Lawrence Carroll
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The Beginning of High Mountain Occupations in the Pyrenees. Human Settlements and Mobility from 18,000 Cal BC to 2000 Cal BC
Chapter 4 The Beginning of High Mountain Occupations in the Pyrenees. Human Settlements and Mobility from 18,000 cal BC to 2000 cal BC Ermengol Gassiot Ballbè, Niccolò Mazzucco, Ignacio Clemente Conte, David Rodríguez Antón, Laura Obea Gómez, Manuel Quesada Carrasco and Sara Díaz Bonilla Abstract During the last two decades, the archaeological research carried out in the Pyrenees challenged the traditional images of the past in this mountain area. The archaeological sequence of the range goes back and sites like Balma Margineda, treated until recently as an exception, now are seen as part of more global process. Actual data suggest that main valleys of the Pyrenean frequented by humans at the end of the last glacial period, with sites slightly over 1000 o.s.l. After the Younger Dryas, the human presence ascended to alpine and subalpine areas, in accordance with current archaeological data. The Neolisitation process was early in some hillsides, with intense remains of farming and pastoralism in many sites from dated in the second half of the 6th millennia cal BC. Human settlements like Coro Tracito, Els Trocs and El Sardo confirm the full introduction of agrarian activity in the central part of the Pyrenees between 5300 and 4600 cal BC. After 3500/3300 cal BC the indices oh sheepherding rises to alpine areas, with an abrupt increase of known archaeological sites in alpine areas, above the current timberline. This phenomena, as well as the signs of anthropic disturbance of the alpine environment in sedimentary sequences, suggests a more stable and ubiquitous human presence, probably largely associated with the development of mobile herding practices. -
Between the Local and the National: the Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty
Graduate Theses, Dissertations, and Problem Reports 2014 Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Capano, Fabio, "Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty" (2014). Graduate Theses, Dissertations, and Problem Reports. 5312. https://researchrepository.wvu.edu/etd/5312 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Between the Local and the National: the Free Territory of Trieste, "Italianità," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Modern Europe Joshua Arthurs, Ph.D., Co-Chair Robert Blobaum, Ph.D., Co-Chair Katherine Aaslestad, Ph.D. -
Innovation Ecosystems Ecosystems Innovation Regional
QG-01-16-501-EN-C This book is produced by the Members of the European Committee of the Regions in close collaboration with Europe's cities and regions. The book is all about pioneering cities and regions - or reviewing the content of the book from activities CoR perspective: about regional innovation ecosystems. guide In recent years it has increasingly become apparent that only through sharing knowledge and working in partnership it is possible to st create truly competitive and sustainable economies meeting the needs of the 21 century. In order to achieve this, the European Union Ecosystems Innovation Regional can and must work with and for our citizens. For this to happen we need to achieve a change in mindset. This publication therefore seeks to stimulate bench-learning between regions and cities, sparking new ideas and fundamentally stirring economic development. Presenting some of the most inspiring projects across the EU, this book oers readers an opportunity to understand and explore how Europe's cities and regions are breaking new ground in regional development. The European Committee of the Regions is the EU's Assembly of 350 regional and local representatives from all 28 Member States, representing over 507 million Europeans. This book is an essential part of the process of implementing our political priorities for 2015-2020 and giving Europe's citizens the fresh start they need. In order to overcome its current challenges, Europe must establish a culture of co-creation and break its boundaries by moving towards entrepreneurial discovery, open innovation, experimentation and ISBN: 978-92-895-0876-6 action. -
Recco® Detectors Worldwide
RECCO® DETECTORS WORLDWIDE ANDORRA Krimml, Salzburg Aflenz, ÖBRD Steiermark Krippenstein/Obertraun, Aigen im Ennstal, ÖBRD Steiermark Arcalis Oberösterreich Alpbach, ÖBRD Tirol Arinsal Kössen, Tirol Althofen-Hemmaland, ÖBRD Grau Roig Lech, Tirol Kärnten Pas de la Casa Leogang, Salzburg Altausee, ÖBRD Steiermark Soldeu Loser-Sandling, Steiermark Altenmarkt, ÖBRD Salzburg Mayrhofen (Zillertal), Tirol Axams, ÖBRD Tirol HELICOPTER BASES & SAR Mellau, Vorarlberg Bad Hofgastein, ÖBRD Salzburg BOMBERS Murau/Kreischberg, Steiermark Bischofshofen, ÖBRD Salzburg Andorra La Vella Mölltaler Gletscher, Kärnten Bludenz, ÖBRD Vorarlberg Nassfeld-Hermagor, Kärnten Eisenerz, ÖBRD Steiermark ARGENTINA Nauders am Reschenpass, Tirol Flachau, ÖBRD Salzburg Bariloche Nordkette Innsbruck, Tirol Fragant, ÖBRD Kärnten La Hoya Obergurgl/Hochgurgl, Tirol Fulpmes/Schlick, ÖBRD Tirol Las Lenas Pitztaler Gletscher-Riffelsee, Tirol Fusch, ÖBRD Salzburg Penitentes Planneralm, Steiermark Galtür, ÖBRD Tirol Präbichl, Steiermark Gaschurn, ÖBRD Vorarlberg AUSTRALIA Rauris, Salzburg Gesäuse, Admont, ÖBRD Steiermark Riesneralm, Steiermark Golling, ÖBRD Salzburg Mount Hotham, Victoria Saalbach-Hinterglemm, Salzburg Gries/Sellrain, ÖBRD Tirol Scheffau-Wilder Kaiser, Tirol Gröbming, ÖBRD Steiermark Schiarena Präbichl, Steiermark Heiligenblut, ÖBRD Kärnten AUSTRIA Schladming, Steiermark Judenburg, ÖBRD Steiermark Aberg Maria Alm, Salzburg Schoppernau, Vorarlberg Kaltenbach Hochzillertal, ÖBRD Tirol Achenkirch Christlum, Tirol Schönberg-Lachtal, Steiermark Kaprun, ÖBRD Salzburg -
41 EMPLOYMENT and REGIONAL DEVELOPMENT in ITALY GUISAN, M. Carmen ([email protected]) AGUAYO, Eva ([email protected] University of Sa
Applied Econometrics and International Development. AEEADE. Vol. 2-1 (2002) EMPLOYMENT AND REGIONAL DEVELOPMENT IN ITALY GUISAN, M. Carmen ([email protected]) AGUAYO, Eva ([email protected] University of Santiago de Compostela (Spain) Abstract We present an interregional econometric model for Value- Added and Employment in 20 Italian regions, which has into account the effects of several factors of development such as industry, tourism and public sector activities. We also analyse the evolution of employment in Italy during the period 1960-2000, in comparison with EU, as well as the regional distribution of employment and development by sector in the period 1985-98. The main conclusions point to the convenience of fostering the rate of employment, which is below EU average and shows an stagnation in comparison with Ireland and other EU countries, specially in the less industrialized regions. This article is part of a research project on regional economics of EU countries. JEL classification: C5, C51, E24, J2, O18, O52, R23 Key words: Employment in Italy, Italian Regional Development, Regional Econometric Models, European Regions, Regional Tourism 1. Introduction Although Italy has experienced a high increase of non- agrarian employment and development during the 20th century, and has a level of Income per capita very similar to European Union average, the country has experience, as well as France, Spain, and another countries with a high level of agrarian activity at the middle of that century, an important reduction in agrarian employment. 41 Guisan, M.C. and Aguayo, E. Employment and Regional Development in Italy As a consequence of the diminution of agrarian employment and other features of Italian economy, regional employment rates vary among Northern and Southern regions, and the Italian economy as a whole has an average rate of total employment per one thousand inhabitants below EU average. -
At Toledo Is Finally Ended End of Congress Until Next Week
AvnuoMB!|!n!^^ for the Mairth af Slay. 1IM4 ^ Eva; . ^-nK..WBATnB' ^ 'weeaat af o, a, Weelhse Bm«hn. Bartfaffi A t 5 , 4 7 5 xT ■ Mr aflha A a«t Ohmfiy. Mft qM«a aa cool taaIgM. I a f .CbmnaftMMk '■aadagr nur aafi warmer. ^ Gobs Find Their **Land Lejrs^ On Fifth Avenue AT TOLEDO WEALTHY BOY ^ ■/ KILLS MO ^ IS FINALLY ENDED END OF CONGRESS pre ANDBRO R Easier Conditioiis m Other LONDON c elebrated • UNTIL NEXT WEEK Breaks Under Strain of All Phrts of Nition Where BIBTHDAY OF KING Night GriUing Uses a Labor troobles Fhred— MVISKIRDEIIED Chief Execothre W vim pro- Parley on Textile Strike. Hatchet -in Ihe Double Colorfnl CeremoDj As ^ His Tariff^ Silver, H o i^ g M nrder.' ^ DumniTAnave Majesty Rides m Parade By Aaaodated Praaa and Labor B3Is Passed NaUon’a Capital-Labor treu- Lot Angeles, Jupe 4,—(AP)— Wara fawar today. from His Palace. Believed That He Discovered Before Adjonnunent — The Blactric-Auto-Llte atrika at Loiils Rude Payne,^3i. cracked under Toledo, O, which brought death to the strain of^an all-night grlll’ng London, June 4.—(API—Leaden by police confessed early todav, a StiU— Had Been Slain Byms Says Senate Holds two peraona in note, ended and the last Nations^ Guai^ troopa with skies, a biting east wind and more officers said, to too details of too drew. h a t c ^ slaying of his mother and With Rocks. than a suspicion of sadly-needed other In their Westwood mansi'-n Keys to Early Ailjoiim* The set^m ent came when the raia, made on Incongruoua accom- Auto-Lit^ Company ratified an 'panlmeht today to the stately pag ’’I klUed them last Tuesday ment. -
Sacred Places Europe: 108 Destinations
Reviews from Sacred Places Around the World “… the ruins, mountains, sanctuaries, lost cities, and pilgrimage routes held sacred around the world.” (Book Passage 1/2000) “For each site, Brad Olsen provides historical background, a description of the site and its special features, and directions for getting there.” (Theology Digest Summer, 2000) “(Readers) will thrill to the wonderful history and the vibrations of the world’s sacred healing places.” (East & West 2/2000) “Sites that emanate the energy of sacred spots.” (The Sunday Times 1/2000) “Sacred sites (to) the ruins, sanctuaries, mountains, lost cities, temples, and pilgrimage routes of ancient civilizations.” (San Francisco Chronicle 1/2000) “Many sacred places are now bustling tourist and pilgrimage desti- nations. But no crowd or souvenir shop can stand in the way of a traveler with great intentions and zero expectations.” (Spirituality & Health Summer, 2000) “Unleash your imagination by going on a mystical journey. Brad Olsen gives his take on some of the most amazing and unexplained spots on the globe — including the underwater ruins of Bimini, which seems to point the way to the Lost City of Atlantis. You can choose to take an armchair pilgrimage (the book is a fascinating read) or follow his tips on how to travel to these powerful sites yourself.” (Mode 7/2000) “Should you be inspired to make a pilgrimage of your own, you might want to pick up a copy of Brad Olsen’s guide to the world’s sacred places. Olsen’s marvelous drawings and mysterious maps enhance a package that is as bizarre as it is wonderfully acces- sible. -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
Cultural Walks Around the Aosta Valley and the Haute-Savoie Flaine, Creation of Marcel Breuer
Cultural walks around the Aosta valley and the Haute-Savoie Flaine, creation of Marcel Breuer architecture of a ski resort "Modern architecture is not a style, but an attitude." Marcel Breuer Cassiopée Building, Les Lindars Hotel and shopping mall. In the foreground Le Boqueteau by Jean Dubuffet. (R. Blanchi 2008/CAUE 74) Contents Preface 2 Flaine, gateway to the Désert Blanc 3 Between Arve and Giffre A prototype ski resort 4 A new mountain lifestyle The utopia of Flaine 5 The protagonists The story of Flaine 9 1959-1969, a journey fraught with pitfalls 1960-1976, the architecture and design of Marcel Breuer Arts and culture Discovering Flaine, 40 years of architecture 30 The story of Flaine Flaine after Marcel Breuer The Flaine of tomorrow 38 Flaine forum Loving Flaine! 40 Conclusion Biography and selected works of Marcel Breuer 41 Further information 42 Useful addresses 43 November 2009 ISBN : 978-2-910618-19-3 1 PREFACE The Network of Cross-border Tourist Itineraries The Haute-Savoie CAUE and the architecture of 20th is one of the Alcotra Interreg III communal initiatives promoting century resorts cooperation between Italy and France, with the support of the The Haute-Savoie Council of Architecture, Planning and the European Union. Led and cofinanced by the Haute-Savoie Environment (CAUE) and the communes value the architectural General Council and the Autonomous Region of the Aosta Valley, and urban innovation which came with the mountain health and it aims to develop and improve tourism in the neighbouring winter sports centres typical of the 20th century: the Plateau d’ regions of the two countries. -
ENG KETELEER GALLERY Is Very Pleased to Present a Solo
ENG KETELEER GALLERY is very pleased to present a solo exhibition by American painter Lawrence Carroll (1954- 2019). The exhibition consists of a selection of works from the Deweer Gallery Estate. Lawrence Carroll, born in Melbourne, Australia and died in May 2019, considers himself a true painter. Although his works are rarely recognisable as classic paint-on-canvas work, this is always his point of departure. However, the creative process causes the works to unfold in literally all directions. One can imagine the canvas with which it all started, but the end result is a complex layered structure of linen, wood, cardboard, wax, flowers, ice … and paint. Everyday things – leftovers that would’ve been thrown away – are added, removed, cut, stapled, mended, scraped off and so on. As a true testament to the process, all traces are kept visible. The painting literally and figuratively leaves the frame with Carroll. The ‘natural’, almost colourless constructions that are reminiscent of the Arte Povera movement take all kinds of forms: paintings shaped like – but still paintings according to Carroll – (wall) sculptures, tables, boxes, hinged surfaces, light boxes … In every case the artist searches for the perfect composition – on the surface, in 3D or in depth – a painstakingly long process that is determined by experimentation and an unwavering commitment to discovering the new, no matter how much patience or effort it requires. Here and there something of text pops up which, thanks to the sparing and meticulous way in which it is employed, soon turns into poetry. Fragments of sentences are illegible “scraps” which, just like the other materials, merge into a new whole. -
Lawrence Carroll
Lawrence Carroll B. 1954 in Melbourne. 2004 1996 Lives and works in Los Angeles, California and Venice, Italy Galleria San Fedele, Milano, (cat.) Paintings and Drawings, Buchmann Galerie, Köln ACE Gallery Beverly Hills, California, (cat.) Deweer Art Gallery, Otegem SOLO EXHIBITIONS Studio Trisorio, Roma, Napoli (cat.) Blanket for Rothko, Ace Contemporary Exhibitions, Los Angeles 2013 Carles Taché, Barcelona, (cat.) Studio La Cittá, Verona Casal Solleric, Palma de Mallorca Tannery Arts, curated by Simon Callery, London Galleria Gianenzo Sperone, Rome Galerie Karsten Greve, Paris 2003 Galleria Milleventi, Turin Buchmann Galerie, Berlin Galerie Forsblum, Helsinki 1995 2012 Studio La Città, Verona, (cat.) Galleria Trisorio, Neapel Dublin City Gallery The Hugh Lane, Dublin ACE Gallery, Los Angeles Ace Contemporary Exhibitions, Los Angeles (Zeichnungen) 2011 2002 Lawing Gallery, Houston Museum Hôtel des Arts, Toulon Buchmann Galerie, Köln 1994 2010 Galeria Carles Taché, Barcelona The Power Plant, Toronto Buchmann Galerie, Agra (Lugano) Galleria Xavier Fiol, Mallorca Galerie Buchmann, Basel Galerie Karsten Greve, Cologne Galleria Altiar, Mallorca Städtische Galerie im Museum Folkwang Essen Galerie Karsten Greve, Paris Getting Lost – Raum der Stille, Karmeliterkirche, München Centre d’Art Contemporain, Domaine de Kerguéhennec, Bignan 2009 2001 Grand Salon, New York Buchmann Galerie Berlin Galerie Forsblum, Helsinki 1993 2008 2000 Städtisches Museum Abteiberg, Mönchengladbach Museo Correr, Venice (cat.) Buchmann Galerie, Köln Jim Schmidt Contemporary -
Sean Scully, 1945 —
Sean Scully, 1945 — Sean Scully (b. 1945, Dublin, Ireland) is an American-Irish artist who is internationally recognised for his distinctive abstract compositions that interrogate the properties of light, colour and form. Scully studied painting at Croydon College of Art, London and Newcastle University, UK, where he began to work in abstraction. During a trip to Morocco in 1969, Scully was strongly influenced by the local textiles and rich colours of the region, which he translated into the broad horizontal stripes and deep earth tones that characterise his mature style. Scully’s travels throughout Morocco and Mexico would also prompt his decision to move from Minimalism to a more emotional and humanistic form of abstraction. Following fellowships in 1972 and 1975 at Harvard University, Scully’s paintings became increasingly monumental and sculptural, consisting of interconnected three-dimensional panels that anticipated his later sculpture practice. In 1984 he began to develop the Wall of Light series, replacing the precise stripes of his early paintings with solid blocks of colour, built with increasingly loose and feathered brushstrokes into vertical and horizontal ‘bricks’ that suggest a wall of stone. Subtle differences in colour in the paintings indicate the location in which they were created, the changing seasons and the artist’s own emotions. This series formed the subject of a major touring exhibition at The Metropolitan Museum of Art, New York in 2007. In 1984 Scully achieved international breakthrough through his inclusion in the major group exhibition An International Survey of Recent Painting and Sculpture at the Museum of Modern Art, New York.