Mcintosh MA352 HYBRID VALVE AMPLIFIER 10 Transistor Power but with Valve Sound
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For Sale Toyota Land Cruiser
Thought for the Month Wetton & Alstonefield Community First Responders Serving the community’s emergency medical needs with pride, “I must be getting taller as I grow older - the floor seems to care and excellence. get further away as I bend down to pick something up.” WACFR would like to thank the following for their recent Don’t Twitter – Titter Instead donations: Universal Laws The customers and staff of the Manifold Inn for the Law of Mechanical Repair - proceeds from their quiz nights. After your hands become coated with grease, your nose will begin to itch and you'll have to pee. Law of Gravity - FOR SALE Any tool, nut, bolt, screw, when dropped, will roll to the least accessible place in the universe. TOYOTA LAND CRUISER Law of Probability - The probability of being watched is directly proportional to the 2009 Toyota Land Cruiser stupidity of your act. 5 Door Diesel Automatic 2982cc Law of Random Numbers - Metallic Grey, 7 seats (grey leather) lf you dial a wrong number, you never get a busy signal; someone always answers. Electric Sunroof - SatNav Variation Law - Full service history – 50,000 miles approx lf you change lines (or traffic lanes), the one you were in will Well looked after by Hartdale Motors. always move faster than the one you are in now. £9000 o.n.o. Law of the Result - We will soon be selling our current vehicle so if you would When you try to prove to someone that a machine won't work be interested in purchasing/viewing it or have previously lT WILL !!! Ilamite said you are then please contact Nicky or Sally on the numbers below. -
Galenroth.Pdf
1 THE COLONY-a new work by Galen Roth Originally performed in the New Works Lab in the Drake Theatre Union, The Ohio State University – Columbus, Ohio on May 8th, 9th, and 10th 2009. Author / Director.............Galen Roth Artistic Director...............Chris Roche Script Facilitator..............Bernhard Malkmus Lights.................................Kevin Duchon Stage Manager..................Andrea Schimmoeller Cast: Morris................................Jessi Biggert Angela................................Jessica Studer Karen.................................Barbie Papalios Evan...................................Ben Sostrom Artie...................................Mark Hale, Jr. Melody................................Kelsey Bates Guitarist / New Music.......Chris Ray Special thanks to Mark Shanda, Mandy Fox, Alan Woods, Kristine Kearney, and The Ohio State University Theatre Department. The set is divided into seven areas: one room each for Angela, Artie, Karen, Melody and Morris. Karen’s room is in the center, with the others circled around it. The remaining two areas are a small alcove representing a closet, and another small area in front of Karen’s room, which is the entrance to the Colony. All along the walls of the entire space are pictures: photographs and paintings. They are facing backward, for now. As the audience comes in, the artists all lay down a floor pattern in their respective areas. As they finish, Angela goes around and connects all the floor patterns, while the artists do their work. This goes on for a while, so we get the feeling of an existing, working community. Bookend i Morris crosses to Angela’s room. Angela is blind, her eyes covered by gauze. Morris: I need your help. Angela: I hate doing this for you. Morris: I can’t imagine why. Angela: Don’t get smart with me. -
The Eagle 1966 (Michaelmas)
). ( ? \ rHE EAGLE ! I rANUARY 1967 \ The Eagle A MAGAZINE SUPPORTED BY MEMBERS OF ST JOHN'S COLLEGE, CAMBRIDGE FOR SUBSCRIBERS ONLY Editorial page 1 Competition 2 Headlines 3 Isabella Fenwick by Hugh Sykes Davies 7 Poem by C. Gill 19 I am going away for good by Pete Atkin 20 Transparent Woman by Ke vin Lewis 30 Story by K. T. Linley 32 Reviews 38 The Commemoration Sermon, 1966, by the Master 41 "Marriage ?" Sermon by Mrs M. Bulman 47 Obituaries: J. W. Millen 53 George Humphrey 58 College Chronicle 60 College Notes 72 Editorial Committee Mr BROGAN (Senior Editor), Mr HINSLEY (Treasurer), ROGER NOKES (Junior Editor), W. A. KUMAR, M. B. MAVOR, and JOHN ARMSTRONG. CONTENTS PAGE College Notes . 131 Editorial 137 �" The JCR Survey 139 VOL. �I JANUARY 1967 NO. 267 Christmas 149 Winter Words . 150 Perfect for Sound 151 Behaviour of a Hedgehog 153 W. H. R. Rivers 156 Photograph of the new lighting in Hall fa cing 160 Portrait of Rowland Hill fa cing 161 An EAGLE Crusade! ! Letters of Rowland Hill . 161 WE take our editorial duties seriously. The Flame of Baverstock 171 Among them is that of being the Big Johnian Booster. 173 Welcome to John's . It is our duty to boost John's because we are the Johnian The Burnaby Girl 176 periodical. The Falkland Islands Today 184 We believe this, and we act upon it. Ifwe do not boost John's, Book Review 188 who will ? Answer: a paid firm of public relations. College Chronicle 190 We do it for free, being part of the free British Press. -
CB-1990-03-31.Pdf
TICKERTAPE EXECUTIVES GEFFEN’S NOT GOOFIN’: After Dixon. weeks of and speculation, OX THE rumors I MOVE I THINK LOVE YOU: Former MCA Inc. agreed to buy Geffen Partridge Family bassist/actor Walt Disney Records has announced two new appoint- Records for MCA stock valued at Danny Bonaduce was arrested ments as part of the restructuring of the company. Mark Jaffe Announcement about $545 million. for allegedly buying crack in has been named vice president of Disney Records and will of the deal followed Geffen’s Daytona Beach, Florida. The actor develop new music programs to build on the recent platinum decision not to renew its distribu- feared losing his job as a DJ for success of The Little Mermaid soundtrack. Judy Cross has tion contract with Time Warner WEGX-FM in Philadelphia, and been promoted to vice president of Disney Audio Entertain- Inc. It appeared that the British felt suicidal. He told the Philadel- ment, a new label developed to increase the visibilty of media conglomerate Thom EMI phia Inquirer that he called his Disney’s story and specialty audio products. Charisma Records has announced the appointment of Jerre Hall to was going to purchase the company girlfriend and jokingly told her “I’m the position of vice president, sales, based out of the company’s for a reported $700 million cash, going to blow my brains out, but New York headquarters. Hall joins Charisma from Virgin but David Geffen did not want to this is my favorite shirt.” Bonaduce Records in Chicago, where he was the Midwest regional sales engage in the adverse tax conse- also confessed “I feel like a manager. -
The Songs of PETE ATKIN&CLIVE JAMES
EDSS 1029 PA BOTBS booklet 6/1/09 17:38 Page 2 EDSS 1029 The Songs Of PETE ATKIN&CLIVE JAMES 28 1 EDSS 1029 PA BOTBS booklet 6/1/09 17:38 Page 4 Beware Of The Beautiful Arranged by Pete Atkin Project co-ordination – Val Jennings Strings arranged by Nick Harrison CD package – Jools at Mac Concept Stranger Produced by Don Paul CD mastering – Alchemy Engineered by Tom Allom Ephemera courtesy of the collections of Fontana 6309 011, 1970. Re-issued on RCA Recorded at Regent Sound A, Tottenham Pete Atkin and Clive James SF 8387 in 1973 in a re-designed sleeve with CD front cover main photo and strapline photo – “Touch Has A Memory” replaced by “Be Street, London W1, on 31st March and 1st & 2nd April 1970 Sophie Baker Careful When They Offer You The Moon”, and Huge thanks – Pete Atkin, Clive James, Simon Mixed between 2 pm and 6 pm with “Sunrise” as the second song. Platz, Steve Birkill, Ronen Guha on 2nd April 1970 and Caroline Cook “Be Careful When They Offer You The Moon” and “A Man Who’s Been Around” For everything (and we mean everything) relating to were recorded at Tin Pan Alley Studio, Pete Atkin’s works, visit www.peteatkin.com, but Denmark Street on 11th August 1970 make sure you’ve got plenty of time to spend! Then of course, you’ll want to visit Credits – British Rail, Arthur Guinness, www.clivejames.com William Hazlitt, John Keats, Meade Lux Lewis, Garcia Lorca, Odham’s Junior Pete Atkin’s albums on the Encyclopaedia, Auguste Renoir, William Edsel label: Shakespeare and Duke Ellington (there never was another). -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
J. D. Thomas Accession
JD THOMAS CULTURAL CENTER, INC. PAST-PERFECT CONTENT INDEX Charles “Madhatter” Collection Series 1: Awards Exhibit/Display Artist: Award: 1. The Fat Boys - “Cruisin” Platinum Sales Award 2. Jodici -“Forever My Lady” Multi-Platinum Sales Award 3. Levert -“The Big Throwdown” Gold Sales Award 4. M.C. Hammer -“Let’s Get it Started” Platinum Sales Award 5. Southern M.U.S.I.C. “Butterball Friendship Award” 6. Charles “MadHatter” Merritt Framed charcoal portrait 7. Charles “MadHatter” Merritt Self Photo 8. Charles “MadHaatter” Merritt Self Photo 9. Blues & Soul Blues Summit Honorium Award 10. Jasmine Guy - Actress Photo to MadHatter *(autographed) Box 1: Artist: Album: 1. Bobby Brown My Prerogative 2. New Edition Christmas All Over the World 3. Bobby Brown Every Little Hit 4. New Edition Heart Break 5. Lou Rawls Let Me Be Good To You 6. Lou Rawls At Last 7. Lou Rawls Live at the Mark Hellinger Theatre, NYC 8. Commodores Caught in the Act 9. Commorores Brick House 10. Commodores Rock Solid Box 2: Artist: Album: 1. L.L. Cool J I’m That Type of Guy 2. Nancy Wilson A Lady With A Song 3. ‘LaBelle & The Bluebells Merry Christmas From LaBelle 4. Myrna Summers/Rev. Wright We’re Going To Make It 5. Shirley Caesar I Remember Mama 6. Hannibal Visions of a New World 7. Manhattans Love Talk 8. St. Augustine’s College Choir The Divine Service 9. Lou Rawls Family Reunion 10. Hall & Oates Live at the Apollo (with David Ruffin & Eddie Kendricks) Box 3: Artist: Album: 1. Glady’s Knight LIFE 2. -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Re-Issues Reviews
Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better. -
Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 3 July Aug Sept 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU TWO GREAT BRAZILIAN JAZZ RELEASES BY AAM MUSIC CAROL SABOYA “CAROLINA” On her second solo release for the U.S. market, Carol Saboya presents “Carolina”. a suite of exquisite compositions by master composers such as Antonio Carlos Jobim, Pixinguinha, Joao Bosco, Edu Lobo, Djavan, Lennon and McCartney, and Sting. Her new CD is sure to become a classic. ANTONIO ADOLFO “TROPICAL INFINITO" On the heels of two consecutive Latin Grammy nominations in 2014 and 2015 for Best Instrumental Album, Antonio Adolfo pres- ents his latest work, “Tropical Infinito.” Continuing to mine the authentic samba jazz vein that is his specialty, Antonio offers his unique take on pieces by Benny Golson, Oliver Nelson and Horace Silver, and works in four of his own compositions. On this release, Antonio and his octet work to recreate the energy and intensity of "gafieiras" -- dance parties that were a prominent feature of Rio de Janeiro nightlife in the 1960s. CDs available at ITunes, Amazon, CDBaby and more… AAM music www.aammusic.com NICK FRASER QUARTET STARER Nick Fraser: drums, compositions Tony Malaby: saxophones Andrew Downing: cello Rob Clutton: bass "Nick Fraser's drumming is like a tide rushing in, its momentum surging and receding with engulfing force and polyrhythmic spray, cradling and upending its accompanying voices as it pours out into sonic space. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Toni Heittola Automatic Classification of Music Signals Master of Science
Toni Heittola Automatic Classi¯cation of Music Signals Master of Science Thesis The subject was approved by the Department of Information Technology on the 14th February 2003. Thesis supervisors: Professor Jaakko Astola (TUT) M.Sc. Anssi Klapuri (TUT) M.Sc. Antti Eronen (Nokia) Preface This work was carried out at the Institute of Signal Processing, Department of Information Technology, Tampere University of Technology, Finland. I wish to express my gratitude to my thesis advisors and examiners Mr. Anssi Klapuri and Mr. Antti Eronen, for they constant guidance, advice, and patience throughout this work. Further, I thank the examiner Professor Jaakko Astola for his advice and comments. I am grateful to Ms. Paula Keltto for her great e®ort to collect and thoroughly annotate all the pieces in the music database. I want also to thank Mr. Vesa Peltonen for his advice and for the database access tools, and Mr. Tuomas Virtanen for his sinusoids-plus-noise spectrum model used in this thesis. I am grateful to Mr. Juha Tuomi for all the valuable discussions during the development of the system. I want to thank the members of the Audio Research Group of Tampere University of Technology for their valuable knowledge and support and for providing a stimulating working atmosphere. I wish to thank my mother and grandparents for all understanding, support and endless love. Big thanks also to my friends for understanding my little time for them during this work. Tampere, December 2003 Toni Heittola i Contents Preface . i Contents . ii TiivistelmÄa . v Abstract . vi List of acronyms and symbols .