84Th Academy Awards Nominations
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Elli Griff Set Decorator
Elli Griff Set Decorator Credits include: KNIVES OUT 2 Writer/Director: Rian Johnson Detective Comedy Crime Drama Producers: Ram Bergman, Rian Johnson Exec Producer: Tom Karnowski Designer: Rick Heinrichs Featuring: Daniel Craig, Dave Bautista, Kathryn Hayn Production Co: T-Street / Lionsgate / Netflix UNCHARTERED Director: Ruben Fleischer Action Adventure Producers: Ari Arad, Avi Arad, Alex Gartner, Charles Roven Designer: Shepherd Frankel Featuring: Tom Holland, Mark Wahlberg, Antonio Banderas Production Co: Atlas Ent. / Arad Productions Columbia Pictures / Sony Pictures THE DARK TOWER Director: Stephen Hopkins Adventure Fantasy Producers: Akiva Goldsman, Stephen King, Glen Mazzara Designer: Barry Robison Featuring: Michael Rooker, Sam Strike, Jerome Flynn Production Co: Amazon Studios / Sony Pictures Television THE ROOK Directors: Sunu Gonera, Rebecca Johnson Fantasy Thriller Drama Series China Moo-Young, Kari Skogland Exec Producer: Stephen Garrett Designer: Jonathan Lee Featuring: Emma Greenwell, Joely Richardson, Jon Fletcher Production Co: Character 7 / Lionsgate / Starz Originals GHOST IN THE SHELL Director: Rupert Sanders Sci-Fi Action Drama Producers: Ari Arad, Avi Arad, Michael Costigan, Steven Paul Designer: Jan Roelfs Featuring: Scarlett Johansson, Michael Pitt, Juliette Binoche Production Co: Paramount Pictures / DreamWorks / Reliance Ent. Arad Productions / Steven Paul Production / Amblin MISS PEREGRINE’S HOME FOR Director: Tim Burton PECULIAR CHILDREN Producers: Peter Chernin, Jenno Topping Adventure Fantasy Drama Designer: Gavin Bocquet Featuring: Eva Green, Asa Butterfield, Ella Purnell Production Co: Twentieth Century Fox / Chernin Ent. Creative Media Management | 10 Spring Bridge Mews | London | W5 2AB t: +44 (0)20 3795 3777 e: [email protected] w: creativemediamanagement.com Creative Media Management Limited Incorporated in England and Wales No: 3816049 VAT No: 739953576 Registered Office: 61 St Dunstans Road, London, W7 2EY Elli Griff | Set Decorator 2 THE MAN FROM U.N.C.L.E. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
ASC 100Th Reel 30-Second
E.T.: The Extra- John Seale, ASC, ACS Terrestrial (1982) Allen Daviau, ASC Enter the Dragon (1973) The Gold Rush (1925) Gil Hubbs, ASC Roland Totheroh, ASC The Godfather (1972) Citizen Kane (1941) Gordon Willis, ASC Gregg Toland, ASC ASC 100th Reel 30-Second The Tree of Life (2011) Apocalypse Now (1979) Clip Playlist Emmanuel Lubezki, ASC, Vittorio Storaro, ASC, AIC AMC The Dark Knight (2008) Link to Video here. Taxi Driver (1976) Wally Pfister, ASC Michael Chapman, ASC Close Encounters of the Kill Bill Vol. 1 (2003) Third Kind (1977) The Matrix (1999) Robert Richardson, ASC Vilmos Zsigmond, ASC, Bill Pope, ASC HSC King Kong (1933) Jurassic Park (1993) Edward Linden; J.O. Blade Runner 2049 Dead Cundey, ASC Taylor, ASC; Vernon L. (2017) Walker, ASC Roger Deakins, ASC, BSC Braveheart (1995) John Toll, ASC Star Trek (1966) Gone With the Wind "Where No Man Has (1939) The French Connection Gone Before" Ernest Haller, ASC (1971) Ernest Haller, ASC Owen Roizman, ASC Sunrise (1927) Footloose (2011) Charles Rosher, ASC Game of Thrones (2017) Amy Vincent, ASC Karl Struss, ASC “Dragonstone” Gregory Middleton, ASC Sunset Boulevard (1950) Titanic (1998) John F. Seitz, ASC Russell Carpenter, ASC The Sound of Music (1965) Psycho (1960) The Graduate (1967) Ted D. McCord, ASC John L. Russell, ASC Robert Surtees, ASC The Wizard of Oz (1939) For more background Singin’ in the Rain (1952) Harold Rosson, ASC on the American Harold Rosson, ASC Society of Rocky (1976) Cinematographers, The Color Purple (1985) James Crabe, ASC go to theasc.com. Allen Daviau, ASC Frankenstein (1931) Empire of the Sun (1987) Arthur Edeson, ASC Allen Daviau, ASC Platoon (1986) Black Panther (2018) Robert Richardson, ASC Rachel Morrison, ASC Mad Max: Fury Road (2015) . -
The Ideology of the Long Take in the Cinema of Alfonso Cuarón by BRUCE ISAACS
4.3 Reality Effects: The Ideology of the Long Take in the Cinema of Alfonso Cuarón BY BRUCE ISAACS Between 2001 and 2013, Alfonso Cuarón, working in concert with long-time collaborator, cinematographer Emmanuel Lubezki, produced several works that effectively modeled a signature disposition toward film style. After a period of measured success in Hollywood (A Little Princess [1995], Great Expectations [1998]), Cuarón and Lubezki returned to Mexico to produce Y Tu Mamá También (2001), a film designed as a low- budget, independent vehicle (Riley). In 2006, Cuarón directed Children of Men, a high budget studio production, and in March 2014, he won the Academy Award for Best Director for Gravity (2013), a film that garnered the praise of the American and European critical establishment while returning in excess of half a billion dollars worldwide at the box office (Gravity, Box Office Mojo). Lubezki acted as cinematographer on each of the three films.[1] In this chapter, I attempt to trace the evolution of a cinematographic style founded upon the “long take,” the sequence shot of excessive duration. Reality Effects Each of Cuarón’s three films under examination demonstrates a fixation on the capacity of the image to display greater and more complex indices of time and space, holding shots across what would be deemed uncomfortable durations in a more conventional mode of cinema. As Udden argues, Cuarón’s films are increasingly defined by this mark of the long take, “shots with durations well beyond the industry standard” (26-27). Such shots are “attention-grabbing spectacles,” displaying the virtuosity of the filmmaker over and above the requirement of narrative unfolding. -
Taking Th Long
UNIVERSITY OF ALASKA FAIRBANKS For alumni and friends of the University of Alaska Fairbanks Spring 2012 P.O. Box 757505 Fairbanks, AK 99775-7505 WW W.UAF.EDU CENTENNIAL Pictures from the past record our history, counting down the years to the centennial, 1917 – 2017. Далеко од куће UAF students from foreign countries carry 遥かなる故郷 their nations’ flags as they march down the steps at Wood Center during the 1984 Tomando el camino largo a casa Ceremony of Flags (see page 6 for related story). Some of the businesses listed on the left- hand banner are still around. The Soviet Union (top of banner, on right), of course, is not. अंत नाही हया पथास, तरीही नेई मज घरास Taking the long way home TM Photo courtesy of University Relations Collection, 96-063-172, Archives, University of Alaska Fairbanks. Journey of the seal stone • Arctic sage, rosemary and thyme • Position of privilege For alumni and friends of the University of Alaska Fairbanks Spring 2012 Далеко од куће 遥かなる故郷 Tomando el camino largo a casa अंत नाही हया पथास, तरीही नेई मज घरास Taking the long way home TM Journey of the seal stone • Arctic sage, rosemary and thyme • Position of privilege Letters to the editor What Tom O’Farrell, ’60, seems to be saying in his letter As an advocate of “think globally, eat locally” I was [fall 2011] regarding academic freedom [spring 2011] and heartened by the article “The Future of Alaska Food” in Project Chariot is that the facts according to AEC (since the spring 2011 edition of Aurora. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
1 Small Wonder Philip Horne DOWNSIZING
1 Small Wonder Philip Horne DOWNSIZING [February 2018, Sight & Sound] There has been a long and somewhat anxious wait among admirers of Alexander Payne’s films since Nebraska in 2013 – a bleak, beautiful, drily funny picture of the post-industrial Midwest and sad, haunted lives. Four years later Payne, who still lives in his native Omaha, has come out with a grand, astonishingly daring movie – a satirical fable, or blackly comic science fiction epic, or unexpected love story. As it goes on, there’s a serious, even tragic side to the film, but its main premise is treated with such inventiveness both visual and verbal that we get constant jolts of pleasure at the imaginative scope of its makers’ conceptions. The absurd technology that scientists concerned with ‘Human Scale and Sustainability’ and climate change develop for reducing the size of the human population – by making them five inches high – is in effect like a giant microwave: it even pings when the transformation is complete. It’s deliberately low-tech. The process, invented by idealistic Norwegians to produce a ‘self- sustainable community of the small’, is imagined being then commercialised and normalised in familiar ways by global/American capitalism, sold to punters as a time-share-like ‘heaven’ called ‘Leisureland’, which is ‘like winning the lottery every day’. This because a modest nest-egg of $152,000 when transferred (unshrunk) to its newly-tiny owner’s account in a ‘small city’ translates as the equivalent of $22,5000,000: it’s an American dream. The script is full of delicious size jokes, as downsizing becomes absorbed into idiom and things get re-scaled, so that we see ‘the first small baby ever born’. -
White Savior Narrative in Tate Taylor's the Help
WHITE SAVIOR NARRATIVE IN TATE TAYLOR’S THE HELP A FINAL PROJECT In Partial Fulfillment of the Requirement For S-1 Degree in American Studies In English Department, Faculty of Humanities Universitas Diponegoro Submitted by: Izzatin Naela H. 13020115120054 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2019 PRONOUNCEMENT The writer sincerely acknowledges that she compiles this thesis entitled ‘White Savior Narrative in Tate Taylor’s The Help’ by herself without taking any result from other researchers in S-1, S-2, S-3, and in diploma degree of any university. In addition, the writer also asserts she does not quote any material from the existed someone’s journal or paper and other publications except from the references mentioned later. Semarang, 18th June 2019 Izzatin Naela Husna ii MOTTO AND DEDICATION No matter how hard the situation is, don’t forget to always smile like an idiot. Park Chanyeol The expert in anything was once a beginner. Anonymous Allah SWT does not burden a soul beyond that it can bear. Al-Baqarah (2:286) This final project is dedicated for my parents, my family, my friends and my future. iii APPROVAL WHITE SAVIOR NARRATIVE IN TATE TAYLOR’S THE HELP Written by: Izzatin Naela Husna NIM: 13020115120054 is approved by Thesis Advisor on 28th June 2019 Thesis Advisor, M. Irfan Zamzami, S.S., M.Hum NIK. 198609230115091086 The Head of English Departement, Dr. Agus Subiyanto, M.A. NIP. 196408141990011001 iv VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanity Diponegoro University On 15th August, 2019 Chair Person, First Member, Arido Laksono, S.S., M.Hum. -
JOY ZAPATA Hair Dept
JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Visit Imdb.Com for Up-To-The-Minute Academy Award Updates, and View
NOMINEES FOR THE 84th ANNUAL ACADEMY AWARDS Best Motion Picture of the Year Best Animated Feature Film Best Achievement in Sound Mixing The Artist (2011): Thomas Langmann of the Year The Girl with the Dragon Tattoo (2011): David Parker, The Descendants (2011): Jim Burke, Alexander Payne, A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli Michael Semanick, Ren Klyce, Bo Persson Jim Taylor Chico & Rita (2010): Fernando Trueba, Javier Mariscal Hugo (2011/II): Tom Fleischman, John Midgley Extremely Loud and Incredibly Close (2011): Scott Rudin Kung Fu Panda 2 (2011): Jennifer Yuh Moneyball (2011): Deb Adair, Ron Bochar, The Help (2011): Brunson Green, Chris Columbus, Puss in Boots (2011): Chris Miller David Giammarco, Ed Novick Michael Barnathan Rango (2011): Gore Verbinski Transformers: Dark of the Moon (2011): Greg P. Russell, Hugo (2011/II): Graham King, Martin Scorsese Gary Summers, Jeffrey J. Haboush, Peter J. Devlin Midnight in Paris (2011): Letty Aronson, Best Foreign Language Film War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Stephen Tenenbaum of the Year Johnson, Stuart Wilson Moneyball (2011): Michael De Luca, Rachael Horovitz, Bullhead (2011): Michael R. Roskam(Belgium) Best Achievement in Sound Editing Brad Pitt Footnote (2011): Joseph Cedar(Israel) The Tree of Life (2011): Nominees to be determined In Darkness (2011): Agnieszka Holland(Poland) Drive (2011): Lon Bender, Victor Ray Ennis War Horse (2011): Steven Spielberg, Kathleen Kennedy Monsieur Lazhar (2011): Philippe Falardeau(Canada) The Girl with the Dragon Tattoo