Introduction by Louis Menand (New York: New York Review Books, [1950] 2008), P
N o t e s I n t r o d u c t i o n 1 . See David Easton, The Political System (New York: Alfred A. Knopf, 1953), Chap. 5. 2 . L i o n e l T r i l l i n g , The Liberal Imagination: Essays on Literature and Society , introduction by Louis Menand (New York: New York Review Books, [1950] 2008), p. xvii. 3 . I b i d . 4 . I b i d . 5 . I b i d . , e m p h a s i s a d d e d . 6 . I b i d . , p . x x i . 7 . Ibid., pp. xxi, xx. 8 . Lionel Trilling, “The Leavis-Snow Controversy,” in Trilling, The Moral Obligation to be Intelligent , ed. Leon Wieseltier (Evanston, IL: Northwestern University Press, 2009), p. 419. 9 . T r i l l i n g , Liberal Imagination , p. xix. 10 . Max Horkheimer and Theodor W. Adorno, Dialectic of Enlightenment: Philosophical Fragments, ed. Gunzelin Schmid Noerr, trans. Edmund Jephcott (Stanford: Stanford University Press, [1947] 2002), p. xiv. The term “Critical Theory” referred originally to the work of the Institute for Social Research, established in Frankfurt, Germany, in the late 1920s. 11 . See Max Horkheimer, “Art and Mass Culture,” in Max Horkheimer, Critical Theory: Selected Essays , trans. Matthew O’Connell et al. (New York: Seabury Press, 1972), pp. 273–90; Horkheimer and Adorno, Dialectic of Enlightenment , pp. 94–136; Theodor W. Adorno, The Culture Industry: Selected Essays on Mass Culture , ed. J. M. Bernstein (London and New York: Routledge, 1991); Douglas Kellner, “Film, Politics, and Ideology: Reflections on Hollywood Film in the Age of Reagan,” The Velvet Light Trap , no.
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