Barnsley and District U3a

Total Page:16

File Type:pdf, Size:1020Kb

Barnsley and District U3a BARNSLEY AND DISTRICT U3A Internet: Barnsley U3A / Charity no. 1077654 Awarded to Send info. and photos to: [email protected] Barnsley u3a January 2021 1 Finally, we are reaching the light at the end of the tunnel and our outdoor activities are opening up and we are eagerly anticipating our indoor groups meeting as allowed by the Government’s ‘Route out of Lockdown’. It’s been a long and difficult 15 months for all u3as but Bu3a has remained open for business and we have constantly searched for ways to keep our members involved with us. I know from the many positive comments that you, our members, have appreciated our efforts. The best indicator of your appreciation comes in response to our membership renewal process. Around 96% of you have retained your membership of Bu3a which speaks volumes about your desire to remain as part of our brilliant organisation. Our Membership Secretary, John MacKinnon, has given a more detailed explanation on page 3 in this Buzz. The membership renewal process leaves us with a positive outcome which compares against the u3a National Office expectation of a Covid related 20% reduction in membership across the UK. We are obviously doing something different in Barnsley and credit has to go to all those of you who have been involved in providing and supporting our online activities over the last year. These activities have added to our commitment to getting our supersized Buzz out to all members during the year, with the supplementary Interim Buzz becoming an important new fixed addition to our news updates. However, despite all the positive news, we have to accept that things won’t get back to exactly where we left off in March 2020. The passage of time has led to a small number of our groups being removed from our activity list. Lynn Maloney, our Development Officer, explains some of the changes on page 45 of this Buzz. As is always the case, our thinking in Bu3a is ‘as one thing becomes unavailable another comes to fill the gap’. We will always try to work to this principle as groups disappear or become full. The Group Calendars compiled by Hilary Newton are on the inside back pages 49-51 of this Buzz. On Monday 7th June, it is our 25th Annual General Meeting, which will be held on Zoom again this time. The Agenda, Annual Report and Statement of Accounts are set out on pages 19-21 whilst the minutes of the 24th AGM are shown on page 20 of the Spring Buzz, which is available online if you haven’t kept your copy. Please try to attend this meeting, which will be followed by a presentation by Beth Rudkin, who will be asking the question “Who killed the Princes in the Tower?” We are hoping to get this edition of the Buzz out to all our members prior to 2nd June, National u3a Day. The purpose of this day is to encourage all the UK’s 1000+ u3a’s to tell the world about who we are and what we do. Last year we had plans for many of our groups to be on show in the Alhambra, the Library and in and around town but Covid put paid to all that, of course! This year, we have a small team of members in Barnsley who have been helping us to prepare for this event within the present restrictions, which will limit us to sharing a small Council gazebo in the town centre. One of the highlights will be when the Mayor attends and cuts our 25th Anniversary Cake. This will be supported by us handing out our new tri-fold leaflet (right) in and around town. Also, local radio stations have been sent copies of The Buzz, the new leaflet and a covering letter from me; we are hoping to be given a radio spot or two to talk about the u3a and our Bu3a. I also must mention our Walking Cricket competition which Mac McKechnie has organised for u3a Day. At the time of writing there is an increasing number of other u3a teams taking part and because of this the event has had to be relocated to Doncaster where a greater number of pitches are available. Well done to Mac for continuing to manage the growth of Walking Cricket and keep Bu3a’s name high profile in the process on u3a Day. Please read the Walking Cricket article on pages 28-29. On the subject of our 25th Anniversary, keep an eye out for the details of our ticketed evening celebration to be held on 6th October at the Holiday Inn, Dodworth; the first release of information is on page 3. It would be great to see our members turning out in force to enjoy this landmark achievement for Bu3a. Anyway, that’s enough from me for the time being. I look forward to seeing you all getting involved in our activities once again. Alan 2 CHEERS EVERYONE!! A huge vote of thanks from me to all our members for demonstrating your loyalty to Barnsley u3a. 96% of you renewed your membership; an unparalleled success at any time, let alone in the middle of another lockdown. Thank you also for your many notes and good wishes which I always appreciate. Throughout this process I have been wonderfully well supported by my wife, Jacqui, and Hilary Newton, our Treasurer. Finally, a note of thanks to Jo, our lovely post lady, who has delivered nearly 500 cheques to me over the past few weeks. Best wishes to all! John MacKinnon, Membership Secretary. CELEBRATING 25 GLORIOUS YEARS! The Social Committee’s advert BARNSLEY & DISTRICT U3A here says it all! Assuming that all Covid restrictions are well behind us (gone but never to be forgotten), we will meet in JOIN US ON THE 6TH OCTOBER October to celebrate the At The Holiday Inn, Dodworth remarkable growth and For Dinner & Entertainment Tickets on sale from July present strength of Bu3a. Full details coming soon! Vice-Chairman and Buzz Editor: Derek Bacon Welcome to the Summer 2021 ‘Buzz’. I hope that you enjoy it. It’s great to start this Buzz with three typically positive contributions by the Chairman, the Membership Secretary and the Social Committee. It has not been quite so straightforward to produce this edition of The Buzz as I was unwell for much of April but the number of contributions just poured in and that helped me enormously; I am very grateful to you all. I feel guilty and apologise to those people who are always so supportive but whose contributions this time have had to be saved for the Autumn Buzz. An absolutely massive ‘Thank You’ to Jo Kasparek who took over the role of reporting on our pretty amazing Presentation Hour and Monthly Meetings on Zoom. I wish that our Monday afternoon meetings on Zoom attracted more than the 120-150 or so members that they do because they have been so varied and interesting. The first pages of this Buzz are again reports of these meetings; I think that they fit in perfectly with the gentle ‘Learn’ and ‘Laugh’ sections of our u3a motto ‘Learn, Laugh, Live!’ It was a huge shock to hear that very soon after the publication of the Spring Buzz, the subject of one of its pages, Steve Smith MBE, passed away most unexpectedly. Our condolences go to his family and his Bu3a friends who contacted me. I do hope that you read The Buzz at leisure and keep returning to it because so many Bu3a members have interesting tales to tell. In these 52 pages are 11 Zoom reports plus The Falklands War, Covid-19 research, big news on Walking Cricket, the first of a series of recommended walking routes for you to follow, Quizmasters questions (and answers!), Group reports and a whole lot more. It starts with a Sensible Page! 3 A SENSIBLE PAGE A thief broke into my house last night. He started searching for money so I got up and searched with him. Life is like a helicopter. I don’t know how to operate a helicopter. A recent study has found women who carry a little extra weight live longer than men who mention it. 4 PRESENTATION HOUR via ‘ZOOM’, Monday 8th February ‘A BALTIC TALE’ presented by SUE STOKES This talk by Sue Stokes took us on a “whistle-stop” cruise that Sue went on with Beryl Topliss and Pat Goodall of Bu3a in 2018. All stops were for one day’s sightseeing apart from St Petersburg which was for two days. First port of call after leaving Newcastle was Dundee, in Bonny Scotland, rather than Scandinavia, but with the opening of the magnificent new Victoria and Albert Museum (left) there in 2018 itself and with its history of the Three J’s, Jute, Journalism and Jam, it is undoubtedly now on everyone’s itinerary as a destination in itself. Then off to ‘Wonderful, Wonderful Copenhagen’ where ‘The Little Mermaid’ of Hans Christian Anderson fame is a must-see, but it is surprisingly little! After visiting the royal palace and the compulsory church or two, she went to the world famous Tivoli Gardens (centre) and the stunning new Opera House. An amazing bonus was to see the city’s incinerator which doubles as a ski-slope. Next stop was the pretty North German coastal resort of Warnemunde, “the best little town you’ve never heard of” which is obviously worth a visit in itself but also offers a two hour train journey to Berlin.
Recommended publications
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced info the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on untii complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • KES Ken Loach
    HOMMAGE KES KES Ken Loach Der 14-jährige Billy Casper lebt in der nordenglischen Bergwerksstadt Großbritannien 1969 Barnsley. Von seiner geschiedenen Mutter wird er vernachlässigt, vom 113 Min. · DCP · Farbe großen Bruder terrorisiert, von sadistischen Lehrern gedemütigt und von Klassenrowdys getriezt. Trost findet der schmächtige Einzelgän- Regie Ken Loach ger allein in der Aufzucht eines jungen Falken, den er selbst aus dem Buch Barry Hines, Ken Loach, Tony Garnett, nach dem Roman „A Kestrel for Horst geholt und „Kes“ getauft hat. Hingebungsvoll trainiert der Jun- a Knave“ von Barry Hines ge das Tier, bis eines Tages der Bruder für eine vermeintliche „Verfeh- Kamera Chris Menges of SixteenCourtesy Films lung“ grausam Rache an Billy nimmt … „Fact and Fiction“ steht an der Schnitt Roy Watts Schultafel, als Billys verständnisvoller Englischlehrer den sonst so ver- „Die Arbeiten von Regisseuren wie Miloš Musik John Cameron Forman, Jiří Menzel und anderen aus den schlossenen Jungen dazu bringt, lebhaft von seinem Falken zu berich- Ton Tony Jackson, Gerry Humphreys sechziger Jahren wurden von uns immer als ten. Programmatisch für Ken Loachs späteres Werk verbindet KES das Tonschnitt Peter Pierce sehr menschliche und einfühlsame Filme sensible Porträt eines Heranwachsenden mit der detaillierten Zeich- Art Director William McCrow verstanden. Dabei waren sie in keiner Weise nung kleinstädtisch-proletarischer Lebensverhältnisse. Von Filmen der Kostüm Daphne Dare weich, sondern besaßen einen scharfen, tschechischen „Neuen Welle“ beeinflusst, entwickelten Loach und sein Produzent Tony Garnett ironischen Witz. Manchmal konnten sie Kameramann Chris Menges einen Stil der distanzierten, dabei jedoch Darsteller ziemlich wild werden, doch sie verloren dabei einfühlsamen Beobachtung, in deren Verlauf die Kamera spontan auf nie ihre ausgeprägte humanistische Ader – das David Bradley (Billy) das Geschehen reagieren konnte.
    [Show full text]
  • 2018 Hertford College Donor Report
    The University in the 21st Century The Academic Job Market Research and Innovation Perspectives on Access HERTFORD COLLEGE DONOR REPORT 2018 ACKNOWLEDGEMENT This Hertford College Donor Report 2018 would not have been possible without the generous thought and time of our contributors, Emma Smith, Sophie Nicholls, L.D. Lord, Andrew Boczek, Grace Davis, Holly Kilner and Pat Roche, who took time out to pen their views about Hertford, Oxford and higher education more generally. For that, they have our utmost gratitude. There has been a changing of the guard at Hertford, and at the end of 2017 we bid farewell to Anna Baskerville, Sabina Bi and Heather Brickell. We are hugely grateful for the extraordinary work they have done for Hertford and wish them all the best in their new and exciting challenges: Anna is leading the UK fundraising efforts of Charity:Water; Sabina is training the next generation of database users in the University’s Development Office; Heather is helping the University’s sports fundraising efforts for the next phase of the Iffley Road complex. In 2018, the college welcomed three new members of the Development team: Olga Batty, who previously spent 4 years in the Development Office at St Peter’s and is now Deputy Director of Development; Nick Stone Villani manages the college’s regular giving and legacies; and Jason Fiddaman supports the team with gift administration and events. Jonathan White continues to look after the college’s communications, publications and events, and Julia Thaxton continues to direct Hertford’s development activities. The design and graphics of the Donor Report were produced by the talented graphic designer Doug Dawson, the cover by Vince Haig and photography by Edmund Blok.
    [Show full text]
  • Brian Glover: Wrestler - Actor - Writer by Simon W
    Brian Glover: Wrestler - Actor - Writer By Simon W. Golding READ ONLINE If you are looking for the book by Simon W. Golding Brian Glover: Wrestler - Actor - Writer in pdf format, then you have come on to the loyal website. We present the full variation of this ebook in ePub, doc, txt, PDF, DjVu formats. You can reading Brian Glover: Wrestler - Actor - Writer online by Simon W. Golding either load. In addition, on our site you may reading instructions and other artistic eBooks online, either downloading their as well. We wish invite your regard what our website not store the book itself, but we grant url to the website wherever you can load or reading online. So that if want to load by Simon W. Golding pdf Brian Glover: Wrestler - Actor - Writer , then you have come on to loyal site. We have Brian Glover: Wrestler - Actor - Writer PDF, ePub, doc, txt, DjVu formats. We will be pleased if you come back over. Sight & sound best films (criterion) - my This is a list of the 100 best films that have received the Criterion (Michel Simon ), L'Atalante is Brian Glover and future Chariots of Fire writer Colin Kes (film) - wikipedia, the free encyclopedia Kes (film) Kes; UK theatrical release poster. Brian Glover: Music by: John Cameron: Cinematography: Golding, Simon W. (2006). Amiannoying.com - teachers Adult Actor. 48.00% (12 of 25 votes) 567. William Golding. Author. 40.0% Brian Glover. Actor. 28.57% (6 of 21 votes) 648. Sam Levenson. Brian glover: amazon.de: simon w. golding: Brian Glover: Amazon.de: Simon W.
    [Show full text]
  • North Carolina Literary Review
    NORTH CAROLINA LITERARY REVIEW ONLINE number 24 2015 NORTH CAROLINA LITERATURE IN A GLOBAL CONTEXT IN THIS ISSUE Introduction to Monique Truong n Fiction by Michael Parker n Poetry by James Applewhite n Doris Betts Fiction Prize Finalists n James Applewhite Poetry Prize Finalists n Book Reviews n Literary News n And more . COVER ART by Mona Wu Read more about the cover artist, MONA WU, on page 11, inside this issue, and see the full collage featured on the front cover of this issue and information about that collage on page 15. Published annually by East Carolina University and by the North Carolina Literary and Historical Association © COPYRIGHT 2015 NCLR COVER DESIGNER NCLR Art Director DANA EZZELL GAY is an Associate Professor at Meredith College in Raleigh. She has an MFA in Graphic Design from the Rhode Island School of Design in Providence. Her design work has been recognized by the CASE Awards and in such publications as Print Magazine’s Regional Design Annual, the Applied Arts Awards Annual, American Corporate Identity, and the Big Book of Logos 4. She has been designing for NCLR since the fifth issue, and in 2009 created the current style and design. In 2010, the “new look” earned NCLR a second award for Best Journal Design from the Council of Editors of Learned Journals. In addition to the cover, Dana designed the fiction in this issue. ABOVE Meditation on a Bamboo Branch (collage, 15x19) by Mona Wu NORTH CAROLINA LITERARY REVIEW ONLINE number 24 2015 NORTH CAROLINA LITERATURE IN A GLOBAL CONTEXT IN THIS ISSUE n North Carolina Literature in a Global Context includes poetry, fiction, creative nonfiction, book reviews, and literary news Betty Adcock Annie Frazier Ruth Moose Kathaleen E.
    [Show full text]
  • MS 431 Title: Dewhurst Papers Scope: the Papers of Keith
    University of Sheffield Library. Special Collections and Archives Ref: MS 431 Title: Dewhurst Papers Scope: The papers of Keith Dewhurst (1931- ), screenwriter, playwright and author. Dates: 1943- Level: Fonds Extent: 75 boxes; 18 volumes, 18 oversized items Name of creator: Keith Dewhurst Administrative / biographical history: This collection comprises the papers of the screenwriter, playwright and author Keith Dewhurst. It includes scripts, screenplays, drafts, synopses and research material covering television, film, theatre and fiction/non-fiction. There is also correspondence, newspaper cuttings (research and authored), photographs, diaries, posters, memorabilia and biographical material along with a collection of published books, both Keith Dewhurst’s own works and material collected for research purposes. Much of the collection is accompanied by explanatory notes by Dewhurst Keith Dewhurst was born in Oldham in 1931, attended Rydal School in Colwyn Bay and studied English at Peterhouse, Cambridge. As a journalist he was the Manchester United correspondent for the Manchester Evening Chronicle from 1955 to 1959 and an arts columnist for The Guardian in the 1960s and 70s. He has written extensively for stage and screen producing a large cannon of scripts, screenplays and adaptations from the 1950s up to the 2010s. He has written eighteen plays, six of which were premiered by the National Theatre and three by the English Stage Company at the Royal Court Theatre. Notable productions include The Bomb in Brewery Street, Lark Rise and Don Quixote. His television and film work includes Z Cars and Land Girls and as an author he has produced two noteworthy publications on the subject of football; When You Put on a Red Shirt and Underdogs.
    [Show full text]
  • Dialect in Films: Examples of South Yorkshire
    Dialectologia 3 (2009), 1-21. DIALECT IN FILMS: EXAMPLES OF SOUTH YORKSHIRE GRAMMATICAL AND LEXICAL FEATURES FROM KEN LOACH FILMS Kizzi Edensor University of Provence, Laboratoire de Parole et Langage [email protected] Abstract This paper focuses on the English dialect in South Yorkshire, examining both traditional and more mainstream aspects over a period of thirty years. The hypothesis behind this study is that the degree or broadness of dialect decreases throughout the years, tending towards a more levelled, less regionally marked English. The corpus consists of scenes taken from three films directed by Ken Loach, they are: Kes (1969), Looks and Smiles (1981) and The Navigators (2001). It seems important to study traditional and to discover which changes can be observed over this period of time. Key words Dialect, South Yorkshire, grammar, lexicon, films, Ken Loach. 1. Introduction The purpose of this article is to give a description of the regional dialect that was found in South Yorkshire in three Ken Loach films from 1969-2001. The films are Kes (1969), which was set in Barnsley, Looks and Smiles (1981) and The Navigators (2001) which were both set (15 miles to the south), in Sheffield. Using three films enabled us to add a chronological aspect to our research and we were especially interested in the evolution of the dialect in South Yorkshire from a grammatical and lexical point of view. Research in dialectology has been on the increase since the first studies by Labov (1976), Trudgill (1979) and Wells (1982). Wells was the first to differentiate between traditional dialects; those that are spoken by linguistically conservative, typically rural people and 1 ©Universitat de Barcelona Kizzi Edensor mainstream varieties.
    [Show full text]
  • A Camera for a Knave
    Khaleel Etwebi A camera for a Knave Documenting a fictional life Bachelor’s project in FILM2000 Supervisor: Ilona Hongisto May 2020 Bachelor’s project NTNU Faculty of Humanities Department of Art and Media Studies Norwegian University of Science and Technology Khaleel Etwebi A camera for a Knave Documenting a fictional life Bachelor’s project in FILM2000 Supervisor: Ilona Hongisto May 2020 Norwegian University of Science and Technology Faculty of Humanities Department of Art and Media Studies Table of content: 1. Introduction (p. 2-4) 1.1 Short summary and the film’s theme (p. 3-4) 2. Main content (p. 4-17) 2.1 The British new wave and social realism (p. 4-5) 2.2 Casting and collaborating with the actors (p. 6-7) 2.3 The visual style of Kes (p. 7-14) 2.3.1The Camera as a sympathetic observant (p. 8-10) 2.3.2 The less the merrier (p. 10-11) 2.3.3 Cathy Come Home and the subsequent “documentary look” of Kes (p. 11-14) 2.4 Untraditional social realist elements (p. 14-15) 2.5 Endless cycle (p. 16-17) 3. Conclusion (p. 17-18) 4. Reference list (p. 19) 1 A camera for a knave: Documenting a fictional life. 1. Introduction A dimly lit room, color washed walls, two brothers, a young man and a child, sharing a small bed, and then an alarm clock breaks the silence. Every time I watch the opening sequence of Kes (1969) by the British film-maker Ken Loach I find myself left in awe and wonder, fully engaged in the seemingly eventless scene and its realism.
    [Show full text]
  • FRRL FILM CLUB Wed 23 January 2019
    FRRL FILM CLUB Wed 23 January 2019 KES Dir.Ken Loach, UK 1969, Cert U, 1h51m) About Kes Set in Yorkshire in the industrial north, 15-year old Billy (David Bradley) is ignored by his family and bullied at school. His expectations are limited to following his brother into the pits as he grows up. When he finds a young kestrel, Kes, everything changes – with the help of his English teacher, Mr Farthing (Colin Welland), and schoolfriends, he trains the bird. The remarkable relationship he develops with the bird gives him a new purpose in life. ‘marvellous, moving and compassionate’ ‘written and directed by one of the most politically committed of British filmmakers’ ‘an astute analysis of society at large’ Trailer: https://www.youtube.com/watch?v=HRYvUpsrqmg Cast Director: Ken Loach Billy David Bradley Writer: Ken Loach Jud Freddie Fletcher Based on novel by: Barry Hines Mrs Casper Lynne Perry Producer: Tony Garnett Mr Farthing Colin Welland Cinematography: Chris Menges Mr Sugden Brian Glover Music: John Cameron Mr Gryce Bob Bowles Youth Employment Officer Bernard Atha Discussion prompts 1. The film is based on the book A Kestrel for a Knave by Barry Hines. How important/relevant is it for the film to be faithful to the plot order and scene structures? 2. Does the strong dialect provide a barrier to the audience’s engagement with the film? 3. As the film progresses does it raise any positive aspects for Billy’s future? 4. What does it say about an education system that seems to be designed to limit children’s potential? 5.
    [Show full text]
  • Bfi Marks Ken Loach's 75Th Birthday
    July 20th 2011 BFI MARKS KEN LOACH’S 75TH BIRTHDAY WITH MAJOR PROJECT In September 2011 the BFI will mark Ken Loach’s 75th birthday, and 50-year career in film and television, with the most comprehensive retrospective ever of his work. Ken Loach is a filmmaker with an outstanding international reputation both as a hugely talented craftsman and as a radical social and political commentator; the retrospective will explore the full range of Loach’s films, television plays and documentaries. In full collaboration with Loach himself, this major BFI project incorporates a donation of Loach’s collection to the BFI National Archive, a two-month BFI Southbank season and Mezzanine exhibition, regional tour, an education programme and Screenonline and Mediatheque programmes. Ken Loach said, “I am of course delighted that the BFI will show all these films. However, I can’t help feeling a little anxious about what will be revealed…” Winner of the Palme d’or at Cannes 2006 for The Wind That Shakes the Barley Ken Loach is one of Britain’s most celebrated and socially committed film- makers. He began his career in media production 50 years ago when he joined BBC Television’s drama department as a trainee director and went on to make ground-breaking television plays which are among the most important ever broadcast, such as Cathy Come Home or Up the Junction. His pioneering methods and gritty social realism had a huge influence on many filmmakers today including Shane Meadows, Paul Greengrass, Peter Mullan and many more. Loach’s career is full of richly rewarding films, from compelling accounts of contemporary life such as Riff-Raff and Looking for Eric, as well as engaging political dramas such as Hidden Agenda or Land and Freedom.
    [Show full text]
  • Handlist of the J.C. Trewin Collection
    1 J C Trewin MS 4739 Historical letters 1/1 22 September, undated. Constance Benson (wife of Shakespearian actor Frank) to Mr Neilson. 1/2 3 April 1932. Constance Benson to Sir Archibald Flower, of the Stratford brewing family who were supportive of the early Stratford theatres. Regretfully declining Sir Archibald’s invitation to attend the opening ceremony of the new theatre in Stratford- upon-Avon as she could not meet her husband, Frank, in public due to a past disagreement. 1/3 2 February 1940. Constance Benson to Sir Archibald Flower. Discusses where to scatter the ashes of Frank Benson and is glad that they were reconciled before he died. 1/4 9 May 1940. Constance Benson to Sir Archibald Flower. Sending him a pin, the implication is that it belonged to her husband, Frank, for she nearly gave it to her ex pupil John Gielgud. Constance Benson’s daughter is referred to in these letters as Dick and Bryn. 2 31 January 1940. Sir Archibald Flower to Constance Benson (copy). Concerning the disposal of Frank Benson’s ashes. 3 20 April 1932. Peggy to ‘Dearest Scopie’, written from 1 Scarsdale Villas (the same address headed Constance Benson’s letters), copy. Concerning the financial support given to Frank Benson and his lack of acknowledgement, letter could be from Constance Benson. 4 21 March 1919. Frank Benson to Tommy Merton. 5 8 January 1940. C F Leyel to Mr Howson declining invitation to Sir Frank Benson’s memorial service. 6/1 14 August 1896. Sir John Hare to Sydney Grundy.
    [Show full text]