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Tuxedomoon the Ghost Sonata Mp3, Flac, Wma
Tuxedomoon The Ghost Sonata mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Ghost Sonata Country: Russia Released: 2000 Style: Modern Classical, Avantgarde MP3 version RAR size: 1237 mb FLAC version RAR size: 1955 mb WMA version RAR size: 1244 mb Rating: 4.9 Votes: 544 Other Formats: WMA MMF FLAC MPC AA MOD VQF Tracklist Hide Credits The Funeral Of A Friend 1 1:09 Written-By – Geduldig*, Principle* The Ghost Sonata 2 5:36 Written-By – Reininger*, Brown* Catalyst 3 0:42 Written-By – Principle* An Affair At The Soiree 4 3:39 Written-By – Reininger*, Geduldig*, Principle*, Brown* Music Number Two 5 2:56 Written-By – Reininger*, Brown* A Drowning 6 2:07 Written-By – Reininger*, Principle*, Brown* The Cascade 7 3:02 Written-By – Reininger*, Brown* A Mystic Death 8 2:16 Written-By – Geduldig*, Principle* Basso Pomade (Dogs Lickin' My Heart) 9 2:36 Written-By – Reininger*, Brown* Licorice Stick Ostinato 10 2:19 Written-By – Reininger*, Brown* The Laboratory (Parts 1 & 2) 11 5:08 Written-By – Reininger*, Principle*, Brown* Les Odalisques 12 4:10 Written-By – Reininger*, Geduldig*, Principle*, Brown* An Unsigned Postcard 13 3:06 Written-By – Reininger*, Principle*, Brown* Music Number Two (Reprise) 14 4:18 Written-By – Reininger*, Brown* Credits Edited By – James Neiss*, Peter Principle Engineer – Jerome Sandron*, Bruno Donini, Drem Bruinsma, Gilles Martin Liner Notes [Brussels 12/90, Background And Event] – James Neiss* Liner Notes [Notes On The Notes] – Peter Principle Liner Notes [Random Recollections] – Blaine L. Reininger, Bruce Geduldig, Gilles Martin, JJ La Rue, Nina Shaw , Saskia Lupini, Steven Brown Performer – Blaine L. -
Umberto Fiori, Tommaso Leddi, Pino Martini
Opere di poesia Case, S. Marco dei Giustiniani, Genova,1986 Esempi, Marcos y Marcos, Milano, 1992, 2004 Chiarimenti, Marcos y Marcos, Milano, 1995 Parlare al muro (con immagini di Marco Petrus), Marcos y Marcos, Milano, 1996 Tutti, Marcos y Marcos, Milano, 1998 La bella vista, Marcos y Marcos, Milano, 2002 Voi, Mondadori, Milano, 2009 Poesie 1986-2014, Oscar Poesia, Mondadori, 2014 Per le immagini del fotografo Giovanni Chiaramonte: Penisola delle figure, Motta, Milano,1995 Westwards, SEI, Torino, 1996 Milano. Cerchi della città di mezzo, Motta, Milano, 2000 In corso d’opera, Akzo Nobel, Milano, 2000 Dolce è la luce, Edizioni della Meridiana, Firenze, 2003 L’altro nei volti nei luoghi, Itaca, Castelbolognese, 2011 Presenza in antologie: Nuovi poeti italiani contemporanei, a cura di Roberto Galaverni, Guaraldi, Rimini, 1996 Il pensiero dominante. Poesia italiana 1970-2000, a cura di Franco Loi e Davide Rondoni, Garzanti, Milano, 2001 Poeti italiani del secondo Novecento, a cura di Maurizio Cucchi e Stefano Giovanardi, Mondadori, Milano, 2004 La poesia italiana oggi. Un’antologia critica, a cura di Giorgio Manacorda, Castelvecchi, Roma, 2004 Parola plurale, 64 poeti italiani fra due secoli, a cura di Giancarlo Alfano, Alessandro Baldacci, Cecilia Bello Minciacchi, Andrea Cortellessa, Massimiliano Manganelli, Raffaele Scarpa, Fabio Zinelli, Paolo Zublena, Sossella editore, Roma, 2005 Poesia contemporanea dal 1980 a oggi, a cura di Andrea Afribo, Carocci, Roma, 2007 Poeti italiani del Duemila, a cura di Giuliano Ladolfi, Palomar editore, Bari, 2011 Poesia presente, a cura di Francesco Napoli, Raffaelli editore, Rimini, 2011 Poeti e Poesia n. 30, a cura di Elio Pecora, 2013 Traduzioni delle poesie in varie lingue In volume: Theo Dorgan (a cura di) Terminus, Poetry Ireland, Dublino, 1998 (poesie da Case, Esempi, Chiarimenti, Tutti) Dejan Ilic (a cura di) Govoriti zidu, Rad, Belgrado, 2001 (poesie da Esempi, Chiarimenti, Tutti) In antologie e riviste: Portoghese: Poesia italiana hoje, trad. -
Settembre Musica 1997
Città di Torino settembre musica 1997 domenica 14 settembre 1997 ore 21 Auditorium RAI Stormy Six Umberto Fiori voce, chitarra acustica Franco Fabbri voce, chitarra acustica e elettrica Tommaso Leddi mandolino, violino, 11 chitarra acustica, halalajka, tastiere Carlo De Martini voce, basso ■ Salvatore Garau b a tteria Da più di trent anni in attività, gli Stormy Six rappresenta no, oltre che uno dei gruppi più longevi, sicuramente uno dei laboratori musicali più importanti e creativi del rock ita liano. La loro storia inizia negli anni ’60, in piena epoca beat, passa poi attraverso 1 esperienza della canzone politica arricchita dal patrimonio folk, e, negli anni ‘70 raggiunge la sperimentazione sonora più avanzata, per ritornare quindi negli anni ’80, alla ricerca sulla canzone. Sciolta la forma zione nel 1983, gli Stormy Six ritornano insieme esattamen te dieci anni dopo, consapevoli di non avere esaurito la loro ricerca e forti della straordinaria esperienza artistica matura ta Si formano a Milano nel 1965; il primo 45 giri esce nel 1966. L’anno seguente sono tra i gruppi di spalla nella tournée ita liana dei Rolling Stones. Partecipano quindi ai primi festival rock all aperto (storiche kermesse, come il Festival di Re Nudo a Ballabio, il Festival Avanguardie e Nuove Tendenze di Viareggio). Mentre incontrano il grande pubblico parte cipando al Disco per l’estate del 1972 con il brano “Sotto il bambù , si avvicinano ad un maggiore impegno attraverso le tematiche politiche e la scoperta del folk internazionale come dimostrano i due album incisi L’unità (1972) e Guarda giù dalla pianura (1973). -
Rückkopplungen Aus Dem Zodiak Free Arts Lab
BILDET NISCHEN! Rückkopplungen aus dem Zodiak Free Arts Lab HAU 21.–26.9.2021 Bildet Nischen! Rückkopplungen aus dem Zodiak Free Arts Lab 21.–26.9.2021 / HAU1 Im Winter des Jahres 1967 begann der Musiker und Künstler Conrad Schnitzler, auf Einladung des Wirtes Paul Glaser in zwei Räumen unter der damaligen Schaubühne am Halleschen Ufer, dem heutigen HAU2, das Programm zu gestalten. Mit Mit strei - ter:innen betrieb er das Zodiak Free Arts Lab über ein Jahr lang als hierarchiefreien Raum für musikalische Experimente und interdisziplinären Austausch. Bis 1969 diente das Zodiak als künstlerischer wie sozialer Treffpunkt. Trotz des kurzen Be- stehens kann es als initiierender Ort für zahlreiche musikalische Entwicklungen ver- standen werden – vor allem für die kurze Zeit später entstehende “Berliner Schule”, deren Sound oft unter dem Begriff “Krautrock” zusammengefasst wird und der bis heute in diversen musikalischen Strömungen nachhallt. “Bildet Nischen! Rückkopplungen aus dem Zodiak Free Arts Lab” begibt sich auf Spurensuche und beleuchtet die Verbindungen aus politischen, sozialen und kultu- rellen Verhältnissen, die auf die Szene um das Zodiak einwirkten. Welche Gemenge - lagen setzen auch heute noch Energien frei, die sich in (pop-)kulturellen Entwick- lungen manifestieren? Wie findet sich Gegenkultur und welcher Räume bedarf es dafür? Lassen sich Spuren und Bezüge des Zodiak in der kulturellen Praxis späterer subkultureller Entwicklungen im Berliner Underground aufzeigen? Fragestellungen wie diese bleiben bis in die aktuelle Gegenwart für die Entwicklung künstlerischer Positionen relevant. In einem Programm aus Konzerten, Kollaborationen, Installa- tionen, Gesprächen und einer Lecture Performance geht das HAU ihnen nach. Ein Festival des HAU Hebbel am Ufer. -
La Mamelle and the Pic
1 Give Them the Picture: An Anthology 2 Give Them The PicTure An Anthology of La Mamelle and ART COM, 1975–1984 Liz Glass, Susannah Magers & Julian Myers, eds. Dedicated to Steven Leiber for instilling in us a passion for the archive. Contents 8 Give Them the Picture: 78 The Avant-Garde and the Open Work Images An Introduction of Art: Traditionalism and Performance Mark Levy 139 From the Pages of 11 The Mediated Performance La Mamelle and ART COM Susannah Magers 82 IMPROVIDEO: Interactive Broadcast Conceived as the New Direction of Subscription Television Interviews Anthology: 1975–1984 Gregory McKenna 188 From the White Space to the Airwaves: 17 La Mamelle: From the Pages: 87 Performing Post-Performancist An Interview with Nancy Frank Lifting Some Words: Some History Performance Part I Michele Fiedler David Highsmith Carl Loeffler 192 Organizational Memory: An Interview 19 Video Art and the Ultimate Cliché 92 Performing Post-Performancist with Darlene Tong Darryl Sapien Performance Part II The Curatorial Practice Class Carl Loeffler 21 Eleanor Antin: An interview by mail Mary Stofflet 96 Performing Post-Performancist 196 Contributor Biographies Performance Part III 25 Tom Marioni, Director of the Carl Loeffler 199 Index of Images Museum of Conceptual Art (MOCA), San Francisco, in Conversation 100 Performing Post-Performancist Carl Loeffler Performance or The Televisionist Performing Televisionism 33 Chronology Carl Loeffler Linda Montano 104 Talking Back to Television 35 An Identity Transfer with Joseph Beuys Anne Milne Clive Robertson -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Present Year He Has Been Stationed in Connecticut, EUROPE. | |L
* g FEW youK HERALD, MONDAY, J ULY 81, 1871..WITH SUP1'LKMENT. y i ii "NEW YORK HERALD Tk« BxplNtM of Ike Mut«a lilnat Tie accident upon the Kockaway steamer the Ifut<-hin«*.- II»Ney.VFnrdHI. Peculiar Political NoTdmen^ la Prance. Ferryboat. other day induced us to ask the question of One of the most plain, practical and direct The political situation in FrartOe does day EUROPE. broadway and ann htbrkt. The city was startled with & new horror the officers of these steamers, collectively, preacher* in the Brooklyn pulpit is the Rev. after day become more and more complicated. Hiram flutchings, pastor of the Baptist chnrch The discussions and tbe combination* are yesterday. A sensation like an electric shock What are means of JAMES GORDON your preserving in Bedford avenue, over which he has watched and HcinUf Sperial from BENNETT, oar as news equally mysterious incomprehensible. Report passed through people the first of life iu case of an explosion, a with care affection for more than |l puoi'rietor. and The after a show of | paternal Bourbons, making London. II the disaster on board the Staten Island or fire? Hare you fully collision twelve years. Mr. Hatchings is a native of The moderates and Terryboat disagree. agreement, > t«iu« xxxn n». 91a Westfield found its way to the public. with the regulations of the Boardcompliedof New York, and is about fifty-eight years of the left in th« Assembly makeextremistsan There has been no so with of age. His sturdy and uncompromising to harmonize their views and act ram. -
Eine Endlos Breite Palette an Möglichkeiten. Zum Begriff
EINE ENDLOS BREITE PALETTE AN MÖGLICHKEITEN. ZUM BEGRIFF „EXPERIMENTELLE IMPROVISATION“ In diesem Jahr findet das Jazz-Festival des Goethe-Instituts unter einem veränderten Namen statt. Das Festival 2018 heißt Jazz im Herbst. Experimentelle Improvisationsmusik. Der neue Name bringt eine Neigung zum Experimentellen zum Ausdruck, die seit Jahren als Tendenz des Festivals zu verzeichnen ist. Aber diesmal bleibt vom Jazz praktisch nichts übrig. Im Laufe eines Monats treten in Moskau Vertreter der experimentellen Musikszene auf: Alfred 23 Harth mit seiner neuen Gruppe Revolver 23, das Berliner Trio Perlonex, das Duett Marcus Schmickler / Thomas Lehn und das elektroakustische Peter Evans Quartet, zu dessen Besetzung die jungen Musiker Elisabeth Coudoux, Sabine Akiko Ahrendt und Florian Zwißler gehören, die 2016 Gäste im Kölner Projekt Zeitinsel // Residency waren. Die Auswahl der Festivalteilnehmenden repräsentiert, was im allgemeinen Verständnis zeitgenössische experimentelle Improvisationsmusik darstellt. Der Begriff „Experimentalmusik“ gilt in der letzten Zeit immer häufiger als ein kompromittierter Begriff. Die angebliche Fragwürdigkeit liegt vor allem an seinen verschwommenen Grenzen: Wie kann man sich in der Szene zurechtfinden, der mit gleichem Recht sowohl der Komponist Jürg Frey und der japanische Multi-Instrumentalist Keiji Haino als auch DJ und Produzent Jlin angehören? Es tritt noch ein weiteres Problem auf, das auf den kulturpolitischen Kampf zurückzuführen ist. Es passiert oft, dass Musiker den Begriff „experimentell“ verwenden, -
19-10 Newsflash October
DRONE RECORDS ҉ NEWSFLASH ҉ OCTOBER 2019 ҉ Dear Droners, Mind Travellers and Sound Explorers, we gladly present you the Newsflash for October 2019 (6th update this year)! This update serves as a kind of ZOVIET FRANCE special, as VOD Records re-issued all 11 single release from the immediately sold out "Chasse" box as "stand-alone" items. We now offer all LPs + 2 x 7" from the Chasse box as set for a special price! + AS USUAL, SOME PERSONAL RECOMMENDATIONS from this list: DANIEL MENCHE - Melting Gravity LP (SIGE Rec.) : most dense & compelling transcension drones, start loosing your gravity! KEVIN RICHARD MARTIN - Sirens LP (ROOM40): first solo album by the legendary UK underground figure, " It's nothing short of an isolationist classic" [Boomkat] (...) - No Title 12" (Sähkö) : most abstract droning mystery sounds by an anonymous project MOLJEBKA PVLSE - Komoku CD (Cyclic Law): multi-layered drone bliss based on Tibetan instrumental sounds and desert field recordings.. JACOB KIRKEGAARD - "Phonurgia Metallis" CD and "Black Metal Square" LP (important rec.): resonances of freely hanging metal sheets, played by the atmospheric pressure around.. VELGENATURLIG - Anahata CD (Reverse Alignment) : a dark ambient / drone jewel - "Most easily described as a ocean, waving back and forth" .... and so many, more releases from the ever fascinating, sublime and visionary world of atmospheric and experimental sound creation... Pre-orders & reservations are possible. Please note the PRICES with your order! Most of the titles listed are in stock, others are backorderable quickly. All prices are in EURO and do NOT include postage & handling costs! Usually the minimum order amount is 25 Euro. -
German Documentaries 2021
german documentaries 2021 1 german films German Films Service + Marketing GmbH is the national information and advisory center for the promotion of German films worldwide. In association and cooperation with its shareholders, German Films works to promote feature, documentary, television and short films. The work of German Films concentrates on information services, as well as PR and marketing measures to increase the awareness and visibility of German films abroad. Shareholders are the German Producers Guild, the German Producers Alliance, the Association of German Film Exporters, the German Federal Film Board (FFA), the Deutsche Kinemathek, the German Documentary Association (AG DOK), the German Short Film Association (AG Kurzfilm), FilmFernsehFonds Bayern, Film- und Medienstiftung NRW and Medienboard Berlin-Brandenburg. Range of activities • Close cooperation with major international film festivals • Organization of umbrella stands for German sales companies and producers at international television and film markets • Staging of Festivals of German Films worldwide • Staging of industry screenings in key international territories • Providing advice and information for representatives of the international press and buyers from the fields of cinema, television and VoD • Providing advice and information for German filmmakers and press on inter- national festivals, conditions of participation, and German films being shown • Organization of the annual Next Generation Short Tiger short film program, which presents a selection of shorts and -
WDR 3 Jazz, 11. März 2015
WDR 3 Jazz, 11. März 2015 Re:Active - Der Saxofonist Alfred 23 Harth zwischen Frankfurt und Seoul 22:00 – 23:00 Stand: 10.03.2015 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de/ Moderation: Harry Lachner Redaktion: Bernd Hoffmann Laufplan 1. Streetscenes: Seine Freunde K: Ulrike Haage, Alfred 23 Harth VLADIMIR ESTRAGON Tiptoe CD 888 803; LC: 07302 CD: Three Quarks for Muster Mark 1:45 2. Der Pflaumenbaum M: Heiner Goebbels, Alfred Harth, HEINER GOEBBELS, ALFRED HARTH T: Bertolt Brecht eva Records wwcx 2042; LC: 06383 CD: Goebbels Heart 1:40 3. Peking-Oper K: Heiner Goebbels, Alfred Harth HEINER GOEBBELS, ALFRED HARTH eva Records wwcx 2042; LC: 06383 CD: Goebbels Heart 4:45 4. Paradies und Hölle können eine Stadt sein K: Heiner Goebbels, Alfred Harth HEINER GOEBBELS, ALFRED HARTH eva Records wwcx 2042; LC: 06383 CD: Goebbels Heart 4:44 5. Just a Moment K: Just Music JUST MUSIC ECM 1002; LC: 02516 CD: The Cassiber Box 1982 - 1992 2:41 6. Peace K: Horace Silver TRIO VIRIDITAS Clean Feed Records CF 115 CD: Live at Vision Festival VI 3:54 7. Not Me K: Goebbels, Anders, Harth, Cutler CASSIBER ReR Megacorp ReR CBOX; LC: 02677 CD: The Cassiber Box 1982 - 1992 3:39 8. Le Detroit K: Lindsay Cooper, Alfred 23 Harth, TRABANT A ROMA Phil Minton ReR Megacorp ReR LC 2/3; LC: 02677 CD: Rarities Volumes 1 & 2 2:53 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz, 11. -
Edward L. Killham I NATO and CSCE
NATO RESEARCH FELLOWSHIP FINAL REPORT NATO and OSCE, PARTNERS OR RIVALS? Edward L. Killham I NATO and CSCE (now OSCE) have been closely intertwined since the birth of the latter, all-European, conference in the 1970s. For its part, NATO has naturally emphasized the security dimension of its broad politico-military role, combining deterrence with defense against the threat from the Soviet Union. The CSCE mechanism, in contrast, evolved through joint East-West efforts in Europe to deal with political and economic, as well as security issues, during a specific historical era, namely, the concluding "detente" phase of the Cold War. NATO was constructed as a defensive wall against possible aggression from the wide zone of control Moscow seized in Eastern Europe at the end of World War II. The Soviet zone was later solidified in the Warsaw Pact and while NATO's wall can best be seen as designed to keep intruders out, the Pact's function was instead to keep its own population in. OSCE, in turn, was a deliberate attempt to build a bridge over the twin walls provided by NATO and the Warsaw Pact. Both NATO and CSCE played useful roles in bringing the Cold War period to a peaceful end, via the dissolution of the Warsaw Pact and the collapse of the USSR. The question now is how they can, singly or in tandem, contribute in a meaningful way to resolving the new problems confronting their European and North American partners. In particular, it will be necessary to assess NATO's continued relevance in the changed environment on the European continent following the collapse of the Soviet Union, with special attention to Russia's participation in the process.