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China's Propaganda in the United States During World War II
DOCUMENT RESUME ED 248 514 CS 208 471 AUTHOR Tsang, Kuo-jen - TITLE China's Propaganda in the United States during World War II. PUB DATE Aug 84 NOTE 44p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (67th, Gainesville, FL, August 5-8, . , 1984). PUB TYPE Reports - Research/Technical (143) -- Speeches /Conference Papers (150) \N, EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Content Analysis; Cultural Images; Foreign`Countries; information Sources; *Media Research; News Reporting; *Propaganda; *Public Opinion; War; World History IDENTIFIERS *China; *World War II ABSTRACT Drawing data from a variety of sources, a study was undertaken to place China's propaganda activities in the United States during World War II into a historical perspective. Results showed that China's propaganda effortsconsisted of official and unofficial activities and activities directed toward overseas Chinese. The official activities were carried out by the Chinese News Service and its branch offices in various American cities under the direction of the Ministry of Information's International Department in Chungking. The unofficial activities Were carried out by both Chinese and Americans, including missionaries, business people, and newspaper reporters, and the activities ditected toward the overseas Chinese in the United States were undertaken for the purpose of collecting money and arousing patriotism. The propaganda program fell four phases, the first beginning with the outbreak of the Sino-Japanese War in 1937 and directed at exposing Japanese atrocities. The second phase began with the withdrawal of the Chinese central government to inner China in late 1937, continued until the beginning of the European war in 1939, and concentrated on economic and political interests. -
Family Feuds: Gender, Nationalism and the Family1
Family Feuds: Gender, Nationalism and the Family1 Anne McClintock All nationalismsare gendered,all are invented,snd all are dangerous- dangerous,not in EricHobsbawm's sense as havingto be opposed,but in the sense of representing relations to political power and to the technologiesof violence.Nationalism, as ErnestGellner notes, invents nationswhere they donot exist, andmost modern nations, despite their appeal to an august and immemorialpast, are of recent invention (Gellner,1964). Benedict Anderson warns, however, that Gellnertends to assimilate 'invention'to 'falsity' rather than to 'imagining'and 'creation'.Anderson, by contrast,views nationsas 'imaginedcommuni- ties' in the sense that they are systems of cultural representation wherebypeople come to imagine a shared experienceof identification with an extendedcommunity (Anderson, 1991: 6). As such, nations are not simply phantasmagoriaof the mind, but are historicaland insti- tutional practices through which social differenceis invented and performed.Nationalism becomes, as a result, radicallyconstitutive of people'sidentities, throughsocial contests that are frequentlyviolent and always gendered.But if the invented nature of nationalismhas found wide theoreticalcurrency, explorations of the genderingof the nationalimaginary have been conspicuouslypaltry. All nations dependon powerfulconstructions of gender.Despite nationalisms'ideological investment in the idea of popular unity, nations have historicallyamounted to the sanctionedinstitutionaliz- ationof genderdifference. No nationin -
Full Spectrum of Selves in Modern Chinese Literature: from Lu Xun to Xiao Hong
UCLA UCLA Electronic Theses and Dissertations Title Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong Permalink https://escholarship.org/uc/item/5022k8qv Author Ho, Felicia Jiawen Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in East Asian Languages and Cultures by Felicia Jiawen Ho 2012 © Copyright by Felicia Jiawen Ho 2012 ABSTRACT OF THE DISSERTATION Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong by Felicia Jiawen Ho Doctor of Philosophy in East Asian Languages and Cultures University of California, Los Angeles, 2012 Professor Shu-mei Shih, Chair Despite postcolonial theory’s rejection of legacies of Western imperial dominance and cultural hierarchy, the superiority of Euro-American notions of subjectivity remains a persistent theme in third world cross-cultural literary analysis. Interpretations of the Chinese May Fourth era often reduce the period to one of wholesale westernization and cultural self- repudiation. Euro-American notions of the self often reify ideologies of individuality, individualism, rationalism, evolution, and a “self-versus-society” dichotomy, viewing such positions as universal and applicable for judging decolonizing others. To interrogate this assumption, I examine the writing of Lu Xun and Xiao Hong, two May Fourth writers whose fictional characters present innovative, integrated, heterogeneous selves that transcend Western ii critical models. This “full spectrum of selves” sustains contradicting pulls of identity—the mental (the rational, the individual), the bodily (the survivalist, the affective), the cerebral (the moral), the social (the relational, the organismic), as well as the spiritual and the cosmic. -
Beyond Life and Death Images of Exceptional Women and Chinese Modernity Wei Hu University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 Beyond Life And Death Images Of Exceptional Women And Chinese Modernity Wei Hu University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Hu, W.(2017). Beyond Life And Death Images Of Exceptional Women And Chinese Modernity. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4370 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. BEYOND LIFE AND DEATH IMAGES OF EXCEPTIONAL WOMEN AND CHINESE MODERNITY by Wei Hu Bachelor of Arts Beijing Language and Culture University, 2002 Master of Laws Beijing Language and Culture University, 2005 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2017 Accepted by: Michael Gibbs Hill, Major Professor Alexander Jamieson Beecroft, Committee Member Krista Jane Van Fleit, Committee Member Amanda S. Wangwright, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Wei Hu, 2017 All Rights Reserved. ii DEDICATION To My parents, Hu Quanlin and Liu Meilian iii ACKNOWLEDGEMENTS During my graduate studies at the University of South Carolina and the preparation of my dissertation, I have received enormous help from many people. The list below is far from being complete. First of all, I would like to express my sincere gratitude to my academic advisor, Dr. -
The Historical Value of Newspaper Directory of China
Journal of Literature and Art Studies, February 2020, Vol. 10, No. 2, 169-175 doi: 10.17265/2159-5836/2020.02.010 D DAVID PUBLISHING The Historical Value of Newspaper Directory of China LIANG Ai-xiang Henan University of Animal Husbandry and Economy, Zhengzhou, China LIN Jin-hui Guangdong University of Foreign Studies, Guangzhou, China As a prominent journalist and entrepreneur living in Shanghai from 1911 to 1937, the “China Hand” Carl Crow (1884-1945) wrote a lot of works on Chinese newspapers, business, religion and culture. His advertising agency Carl Crow, Inc. published four editions of Newspaper Directory of China in the year of 1921, 1931, 1932 and 1935 respectively, and the most popular was the edition of 1935, which had a positive impact on the commercialization and development of the China’s newspaper industry. Keywords: Carl Crow, historical value of Newspaper Directory of China, circulation Introduction From the end of the 19th century to the 1920s and 1930s, China’s newspaper industry developed very rapidly, and the foreign newspapers published in China also penetrated into all walks of Chinese life, exerting a profound influence on Chinese politics, education, science, commerce, diplomacy and religion. “The start of the blending of Chinese culture and Western culture broke new ground that had never been seen before. If we trace back to the origin,who could be counted as the pioneer of the cultural exchanges between China and foreign countries? It would be the books and newspapers published by foreigners” (Ge, 1955, p. 112). Newspaper Directory of China, compiled and published by Carl Crow and his advertising agency—Carl Crow, inc., enjoyed a high reputation in Chinese journalism during the period of the Republic of China. -
The Politics of Gender and the Making of Kemalist Feminist Activism in Contemporary Turkey (1946–2011)
THE POLITICS OF GENDER AND THE MAKING OF KEMALIST FEMINIST ACTIVISM IN CONTEMPORARY TURKEY (1946–2011) By Selin Çağatay Submitted to Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of Doctor of Philosophy Supervisor: Prof. Susan Zimmermann CEU eTD Collection Budapest, Hungary 2017 Copyright Notice This dissertation contains no materials accepted for any other degrees in any other institutions. The dissertation contains no materials previously written and/or published by another person, except where appropriate acknowledgment is made in the form of bibliographical reference. CEU eTD Collection i Abstract The aim of this dissertation is to contribute to the understanding of the relationship between women's activism and the politics of gender by investigating Kemalist feminism in Turkey as a case study. The dissertation offers a political history of Kemalist feminism that enables an insight into the intertwined relationship between women's activism and the politics of gender. It focuses on the class, national/ethnic, and cultural/religious dynamics of and their implications for Kemalist feminist politics. In so doing, it situates Kemalist feminist activism within the politics of gender in Turkey; that is, it analyzes the relationship between Kemalist feminist activism and other actors in gender politics, such as the state, transnational governance, political parties, civil society organizations, and feminist, Islamist, and Kurdish women's activisms. The analysis of Kemalist feminist activism provided in this dissertation draws on a methodological-conceptual framework that can be summarized as follows. Activism provides the ground for women to become actors of the politics of gender. -
LGBT Rights, Homonationalisms, Europeanization and Post
Old Ties and New Binds: LGBT Rights, Homonationalisms, Europeanization and Post- War Legacies in Serbia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sonnet D’Amour Gabbard, B.A., M.A. Graduate Program in Women’s, Gender, and Sexuality Studies The Ohio State University 2017 Dissertation Committee: Jennifer Anne Suchland, Advisor Christine Keating Shannon Winnubst Copyrighted by Sonnet D’Amour Gabbard 2017 Abstract My dissertation examines the historic links between the anti-war activists in Serbia with the current efforts and work for LGBT justice and rights. As an interdisciplinary scholar, my work integrates a variety of epistemologies across disciplines by putting anti-war and LGBT activists experience in Serbia into conversation with one another to address unique vulnerabilities. Drawing from transnational feminist and queer critiques of governance, (homo)nationalism, and transnational sexuality studies, I consider how new non- heterosexual identity politics—with roots in anti-war activism—have surfaced in Serbia since the Kosovo War. I argue that it is at the intersection of anti-war and LGBT organizing that new and conflicting identity politics have emerged, in part as a reaction to a pro-war hyper-nationalism and neoliberal globalization. ii Dedication I write this in memory of Jill Benderly, who taught me to be unapologetically me and to fight until my last breath for justice and peace. I love you. I miss you. iii Acknowledgments When I think about the scores of people, creatures, and plant life that have helped me arrive at this journey I am overwhelmed with emotion and humility. -
Interrogating Practices of Gender, Religion And
Exchanges : the Warwick Research Journal Interrogating Practices of Gender, Religion and Nationalism in the Representation of Muslim Women in Bollywood: Contexts of Change, Sites of Continuity Nazia Hussein *, Saba Hussain Department of Sociology, University of Warwick, Coventry, UK *Correspondence: [email protected] Abstract Through a discourse analysis of four commercially successful Bollywood films between 2012-2013, this paper investigates Bollywood’s role in creation of hierarchical identities in the Indian society wherein Muslims occupy the position of the inferior ‘other’ to the superior Hindu ‘self’. Focusing on Muslim heroines, the paper demonstrates that the selected narratives attempt to move away from the older binary identity narratives of Muslim women such as nation vs. religion and hyper- sexualised courtesan vs. subservient veiled women, towards identity narratives borne out of Muslim women’s choice of education, career and life partner, political participation, and embodied practices. However, in comparison to signs of change the sites of continuity are strongly Peer review: This article embedded in the religious-nationalistic meta-narrative that drives the has been subject to a paradigms of Indian femininity/ womanhood. To conclude, the nature of double blind peer review process the recent deployment of Muslim heroines in Bollywood reinforce the hierarchy between the genders (male-female), between the communities (Hindu-Muslim) and between nations (India- Pakistan). © Copyright: The Authors. This article is Keywords: -
China Lobby. ------1
Graduate Theses, Dissertations, and Problem Reports 2003 In Support of “New China”: Origins of the China Lobby, 1937-1941 Tae Jin Park Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Asian History Commons Recommended Citation Park, Tae Jin, "In Support of “New China”: Origins of the China Lobby, 1937-1941" (2003). Graduate Theses, Dissertations, and Problem Reports. 7369. https://researchrepository.wvu.edu/etd/7369 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. In Support of “New China”: Origins of the China Lobby, 1937-1941. Tae Jin Park Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Jack L. Hammersmith, Ph.D., Chair Elizabeth A. Fones-Wolf, Ph.D. A. Michal McMahon, Ph.D. Jason C. Parker, Ph.D. Hong N. Kim, Ph.D. -
Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender
Myths of Hakko Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan Item Type text; Electronic Dissertation Authors Teshima, Taeko Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 21:55:25 Link to Item http://hdl.handle.net/10150/194943 MYTHS OF HAKKŌ ICHIU: NATIONALISM, LIMINALITY, AND GENDER IN OFFICIAL CEREMONIES OF MODERN JAPAN by Taeko Teshima ______________________ Copyright © Taeko Teshima 2006 A Dissertation Submitted to the Faculty of the GRADUATE PROGRAM IN COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For a Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 6 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Taeko Teshima entitled Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _________________________________________________Date: 6/06/06 Barbara A. Babcock _________________________________________________Date: 6/06/06 Philip Gabriel _________________________________________________Date: 6/06/06 Susan Hardy Aiken Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Nation, Gender and Representations of (In)Securities in Indian Politics Runa Das
Nation, Gender and Representations of (In)Securities in Indian Politics Runa Das To cite this version: Runa Das. Nation, Gender and Representations of (In)Securities in Indian Politics. Euro- pean Journal of Women’s Studies, SAGE Publications (UK and US), 2008, 15 (3), pp.203-221. 10.1177/1350506808091504. hal-00571330 HAL Id: hal-00571330 https://hal.archives-ouvertes.fr/hal-00571330 Submitted on 1 Mar 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Nation, Gender and Representations of (In)Securities in Indian Politics Secular-Modernity and Hindutva Ideology Runa Das UNIVERSITY OF MINNESOTA, DULUTH ABSTRACT This article examines the relationship between gender, nations and nationalisms vis-a-vis the Indian state’s nationalist identity and perceptions of (in)security. It explores how the postcolonial Indian state’s project of nation-build- ing – reflective of a western secular-modern identity (under the Congress Party) and a Hindutva-dominated identity (under the BJP) – incorporates gender, with continu- ities and discontinuities, to articulate divergent forms of nationalist/communalist identities, ‘cartographic anxieties’ and nuclear (in)securities. The article contends that with the recent rise of the Hindu-Right BJP, guided by Hindutva ideology, the nature of representing the Indian nation, its women and (in)securities has changed from a geopolitical to a cultural perception – thereby necessitating a rereading of the Indian nation, nationalism, gender and its perceptions of (in)security. -
High Heels and Rouge
High Heels and Rouge: Crafting the New Woman through Consumption in Linglong Women’s Pictorial Magazine (Linglong funü tuhua zazhi)《玲瓏婦女圖畫雜誌》, 1931-1936 Thesis Presented in Partial Fulfillment of Requirements for Degree Master of Arts in the Graduate School of The Ohio State University By Deidryn O. Duncan Graduate Program in East Asian Studies The Ohio State University 2013 Thesis Committee: Christopher A. Reed, Advisor Ying Zhang Kirk A. Denton Copyright by Deidryn O. Duncan 2013 Abstract During the 1920s and 1930s, the rise of China’s consumer culture in Shanghai intersected with the nation’s attempts to modernize the country economically, ideologically and culturally. The New Woman archetype 新女性, an idealized model of the modern citizen, represented not only an independent, educated woman liberated from Confucian patriarchy, but also China’s progression towards the technological and scientific advancement of a Western-defined modernity. This thesis seeks to explore the intersection of Western consumer culture and individualism with China’s search for modernity and gender equality. It focuses on the relationship between the New Woman and the consumption of fashionable styles and commodities from 1931 to 1936. To facilitate this exploration, it examines how Linglong Women’s Pictorial Magazine 玲瓏婦女圖畫雜誌 (1931-1937) addressed the consumption of fashionable styles and commodities before and during the New Life Movement 新生活運動 (1934-1937), a government-sponsored cultural reform movement that attempted to militarize the country by creating citizens disciplined enough to sacrifice whatever was necessary to protect China from foreign domination or invasion. The purpose of this thesis is to showcase how female consumption patterns created tension between women and the state during the Nationalists’ regime (1912-1949).