiring the BBC to fulfil its Mission and promote the Public Purposes; to secure the provision of distinctive output and services; and to secure that all BBC audiences in England, Scotland, Wales, and Northern Ireland are well served. The BBC must comply with the regulatory conditions in this licence. Ofcom can take enforcement action in the event of non-compliance. A separate document is available for audiences in each of the United Kingdom’s nations which sets out the regulatory conditions that apply specifically to the BBC’s services in that nation. Draft operating licence for the BBC’s UK Public Services Contents Section Page 1 The Licence 1 Schedules Page 1 Regulatory conditions 9 2 Definitions and interpretation 23 3 Summary of regulatory conditions 26 4 The UK Public Services 33 Draft operating licence for the BBC’s UK Public Services Section 1 1 The Licence This is the operating licence for the BBC’s UK Public Services (the “Licence”). Ofcom has set the Licence in exercise of its functions under the Royal Charter for the continuance of the British Broadcasting Corporation (the “Charter”) and the Agreement between the Secretary of State for Culture, Media and Sport, and the BBC (the “Agreement”), pursuant to section 198 of the Communications 20031. -
Radio/Audio Slides for CMR11
3. Radio and audio 0 Figure 3.1 UK radio industry key metrics UK radio industry 2005 2006 2007 2008 2009 2010 Weekly reach of radio (% of population) 90.0% 89.8% 89.8% 89.5% 89.8% 90.6% Average weekly hours per head 21.6 21.2 20.6 20.1 19.8 20.1 BBC share of listening 54.5% 54.7% 55.0% 55.7% 55.3% 55.2% Total industry revenue £1,118m £1,126m £1,174m £1,137m £1,092m £1,123m Commercial revenue £530m £512m £522m £488m £432m £438m BBC expenditure £588m £614m £652m £649m £660m £685m Radio share of advertising spend 3.3% 3.0% 2.9% 2.8% 2.8% 2.7% DAB digital radio take-up (households) 11.1% 16.0% 22.3% 29.7% 33.4% 35.8% Source: RAJAR (all adults age 15+), Ofcom calculations based on figures in BBC Annual Report and Accounts 2010/11 note 2c (www.bbc.co.uk/annualreport), AA/Warc, broadcasters. Revenue figures are nominal. Figure 3.2 Radio industry revenue and spending 2005-2010 £ million 1174 1200 1118 1126 1137 1092 1123 1000 522 438 Total commercial 530 512 488 432 800 600 400 652 649 660 685 BBC expenditure 588 614 (estimated) 200 0 2005 2006 2007 2008 2009 2010 Source: Ofcom / operator data / BBC Annual Report 2005-2010 Note: BBC expenditure figures are estimated by Ofcom based on figures in Note 2c of the BBC Annual Report (www.bbc.co.uk/annualreport); figures in the chart are rounded and are nominal. -
Radiocentre's Response to the BBC Trust Review of the BBC's National Radio Stations in Northern Ireland, Scotland and Wales
RadioCentre’s response to the BBC Trust review of the BBC’s national radio stations in Northern Ireland, Scotland and Wales 1. Executive summary 1.1. We welcome the fact that a significant degree of scrutiny is being applied to the BBC Nations services, via the BBC Trust’s ongoing service licence review process. The Nations services were largely overlooked during the 2010 BBC Strategy Review process – we considered this to be unfortunate given the relatively high level of licence fee funding invested in them, their potential market impact, and - most importantly - their disproportionate political and social importance. 1.2. The BBC’s radio services in the Nations – BBC Radio Ulster/Foyle (Northern Ireland), BBC Radio Scotland and BBC Radio nan Gàidheal (Scotland), BBC Radio Wales and BBC Radio Cymru (Wales) – should embody the ideals of public service broadcasting: that is, providing distinctive, high quality, informative speech content that adds significant value to the body politic. 1.3. We believe that the BBC’s Nations services do largely fulfil this role. However, aspects of these services fail to meet such high standards, in the following areas: ‐ Music/speech output. The service licences of the English language Nations services state that they should be ‘speech-led’, yet they all broadcast a significant amount of music during daytime. We believe that the service licences of all English language BBC Nations services should be amended, to require them to broadcast 100% speech during daytime. ‐ Audience profile. The English language Nations services currently lack a target age demographic. We believe that all BBC Radio service licences should contain a specific target age range, in order to ensure maximisation of public value and avoid duplication with the commercial sector. -
VLV Response to BBC Trust Review of Children's Services and Content
“Working for quality and diversity in British broadcasting” PO Box 401, Gravesend, Kent DA12 9FY Telephone: 01474 338716 Fax: 01474 325440 Founded in 1983 by Jocelyn Hay CBE E-mail: [email protected] Web: www.vlv.org.uk Response from Voice of the Listener & Viewer to the BBC Trust's BBC Children's Services Review May 2013 Voice of the Listener & Viewer a charitable company limited by guarantee. Registered in England No. 4407712. Registered Office: The Old Rectory Business Centre, Springhead Road, Northfleet, Kent DA11 8HN. Registered charity no. 1152136 Honorary Officers: Jocelyn Hay CBE President Colin Browne Chairman Toni Charlton Treasurer Robert Clark Secretary Response from Voice of the Listener & Viewer to the BBC Trust's BBC Children's Services Review TABLE OF CONTENTS Summary 3 Performance against the terms of the service licences 4 Question 1 4 Judging performance against the BBC's public purposes 5 Question 2 7 Television 7 Radio 9 Online 10 Question 3 10 Question 4 11 Question 5 12 Question 6 13 Question 7 13 Meeting the strategic challenges - financial 14 Question 8 14 Technological 15 Question 9 15 Working with industry 16 Question 10 16 Other BBC services 17 Question 11 17 Contributors and references 18 2 Response from Voice of the Listener & Viewer to the BBC Trust's BBC Children's Services Review Voice of the Listener & Viewer (VLV) is an independent, non-profit-making association, free from political, commercial and sectarian affiliations, working for quality and diversity in British broadcasting. VLV represents the interests of listeners and viewers as citizens and consumers across the full range of broadcasting issues. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.