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Lucia De B. (2014) - Imdb 2015-01-05 21:43
Lucia de B. (2014) - IMDb 2015-01-05 21:43 IMDb Find Movies, TV shows, Celebrities and more... All | IMDb Apps | Help Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Login SEE RANK Lucia de B. (2014) Quick Links 97 min - Drama - 3 April 2014 (Netherlands) Full Cast and Crew Plot Summary Trivia Parents Guide Your rating: -/10 Quotes User Reviews 7,2 Ratings: 7,2/10 from 1 116 users Awards Release Dates Reviews: 2 user | 17 critic Message Board Company Credits A psychological thriller, based on one of the most Explore More controversial court cases in the Netherlands. Lucia, a nurse, is sentenced to life imprisonment for allegedly having killed at least seven... See full summary » Editors' Spotlight Director: Paula van der Oest IMDb Picks: January Writers: Moniek Kramer, Tijs van Marle IMDb's editors share the movies and TV Stars: Barry Atsma, Fedja van Huêt, Marwan Kenzari | shows they are excited to see in January. See full cast and crew » Contact the Filmmakers on IMDbPro » + Watchlist Share... 1 win & 1 nomination. See more awards » IMDb Picks: January » People who liked this also liked... Learn more Simindis kundzuli (2014) Like 374 people like this. Be the first of your friends. Drama 8,1/10 The river creates and the river destroys in an eternal cycle that even man can't escape. Related News ‘Ida,’ ‘Leviathan,’ ‘Force Majeure’ On Shortlist for Foreign Language Oscar Race 19 December 2014 6:42 PM, +01:00 | Variety - Film News Add to Watchlist ‘Ida,’ ‘Force Majeure’ and ‘Leviathan’ Next » Director: George Ovashvili Make Oscar’s Foreign Language ◄ Prev 6 Next 6 ► Stars: Ilyas Salman, Tamer Levent, … Shortlist 19 December 2014 6:18 PM, +01:00 | The Wrap Cast Edit Corn Island, Accused enter Oscar race Credited cast: 5 September 2014 4:59 PM, +01:00 | ScreenDaily Barry Atsma .. -
1. Introduction
1. INTRODUCTION Research Context In a number of Middle Eastern contexts, the state primary and high school education systems have commenced using English literature texts. While these texts can afford improved access to English which is a highly valued commodity in these contexts, the use of English texts also has the capacity to provide increased access to a range of cultural values that may contradict local 'traditional' values. The state of Qatar is one of these contexts. While literature from other Middle Eastern states has revealed the emergence of tensions between the cultural frameworks offered by the English literature texts and those of the local culture/s, this research project aims to investigate the extent to which such tensions may also be present in the specific context of Qatar. English literature used in Arab English language classrooms often appears in the form of graded readers from Western publishers1 and inherently presents Western values, concepts, attitudes and behaviours to impressionable children. Can this Western English literature support the values of Islamic religion and culture? Who in fact, are the determinants of Islamic culture/values in the Qatari school context? From where does the power to influence curriculum come: Qatar’s governmental educational body, the Supreme Education Council (SEC), the school Board of Trustees (BOT), school leaders, influential parents, influential tribes, the local Imam or teachers? Further, do teachers feel there is a recognizable subset of English literature that satisfies -
Dawn's Resume 2019
Dawn Subhasiriwatana JOURNEYMAN 706 Makeup Artist 773-209-7774 [email protected] www.subhastarmakeup.com Feature Films The Space Between Department Head Director Rachel Winter Hex Department Head Director Rudolf Buitendach Sleepwalker Department Head Director Elliot Lester Forever Department Head Director Tatia Pilieva North Blvd Department Head Director Amy Esacove Ask Me Anything Department Head Director Allison Burnett Honeymoon Department Head Director Leigh Janiak Goodbye World Department Head Director Denis Henry Hennelly God Bless America Department Head Director Bobcat Goldthwait Sound of My Voice Department Head Director Zal Batmanglij Commercial - Client List Adidas * Airbear * Aldi * Allstate * Animal Planet * Bank of America * Best Buy * Champs * Claritin * Copper tone * Craftsman * Dairy Queen * DirectTV * Enterprise * Fiat * Food Lion * Ford * Groupon * Hallmark * Hyundai NCAA * Indiana Democratic Party * Indian Motorcycle * Kitchenaid * Mythbusters * Natural Balance * NOH8 Campaign * Overstock * Pampers * Proactiv * Progressive * Samsung * Smarty Had a Party * Sportsmaster * Southwest * Starbucks * State Farm * Subway * Target * TWC * TruCar * USPS * Walgreens * Walmart * Wendy’s Television YouTube Red Do You Want To See A Dead Body? Key Makeup Artist Netflix Michael Bolton’s Big Sexy Valentines Day Special Key Makeup Artist Seeso-NBC Bajillion Dollar Properties Makeup Department Head Comedy Central Drunk History Makeup Artist Netflix Wet Hot American Summer Makeup Artist Hulu East Los High Makeup Artist CBS Betty White’s -
UNDERWORLD IL RISVEGLIO-Production Notes
Screen Gems e Lakeshore Entertainment presentano Una produzione Lakeshore Entertainment in associazione con Sketch Films Kate Beckinsale Stephen Rea Michael Ealy Theo James India Eisley Sandrine Holt e Charles Dance Diretto da Mårlind & Stein Sceneggiatura di Len Wisema & John Hlavin, J. Michael Straczynski e Allison Burnett Da un soggetto di Len Wiseman e John Hlavin Basato sui personaggi creati da Kevin Grevioux e Len Wiseman & Danny McBride Prodotto da Tom Rosenberg, Gary Lucchesi, Len Wiseman e Richard Wright I produttori esecutivi sono David Kern, James McQuaide, David Coatsworth, Eric Reid, Skip Williamson e Henry Winterstern Il direttore della fotografia è Scott Kevan Scenografie di Genie Claude Paré Montaggio di Jeff McEvoy Costumi di Monique Prudhomme Musiche di Paul Haslinger Data d’uscita: 20 gennaio 2012 Durata: 88 minuti 1 Distribuzione: Warner Bros. Pictures Italia SINOSSI In Underworld: Il risveglio, il quarto e più spettacolare episodio della serie, la millenaria battaglia tra Vampiri e Lycan infuria in un sorprendente 3D. Portando l’azione e lo scontro che sono i tratti distintivi della saga a un nuovo livello, Underworld: Il risveglio mette la leggendaria vampira guerriera Selene (Kate Beckinsale) contro il suo antagonista più potente, proprio quando lei scopre un segreto sconvolgente che cambierà tutto ciò per cui ha sempre lottato. Sono trascorsi quindici anni da quando Selene e il suo amore, Michael, un ibrido umano-Lycan, hanno sconfitto l’Anziano Marcus in Underworld Evolution, ma da allora il genere umano ha scoperto l’esistenza sia dei Vampiri che dei Lycan e ha scatenato una guerra senza quartiere per sterminarli. Selene, catturata durante il genocidio, si risveglia dopo oltre dieci anni e si ritrova prigioniera in un laboratorio di Antigen, una potente compagnia biotech impegnata a sviluppare un vaccino contro i virus che hanno creato Vampiri e Lycan. -
CHILDRENS Dvds – As of JULY 2014
CHILDRENS DVDs – as of JULY 2014 CHILDREN'S TITLES (including Parent Collection) NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Milo and Otis (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with Wink & Blink: A day in the life of a firefighter (CC) NRA Adventures with Wink & Blink: A day in the life of a zoo (CC) G African cats (SDH) PG Agent Cody Banks 2: destination London (CC) PG Alabama moon G Aladdin (2v) (CC) G Aladdin: the Return of Jafar (CC) PG Alex Rider: Operation stormbreaker -
Modernity Teacher Guide
DAVE RAYMOND’S Modernity - TEACHER’S GUIDE - COURSE EXPECTATIONS AND EXAM KEY HOW TO USE THIS CURRICULUM INTRODUCTION 5 SCOPE & SEQUENCE 6 PORTFOLIO AND PROJECT GUIDE MODERNITY PORTFOLIO 14 REFORMATIONAL IMITATION PROJECT 14 SPEECH ON TRADITION PROJECT 15 RESEARCH AND THESIS PAPER 15 THE HOUR PROJECT 17 GRADING GUIDE ON EXAMS 19 ON THE READINGS 20 ON PORTFOLIOS 21 ON PROJECTS 21 EXAM ANSWER KEY Lesson 1 Lecture 1.5—Exam #1 27 Lesson 2 Lecture 2.5—Exam #2 28 Lesson 3 Lecture 3.5—Exam #3 30 Lesson 4 Lecture 4.5—Exam #4 32 Lesson 5 Lecture 5.5—Exam #5 34 Lesson 6 Lecture 6.5—Portfolio Task #6 36 Lesson 7 Lecture 7.5—Exam #7 37 Lesson 8 Lecture 8.5—Exam #8 39 Lesson 9 Lecture 9.5—Exam #9 41 Lesson 10 Lecture 10.5—Exam #10 43 Lesson 11 !3 Lecture 11.5—Exam #11 45 Lesson 12 Lecture 12.5—Exam #12 48 Lesson 13 Lecture 13.5—Exam #13 51 Lesson 14 Lecture 14.5—Exam #14 53 Lesson 15 Lecture 15.5—Exam #15 55 Lesson 16 Lecture 16.5—Exam #16 58 Lesson 17 Lecture 17.5—Exam #17 60 Lesson 18 Lecture 18.5—Exam #18 62 Lesson 19 Lecture 19.5—Portfolio Task #19 66 Lesson 20 Lecture 20.5—Exam #20 66 Lesson 21 Lecture 21.5—Exam #21 72 Lesson 22 Lecture 22.5—Exam #22 72 Lesson 23 Lecture 23.5—Exam #23 76 Lesson 24 Lecture 24.5—Exam #24 79 Lesson 25 Lecture 25.5—Exam #25 81 Lesson 26 Lecture 26.5—Exam #26 83 Lesson 27 Lecture 27.5—Portfolio Task #27 89 SUGGESTED LITERATURE TITLES FOR MODERN HISTORY !4 Modernity | How to Use This Curriculum HOW TO USE THIS CURRICULUM INTRODUCTION There are a number of different elements to this curriculum that make it quite unique. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
I Draghi E L'antidiscriminazione
NAVA/CINEMA – Age of the dragon I draghi e l'antidiscriminazione Imbattutomi, mentre smanettavo col telecomando, in un film fantasy in seconda serata, mi sono incuriosito. E non tanto per il film, piuttosto sciapo e mediocre. Trattavasi di Age of the Dragons (titolo non tradotto) del 2011 con Danny Glover, trasmesso su Rai4 il 23 gennaio u.s. Non era altro che la trasposizione paro paro di Moby Dick in un’era fantasy, col capitano Achab, Ismaele e un drago bianco al posto della balena di Melville. La novità, a parte l’ambientazione, stava nel fatto che a impersonare il capitano ossessionato dal «mostro» c’era un attore nero, Danny Glover, famoso per il suo ruolo di spalla a Mel Gibson nei film della serie Arma letale. L’altra novità era una donna nell’equipaggio. Chi ha letto Moby Dick sa che sulla nave Pequod c’erano solo maschi, dato che la vicenda si svolgeva nell’America puritana d’inizio Ottocento. E che, anzi, il baleniere maori Queequeg fu accettato a bordo solo per la sua abilità come ramponiere. Dunque, per trasporre Moby Dick sullo schermo, o si faceva un remake del vecchio film di John Huston con Gregory Peck o lo si ambientava in un altrove fantastico. La prima soluzione avrebbe cozzato contro i canoni della moderna political correctness, perché le navi americane ottocentesche ammettevano i neri al massimo come mozzi (se non come schiavi) e, di donne, neanche parlarne. Ecco allora la scelta obbligata. Hollywood, infatti, è stata la prima ad adeguarsi entusiasticamente all’Affermative Action con cui il governo federale statunitense stabilì nel 1960 le «quote» da riservare alle «minoranze storicamente discriminate» nei vari settori dell’occupazione, dell’istruzione, dell’amministrazione eccetera. -
English Performance Envelopes & Production Incentive
Home Français Feedback Corporate website Papo & Yo SalesAn interactive: Denmark, fable Finland, in whichFrance, the Germany, primal relationshipNetherlands, between Norway, parentSlovenia, and Sweden, child is brilliantlyWorldwide allegorized (excluding in the taleUSA) of a monster and his small friend. Average Minute Launch Video Audience: 1,805,000 Appendices English Performance Envelopes & Production Incentive Program Notice SECTIONS ON THIS PAGE Funding Lists Convergent Stream Drama Documentary Variety & Performing Arts English Performance Children & Youth Envelopes & Production Incentive Program French Performance Envelopes and Regional French Incentive Program Francophone Minority DRAMA Program Aboriginal Program English POV Program Convergent 2nd Platform / Diverse Languages Project Title Applicant(s) Region Platform Content Type Program Envelope Funding ($) Program Drama Versioning Program English Development 18 To Life II (13- 18 To Life II Productions inc / MTL TV Digital PE CBC $4,022,698 Envelopes 25) Sound Venture 18 Productions Distribution EPI $1,000,000 French Selective Inc. Development Total $5,022,698 French Regional Development Program Being Erica lll (1- Being Erica III Productions TO TV Rich & PE CBC $6,599,996 Francophone Minority 13) Limited Substantial Program (Development) Digital Media Aboriginal Program (Development) The Bionic Crimson Clay Media Ltd. SK TV Digital PE APTN (English) $144,600 Experimental Stream - Bannock Boys II Distribution Development and Marketing (7-12) Experimental Stream - Production Blackstone I (2-9) Blackstone Cycle I Ltd. AB TV Rich & PE APTN (English) $1,015,000 Substantial Performance Envelope Digital Media Calculations Internet Website PE APTN (English) $146,919 Audience Data Sources Total $1,161,919 The Borgias I Borgias Productions Inc. TO TV Video On PE BRAVO! $1,100,000 Financing Sources : Definitions (101-109) Demand By the Rapids IV Ista Films IV Inc. -
Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 P.M., SR34K1 (Attemsgasse 25, Basement) Dr
Topics in Anglophone Literary Studies Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 p.m., SR34K1 (Attemsgasse 25, basement) Dr. Michael Fuchs 1. About the Course “Call me Ishmael.” Even if you haven’t read Moby-Dick, you will probably know the novel’s iconic open- ing line. Likewise, even if you haven’t read Moby-Dick, you will have a rough idea as to what its story is about—Captain Ahab’s frantic hunt of a white sperm whale. The very fact that people know about Moby-Dick without knowing Moby-Dick testifies to the book’s cultural relevance and power. Indeed, as we will see, Moby-Dick is about so much more than the mere conflict between man and nature. This undergraduate seminar will consist of two main parts: In the first half of the semester, we will engage in a close reading of what many literary scholars and also the general public consider one of the (if not the) “great American novels.” In the second half of the semester, we will look at the presence of Moby-Dick in popular culture. Accordingly, we will watch movie adaptations, read comic adaptations, listen to music adaptations, but also explore some other texts in which Moby-Dick (and/or Moby Dick) plays a dominant role. Since the first part of this undergraduate seminar will pursue a close reading of Moby-Dick, the main objective here will be that students gain a deeper understanding of Moby-Dick and its socio- economic environment; in particular, students will come to understand (and appreciate) what might be termed Moby-Dick’s postmodernism avant la lettre, its rhetorical strategies, its ecological subtexts, its engagement with scientific discourse, and nineteenth-century whale-hunting. -
Is the Three-Hour Rule Living up to Its Potential? an Analysis of Educational Television for Children in the 1999/2000 Broadcast Season
THE ANNENBERG PUBLIC POLICY CENTER OF THE UNIVERSITY OF PENNSYLVANIA Is the Three-Hour Rule Living Up to Its Potential? An Analysis of Educational Television for Children in the 1999/2000 Broadcast Season By Amy B. Jordan, Ph.D. The Annenberg Public Policy Center of the University of Pennsylvania EXECUTIVE SUMMARY 3 INTRODUCTION 5 PART ONE: E/I PROGRAM SCHEDULES 11 PART TWO: E/I PROGRAM CONTENT 16 PART THREE: A WEEK’S WORTH OF E/I PROGRAMS AIRING IN PHILADELPHIA 23 SUMMARY 25 CONCLUSIONS 27 REFERENCES 34 Copyright © 2000 The Annenberg Public Policy Center appcpenn.org 1 Is the Three-Hour Rule Living up to Its Potential? Amy B. Jordan is Senior Research Investigator for the Annenberg Public Policy Center of the University of Pennsylvania. She holds a Ph.D. from the Annenberg School for Communication, University of Pennsylvania. _______________ Kathleen Hall Jamieson directed this research. Jamieson is Professor of Communication and Dean of the Annenberg School for Communication, and Director of the Annenberg Public Policy Center of the University of Pennsylvania. _______________ RESEARCHERS Amy Jordan, Ph.D. Kelly Schmitt, Ph.D. Cory Allen Lubianska Espinosa David Park John Sindoni ACKNOWLEDGEMENTS Laura Duff Lorie Slass Emory H. Woodard, IV, Ph.D. ABOUT THE ANNENBERG PUBLIC POLICY CENTER The Annenberg Public Policy Center was established by publisher and philanthropist Walter Annenberg in 1994 to create a community of scholars within the University of Pennsylvania that would address public policy issues at the local, state, and federal levels. Consistent with the mission of the Annenberg School for Communication, the Center has four ongoing foci: Information and Society; Media and the Developing Mind; Media and the Dialogue of Democracy; and Health Communication. -
Stephen Neal Senior Thesis Anthropomorphism and Zoomorphism
Stephen Neal Senior Thesis Anthropomorphism and Zoomorphism: The Philosophy and Prevalence in Pop Culture and in the History of Man Men are visual creatures. The eyes of man are designed to view the world in all its complexity and beauty. Human beings need to see things and give them a name before the object, animal, mineral, vegetable, et cetera, can be considered a reality. The ancients used to worship fierce deities and monsters that looked much like their human creators. Men today do the same thing with our deities and creatures of imagination, but today it is done with art, music, video, literature, and electronics. The philosophy of anthropomorphism is the application of human characteristics or feelings to an inhuman object (e.g. a car, desk, or pen) or organism (animal or a plant). It is philosophy that is still used today whether consciously or not. John McGraw says it best by stating, “we get „mad‟ at our cars (as if that could coerce the machine to perform) and infer every accident and every chance event in our lives as divinely sanctioned events. We punch the soda machine if it does not give us what we paid for, like we might punch a person who cheated us. The soda machine neither intends insult nor feels our injury” (24). Zoomorphism, however, is the application of lesser animal traits to a deity or a god-head. This is the more visual of the two philosophies, at least to begin with, as evidenced most strongly by the art of the ancients, especially in civilized cultures such as the Aztecs, the Romans and the Greeks, and the Egyptians.