Bobi Wine Gini Is out of the Ballot Box!
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“Disco Dreads”
“Disco Dreads” Self-fashioning through Consumption in Uganda’s Hip Hop Scene Image-making, Branding and Belonging in Fragile Sites Simran Singh Department of Music, Royal Holloway, University of London Dissertation submitted for the degree of Doctor of Philosophy September 2017 1 TABLE OF CONTENTS Declaration of authorship ……………………………………………………………….5 Abstract ………………………………………………………………………………….6 Acknowledgements………………………………………………………………………8 List of figures…………………………………………………………………………….7 Chapter 1 Introduction to thesis “The chick with the kicks” ………………………………………………………………9 Self-fashioning through consumption: theoretical frames………………………………21 Thesis outline……………………………………………………………………………38 Chapter 2 Music in Uganda Patronage to persecution: a brief overview of Uganda’s music…………………………42 Global influences, the birth of a music industry and an FM revolution: 1986 onwards………………………………………………………………………… …45 Imagining the popular: 1950s – 1980s…………………………………………………...51 Investigating the traditional……………………………………...………………………57 Music as message in the 21st century…………………………...………………………..61 Chapter 3 Method A Porsche’s place………………………………………………………………………..69 Friendship and the Field………………………………………………………………....73 The epistemic community……………………………………………………………….76 Ethnographic phenomenology…………………………………………………………..78 2 Web 2.0 or social networking………………………………………………………………81 Visualising hip hop…………………………………………………………………………83 Practical tools and concerns in the field……………………………………………………87 Chapter 4 Image-making and the Ugandan hip hop ‘mogul’ The mogul’s visual density…………………………………………………………………..90 -
Bobi Wine Vs. Bebe Cool Huge Knowledge Gap Among Farmers in Regard to Proper Animal Nutrition, Which Oday, 33 Years Ago President Yoweri Museveni to Be Working
24 NEW VISION, Friday, February 1, 2019 COMMENT OPINION Animal feeds law long overdue abinet has given a go ahead for the agriculture ministry to table the Animal Feeds Bill 2018 before Parliament. This Cis a positive development, if not long overdue for a country that boasts of agriculture as its backbone. It comes at a time, when there is an outcry, especially from small scale farmers about the proliferation of substandard animal feeds on the market. Without a law to regulate the sector, many farmers have suffered untold losses, with others being forced to abandon the practice altogether. With a law in place, manufacturers of animal feeds will have clearly spelt out guidelines that can guarantee the production of quality animal feeds for farmers. In addition, such a law will come with attendant sanctions for dealing with any form of breach. An Animal Feeds law will also help weed out The fight against fraud in Uganda has stagnated, according to the recent Corruption Perception Index 2018 report quacks who have been masquerading as animal feed manufacturers just to cash-in on the fast growing sector. However, enforcement of such a law is David Mukholi, journalist ultimately what will afford farmers the much needed safeguards against poor quality feeds. ccording to experts, there is also a NRM at 33: Bobi Wine Vs. Bebe Cool huge knowledge gap among farmers in regard to proper animal nutrition, which oday, 33 years ago President Yoweri Museveni to be working. subsequently affects their return on had been in office for five days. After the These two contending views succulently define what Uganda A National Resistance Army (NRA) captured is today. -
Wits ACSUS Media Analysis Sept-Nov 2018.Indd
Africa Media Analysis Report DECEMBER 2018 - FEBRUARY 2019 Tangaza Africa Media 20 Baker Street, Rosebank 2196 P O Box 1953, Houghton 2041 Tel: +27 11 447 4017 Fax: +27 86 545 7357 email: [email protected] Table of Contents Table of Contents 2 Overall Scorecard 3 Analysis of daily issue coverage, April 2018 4 Eastern Africa & Great Lakes 5 Analysis of daily issue coverage 5 Politics 10 Economy, Trade & Development 12 Peace, Security & Terrorism 14 Health & Food issues 16 Business & Investments 17 Tourism, Travel & Leisure 19 Science, Technology & Innovation 21 Education, Arts & Culture 22 Entertainment 23 Southern Africa 24 Analysis of daily issue coverage 24 Politics 26 Economy, Trade & Development 28 Health & Food issues 30 Tourism, Travel & Leisure 32 Business & Investments 34 Arts & Culture 36 West Africa 37 Analysis of daily issue coverage 37 Politics 39 Economy, Trade & Development 41 Peace, Security & Terrorism 43 Business & Investments 45 Tourism, Travel & Leisure 46 Health & Food issues 47 Science, Technology & Innovation 48 North Africa 49 Analysis of News Categories 51 Peace, Security & Terrorism 52 Politics 53 Tourism, Travel & Leisure 55 Economy, Trade & Development 56 Business & Investments 57 Arts & Culture 58 Entertainment 59 3 Overall Scorecard ĂƐƚ tĞƐƚ EŽƌƚŚ ^ŽƵƚŚĞƌŶ dŽƚĂů ĨƌŝĐĂ ĨƌŝĐĂ ĨƌŝĐĂ ĨƌŝĐĂ ;ŶͿ ;ŶͿ ;ŶͿ ;ŶͿ E й WŽůŝƚŝĐƐ ϱϮϭ ϮϬϱ ϯϴϲ ϵϳϵ Ϯ͕Ϭϵϭ ϯϱ͘ϵϭ WĞĂĐĞ͕^ĞĐƵƌŝƚLJΘdĞƌƌŽƌŝƐŵ ϲϳϱ ϯϵϭ ϭϲϴ ϮϮϰ ϭ͕ϰϱϴ Ϯϱ͘Ϭϰ dŽƵƌŝƐŵ͕dƌĂǀĞůΘ>ĞŝƐƵƌĞ ϭϰϮ ϵϲ ϵϳ ϯϳϴ ϳϭϯ ϭϮ͘Ϯϰ ĐŽŶŽŵLJ͕dƌĂĚĞΘĞǀĞůŽƉŵĞŶƚ Ϯϴϴ ϭϯϬ ϴϬ ϵϲ ϱϵϰ ϭϬ͘ϮϬ ƵƐŝŶĞƐƐΘ/ŶǀĞƐƚŵĞŶƚƐ ϭϬϳ ϲϳ ϭϬϰ ϴϮ ϯϲϬ ϲ͘ϭϴ ,ĞĂůƚŚΘ&ŽŽĚŝƐƐƵĞƐ ϵϬ Ϯϯ ϲϮ ϰϰ Ϯϭϵ ϯ͘ϳϲ ŶƚĞƌƚĂŝŶŵĞŶƚ ϭϳ ϭϵ ϭϭϴ Ϯϯ ϭϳϳ ϯ͘Ϭϰ ĚƵĐĂƚŝŽŶ Ϯϭ ϭϮ ϮϮ ϰϳ ϭϬϮ ϭ͘ϳϱ ^ĐŝĞŶĐĞ͕dĞĐŚŶŽůŽŐLJΘ/ŶŶŽǀĂƚŝŽŶ ϰϵ ϴ ϴ ϭϯ ϳϴ ϭ͘ϯϰ ƌƚƐΘƵůƚƵƌĞ ϲ ϭϮ ϭϭ Ϯ ϯϭ Ϭ͘ϱϯ E ϭ͕ϵϭϲ ϵϲϯ ϭ͕Ϭϱϲ ϭ͕ϴϴϴ ϱ͕ϴϮϯ dŽƚĂů й ϯϮ͘ϵϬ ϭϲ͘ϱϰ ϭϴ͘ϭϯ ϯϮ͘ϰϮ East Africa reported the highest media coverage volumes for tion including representatives from the legislative, executive the period December 2018 - February 2019. -
List of Abbreviations
HRNJ - Uganda Human Rights Network for Journalists-Uganda (HRNJ-Uganda) Press Freedom Index Report April 2011 2 HRNJ - Uganda Contents Preface ....................................................................................................................... 5 Part I: Background .............................................................................................. 7 Introduction .......................................................................................................... 7 Elections and Media .............................................................................................. 7 Research Objective ............................................................................................... 8 Methodology ......................................................................................................... 8 Quality check ......................................................................................................... 8 Limitations ............................................................................................................. 9 Part II: Media freedom during national elections in Uganda ................................ 11 Media as a campaign tool ................................................................................... 11 Role of regulatory bodies ................................................................................... 12 Media self censorship ......................................................................................... 14 Censorship of social media -
Paper for B(&N
International Journal of Humanities and Social Science Vol. 9 • No. 10 • October 2019 doi:10.30845/ijhss.v9n10p10 The Influence of Political Mobilization Music on the Status of National Cohesion in Nairobi County, Kenya Ruth M’mbwaya Agesa Crispinous Iteyo Department of Peace and Conflict Studies Masinde Muliro University of Science and Technology Kenya Abstract The paper assesses the nexus between political mobilization musicic and National cohesion in Nairobi County,Kenya. The study adopted descriptive research design with mixed method approach, utilizing both primary and secondary data. The study was based on the conceptual framework informed by Music Meaning Theory. The study population consisted of 1015 citizens/ teachers, political mobilization musicians and government officials. The sample size was 156 respondents. Data for the study was collected using questionnaires, FGDs and in-depth interviews with key informants. Data was gleaned and analysed by descriptive and inferential statistics using Statistical Package for Social Science. From the findings, the study established that averagely 75% (n=156) of all respondents agreed to the facts that; PMM influenced the Status of National Cohesion among Kenyans in Nairobi. PMM brought Peaceful coexistence, Tolerance among each other, Diversity and inclusivity and that trust among communities is still lower because ethnicity is still considered among the people. On whether PMM brought about peaceful coexistence among Kenyans, 54% ( n=156) said yes while 46% (n=156) said no, 30% (n=156) agreed to the fact that PMM brought about trust among communities while 70% (n=156) disputed. On whether PMM influenced tolerance among each Kenyans, 65% (n=156) said yes 45% (n=156) said no. -
Third Wave of Showcasing Artists Announced for SXSW Music Festival
SOUTH BY SOUTHWEST MUSIC FESTIVAL THIRD WAVE OF SHOWCASING ARTISTS ANNOUNCED Over 300 More Artists Invited to Perform Austin, Texas - January 9, 2019 - The South by Southwest® Music Festival (SXSW®) has announced the third wave of Showcasing Artists invited to perform at the 2019 event. This eclectic blend of up-and-coming and legendary artists from around the world will perform in intimate clubs as well as renowned music venues for industry professionals, influencers, international media and music fans alike. The SXSW Music Festival’s 33rd annual event takes place Monday, March 11 - Sunday, March 17, 2019 in downtown Austin, Texas. The SXSW Music Festival programmers create a unique experience featuring artists from multiple genres. A few highlights from this third round of artists include: Angie McMahon (Melbourne AUSTRALIA), Bush Tetras (New York NY), Charlotte OC (Blackburn, UK-ENGLAND), Edie Brickell & New Bohemians (Austin TX), Georgia (London UK-ENGLAND), Hilary Woods (Dublin IRELAND), J.S. Ondara (Nairobi KENYA), Jvcki Wai (Seoul SOUTH KOREA), Kamaal Williams (London UK-ENGLAND), Kevin George (Stamford CT), KOKOKO! (Kinshasa DEMOCRATIC REPUBLIC OF THE CONGO), Lennon Stella (East York CANADA), Mansionair (Sydney AUSTRALIA), Molly Burch (Austin TX), My Brightest Diamond (Detroit MI), The Mystery Lights (New York NY), No Party for Cao Dong (Taipei TAIWAN), Omar Apollo (Hobart IN), Pink Sweat$ (Philadelphia PA), Priests (Washington DC), Ross Golan’s The Wrong Man (Los Angeles CA), Steady Holiday (Los Angeles CA), and Yung Lean (Stockholm SWEDEN). This year the SXSW Music Festival is pleased to present first-time showcase lineups by Spacebomb Records, YEAR0001, Playtime Festival Mongolia, Don't Come to LA, She Shreds, Verve Label Group, and Mahogany, as well as highly anticipated returning showcases from Communion, Gorilla vs. -
Ugandan Superstar! - an Anthropological Study of Youth, Music and Social Becoming in Kampala, Uganda
Ugandan Superstar! - an anthropological study of youth, music and social becoming in Kampala, Uganda Cand. Mag. Thesis by Nanna Schneidermann Thorsteinsson Supervisor: Lotte Meinert Student number: 20012461 Number of charaters: 227.797 Department of Anthropology and EthnographyUniversity of AarhusFebruary 2008 Acknowledgements No creative work is the product of one person alone, and I want to acknowledge and thank a few special people and places that have inspired, guided and helped me in the process of making this thesis. First and foremost, thanks to the people who have inspired me to write about music in Uganda and who have agreed to feature on the following pages of my first go at being a serious scholar. A special shout-out goes to Chagga, Nubian Li, Farouk, Bobi Wine, Klear Kut, Ragga Dee, Lyrical G, Babaluku, Twig, GK, Bebe Cool and, of course, Chameleon, for leading me down the yellow brick road, and letting me into the amazing adventures of your lives. And thanks to Isaac Mulindwa Jr. for keeping the gates open. Thanks to my supervisor Lotte Meinert, at department of Anthropology and Ethnography at University of Aarhus, who has taught me to respect my curiosity and follow my heart. Thanks to Peter Ntende, Saava Karim, Musah Kalyngo and Papito for transcribing and translating songs. To Kirsten Toft Bang, thank you for being some of the things that I am not. Together we make one great anthropologist. To Pia Falk Paarup, Rasmus Bang, Mette Nielsen, Mette Kristensen & Mette Krog, thanks for comments on drafts of this thesis and for your friendship. I would also like to thank Gitte Christensen and Nanna Mulamila Olsen for inspiration and moral support. -
Generosity in the Time Ofcovid-19
GENEROSITY IN THE TIME OF COVID-19 Stories of giving in the time of the coronavirus pandemic in Uganda. Period Covered March 31st to April 30th, 2020 #OmutimaOmugabi About CivSource Africa CivSource Africa is a philanthropy support and advisory organization committed to nurturing a more sustainable, effective and connected civil society that advances the dignity and voices of all people. We do this through promoting reflective, responsive, and accountable philanthropic practice. CivSource Africa is also passionate about promoting African philanthropy and telling the stories of African giving and generosity. Plot 18, Balikuddembe Road, Naguru Kampala, Uganda P.O Box 4310 Tel: +256 393 224 056 civsourceafrica.com [email protected] https://www.facebook.com/CivSourceAfrica https://twitter.com/CivsourceAfrica WHERE PHILANTHROPY MEETS CIVIL SOCIETY Table of contents Forward 3 Acknowledegments 4 Acronyms 5 Background 6 Chapter 1 8 Giving by Private Sector Chapter 2 19 Individual Giving Chapter 3 28 Gving by Artists Chapter 4 32 Giving in Collectives Chapter 5 36 A Regional Glance Chapter 6 53 Giving Within Refugee Communities Chapter 7 58 Giving: Perspectives Forward t gives us great pleasure to bring you distribute the items received to the right Ithis first of several reports about giving beneficiaries, as well as accountability during COVID-19 lock down in Uganda. for all that was given. In fact, this report Right from the announcement of the first just shares what was given, and we hope lock down on 31st March 2020, we started it can be used as a basis to demand noticing reports of giving and we decided accountability for where and how and by that we needed to capture this momentous whom the resources were used. -
Democracy As Imperialism,Uganda
Museveni’s Paradox, Class Dynamics and the Rise of Hustler Politics in Uganda By Liam Taylor During thunderstorms in Kampala the rainwater comes rushing down the hillsides in torrents, through clogged drainage ditches and silty channels, inundating the valleys with sudden floods. The rich make their homes on the hilltops, where the rain runs off their paved compounds. The poor crowd into the wetlands, in one-roomed mizigo rentals sometimes built with small brick walls around the doorway, to hold back the impending tide. In Luganda, an ordinary person is omuntu wa wansi, literally, a “person from down”. It is a metaphor that maps onto the very contours of the city. The ruptures in Ugandan politics can be seen in the contrast between those valleys and hilltops. January’s tumultuous election was a generational contest and a struggle against dictatorial power. But it was also an eruption of class politics, embodied by the rise of Robert Kyagulanyi, a popstar- turned-politician best known as Bobi Wine. “If parliament will not come to the ghetto,” he said when elected MP in 2017, “then the ghetto will come to parliament.” For Yoweri Museveni, now in his 36th year of rule, this upsurge is baffling. His self-proclaimed mission is to haul Uganda out of the sectarian logic of peasant society into the industrial age. In that brave new world, class would replace religion and ethnicity as the axis along which politics was organised. But the distortions of his rule have instead perpetuated old logics and blocked economic transformation, creating alternative forms of urban class politics that he can neither understand nor control. -
Pearl of Africa Music (Pam) Awards: Political Construction of Popular Music in Uganda
PEARL OF AFRICA MUSIC (PAM) AWARDS: POLITICAL CONSTRUCTION OF POPULAR MUSIC IN UGANDA by Anita Desire Asaasira BA Music (MAK) 2007/HDO3/11055U A Dissertation Submitted to the Department of Music Dance and Drama, Faculty of Arts, in Partial Fulfillment of the Requirements for the Award of the Degree of Master of Arts in Music of Makerere University November, 2010 i DECLARATION I, Anita Desire Asaasira, hereby declare that this is my original research and it has not been submitted anywhere for any academic award. Anita Desire Asaasira Reg. No. 2007/HDO3/11055U Signature ……………………………………………. Date …………………………………………….. Supervisor Dr. Sylvia Nannyonga-Tamusuza Assoc. Prof. of Music (Ethnomusicology) Signature ………………………………………………… Date ………………………………………………….. ii DEDICATION To Assoc. Prof. Steinar Sætre, his wife Jorunn, and their children Odin, Johann and Yria iii ACKNOWLEDGEMENTS To begin with, I thank NORAD Arts and Cultural Education (ACE) Program for the scholarship that enabled me study at the University of Bergen (Norway) and Makerere University. This research would not have been possible without the grant. Further, I am indebted to NORAD for also giving me the funds to carry out fieldwork and buy all the necessary materials necessary for the write up. I am greatly indebted to Dr. Sylvia Nannyonga-Tamusuza, my lecturer, principal supervisor and Coordinator for the ACE Program at Makerere University for believing that I could actually become an ethnomuscicologist even when I had doubts. Her intellectual input in this work, the time, effort and dedication to ensure that this work reached this intellectual level and ready in time, can never be repaid. I really appreciate your patience and constant encouragement. -
Kenyan Hip-Hop Artists' Theories of Multilingualism, Identity And
“HATUCHEKI NA WATU”: KENYAN HIP-HOP ARTISTS’ THEORIES OF MULTILINGUALISM, IDENTITY AND DECOLONIALITY By Esther Milu A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Rhetoric and Writing - Doctor of Philosophy 2016 ABSTRACT “HATUCHEKI NA WATU”: KENYAN HIP-HOP ARTISTS’ THEORIES OF MULTILINGUALISM, IDENTITY AND DECOLONIALITY By Esther Milu This is a qualitative research study that constellates several theoretical and methodological approaches to understand why and how three Kenyan Hip-hop artists, Jua Cali, Nazizi Hirji and Abbas Kubbaff, engage in translingual communicative practices. A variety of data types including in-depth phenomenologial interviews, lyrical content and multimodal compositions were evaluated to understand how and why the artists used particular linguistic and semiotic resources in composing their texts and in their everyday communication. A translingual analytical framework was applied to examine these resources across various modalities of communication: verbal, written, audio, visual, performative and embodied. Findings from the study indicate that the artists translingual practices are aimed at : 1) constructing various ethnicities and indentities based on their everyday language use and not on dominant language ideologies or theories of race and ethnicity in the country; 2) engaging in language activism work by raising critical language awareness within dominant institutions, and by actively participating in the preservation of youth languages and cultures; 3) theozing and practicing diverse options for cultural and linguistic decolonization. The study concludes by proposing a translingual pedagogy that challenges students to demonstrate critical awareness of the “linguistic culture” surrounding the languages, codes and symbolic practices they use in their translingual composing. -
Popular Media, Democracy and Development in Africa
Popular Media, Democracy and Development in Africa Popular Media, Democracy and Development in Africa examines the role that popular media could play to encourage political debate, provide information for develop- ment, or critique the very definitions of ‘democracy’ and ‘development’. Drawing on diverse case studies from various regions of the African continent, the chapters employ a range of theoretical and methodological approaches to ask critical ques- tions about the potential of popular media to contribute to democratic culture, provide sites of resistance, or, conversely, act as agents for the spread of Ameri- canized entertainment culture to the detriment of local traditions. A wide variety of media formats and platforms are discussed, ranging from radio and television to the Internet, mobile phones, street posters, film and music. Grounded in empirical work by experienced scholars who are acknowledged experts in their fields, this contemporary and topical book provides an insight into some of the challenges faced throughout the African continent, such as HIV and AIDS, poverty and inequality, and political participation. Examples are grounded in a critical engagement with theory, moving beyond descriptive studies and therefore contributing to the intellectual project of internationalizing media studies. Popular Media, Democracy and Development in Africa provides students and schol- ars with a critical perspective on issues relating to popular media, democracy and citizenship outside the global North. As part of the Routledge series International- izing Media Studies, the book responds to the important challenge of broadening perspectives on media studies by bringing together a range of expert analyses of media in the African continent that will be of interest to students and scholars of media in Africa and further afield.