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An Analysis of the Circumstances and Factors That Have Influenced the Development of Animation Industry in Iran in the 1960-2002 Periods Naser Golmohammadi
Environment Conservation Journal 16 (SE ) 61-77, 2015 ISSN 0972-3099 (Print) 2278-5124 (Online) Abstracted and Indexed An analysis of the circumstances and factors that have influenced the development of Animation Industry in Iran in the 1960-2002 periods Naser Golmohammadi Received:25.05.2015 Revised:26.06.2015 Accepted:28.08.2015 Abstract In the early part of 20th century animation emerged as a revolutionary way of making art. It evolved into a powerful means of expression and creativity of artists who could merge all art genres into one art form. The subsequent developments of animation have opened its diverse uses in entertainment business, education and political propaganda. This article attempts to examine the factors that have influenced and shaped the development of animation industry in Iran. It takes a historical view and investigates the impacts of changing socio-economic and political forces that have determined the functions of animation in the Iranian society. The study traces the establishment of the industry to the government-run centres, describing the pioneering role of artists who gave rise to the ‘golden age’ of animation in the pre-revolutionary Iran. Especial attention is throughout paid to the long and rich cultural and artistic heritages, as the thematic basis for indigenously produced animated films in Iran. The growth of the industry is considered in conjuncture with the expansion of feature films cinema and expansion of television networks. The latter is particularly important for the fact that it provides a secured market for a sizeable audience of children and young people in Iran. -
May-June 2010
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March 2021 ACADEMIC BIOGRAPHY Lynn Keller E-Mail: Rlkeller@Wisc
March 2021 ACADEMIC BIOGRAPHY Lynn Keller E-mail: [email protected] Education: Ph.D., University of Chicago, Chicago, Illinois, 1981 Dissertation: Heirs of the Modernists: John Ashbery, Elizabeth Bishop, and Robert Creeley, directed by Robert von Hallberg M.A., University of Chicago, Chicago, Illinois, 1976 B.A., Stanford University, Palo Alto, California, 1973 Academic Awards and Honors: Bradshaw Knight Professor of Environmental Humanities (while director of CHE, 2016-2019) Fellow of the John Simon Guggenheim Memorial Foundation, 2015-2016 Martha Meier Renk Bascom Professor of Poetry, January 2003 to August 2019; emerita to present UW Institute for Research in the Humanities, Senior Fellow, Fall 1999-Spring 2004 American Association of University Women Fellowship, July 1994-June 1995 Vilas Associate, 1993-1995 (summer salary 1993, 1994) Chancellor’s Award for Excellence in Teaching, 1989 University nominee for NEH Summer Stipend, 1986 Fellow, University of Wisconsin Institute for Research in the Humanities, Fall semester 1983 NEH Summer Stipend, 1982 Doctoral Dissertation awarded Departmental Honors, English Department, University of Chicago, 1981 Whiting Dissertation Fellowship, 1979-80 Honorary Fellowship, University of Chicago, 1976-77 B.A. awarded “With Distinction,” Stanford University, 1973 Employment: 2016-2019 Director, Center for Culture, History and Environment, Nelson Institute for Environmental Studies, UW-Madison 2014 Visiting Professor, Stockholm University, Stockholm Sweden, Spring semester 2009-2019 Faculty Associate, Center for Culture, History, and Environment, UW-Madison 1994-2019 Full Professor, English Department, University of Wisconsin-Madison [Emerita after August 2019] 1987-1994 Associate Professor, English Department, University of Wisconsin-Madison 1981-1987 Assistant Professor, English Department, University of Wisconsin-Madison 1981 Instructor, University of Chicago Extension (course on T.S. -
Iranian Book Publishers and Associations, Literary Agencies In
Shahre Ghalam Books From Iran Rights Guide 2018-2019 Shahre Ghalam Page 1 of 46 Leo and Dotty Written by: Ali Asghar Seidabadi Illustrated by: Elahe Behin Publisher: Shahre Ghalam Category: Children / Young Adults Publish Date: 2018 10 Pages Dimension: 31x24 ISBN: 978-600-320-395-2 Book About: Getting familiar with nature changes and season differences are among children's basic education needs. In these books, children get to know different seasons and nature changes through simple stories with gorgeous illustrations. Young readers also become acquainted with Iran’s animals in danger of extinction, keeping their appearances in their minds. Author About: Ali Asghar Seidabadi, an Iranian writer, promoter and researcher on children and young adult’s literature, was born in 1971. Siedabadi was one of the founders of the Iranian Association of Writers for Children and Young Adults, and in 1999, was elected as one of the members for its board of directors in the first round of its elections along other well-known writers of the board. Seidabadi, who had an acdamaic background in journalism and was somehow cooperting with some newspapers. 2017 Nominated at the Chinese Little Hakka International Picture Book Competition – for Bijan and Manije 2013 Recorded in the International Calendar of Poetry in English and German 2010 Nominated among of the best fifteen children books by the German Klingspor-Museum in Offenbach – for the book Demons Are Afraid of Humans in the Daytime. 1999 Recorded in Munich’s International Youth Library catalogue of ‘The White Ravens’ – for The Sweet Rich Stories Publisher Name:Shahre Ghalam Address:No. -
Cristanne Miller SUNY Distinguished Professor of English and Edward H
Cristanne Miller SUNY Distinguished Professor of English and Edward H. Butler Professor of Literature, SUNY at Buffalo Fulbright-Tocqueville Distinguished Chair in American Studies, Université de Paris Diderot Fall 2013 Cristanne Miller is SUNY Distinguished Professor of English and Edward H. Butler Professor of Literature at the University at Buffalo. Since 2006 she has also served as the chair of the English Department at the University at Buffalo, SUNY. Her research interests include comparative modernist poetry, nineteenth- and early twentieth-century American poetry and the effects of the Civil War on U.S. poetry as a genre as well as gender and language issues. Professor Miller focuses mainly on Emily Dickinson, Mina Loy, Else Lasker-Schüler, Marianne Moore, Civil War poetry, and the cities of New York and Berlin between 1900 and 1930. Among her publications are Cultures of Modernism: Marianne Moore, Mina Loy, Else Lasker-Schüler. Gender and Literary Community in New York and Berlin (2005), and Marianne Moore: Questions of Authority (1995). In 1993, she co-authored, with Suzanne Juhasz and Martha Nell Smith, Comic Power in Emily Dickinson. Her book Emily Dickinson: A Poet´s Grammar (1987) received outstanding reviews. Professor Miller also co-edited, amongst others, The Emily Dickinson Handbook (1998), with Roland Hagenbüchle and Gudrun Grabher, and “Words for the Hour”: A New Anthology of American Civil War Poetry (2005) with Faith Barrett. She is currently working on Emily Dickinson’s Poems and Poetry After Gettysburg. Since 2005, Professor Miller has edited The Emily Dickinson Journal. In addition, she is a member of The Emily Dickinson International Society, The Modern Language Association, and The American Literature Association, among others. -
21St-Century Moore Scholarship, a Bibliography in Progress
21st-Century Publications on Marianne Moore A Bibliography in Progress Allen, Edward. “‘Spenser’s Ireland,’ December 1941: Scripting a Response.” Twentieth Century Literature 63:4 (December 2017): 451-474. Ambroży-Lis, Paulina. “When a Sycamore Becomes an Albino Giraffe: On the Tension between the Natural and the Artificial in Marianne Moore’s ‘The Sycamore.’” In Jadwiga Maszewska and Zbigniew Maszewski, eds.,Walking on a Trail of Words: Essays in Honor of Professor Agnieszka Salska. Łódź, Poland: Wydawnictwo Uniwersytetu Łodzkiego, 2007. Anderson, David. “Marianne Moore’s ‘Fertile Procedure’: Fusing Scientific Method and Organic Form through Syllabic Technique.” Paideuma 33:2-3 (Fall- Winter 2004): 83-108. Arckens, Elien. “’In This Told-Backward Biography’: Marianne Moore against Survival in Her Queer Archival Poetry.” Women’s Studies Quarterly 44: 1 & 2 (Spring /Summer 2016): 111-127. Austin, Marité Oubrier. “Marianne Moore’s Translation of the Term Galand in the Fables of LaFontaine.” Papers on French Seventeenth Century Literature 28: 54 (2001): 81-91. Bazin, Victoria. “Editorial Compression: Marianne Moore at The Dial Magazine.” In Twenty-First Century Marianne Moore (2017): 131-47. ——. “Hysterical Virgins and Little Magazines: Marianne Moore’s Editorship of The Dial.” Journal of Modern Periodical Studies 4:1 (2013): 55- 75. ——. “'Just looking’ at the Everyday: Marianne Moore’s Exotic Modernism.” Modernist Cultures, 2:1 (May 2006): 58-69. ——. “Marianne Moore, and the Arcadian Pleasures of Shopping.” Women: A Cultural Review, 12:2 (. 2001): 218-235. ——. Marianne Moore and the Cultures of Modernity. Farnham, England: Ashgate, 2010. ——. “Marianne Moore, Kenneth Burke, and the Poetics of Literary Labor.” Journal of American Studies, vol. -
2017 ASIFA-IAD Report
ASIFA International Animation Day Report 2017 1 ASIFA International Animation Day Report 2017 2 ASIFA INTERNATIONAL ANIMATION DAY 2017 Photos: ASIFA Poland, ASIFA China, and ASIFA Croatia ASIFA created the International Animation Day (IAD) in 2002 to honor the birth of animation. October 28th was chosen in recognition of the first public performance of projected moving images: Emile Reynaud’s Theatre Optique in Paris, in 1892. ASIFA coordinates and helps promote IAD celebrations all over the world, putting the art of animation in the limelight in a global worldwide celebration of animation. IAD offers us the opportunity to connect with animators and share animation across borders, across cultures, across languages - to celebrate our humanity through the art of animation. ASIFA International Animation Day Report 2017 3 INTRODUCTION: Interim Coordinator R. Brad Yarhouse I am honored and excited that I have been asked by the Deanna Morse and the board to act as interim International Animation Day coordinator for the international ASIFA organization. I want to give my thanks to Vanessa Ventura of ASIFA Portugal for many years of service as the previous coordinator of IAD. I would also like to thank Noureddin Zarrinkelk and Negar Zarrinkelk for their wonderful poster for 2017. I have been coordinating IAD for the Central USA chapter since 2012 and was recently made President of ASIFA Central. My goal as coordinator for the central chapter has always been two fold, first to provide an opportunity for members of ASIFA Central to participate in celebrating the animation artform by showing their current animation. A ‘snapshot’ of the artists, vision, and the talent that makes up our region of the world. -
ENGLISH Newsletter
IN THIS ISSUE: Note From the Chair 2 Faculty News 3 Commencement 4 Undergraduate Student News 5 Department Reunion 6 Graduate Student News 8 Featured Alumnus 9 Alumni News 10 In Memoriam 11 SPRING 2012 DEPARTMENT OF ENGLISH NEWSLETTER DEPARTMENT OF ENGLISH www.english.buffalo.edu NOTE FROM THE CHAIR Dear Friends, NEW BOOKS Surely no year has been busier, or more filled with causes for celebration, than this one! Our faculty, undergraduates, and graduate students are publishing, winning prizes, winning fellowships, and generally Professor Graham Hammill’s illustrating the Department’s excellence. The Mosaic Constitution: Political The alumni reunion was a joyful occasion Theology and Imagination from (see the photographs on pages 6-7), and Machiavelli to Milton (University the Poetics Program celebrated its twentieth of Chicago Press, 2012) is anniversary with two celebratory readings. the first book to place Hebrew Also, two faculty were promoted this spring: scripture at the cutting edge of Dimitri Anastasopoulos to the rank of seventeenth-century literary and associate professor with tenure and Graham political innovation. Hammill to the rank of professor. More great news: the University at Buffalo has elected to go forward with plans for a full-fledged Center for Excellence in Writing, thanks to a proposal sponsored by the English Department (co-authored by Arabella Lyon, Alex Reid, SUNY Distinguished Professor Bruce Jackson and SUNY and myself). We think this Center will help to foster a culture of writing across Distinguished Teaching Professor Diane Christian’s In This the campus, encouraging better writing from undergraduates and graduate Timeless Time: Living and Dying on Death Row in America students in all departments of the college and the many professional schools. -
Bishop on WWII and the Cold
WASHINGTONDC, 1 949-1 950 Bishop on WWII & the Cold War lizabeth Bishop-from her attic office at the Library of E Congress during her year as poetry consultant in 1949- 1950-could literally see the Capitol every work day as the national government began to formulate the Cold War and to commit the nation to the Korean War in 1950.' She therefore had a "privileged" insider's view of the Cold War's "arrival" in, or invasion of, daily US life. Official Washington rhetoric over- flowed with visions of the postwar nation's power to vanquish Communism and to save the world. The US international news magazine Time reported an example of this emerging dominant national discourse in its May 29, 1950 issue as it quoted a gov- ernment spokesman on Cold War "containment" policy: It is the only war in history where the question of destruction doesn't enter into it at all. Everything we are doing is building up. We have rebuilt Europe, not destroyed it. Now, if we carry on a smart, resourceful, cold war, the kind of war free people can carry on, Russia will be contained. All we have to do is carry on intelligently, and at ex- tremely low cost, the political, economic, inilitary and informational measures already under way. (1) While official Washington saw itself in mythical propor- tions and persuaded most of its citizens, as well as much of the world, to Giew it this way, it is not surprising that Bishop was not among the supporters in spite of her "insider's" government post. -
Metaphors of Innocence and Chiidhood: Parallels in Elizabeth Bishop And
METAPHORS OF INNOCENCE AND CHIIDHOOD: PARALLELS IN ELIZABETH BISHOP AND THREE SEVENTEENTH-CENTURY METAPHYSICAL POETS By SALLY BISHOP SHIGLEY Bachelor of Arts University of Utah Salt Iake City, Utah 1984 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS December, 1987 lkii<t>IS 19~1 SS5SM Co~·~ ....... : '. ~· : . .: .. ... ~ ' ' METAPHORS OF INNOCENCE AND CHILDHOOD: PARALLELS IN ELIZABETH BISHOP AND THREE SEVENTEENTH-CENTURY METAPHYSICAL POETS Thesis Approved: Dean of the Graduate College ii 1291058 PREFACE The vivid imagery and subtle wit of Elizabeth Bishop's poetry have intrigued me ever since I first encountered her work in an undergraduate seminar at the University of Utah. Moving from regularly anthologized poems such as "The Fish" to the more obscure "Nova Scotia" poems and then into scholarly criticism of Bishop's work, I was dismayed to discover that many critics read her poems as touching, cathartic encounters with her tragic childhood instead of deliberate pieces of fiction. Even very helpful bibliographies, such as the recent one by Barbara Page, call poems featuring child speakers "autobiographical" or discuss critics' explorations of "autobiographical" elements, without defining or proving why they are autobiographical. Finding no help in the critics, I turned to other poets and, following T. s. Eliot's lead, looked back to the image filled worlds of George Herbert, Andrew Marvell, and Henry Vaughan. In their poetry, I found parallel metaphors of childhood and poetic techniques that helped me modify the purely autobiographical readings of Bishop and establish her as part of a poetic tradition. -
Mary Loeffelholz College of Professional Studies 73 Spring
CURRICULUM VITAE Mary Loeffelholz College of Professional Studies 73 Spring Park Avenue C4-114 Belvidere Jamaica Plain, MA 02130 Northeastern University 617-524-4908 Boston, MA 02115 617-373-6060 [email protected] EDUCATION Yale University, New Haven, Connecticut (1981-1986) Ph. D., English and American Literature Dissertation: “The Compound Frame: Scenes of Emily Dickinson’s Reading,” directed by Margaret Homans Stanford University, Palo Alto, California (1976-1981) M.A., English B.A. with distinction and highest departmental honors, English Phi Beta Kappa EMPLOYMENT HISTORY 2004-present: Professor of English, Northeastern University April 2016-January 2021: Dean, College of Professional Studies, Northeastern University The College of Professional Studies (CPS) enrolls more than 9,000 degree- and nondegree-seeking students in its three major divisions: the Professional Programs; the Graduate School of Education; and the Global Pathway programs. The College under my leadership has: • Developed a strategic plan focused around a unifying college mission of inclusive prosperity. • Grown enrollments from 7909 (fall 2016) to 9695 (fall 2020). • Increased billed tuition from $85.4M (fall 2017) to $112.7M (fall 2020) and realized budget surpluses in FY2017, FY2018, FY2019 and FY2020; in FY FY2019 CPS became the highest-contributing, highest-margin of Northeastern’s nine colleges. • Accounted for 28% of students enrolled through Northeastern’s regional campuses in Charlotte, Seattle, Silicon Valley, and Toronto in FY2020; launched the MS in Project Management in Toronto and grew enrollments from 4 in fall 2019 to 72 in fall 2020; gained regulatory approval for the MPS degree in analytics to launch in Toronto; launched the MS in Project Management and the MPS in Analytics at Northeastern’s Roux Institute in Portland, Maine in fall 2020, accounting for 52% of Roux enrollments in first year of operation. -
Cristanne Miller SUNY Distinguished Professor & Edward H. Butler
1 Cristanne Miller SUNY Distinguished Professor & Edward H. Butler Professor of Literature University at Buffalo, SUNY, 306 Clemens Hall Buffalo, New York 14260 [email protected] Tel: 716 645-2575 x1023 FAX: 716 645-5980 Employment and Education: SUNY Distinguished Professor, University at Buffalo 2011- Edward H. Butler Professor of Literature, University at Buffalo 2006- W. M. Keck Distinguished Service Professor, Pomona College 1998-2006 Professor, Pomona College, 1994-2006; Associate Professor l986-1994 Visiting Professor, Boston University Fall 2004 Visiting Associate Professor, University of Michigan Fall l987 Assistant Professor, Pomona College, 1980-1986 Ph.D. & M.A. University of Chicago, 1980, 1976 B.A. University of Chicago, l974 (Drake University, l971-72) Administrative Appointments: Director, Arts Management Program, Fall 2019- Co-Director, Digital Scholarship Studio & Network, 2019- Chair, English Department University at Buffalo, 2006-2013; Interim chair 2015-2017 Chair, English Department Pomona College, 1996-97; 1998-2000; 2003-4 Coordinator, Critical Inquiry (first-year) Seminar Program, Pomona 1994-96 Coordinator, Women's Studies, Pomona fall l987, 1990-1992, 1994-96, 2005-6 Coordinator, American Studies, l981-83, fall l986, spring l987, 1990-91, 2000-2001, 2002-4 Major Grants and Awards: 2017: UB President’s Medal for Excellence in Scholarship and Service 2017: MLA Scholarly Edition Prize (for editions published in 2015-16), for Emily Dickinson’s Poems (2016) 2014 ACLS (11 months) 2013 Fulbright/Tocqueville Distinguished