MS 431 Title: Dewhurst Papers Scope: the Papers of Keith

Home , Brian Glover, Cambridge Union, Lark Rise to Candleford, Otto Plaschkes, Richard Dewhurst, Theatre 625

University of Sheffield Library. Special Collections and Archives Ref: MS 431 Title: Dewhurst Papers

Scope: The papers of Keith Dewhurst (1931- ), screenwriter, playwright and author. Dates: 1943- Level: Fonds Extent: 75 boxes; 18 volumes, 18 oversized items Name of creator: Keith Dewhurst

Administrative / biographical history: This collection comprises the papers of the screenwriter, playwright and author Keith Dewhurst. It includes scripts, screenplays, drafts, synopses and research material covering television, film, theatre and fiction/non-fiction. There is also correspondence, newspaper cuttings (research and authored), photographs, diaries, posters, memorabilia and biographical material along with a collection of published books, both Keith Dewhurst’s own works and material collected for research purposes. Much of the collection is accompanied by explanatory notes by Dewhurst Keith Dewhurst was born in Oldham in 1931, attended Rydal School in Colwyn Bay and studied English at Peterhouse, Cambridge. As a journalist he was the Manchester United correspondent for the Manchester Evening Chronicle from 1955 to 1959 and an arts columnist for The Guardian in the 1960s and 70s. He has written extensively for stage and screen producing a large cannon of scripts, screenplays and adaptations from the 1950s up to the 2010s. He has written eighteen plays, six of which were premiered by the National Theatre and three by the English Stage Company at the Royal Court Theatre. Notable productions include The Bomb in Brewery Street, Lark Rise and Don Quixote. His television and film work includes Z Cars and Land Girls and as an author he has produced two noteworthy publications on the subject of football; When You Put on a Red Shirt and Underdogs.

Source: Donated, February 2013 System of arrangement: By category Subjects: English drama - 20th century; Motion picture plays, English - 20th century; Names: Dewhurst, Keith, 1931- Conditions of access: Available to all researchers, by appointment Restrictions: Certain documents are restricted Copyright: According to document Finding aids: Listed

Contents

Section 1: TV 1

Section 2: Plays (Theatre and Radio) 31

Section 3: Film 57

Section 4: Books 70

Section 5: Journalism and speeches 82

Section 6: Memorabilia, biographical and other material 87

Section 7: Correspondence 90

Section 8: Photographs 97

Section 10: Works not by Keith Dewhurst 101

Section 11: Book collection 104

Section 12: Oversized Items 105

Section 1: TV

1/1 – ‘Albert Hope’, Drama ’63 (Ep 16) Date: 1963 Broadcast date: 11 August 1963 Production Company: ATV 1/1/1 – Screenplay titled The Middle Age and Times of Albert Hope. Includes cast and creatives list for ATV production of Albert Hope 1/1/2 – Shooting script, with dates 20-22 January 1963 1/1/3 – Newspaper clippings relating to Albert Hope and also David Ballantyne’s Night of the Leopard. (6 items)

1/2 – At Last–It’s Friday Date: c. 1968 Broadcast date: c. 1968 Production Company: Granada 1/2/1 – Explanatory notes on the making of At Last–It’s Friday, 1/2/2 – Illustrated greetings telegram to Keith Dewhurst from his family 1/2/3 – ‘November Love’. Ms. script for programme segment 1/2/4 – ‘Strip’. Ms. script for programme segment 1/2/5 – ‘Budgie’. Script for programme segment 1/2/6 – ‘Halloween’. Script for programme segment 1/2/7 – ‘Halloween’. Ms. script for programme segment 1/2/8 – Newspaper clippings relating to At Last–It’s Friday and other comedy shows. (3 items)

1/3 – The Acquittal Date: c. 1990 Broadcast date: N/A Production Company: Unknown (Not made) 1/3/1 – Explanatory notes on the adaptation of A.M. Burrage’s short story 1/3/2 – Screenplay 1/3/3 – Ms. version of screenplay 2

1/3/4 – Copy of The Acquittal by A.M. Burrage

1/4 – The Battle of Waterloo Date: 1983 Broadcast date: 13 February 1983 Production Company: BBC 1/4/1 – Explanatory notes on the project, part of the Live from Pebble Mill drama series 1/4/2 – Camera script, with dates 11-13 February 1983. Also note regarding possible performance to mark the 200th anniversary of the Battle of Waterloo 1/4/3 – Camera script, with dates 11-13 February 1983 1/4/4 – Newspaper clippings relating to The Battle of Waterloo. (6 items) 1/4/5 – Radio Times, 12-18 February 1983. Includes feature on The Battle of Waterloo, p. 3 1/4/6 – Black and white rehearsal photographs, with notes on reverse, dated 1983 with explanatory note. (6 items)

1/5-7 – Numbers not used

1/8 – Boothead Date: c. 1975-1979 Broadcast date: N/A Production company: Unknown (Not made) 1/8/1 – Explanatory notes 1/8/2 – Series outline, detailing characters and plot, with ms. annotations. Also screenplay for the first episode, title song and a list of six further episodes, each with a brief synopsis. Dated 1975 1/8/3 – Treatment for a feature film of Boothead, dated 1979 1/8/4 – Treatment for a feature film of Boothead, ts. and ms., dated 1979 1/8/5 – Two exercise books containing ms. screenplay for first episode of Boothead. Also note: “This would seem to be my original Australian copy-out and type-up of BOOTHEAD”

1/9 – The Borderers, ‘Daemon Lover’ Date: c. 1960s Broadcast date: N/A Production company: BBC (Not made) 1/9/1 – Screenplay, with ms. annotations 3

1/10 – Boy Dominic / Dominic, ‘The Brotherhood’ (S 2 Ep 5) Date: 1975 Broadcast date: 14 March 1976 Production Company: Yorkshire Television 1/10/1 – Rehearsal script for episode of Dominic, with dates 25-31 July 1975

1/11 – Boy Dominic / Dominic, ‘Captain Darkness’ (S 1 Ep 4) Date: c. 1973 Broadcast date: 14 April 1974 Production Company: Yorkshire Television 1/11/1 – Rehearsal script for episode of Boy Dominic, with dates 3-15 October 1973 1/11/2 – Version of screenplay without first scene 1/11/3 – Exercise book containing ms. screenplay

1/12 – Boy Dominic / Dominic, ‘Hangman’s Hollow’ (S 2 Ep 1) Date: c. 1975 Broadcast date: 15 February 1976 Production Company: Yorkshire Television 1/12/1 – Rehearsal script for episode of Dominic, 9 June-3 July 1975 1/12/2 – ‘Playback’ page from TV Times, including readers’ comments on Boy Dominic

1/13 – Boy Dominic / Dominic, ‘Lost at Sea’ (S 1 Ep 1) Date: [1973?] Broadcast date: 24 March 1974 Production company: Yorkshire Television 1/13/1 – Rehearsal script for episode of Boy Dominic

1/14 – Casualty, ‘Drake’s Drum’ (S 3 Ep 3)

Date: 1988 Broadcast date: 23 September 1988 Production Company: BBC 4

1/14/1 – Rehearsal script, with dates 18-31 March 1988

1/15 – The Chimney Boy Date: c. 1964 Broadcast date: [5?] November 1964 Production Company: BBC 1/15/1 – Explanatory note on the short play inspired by Brecht’s Caucasian Chalk Circle, which is also a companion piece to The Life and Death of Lovely Karen Gilhooley. (See also 1/52) 1/15/2 – Untitled draft script, with ms. annotations, some by Ronald Eyre 1/15/3 – Rehearsal script titled The Chimbley Boy 1/15/4 – Revised pages from The Chimbley Boy rehearsal script 1/15/5 – Booklet titled BBC School Television Broadcasts: Drama, Autumn 1964. Includes teaching notes for The Chimney Boy and The Life and Death of Lovely Karen Gilhooley

1/16 – Churchill’s People, ‘King Alfred’ (S 1 Ep 4) Date: 1974-1975 Broadcast date: 20 January 1975 Production company: BBC 1/16/1 – Rehearsal script titled The Great Alfred, with ms. annotations, with dates 24 October-5 November 1974 1/16/2 – Rehearsal script 2, titled The Great Alfred, with BBC compliments slip attached 1/16/3 – Letter from script editor Brian Rawlinson, inviting Keith Dewhurst to a script reading. Dated 8 May 1974 1/16/4 – Copies of newspaper reviews of King Alfred

1/17 – Coram’s Messiah Date: c. 1990-1994 Broadcast date: N/A Production company: BBC (Not made) 1/17/1 – Explanatory notes 1/17/2 – Screenplay, dated September 1990 1/17/3 – Ms. synopsis, dated 1994. (2 items) 1/17/4 – Ms. notes including sections of dialogue

1/18 – Customs Date: 1989 Broadcast date: N/A Production company: Unknown (Not made) 1/18/1 – Explanatory notes 1/18/2 – Pitch/synopsis for a four-part television series, dated April 1989

1/19 – Danger Man, ‘The Gambler’ Date: 1960s Broadcast date: N/A Production Company: ITC (Not made) 1/19/1 – Explanatory note 1/19/2 – Exercise books containing ms. screenplay. (6 items) 1/19/3 – Episode treatment, with ms. annotations 1/19/4 – Screenplay, with several pages of ms. notes. (6 items)

1/20 – Daniel in the Lion’s Den Date: 1977 Broadcast date: N/A Production Company: LWT (Not made) 1/20/1 – Explanatory notes 1/20/2 – Screenplay, dated 1977

1/21 – Dockers Date: c. 1993 Broadcast date: N/A Production Company: Unknown (Not made) 1/21/1 – Explanatory note 1/21/2 – Ms. research notes 1/21/3 – Ms. research questions 1/21/4 – Biographical information on the Docker family, including newspaper quotes. (8 pages)

1/22 – Doomwatch Date: c. 1970 Broadcast date: N/A Production Company: BBC (Not made) 1/22/1 – Explanatory note 1/22/2 – Screenplay, first draft

1/23 – The Edwardians, ‘Lloyd George’ (S 1 Ep 8) Date: 1972-1973 Broadcast date: 9 January 1973 Production Company: BBC 1/23/1 – Rehearsal script 1/23/2 – Camera script, dated 29 November 1972, with shooting scheduled 1-3 December 1972 1/23/3 – Shooting script 1/23/4 – Letters to The Times regarding the broadcast of Lloyd George. Includes an exchange between Keith Dewhurst and Cledwyn Hughes MP about the accuracy of the episode. (7 items) 1/23/5 – British newspaper articles about the broadcast of Lloyd George. (11 items) 1/23/6 – British newspaper articles about the broadcast of Lloyd George. (8 items) 1/23/7 – North American newspaper articles about the broadcast of Lloyd George. (9 items) 1/23/8 – North American newspaper articles about the broadcast of Lloyd George. (16 items)

1/24 – The Emigrants, ‘A Dream of Freedom’ (S 1 Ep 4) Date: c. 1976 Broadcast date: 30 November 1976 Production Company: BBC 1/24/1 – Exercise books containing ms. screenplay titled The Emigrants, Play 4: Return. (4 items) 1/24/2 – Rehearsal script, revised version, with dates 13 October-9 November 1976

1/25 – Number not used

1/26 – Fall of Eagles, ‘End Game’ (S 1 Ep 13) Date: c. 1974 Broadcast date: 7 June 1974 7

Production Company: BBC 1/26/1 – Explanatory notes 1/26/2 – Camera script, with ms. annotations; dates 7-8 May 1974. Note attached on BBC headed paper 1/26/3 – Draft script 1/26/4 – Notebooks containing ms. screenplay. (3 items) 1/26/5 – Notepad containing “Handwritten 1st m/s draft of part of some scenes” 1/26/6 – Radio Times, 9-15 March 1974, including feature on Fall of Eagles, pp. 56-59

1/27 – Number not used

1/28 – Friends, ‘Snaky Dog’ Date: c. 1973-1974 Broadcast date: N/A Production Company: BBC (Not made) 1/28/1 – Explanatory notes 1/28/2 – Exercise books containing ms. script. (4 items) 1/28/3 – Screenplay, with ms. annotations

1/29 – Front Page Story, ‘Runaways’ (S 1 Ep 3) Date: c. 1965 Broadcast date: 2 February 1965 Production Company: ATV 1/29/1 – Rehearsal script, with dates 13 December 1964-15 January 1965 1/29/2 – Screenplay, with separate ms. notes. (3 items)

1/30 – Futures, ‘A Bank of England Briefing’ Date: c. 1989 Broadcast date: N/A Production Company: Unknown (Not made) 1/30/1 – Explanatory note 1/30/2 – Exercise book containing ms. screenplay with ms. plot synopsis and character outlines. (3 items) 8

1/30/3 – Screenplay, with ms. front page and annotations 1/30/4 – Bound screenplay, dated March 1989

1/31 – Glasgow Docks Project Date: 1958 Broadcast date: N/A Production Company: Unknown (Not made) 1/31/1 – Explanatory notes 1/31/2 - Booklet titled Agreement for extra payments for dirty cargo in the Port of Glasgow, June 1958

1/32 – The Greatest Team in the World Date: c. 1957 Broadcast date: N/A Production Company: Granada TV (Not made) 1/32/1 – Explanatory notes 1/32/2 – Screenplay, with ms. annotations and explanatory note attached 1/32/3 – Screenplay, with ms. annotations 1/32/4 – Rehearsal script, with ms. annotations, dated 16 April 1957

1/33 – ‘Helen’, Thirty Minute Theatre (S 6 Ep 5) Date: c. 1970 Broadcast date: 30 October 1970 Production Company: BBC 1/33/1 – Explanatory notes 1/33/2 – Screenplay of Helen, “a very free adaptation from Euripides” 1/33/3 – Camera script, dated 4 October 1970 1/33/4 – Newspaper listing and review of Helen. (3 items)

1/34 – Hunters Date: c. 1960-1961 Broadcast date: N/A Production Company: BBC (Not made) 9

1/34/1 – Explanatory notes. (2 items) 1/34/2 – Exercise books containing ms. screenplay for episode 6 of Hunters. (2 items) 1/34/3 – Description of characters and institutions in Hunters

1/35-36 – Numbers not used

1/37 – ITV Sunday Night Theatre, ‘It Calls for a Great Deal of Love’ (S 2 Ep 16) Date: c. 1969 Broadcast date: 20 December 1969 Production Company: Kestrel Films for LWT 1/37/1 – Explanatory note on the drama previously titled That Dreadful Mrs. Ogden 1/37/2 – Screenplay titled That Dreadful Mrs. Ogden 1/37/3 – Rewritten scenes under title That Dreadful Mrs. Ogden 1/37/4 – Camera script including cast list, with dates 26-27 November 1969. Also ms. amendment to show title as That Dreadful Mrs. Ogden 1/37/5 – Newspaper clippings relating to It Calls for a Great Deal of Love. (5 items) 1/37/6 – Black and white photographs taken on set. (26 items)

1/38 – Jenny Date: c. 1970 Broadcast date: N/A Production Company: Unknown (Not made) 1/38/1 – Explanatory notes 1/38/2 – Exercise books containing ms. screenplay. (3 items) 1/38/3 – Screenplay

1/39 – Joe Wilson Date: c. 1980s Broadcast date: [1988?] Production Company: Bilgola Beach Productions 1/39/1 – Explanatory notes on the Australian miniseries based on short stories by Henry Lawson 10

1/39/2 - Ms. notes labelled “Presentation material”, with the title Joe Wilson and his Mary. Characters, plot and practical details about the series are included. Also notes on financing and a page of dialogue. (13 items) 1/39/3 – Faxed documents regarding financing of the series, dated 11 May 1988. (5 items) 1/39/4 – Correspondence regarding financing of the series and production of an accompanying book; also a list of investors. Dated c.1987-1988. 1/39/5 – Correspondence regarding potential overseas sales of the series, dated c.1987-1988 1/39/6 – Documents referring to the use of music within the series. Includes a musical composition agreement between Bilgola Beach Productions and Sven Libaek Music Enterprises, music cue sheets for the series with ms. annotations, and correspondence. Dated c.1986-1988 1/39/7 – Correspondence from Actors Equity of Australia. Attached is correspondence relating to film storage and investment in the project. Dated 15 July 1987-10 April 1988 1/39/8 – Correspondence from actress Kim Krejus, Les Bishop, Robert and Melinda Garland and Meg Labrum, Australian National Film and Sound Archive. Dated 15 May 1987-2 May 1988. (Six items.) 1/39/9 – Ms. list of “events in order”, giving outline of the series. (11 pages) 1/39/10 – Ms. plot outline of the series. (14 pages) 1/39/11 – Outlines for episodes 3-6, dated 20 January 1984. Also ms. rewrite of part of episode 6 outline 1/39/12 – Series synopsis by scene, including location and characters. Also ms. notes dated 30 April 1986. (23 pages) 1/39/13 – Time breakdown detailing characters’ ages and years in which scenes are set 1/39/14 – Ms. draft screenplay for episode titled His Brother’s Keeper, on reverse of Taurus Rising shooting schedules 1/39/15 – Timing notes for series credits and captions. Also correspondence from the Australian Film Commission detailing amendments to the “Australian Film and Television Checklist”, dated 3 June 1987. (10 items) 1/39/16 – Two memos, with ms. amendments, from Alexandra Cann to the creative team, concerning amendments and deleted scenes. Dated 21-22 May 1986 1/39/17 – Short biographical piece, with ms. annotations, about writer Henry Lawson and his character Joe Wilson. Dated April 1983 1/39/18 – Promotional poster for Joe Wilson. Also a newspaper article by Max Harris in The Australian, 6-7 August 1988, p.6, which includes a review of Joe Wilson. (2 items) 1/39/19 – Ms. synopses of episodes 4-6

1/40 – Joe Wilson, ‘Joe Wilson’s Courtship’ (S 1 Ep 1) Date: c. 1980s Broadcast date: [14 December 1988?] Production Company: Bilgola Beach Productions 11

1/40/1 – Dialogue and continuity script, dated 1986 1/40/2 – Screenplay, with ms. annotations, dated 6 February 1986 1/40/3 – Ms. screenplay 1/40/4 – First revisions to screenplay, ts. and ms., dated 18 January 1984

1/41 – Joe Wilson, ‘A Lonely Track’ (S 1 Ep 2) Date: c. 1980s Broadcast date: [15 December 1988?] Production Company: Bilgola Beach Productions 1/41/1 – Dialogue and continuity script, dated 1986 1/41/2 – Screenplay, with ms. annotations 1/41/3 – Screenplay, with ms. annotations and pages 1/41/4 – Screenplay, with ms. annotations, dated 6 February 1986 1/41/5 – Ms. screenplay

1/42 – Joe Wilson, ‘Brighten’s Sister-in-Law’ (S 1 Ep 3) Date: c. 1980s Broadcast date: [16 December 1988?] Production Company: Bilgola Beach Productions 1/42/1 – Dialogue and continuity script, dated 1986 1/42/2 – Screenplay, with ms. annotations 1/42/3 – Ms. screenplay

1/43 – Joe Wilson, ‘Past Carin’’ (S 1 Ep 4) Date: c. 1980s Broadcast date: [1988?] Production Company: Bilgola Beach Productions 1/43/1 – Screenplay, with amendments and ms. annotations, dated 6 February 1986 1/43/2 – Ms. screenplay

1/44 – Joe Wilson, ‘A Double-Buggy at Lahey’s Creek’ (S 1 Ep 5) Date: c. 1980s 12

Broadcast date: [1988?] Production Company: Bilgola Beach Productions 1/44/1 – Screenplay, with amendments and ms. annotations, dated 6 February 1986 1/44/2 – Ms. screenplay

1/45 – Joe Wilson, ‘No Regrets’ (S 1 Ep 6) Date: c. 1980s Broadcast date: [1988?] Production Company: Bilgola Beach Productions 1/45/1 – Screenplay, with ms. annotations, dated 6 February 1986 1/45/2 – Ms. screenplay, with Keith Dewhurst’s Bilgola Beach Productions business card attached

1/46 – Juliet Bravo, ‘Gorgeous’ (S 2 Ep 9) Date: c. 1981 Broadcast date: 31 October 1981 Production Company: BBC

1/46/1 – Explanatory note 1/46/2 – Rehearsal script, with dates 14 September-9 October 1981 1/46/3 – Revisions, with ms. annotations. Also memo dated 15 October 1981 1/46/4 – Invitation to the “Hartley Hop”, the Juliet Bravo end of series party 1/46/5 – Radio Times, 31 October-6 November 1981, with listing for the episode on p. 24

1/47 – Juliet Bravo, ‘Oscar’ (S 1 Ep 14) Date: c. 1980 Broadcast date: 29 November 1980 Production Company: BBC 1/47/1 – Rehearsal script 1/47/2 – Screenplay, with ms. annotations 1/47/3 – Exercise books containing ms. screenplay. (6 items) 1/47/4 – Review of the episode by Margaret Forwood, The Sun, 4 December 1980, p.17

1/48 – Just William, ‘Only Just in Time’ (S 1 Ep 11) 13

Date: c. 1977 Broadcast date: 17 April 1977 Production Company: LWT 1/48/1 – Screenplay adaptation of the Richmal Crompton story 1/48/2 – Black and white photographs by LWP (London Weekend Photograph), taken on set of various Just William episodes, some with promotional text attached. (22 items) 1/48/3 – Promotional material produced by Armada Books, including a Just William poster. (3 items)

1/49 – The Kers of Slitrig (See also 1/9 – The Borderers) Date: 1966 Broadcast date: N/A Production Company: BBC (Not made) 1/49/1 – Explanatory notes regarding the series, which was later produced as The Borderers 1/49/2 – Format document for series, detailing characters and background. Written by Bill Craig, dated 13 November 1966

1/50 – Knight Errant Date: c. 1950s-1960s Broadcast date: N/A Production Company: [Granada?] (Not made) 1/50/1 – Notebook containing ideas and dialogue.

1/51 – The Lamberts Date: c. 1987 Broadcast date: N/A Production Company: Bilgola Beach Productions (Not made) 1/51/1 – Explanatory notes on the project to make Andrew Motion’s biography of the Lambert family into a television mini-series 1/51/2 – Ms. timeline for the Lambert family, covering the years 1905-1958 1/51/3 – Introductory notes on The Lamberts 1/51/4 – Ms. memo from Keith Dewhurst to Alexandra Cann, discussing various aspects of The Lamberts. Dated 9 April 1987 1/51/5 – Letter from TVS Production to Alexandra Cann, acknowledging receipt of The Lamberts proposal. Dated 19 August 1987 14

1/51/6 – Contract detailing the terms of optioning The Lamberts from Andrew Motion. Dated 10 June 1987 R 1/51/7 – Ms. notes on financing the production, including optioning costs. Dated 20 March 1987. (9 items) 1/51/8 – Telex messages about optioning the story from Andrew Motion and the negotiation of costs. Dated 10-19 March 1987, with ms. annotations. (2 items) R

1/52 – The Life and Death of Lovely Karen Gilhooley Date: c. 1964 Broadcast date: 17 November 1964 Production Company: BBC 1/52/1 – Explanatory note on the short play inspired by Brecht’s Caucasian Chalk Circle, which is also a companion piece to The Chimney Boy. (See also 1/15) 1/52/2 – Draft screenplay, with ms. annotation 1/52/3 – Rehearsal script, with dates 15-29 June 1964. Attached is a newspaper listing for the broadcast of the play

1/53 – Love Story, ‘Raymond’s Italian Woman’ Date: c. 1963 Broadcast date: 22 July 1963 Production Company: ATV 1/53/1 – Synopsis for episode later titled Raymond’s Italian Woman. Note attached: “Eventually written for ATV series ‘Love Story’” 1/53/2 – Newspaper clippings relating to episode Just As You Are, starring Eve Pearce. (5 items)

1/54 – Making News, ‘The Border Limo’ (S 1 Ep 2) Date: 1989 Broadcast date: 23 January 1990 Production Company: Thames Television 1/54/1 – Letter to Keith Dewhurst from Thames Television about the screenplay for The Border Limo, dated 29 September 1989 1/54/2 – Rehearsal script, dated 29 September 1989, for rehearsals 12-31 October 1989

1/55 – Mary Anning Date: 1960s 15

Broadcast date: N/A Production Company: London Weekend International (Not made) 1/55/1 – Explanatory notes 1/55/2 – Exercise book containing ms. synopsis, with note inside cover dating it to late 1960s 1/55/3 – Draft synopsis, with ms. annotations 1/55/4 – Letter from Joy Whitby, executive producer of children’s programmes at London Weekend International, discussing the idea for Mary Anning. Dated 6 June 1969 with short bibliography on Mary Anning. (2 items) 1/55/5 – Brief overview of Mary Anning’s Treasures, a book written by Helen Bush about Mary Anning and her early life 1/55/6 – Postcard showing the Ichthyosaurus fossil found by Mary Anning, on display in the Lyme Regis Museum

1/56 – McSullivan’s Beach (See also 3/24) Date: 1986-1988 Broadcast date: N/A Production Company: Bilgola Beach Productions (Not made) 1/56/1 – Explanatory notes on the proposed screen adaptation of Keith Dewhurst’s book McSullivan’s Beach 1/56/2 – Synopsis and character notes for proposed television adaptation, dated December 1986 1/56/3 – Copies of Australian newspaper clippings including reviews of the book McSullivan’s Beach, one dated 29 November 1987. (2 items) 1/56/4 – Two fax messages regarding possible television adaptations of McSullivan’s Beach, dated 7 and 20 January 1988 1/56/5 – Detailed production budget for proposed film adaptation, dated 2 October 1986 1/56/6 – Budget notes and producer’s note for proposed film adaptation, dated 20 June 1986. With CVs for Keith Dewhurst, Alexander Cann and Herbert Pinter

1/57 – Nightfall Date: c. 1956 Broadcast date: c. 1956 Production Company: Unknown 1/57/1 – Explanatory notes on the live documentary about Blackpool Illuminations 1/57/2 – Newspaper review

1/58 – Plays of Today, ‘Men of Iron’ (S 1 Ep 5) Date: c. 1966-1969 Broadcast date: 2 October 1969 Production Company: BBC 1/58/1 – Camera script, with dates 11-14 May 1969 1/58/2 – Rehearsal script, with dates 21 April-14 May 1969. Working title Tunnel, with ms. annotation: “Transmitted under the title ‘Men of Iron’” 1/58/3 – Rehearsal script, with dates 21 April-14 May 1969. Working title Tunnel, with ms. amendment “Men of Iron” 1/58/4 – Exercise books containing ms. screenplay. (3 items) 1/58/5 – Audience research report conducted by the BBC, dated 26 November 1969 1/58/6 – Two cast lists, ts. and ms. 1/58/7 – Black and white photographs taken on set, with actors’ names on reverse. (24 items) 1/58/8 – Report commissioned by the BBC on the history of the Woodhead tunnel, p. 27 detached. Memo attached, dated 18 December 1966. (3 items) 1/58/9 – Newspaper clippings. (9 items)

1/59 – Number not used

1/60 – Montevideo Date: c. 1970s Broadcast date: N/A Production Company: Unknown (Not made) 1/60/1 – Screenplay, with BBC memo attached dated 17 May 1979

1/61 – Mourtzinos (Aired as ‘Local Incident’, Drama ’61, Ep 16) Date: c. 1961 Broadcast date: 15 October 1961 Production Company: ATV 1/61/1 – Rehearsal script, with ms. annotation showing title Local Incident 1/61/2 – Camera script, titled Local Incident 1/61/3 – Black and white photographs taken on set, with notes on reverse. (5 items) 1/61/4 – Newspaper clippings. (6 items) 17

1/62 – Number not used

1/64 – Old Lady Date: Unknown Broadcast date: N/A Production Company: Unknown (Not made) 1/64/1 – Explanatory notes 1/64/2 – Screenplay 1/64/3 – Exercise books containing ms. screenplay. (4 items)

1/65 – Open Night Date: c. 1970 Broadcast date: c. 1970 Production Company: Granada 1/65/1 – Explanatory notes on the review and discussion programme, on which Keith Dewhurst appeared several times 1/65/2 - Newspaper clipping from the Daily Mail including a review of Open Night

1/66 – ‘Our Terry’, Centre Play (S 2 Ep 14) Date: c. 1970s Broadcast date: 28 July 1975 Production Company: BBC 1/66/1 – Explanatory note 1/66/2 – Camera script, dated 11 May 1975 1/66/3 – Stage version, with ms. annotations. Attached is a letter to Keith Dewhurst from the person [name unclear] who adapted the television play for the stage 1/66/4 – Stage version, with ms. annotations and director’s sketch of set on front page

1/67 – Prometheus Date: Unknown Broadcast date: N/A 18

Production Company: Granada (Not made) 1/67/1 – Explanatory note 1/67/2 – Synopses, with ms. annotations, of Prometheus and a drama set in a newspaper office 1/67/3 – Screenplay 1/67/4 – Screenplay, with ms. annotations

1/68 – Rafferty’s Chant (See also 2/80) Date: c. 1960 Broadcast date: N/A Production Company: Unknown (Not made) 1/68/1 – Explanatory notes regarding the television play, which later became a stage play 1/68/2 – Synopsis, with ms. annotations. Note attached: “Must be 1960. Eventually my first stage play” 1/68/3 – Screenplay

1/69 – Review / A Special Review Date: 1972 Broadcast date: 1972 Production Company: BBC 1/69/1 – Newspaper clippings relating to episodes presented by Keith Dewhurst, namely A Special Review featuring Denise Robertson’s The Soda Fountain and Review featuring an interview with Leni Riefenstahl. (4 items) 1/69/2 – Photographs of Keith Dewhurst as presenter. (3 items)

1/70 – Scene, ‘The Last Bus’ Date: 1968 Broadcast date: 10 October 1968 Production Company: BBC 1/70/1 – Shooting script and filming schedule, with ms. annotations. Attached is a BBC memo from producer Ron Smedley’s assistant, dated 11 March 1968 1/70/2 – Draft scripts for character interviews included in the play. Also BBC memo, dated 5 April 1968, and a newspaper clipping about the play’s success [in winning the Japan Prize for educational media].

1/71 – Shadow Squad, ‘Cry Wolf’ (S 3 Ep 35 & 36) Date: c. 1958-1959 Broadcast dates: 12 & 15 January 1959 Production Company: Granada 1/71/1 – Explanatory notes 1/71/2 – Screenplay for part one, with ms. annotations, including change of title from The Diamond Smugglers to Cry Wolf 1/71/3 – Screenplay for part two, with ms. annotations, including change of title from The Diamond Smugglers to Cry Wolf; p. 41 detached 1/71/4 – Picture boards containing screen shots from the live television shows. (4 items)

1/72 – ‘The Siege of Manchester’, Theatre 625 (S 3 Ep 8) Date: c. 1960s Broadcast date: 31 October 1965 Production Company: BBC 1/72/1 – Screenplay 1/72/2 – Camera script, with dates 30 June-2 July 1965 1/72/3 – Voice-over script for The Siege of Manchester, with BBC compliments slip attached 1/72/4 – Photographs Of set, Keith Dewhurst and Eve Pearce, with note on ATV headed paper. (4 items) 1/72/5 – Letters and telegrams to Keith Dewhurst, regarding The Siege of Manchester, dated c. 1965- 1966. Includes an illustrated greetings telegram from Jimmy Murphy of Manchester United. (8 items, some with envelopes) 1/72/6 – Newspaper clippings relating to the screening of The Siege of Manchester on the first night of BBC2 broadcasts in the North. (11 items) 1/72/7 – Newspaper clippings relating to the screening of The Siege of Manchester. (10 items) 1/72/8 – Newspaper clippings relating to the screening of The Siege of Manchester. Includes photograph of Keith Dewhurst and Eve Pearce. (See also 1/72/4) (9 items)

1/73 – ‘The Sit-In’, Thirty Minute Theatre (S 7 Ep 28) Date: c. 1972 Broadcast date: 10 April 1972 Production Company: BBC 1/73/1 – Camera script, with dates 14 February-8 March 1972 1/73/2 – Screenplay, with explanatory note attached 20

1/73/3 – Screenplay, with ms. title page

1/74 – Skyport, ‘Johnny, My Love’ and ‘Landfall’ Dates: 1960 Broadcast dates: 6 January & 25 April 1960 Production Company: Granada Television 1/74/1 – Rehearsal script for Johnny, My Love, with ms. annotations, dated 6 January 1960 1/74/2 – Rehearsal script for Landfall, with ms. annotations, dated 25 April 1960

1/75 – Number not used

1/76 – Softly, Softly, ‘The Bombay Doctor’ (S 3 Ep 12) Date: 1967 Broadcast date: 27 December 1967 Production Company: BBC 1/76/1 – Short proposal for the episode. On cover: “The Bombay Doctor written Sept 1967, transmitted Dec 27 1967” 1/76/2 – Film schedule 1/76/3 – Screenplay; also note regarding expenses. (2 items) 1/76/4 – Screenplay, with Elspeth Cochrane compliments slip. (2 items)

1/77 – Softly, Softly: Task Force, ‘Baked Beans’ (S 8 Ep 8) Date: c. 1976 Broadcast date: 27 October 1976 Production Company: BBC 1/77/1 – Explanatory notes 1/77/2 – Screenplay 1/77/3 – Camera script, with dates 7-8 October 1976

1/78 – Softly, Softly: Task Force, ‘Choirboy’ (S 7 Ep 13) Date: c. 1975 Broadcast date: 19 November 1975 Production Company: BBC 21

1/78/1 – Screenplay

1/79 – Softly, Softly: Task Force, ‘Copper Wire’ (S 3 Ep 9) Date: c. 1971 Broadcast date: 1 December 1971 Production Company: BBC 1/79/1 – Screenplay, with ms. annotations 1/79/2 – Rehearsal script 1/79/3 – Exercise books containing ms. screenplay. (4 items) 1/79/4 – Newspaper clippings relating to Softly, Softly: Task Force

1/80 – Softly, Softly: Task Force, ‘Dorothy’s Birthday’ (S 7 Ep 11) Date: c. 1974-1975 Broadcast date: 5 November 1975 Production Company: BBC 1/80/1 – Screenplay, first amendment, with ms. annotations 1/80/2 – Time magazine, 8 July 1974 1/80/3 – Letters page from Time Out magazine, including a letter about the episode 1/80/4 – Explanatory notes relating to 1/81/3 R

1/81 – Softly, Softly: Task Force, ‘Skipper’s Walk’ (S 5 Ep 13) Date: c. 1973 Broadcast date: 5 December 1973 Production Company: BBC 1/81/1 – Explanatory notes 1/81/2 – Rehearsal script 1/81/3 – Camera script, with dates 20-21 November 1973

1/82 – Softly, Softly: Task Force

Date: 1969

Production Company: BBC 22

1/82/1 – Letter to Keith Dewhurst from Softly, Softly producer Leonard Lewis, regarding the Task Force project. 10 July 1969

1/82/2 – Format booklet for Task Force, containing details of series structure and descriptions of main characters

1/83 – ‘Speedbird and the Past’, A Touch of Frost Date: 1993 Broadcast date: N/A Production Company: ITV (Not made) 1/83/1 – Explanatory notes 1/83/2 – Synopsis titled An Idea for ‘A Touch of Frost’ 1/83/3 – Screenplay

1/84 – ‘Think of the Day’, ITV Television Playhouse (S 6 Ep 33) Date: c. 1960 Broadcast date: 22 April 1960

Production Company: ITV

1/84/1 – Explanatory notes on Think of the Day, Keith Dewhurst’s first performed play

1/84/2 – First draft scenes, titled Opening scenes of 60-minute T.V. play by Keith Dewhurst

1/84/3 – Rehearsal script, issued 18 February 1960 for rehearsals 1-16 March 1960

1/84/4 – Camera script, with ms. annotations and some pages detached, issued 14 March 1960 with note to Keith Dewhurst, dated 19 August 1960. (5 items)

1/84/5 – Newspaper clippings relating to Think of the Day. (5 items)

1/85 – Thriller

Date: Unknown

Broadcast date: N/A

Production Company: LWT (Not made)

1/85/1 – Explanatory note

1/85/2 – Screenplay 23

1/86 – ‘The Towers of Manhattan’, Thirty Minute Theatre (S 2 Ep 12)

Date: c. 1960s

Broadcast date: 19 December 1966

Production Company: BBC

1/86/1 – Two exercise books containing ms. screenplay

1/86/2 – Two exercise books containing ms. screenplay

1/86/3 – Screenplay

1/86/4 – Camera script, dated 19 December 1966

1/86/5 – Rehearsal script, with ms. annotations

1/86/6 – Newspaper review of The Towers of Manhattan

1/87 – Tracy!, ‘It’s Like Hiroshima’ and ‘We Must Evacuate 30,000!’ (Ep 3 & 4)

Date: Unknown

Broadcast date: N/A

Production Company: PBL Productions (Not made)

1/87/1 – Screenplay, It’s Like Hiroshima

1/87/2 – Screenplay, We Must Evacuate 30,000!

1/88 – Trapped

Date: c. 1960s

Broadcast date: N/A

Production Company: Unknown (Not made)

1/88/1 – Explanatory notes

1/88/2 – Short synopsis titled Idea for ‘Trapped’

1/89 – Two Girls and a Millionaire Date: c. 1970s 24

Broadcast date: [c. 1978?] Production Company: ATV 1/89/1 – Two exercise books containing ms. screenplay 1/89/2 – Screenplay, with ms. annotations 1/89/3 – Rehearsal script, with dates June-July 1978

1/90 – ‘Two Terry Donovans’, Play for Today Date: Unknown

Broadcast date: N/A Production Company: BBC (Not made) 1/90/1 – Explanatory notes on the television screenplay, which later became stage play The Bomb in Brewery Street. (See also 2/12-13) 1/90/2 – Screenplay

1/91 – Under Control Date: 1960s

Broadcast date: N/A Production Company: BBC (Not made) 1/91/1 – Explanatory notes 1/91/2 – Exercise books containing ms. screenplay. (6 items) 1/91/3 – Screenplay, with BBC memo attached dated 3 January 1969 1/91/4 – Synopsis, with note attached: “Espionage version. Double meaning of ‘Under Control’” 1/91/5 – Plot outline

1/92 – Villains, ‘Alice Sheree’ (S 1 Ep 5) Date: 1972 Broadcast date: 19 August 1972 Production Company: LWT 1/92/1 – Rehearsal script, with ms. annotations with note to Keith Dewhurst on LWT headed paper, dated 25 April 1972 1/92/3 – Camera script 1/92/1 – Newspaper clippings relating to Alice Sheree. (2 items)

1/93 – Voyagers Date: Unknown Broadcast date: N/A Production Company: Unknown (Not made) 1/93/1 – Explanatory notes 1/93/2 – Exercise book containing ms. draft of screenplay 1/93/3 – Ms. notes 1/93/4 – Ms. notes (15 pages) 1/93/5 – Ideas for BBC Schools dramas, including The Last Bus (see 1/70) and Why Danny Misses School (see 1/102)

1/94 – ‘What We Did in the Past’, Studio 86 (S 1 Ep 2) Date: c. 1980s Broadcast date: 28 October 1986 Production Company: Australian Broadcasting Corporation 1/94/1 – Explanatory notes 1/94/2 – Screenplay, dated 1985 1/94/3 – Draft screenplay, ts. and ms. 1/94/4 – Correspondence relating to rehearsal dates, dated 1 October 1985 and script amendment, 16 October 1985. (3 items)

1/95 – White Princess of Death Date: c. 1990s Broadcast date: N/A Production Company: BBC (Not made) 1/95/1 – Explanatory notes 1/95/2 – Outline of the series, including three episode synopses, dated January 1994 with one page of ms. notes 1/95/3 – Short series synopsis

1/96 – White Princess of Death, ‘Operation Timeshare’ (S 1 Ep 1) Date: c. 1990s Broadcast date: N/A 26

Production Company: BBC (Not made) 1/96/1 – Screenplay, dated April 1991 1/96/2 – Screenplay, amended 31 July 1992 with two pages of ms. notes

1/97 – White Princess of Death, ‘The Angel of Santa Rosa of Lima’ (S 1 Ep 2) Date: c. 1990s Broadcast date: N/A Production Company: BBC (Not made) 1/97/1 – Screenplay, dated April 1991 with one page of ms. notes showing altered pages 1/97/2 – Screenplay

1/98 – White Princess of Death, ‘Swapped Suitcase Job’ (S 1 Ep 3) Date: c. 1990s Broadcast date: N/A Production Company: BBC (Not made) 1/98/1 – Screenplay for episode three, titled Caribou Island. Dated 25 June 1991, with ms. amendments and rewrites 1/98/2 – Screenplay for episode three, titled Swapped Suitcase Job

1/99 – White Princess of Death, ‘The Man of Confidence’ (S 1 Ep 4) Date: c. 1990s Broadcast date: N/A Production Company: BBC (Not made) 1/99/1 – Screenplay, dated July 1991 1/99/2 – Screenplay

1/100 – White Princess of Death, ‘Your Paperwork Trail’ (S 1 Ep 5) Date: c. 1990s Broadcast date: N/A Production Company: BBC (Not made) 1/100/1 – Screenplay, dated 15 July 1991 1/100/2 – Screenplay

1/101 – White Princess of Death, ‘The Unfading Radiance of Heaven’ (S 1 Ep 6) Date: c. 1990s Broadcast date: N/A Production Company: BBC (Not made) 1/101/1 – Screenplay, dated 28 July 1991 1/101/2 – Screenplay 1/101/3 – Exercise book of ms. notes with “Customs” on front cover with loose ms. pages, including comments on White Princess of Death scripts and notes for Daemon Lover (See 1/9) (13 items)

1/102 – Why Danny Misses School (Parts 1 & 2) Dates: c. 1960s Broadcast date: 18 February & 4 March 1969 Production Company: BBC 1/102/1 – Two exercise books containing ms. screenplay 1/102/2 – Camera script for part one, dated 16 August 1968 1/102/3 – Camera script for part two, dated 17 August 1968

1/103 – Wilde West Date: c. 1975-1987 Broadcast date: N/A Production Company: Unknown (Not made) 1/103/1 – Explanatory notes on the project about Oscar Wilde’s lecture tour of the United States 1/103/2 – Exercise book containing ms. screenplay 1/103/3 – Outline of plot and characters, dated July 1987 1/103/4 – Copy of screenplay, dated 1975 1/103/5 – Photocopy of Oscar Wilde’s Impressions of America 1/103/6 – Two postcards, one of Tabor Opera House, where Oscar Wilde lectured, and one of Harrison Avenue, Leadville, Colorado

1/104 – Wycliffe’s Wild-Goose Chase Date: Unknown Broadcast date: N/A Production Company: Unknown (Not made) 28

1/104/1 – Explanatory notes 1/104/2 – Screenplay

1/105 – Number not used

1/106 – Z Cars Date: c. 1960s Broadcast date: N/A Production Company: BBC (Not made) 1/106/1 – Ms. idea for an episode of Z Cars. (5 items) 1/106/2 – Synopsis for an episode of Z-Cars 1/106/3 – Idea for an episode of Z-Cars 1/106/4 – Glossary of criminal slang. Explanatory note attached 1/106/5 – Newspaper clippings relating to Z Cars. (9 items) 1/106/6 – Black and white postcard of Z Cars cast 1/106/7 – Meet Z-Cars: Star Special, Number 5 (1963). Booklet with information about the series and interviews with the cast 1/106/8 – BBCtv Drama Spectrum. Booklet about BBC drama, featuring an image from Z Cars

1/107 – Z Cars Date: c. 1961 Broadcast date: N/A Production Company: BBC 1/107/1 – Explanatory notes 1/107/2 – Research document with details about Lancashire County Constabulary, including notes on uniforms, equipment, departments and office layouts.

1/108 – Z Cars, ‘The Birds of the Air’ (S 2 Ep 31) Date: c. 1960s Broadcast date: 17 April 1963 Production Company: BBC 1/108/1 – Screenplay, first draft, with ms. annotations 29

1/108/2 – Synopsis

1/109 – Z-Cars, ‘Come on the Lads’ (S 2 Ep 40) Date: June 1963 Broadcast date: 19 June 1963 Production Company: BBC 1/109/1 – Revised rehearsal script, with dates 7-19 June 1963

1/110 – Z Cars, ‘I Love You Bonzo’ (S 4 Ep 20) Date: c. 1960s Broadcast date: 20 January 1965 Production Company: BBC 1/110/1 – Exercise books containing ms. screenplay. (5 items) 1/110/2 – Screenplay by Keith Dewhurst, with casebook material by William Prendergast

1/111 – Z Cars, ‘Johnny Sailor’ (S 2 Ep 8) Date: c. 1960s Broadcast date: 7 November 1962 Production Company: BBC 1/111/1 – Exercise book containing first part of ms. screenplay. Note attached: “This story was based on the action described in theme song ‘Johnny Todd’” 1/111/2 – Rehearsal script, pp. 1-47

1/112 – Z Cars, ‘The Main Chance’ (S 2 Ep 23) Date: c. 1960s Broadcast date: 20 February 1963 Production Company: BBC 1/112/1 – Outline of episode titled The Golden King. Note attached: “This became ‘The Main Chance’ directed by Anthony Page” 1/112/2 – Rehearsal script, including revised pages

1/113 – Z Cars, ‘Running Milligan’ (S 3 Ep 12) Date: c. 1960s 30

Broadcast date: 20 November 1963 Production Company: BBC 1/113/1 – Lyrics of a World War I song, with explanatory note 1/113/2 – Screenplay, with ms. annotations

1/114 – Registration and release form for programme ideas Date: 1950s Broadcast date: N/A Production Company: Granada 1/114/1 – Blank form used to submit television ideas to Granada Television

Addenda 1/115 – ‘Youth is Asking’ Date: 1950s Broadcast date: 1956 Production Company: Granada 1/115/1 – Explanatory note 1/115/2 - Screenplay

Section 2: Plays (Theatre and Radio)

2/1 – Actor’s Theatre of Louisville: Festival of New American Plays Date: c. 1979-1981 First performed: Actor’s Theatre of Louisville (March 1980) 2/1/1 – Explanatory notes on the festival, for which Keith Dewhurst wrote a short play 2/1/2 - Folder containing programmes and other items related to the Festival with green metal badge and information relating to a Just William event at the National Film Theatre. (See also 1/48) (15 items) 2/1/3 – Quotes from reviews of plays performed at the Festival. (2 pages) 2/1/4 – Copies of newspaper articles about plays performed at the Festival with articles about Eve Pearce and the 1981 Solvang Theaterfest. (76 items) 2/1/5 - Questionnaire from the Theatre Writers Union

2/2 – After the Bleep (Radio Play) Date: c. 1990s First performed: N/A 2/2/1 – Short synopsis, dated February 1999. (See also 2/38/1) 2/2/2 – First pages of script followed by synopsis, dated February 1999

2/3 – The Animals of Farthing Wood Date: c. 1994-1998 First performed: Pleasance Theatre, London (1998) 2/3/1 – Explanatory note. References Alf’s Grandson script (not present) 2/3/2 – Promotional material for The Animals of Farthing Wood. (3 items) 2/3/3 – Script, with cover letter to Keith Dewhurst, dated 28 October 1998 2/3/4 – Ms. script 2/3/5 – Ms. and ts. notes, including scene synopses, with final page dated August 1994. (18 items)

2/4 – Batavia Date: 1984 First performed: West Australian Academy of Performing Arts (1984) 2/4/1 – Explanatory notes 32

2/4/2 – Script, with additional ms. sheet at p. 5 2/4/3 – Ms. script 2/4/4 – Photocopy of 2/4/2, with ms. additions and annotations 2/4/5 – Colour photographs taken onstage, with notes on reverse dated 1984. (3 items) 2/4/6 – Two posters for Batavia, one with synopsis on reverse

2/5 - Benjamin Frankel and Herbert Wise Project Date: Unknown First performed: N/A 2/5/1 – Explanatory notes 2/5/2 – Outline for the proposed musical drama

2/6 – Black Snow (1) Date: c. 1991 First performed: Cottesloe Theatre, National Theatre (1991) 2/6/1 – Script, ts. and ms. with annotations 2/6/2 – Ms. script, with character list and timeline by scene 2/6/3 – Prologue script, ms. with one ts. page 2/6/4 – Act one script, with ms. annotations and additional ms. pages 2/6/5 – Rewrite starting at p. 62. (See also 2/7/2) 2/6/6 – Annotated script pages 2/6/7 – Character list with suggested actor allocation; also timeline by scene. (3 items) 2/6/8 – Ms. notes and correspondence to Keith Dewhurst from Patrick Miles, dated 2-3 July 1990. (10 items) 2/6/9 – Promotional poster for the production of Black Snow at the National Theatre. 2/6/10 – Program from National Theatre production

2/7 – Black Snow (2) Date: c. 1991 First performed: Cottesloe Theatre, National Theatre (1991) 2/7/1 – Script, ts. and ms. with annotations and list showing character/actor allocation 2/7/2 – Ms. rewrite starting at p. 62. (See also 2/6/5) 33

2/7/3 – Letter to Keith Dewhurst from Patrick Miles, dated 22 July 1990 with a scene list, timeline, page references, and a character list. (2 items) 2/7/4 – Two A4 note books containing draft ms. script, with additional loose pages 2/7/5 – Lists showing character/actor allocation

2/8 – Black Snow (3) Date: c. 1991 First performed: Cottesloe Theatre, National Theatre (1991) 2/8/1 – Ms. notes. (4 items) 2/8/2 – Fax from Keith Dewhurst to Bill Gaskill, addressing specific points in the script 2/8/3 – Script starting at p. 18, with ms. annotations and additional ms. pages 2/8/4 – Two note books containing a diary written by Keith Dewhurst before the production at the Cottesloe Theatre. R

2/9 – Black Snow (4) Date: c. 1991 First performed: Cottesloe Theatre, National Theatre (1991) 2/9/1 – Explanatory notes 2/9/2 – Prompt script, including music and staging instructions. Attached is a National Theatre compliments slip, dated 9 July 1991

2/10 – Black Snow (5) Date: c. 1991 First performed: Cottesloe Theatre, National Theatre (1991) 2/10/1 – Letter from ‘Bill’ containing suggestions for changes to Black Snow, dated 22 December 1990 2/10/2 – Correspondence congratulating Keith Dewhurst on Black Snow, dated c. May 2/10/3 – Newspaper reviews of Black Snow. (51 items)

2/11 – Number not used

2/12 – The Bomb in Brewery Street (1) Date: c. 1975 First performed: Crucible Theatre, Sheffield (1975) 34

2/12/1 – Bound script 2/12/2 – Newspaper clippings relating to The Bomb in Brewery Street; with explanatory note. (19 items) 2/12/3 – What’s on in Sheffield, 18 April-31 May [1975?]. Includes feature on The Bomb in Brewery Street 2/12/4 – Two promotional posters 2/12/5 – Photograph of Keith Dewhurst 2/12/6 – Financial items relating to The Bomb in Brewery Street. (3 items)

2/13 – The Bomb in Brewery Street (2) Date: c. 1975 First performed: Crucible Theatre, Sheffield (1975) 2/13/1 – Script titled ‘In Belfast Today…’, with note on cover: “Early stage version of what became The Bomb in Brewery Street”. Also separate explanatory note

2/13/2 – ‘Copy out’ version, ts. and ms. with annotations and explanatory note 2/13/3 – Ms. script for Two Terry Donovans, which later became The Bomb in Brewery Street. With explanatory note. (See also 1/90)

2/14 – Number not used

2/15 – Brecht in 26 Date: c. 1971 First performed: Royal Court, Theatre Upstairs (1971) 2/15/1 – Explanatory note 2/15/2 – Programme for performance of Brecht’s The Baby Elephant, adapted by Keith Dewhurst and preceded by the “collage” Brecht in 26. (See also 2/72/6) 2/15/3 – Newspaper clippings relating to The Baby Elephant and Brecht in 26. (15 items) 2/15/4 – Script, with ms. annotations; 2 loose sheets, one damaged

2/16 – Bruno Walter (1) Date: c. 1994-1996 First performed: N/A 2/16/1 – Exercise book containing loose pages of research notes and marriage certificate and document confirming deaths of Margarete Walter and Robert Neppach, daughter and son-in-law of Bruno Walter 35

2/16/2 – Ms. draft scripts and notes 2/16/3 – Colour photographs of houses, with negatives. (3 items) 2/16/4 – Diary written during trip to Europe, dated November 1996 with research notes. R

2/17 – Bruno Walter (2) Date: c. 1994-1996 First performed: N/A 2/17/1 – Small book containing notes 2/17/2 – Copies of pages giving details of films made in the 1920s and 1930s, many involving Robert Neppach 2/17/3 – Research document titled The Films of Robert Neppach and Grete Walter, including copies of newspaper pages. (5 items) 2/17/4 – Research document titled Robert Neppach, including copies of newspaper pages and a letter to Keith Dewhurst from the researcher Chris Kurbjuhn, dated 14 November 1995 2/17/5 – Timeline, 1931-1938, relating to Bruno, Grete and Lotte Walter, and Robert Neppach. (10 pages) 2/17/6 – Ms. script titled Into the World of Night 2/17/7 – Development notes. (16 pages)

2/18 – Bruno Walter (3) Date: c. 1994-1996 First performed: N/A 2/18/1 – Audio cassette tape labelled “Distel–Chevalier: Talk & Songs” 2/18/2 – Correspondence and research documents, mostly from researcher Chris Kurbjuhn, dated 1994-1996. (13 items) 2/18/3 – Newspaper clippings, mostly relating to European travel destinations with note containing quotes from Chekhov 2/18/4 – Research documents including information about films made by Robert Neppach and photocopies of pages from German newspapers 2/18/5 – Ms. development notes; also a ts. synopsis, dated March 1994 2/18/6 – Exercise book containing diary entries, dated 1992. R

2/19 – Buxton Blues Date: c. 1977 First performed: The Old Vic (1977) 36

2/19/1-2 - Explanatory notes on the sketch Buxton Blues, part of a benefit performance in memory of actor James Mellor 2/19/3 – Programme for benefit performance in memory of James Mellor. Also lyric sheets and a list of organisers/contributors 2/19/4 – Script for Buxton Blues, with ms. annotations

2/20 – Candleford (See also 2/54) Date: c. 1960s-1988 First performed: Cottesloe Theatre, National Theatre (1979) 2/20/1 – Script 2/20/2 – Newspaper clippings relating to Candleford and Lark Rise, both performed at the Cottesloe Theatre. (4 items) 2/20/3 – Programme for performance of Candleford at the Thorndike Theatre, Leatherhead, 11-29 October 1988 2/20/4 – Envelope containing scripts for two ‘Mummer’s Plays’, one written c. 1960s and featuring political caricatures 2/20/5 - Programme for performance of Candleford at the Festival Theatre, 1-5 April 1997

2/21 – Chevalier (1) Date: n/a First performed: N/A 2/21/1 – Explanatory notes 2/21/2 – Synopsis, dated November 1987 2/21/3 – Script for The Man in the Straw Hat, “a musical biography of Maurice Chevalier”, book by Peter Coe, music by Sacha Distel and Joe Griffiths 2/21/4 – Black and white photographs of Félix Mayol and Dranem, late C19th/early C20th French singers; notes on reverse. (2 items) 2/21/5 – Research material relating to Maurice Chevalier, including copies of record sleeves, song lyrics and a filmography

2/22 – Chevalier (2) Date: c. 1980s First performed: N/A 2/22/1 – Ms. script titled A Musical, first draft 2/22/2 – Ms. timeline of Maurice Chevalier’s life from 1896 to 1958 37

2/22/3 – Ms. preliminary scene breakdown 2/22/4 – Ts. and ms. description of Chevalier, including scene breakdown, dated October 1987 2/22/4 – Notes on Chevalier, with ms. annotations, dated October 1987 2/22/5 – Two notebooks containing ms. script and notes 2/22/6 – Ms. version of 2/22/4, with one ts. page

2/23 – Number not used

2/24 – Cinderella (1) Date: c. 1978 First performed: N/A 2/24/1 – Explanatory notes 2/24/2 – Photocopy of script for Cinderella, a “grand comic Christmas pantomime” by E.L. Blanchard, as performed at the Theatre Royal, Drury Lane, 1878. 2/24/3 – Script for Cinderella: A ‘Victorian’ Pantomime, by Alan Brown 2/24/4 – Photocopy of script for Cinderella by Clifford Harris and Valentine, as performed at the Theatre Royal, Birmingham, 1917; contains numerous advertisements and theatre seating plan 2/24/5 – Photocopy of script for Cinderella by Robert Arthur, as performed at the Coronet Theatre, London, 1905 2/24/6 – Photocopy of script for Cinderella by F.C. Burnand, as performed at the Crystal Palace, 1886 2/24/7 – Photocopy of script for Cinderella, as performed at the Royal Strand Theatre, London, 1860 2/24/8 – Photocopy of script for Cinderella by Cecil Raleigh, as performed [at the Tyne Theatre and Opera House?], 1893 with note to Bill Bryden regarding the script, dated February 1978 2/24/9 – Photocopy of script for Cinderella by Joseph L. Barry, as performed in Birmingham, 1913- 1914 2/24/10 – Photocopy of script for Cinderella by E.L. Blanchard, as performed at [the Theatre Royal?] Drury Lane, 1883-1884. Also one page of ms. notes 2/24/11 – Ms. notes on versions of Cinderella. Attached is a memo from John Russell Brown to Bill Bryden, dated 23 January 1978 (4 items)

2/25 - 26 – Numbers not used

2/27 – Corunna! (1) (See also 2/86) Date: c. 1960s-1970s First performed: Royal Court, Theatre Upstairs (1971) 38

2/27/1 – Script, with additional pages and ms. annotations. 2/27/2 – Script, with ms. annotations, rewrites and notes; also cast list. Rehearsal dates starting 27 April 1971, opening date 18 May 1971. Note on cover shows this may be a prompt copy 2/27/3 – Bound script 2/27/4 – Ms. notes, numbered pp. 3-13 2/27/5 – Synopsis, with ms. annotations. Titled Synopsis for a Sixty-Minute T.V. Play, dated ‘1961?’ 2/27/6 – Programme for tour of UK theatres, 1-11 June [1971] 2/27/7 – Newspaper clippings relating to performance of Corrunna!, the cast of which included music group Steeleye Span 2/27/8 – Royalty statements dated 6 May and 3 June 1971, with explanatory note

2/28 – Corunna! (2) (See also 2/86) Date: c. 1960s-1970s First performed: Royal Court, Theatre Upstairs (1971) 2/28/1 – Copy of a rehearsal photograph, dated 1971 with notes on reverse 2/28/2 – Song and cast list for tour performance, Southampton 2/28/3 – Programme, signed by Steeleye Span and cast, with good luck postcard. 2/28/4 – Programme 2/28/5 - Envelope containing a stage pass for the Gulbenkian Theatre at the University of Kent, dated 1 June 1971 with explanatory note 2/28/6 – Ms. page of what later became Corunna! with explanatory note 2/28/7 – Draft script, ts. and ms.; pp. 1-33 followed by pages numbered 1-5 with explanatory note 2/28/8 – Items relating to both Corrunna! and the Royal Court, Theatre Upstairs. Includes a programme; an advertisement in Melody Maker, 29 May 1971; a leaflet detailing past productions at the Theatre Upstairs; a box office summary for week ending 22 May 1971. (7 items) 2/28/9 – Exercise book containing ms. “copy out for typist of original Corrunna! TV idea” and ms. draft of column on Tiepolo for the Guardian. Also explanatory note

2/29 – Cromwell’s Salvation (1) Date: c.1960s First performed: N/A 2/29/1 – Exercise books containing ms. dialogue and notes. (8 items) 2/29/2 – Script, including scene timeline 2/29/3 – Bound script, with ms. annotations and two sections of additional pages 39

2/29/4 – Bound script, with ms. annotations 2/29/5 – Script 2/29/6 – Script starting at p. 12, with ms. annotations. On cover: “Second version. Winter 1965/6” Also 4 separate pages of notes

2/30 – Cromwell’s Salvation (2) Date: c. 1960s First performed: N/A 2/30/1 – Explanatory notes 2/30/2 – Ms. draft script written on Vickers notepaper 2/30/3 – Vickers notepad containing loose pages of ms. draft script and notes 2/30/4 – Ms. draft extracts on reverse of pages from a Z-Cars screenplay. (5 items) 2/30/5 – Exercise book containing ms. draft of prologue and loose pages of notes 2/30/6 – Prologue script from an early version of Cromwell’s Salvation

2/31 – Cromwell’s Salvation (3) Date: c. 1960s First performed: N/A 2/31/1 – Exercise books containing ms. draft scripts and notes. (12 items) 2/31/2 – Script, with letter from BBC Script Unit dated 9 July 1969 2/31/3 – Script. On cover: “First version. Winter 1964/5.” 2/31/4 – Script, ts. and ms. with annotations

2/32 – Cromwell’s Salvation (4) Date: c. 1960s First performed: N/A 2/32/1 – Development notes 2/32/2 – Ms. sections of script. Note attached: “1st rough draft, alternative opening, ‘Cromwell’s Salvation’” (3 sections) 2/32/3 – Bound script, with letter from Granada Television dated 30 July 1969. Note attached: “I did many different versions of this. I would say this is late—turned down by Tony Church at Northcott Exeter” 2/32/4 – Script 2/32/5 – Script, with ms. annotations 40

2/33-36 – Numbers not used

2/37 – Dick Turpin (Radio play) Date: 1976 First performed: BBC Schools Radio Drama (1976) 2/37/1 – Exercise book containing ms. script. Note attached: “BBC Schools Radio drama. Produced by Joan Griffiths. Written in Australia and posted to England 1976. Note interview with Turpin style narrative.”

2/38 – Doctor Dizzy (Radio play) Date: c. 1990s First performed: N/A 2/38/1 - Explanatory note. Contains reference to After the Bleep. (See also 2/2) 2/38/2 – Script for first episode and brief synopses of episodes 2-4. Also ms. notes and pitch for the series, dated February 1999 2/38/3 – Copy of pitch, as in 2/38/2, with note written by Emma Dewhurst daughter

2/39 – Doctor Faustus Date: 1952-1953 First performed: N/A 2/39/1 – Explanatory note 2/39/2 – Script, pp. 8-68, with ms. annotations and additional ms. pages

2/40 – Don Quixote Date: c. 1982 First performed: Olivier Theatre, National Theatre (1982) 2/40/1 – Script, with ms. annotations and additional ms. page 2/40/2 – Programmes and leaflets relating to performances of Keith Dewhurst’s Don Quixote at the National Theatre, Theatre Royal Plymouth and Crawford Centre, St Andrews. (7 items) 2/40/3 – Newspaper clippings relating to performances of Don Quixote. (12 items)

2/41 – Drummer Delaney’s Sixpence (Radio Play) Date: 1970 41

First performed: BBC Radio for Schools (1970) 2/41/1 – Letter to Keith Dewhurst from producer Joan Griffiths, dated 27 April 1970 2/41/2 – Living Language, Autumn Term 1970. An illustrated booklet detailing radio plays to be broadcast for schools on Radio 4

2/42 – The Eternal Youth (1) Date: Early 1980s First performed: N/A 2/42/1 – Exercise book containing ms. script for Hot Jam, “a sort of condensed version” of The Eternal Youth 2/42/2 – Script, with some pages missing and out of order 2/42/3 – Script, ts. and ms. with annotations 2/42/4 – Script, with ms. annotations and additional ms. notes at p. 59

2/43 – The Eternal Youth (2) Date: 1980s First performed: N/A 2/43/1 – Exercise books containing ms. script 2/43/2 – Script, with note attached: “Unperformed play written early 1980s.” 2/43/3 – Script, with ms. annotations 2/43/4 – Ms. script 2/43/5 – Script, with ms. annotations and additional ms. pages at p. 27

2/44-45 – Numbers not used

2/46 – Farinelli Date: N/A First performed: N/A 2/46/1 – Explanatory notes regarding the involvement of the Hampstead Theatre Company in the project 2/46/2 – Two exercise books containing ms. development notes, including some additional pages 2/46/3 – ‘Farinelli and the court of Philip V’ by Margarita Torrione, Torre de los Lujanes, 38, 1999, pp 121-137. Article translated by Nicholas Clapton 2/46/4 – Wikipedia article on Farinelli, printed 2009, with and ms. development notes 42

2/46/5 – Script

2/47 – The First of July (1) Date: c. 1970s First performed: N/A 2/47/1 – Explanatory notes R 2/47/2 – Two different synopses and a draft prologue. Attached note: “All these thoughts became ‘The First of July’”

2/47/3 – Script, with ms. annotations

2/48 – The First of July (2) Date: c. 1960s-1970s First performed: N/A 2/48/1 – Exercise books containing ms. script and notes (7 items) 2/48/2 – Correspondence from Mullens W Harrison, 1 March 1966, containing historical information relating to the English Civil War

2/49 – Fuente Ovejuna Date: [1980s?] First performed: N/A 2/49/1 – Explanatory notes 2/49/2 – Script 2/49/3 – Two ms. scripts, one written in an A4 notebook

2/50 – Getting It Together Date: [1970s?] First performed: N/A 2/50/1 – Explanatory notes 2/50/2 – Script 2/50/3 – Exercise books containing ms. script. (6 items)

2/51 – Into the World of Night Date: c. 1980s 43

First performed: N/A 2/51/1 – Explanatory notes R 2/51/2 – Script, with ms. annotations and additional ms. pages. (See also 2/16-18)

2/52 – Kidnapped Date: c. 1972 First performed: Royal Lyceum Theatre, Edinburgh (1972) 2/52/1- Newspaper clippings relating to the performance of Kidnapped at the Royal Lyceum Theatre, Edinburgh. (8 items) 2/52/2 – Selection of items relating to the play and its performance in Edinburgh. Includes pages of ms. and ts. script, song lyrics, scene breakdown and Edinburgh accommodation lists 2/52/3 – Programme for performance at the Royal Lyceum Theatre; also a booking form and promotional leaflet

2/53 – King Arthur Date: c. 2006 First performed: Arcola Theatre, London (2006) 2/53/1 – Explanatory notes 2/53/2 – Notebook containing draft ms. script, dated May 2006 2/53/3 – Ms. development notes 2/53/4 – First night cards from the cast of King Arthur to Keith Dewhurst. (5 items) 2/53/5 – Poster for performance at the Arcola Theatre

2/54 – Lark Rise / Lark Rise to Candleford (1) Date: c. 1970s-1980s First performed: Cottesloe Theatre, National Theatre (1978) 2/54/1 – Exercise book containing ms. notes and sections of script with 4 photographs, one of which is dated 1974 and explanatory notes 2/54/2 – Envelope containing two badges, for the Albion Dance Band and Rocky Horror Show 2/54/3 – Audio cassette tape Lark Rise to Candleford: A Country Tapestry 1980 2/54/4 – Draft sleeve notes for album of Lark Rise to Candleford, with ms. annotations 2/54/5 – Correspondence regarding Lark Rise to Candleford, 1978 – 2007 (12 items) 44

2/54/6 – Publicity report for performance of Lark Rise to Candleford at the Western Australian Academy of Performing Arts, July 1984. Includes copies of press release, cast list, production notes and newspaper articles 2/54/7 – Posters, leaflets and programmes for performances of Lark Rise / Lark Rise to Candleford (a) Includes promotional literature and photographs for the album of Lark Rise to Candleford by Keith Dewhurst and the Albion Band; newspaper clippings; Drama Broadsheet No. 4, produced by National Association for the Teaching of Drama. (9 items) (b) Includes National Theatre leaflet (1979); leaflet for performance of Lark Rise to Candleford at Western Australian Academy of Performing Arts (1984); review from the Santa Maria Times. (3 items) (c) Souvenir programme for performance at Cottisford, Oxfordshire (2007), marking the 60th anniversary of Flora Thompson’s death (d) Programme for Oxford University production of Lark Rise; also explanatory notes. (2 items) (e) Programmes for production of Lark Rise at Santa Maria, California (1982), and also a musical performance by The Larks; also explanatory notes. (4 items) (f) National Theatre leaflets; newspaper article, Melody Maker, 23 September 1978. (6 items) (g) Programmes and leaflets for performances at venues including Palace Theatre, Southend, Cottesloe Theatre, Royal Festival Hall and Factory Theatre, Milton Keynes. (10 items) (h) Poster and programmes for performance of Lark Rise to Candleford by Sevenoaks School Theatre Company (1981). (See also 2/57/7) (3 items) (i) Jones, M. (2006) Lark Rise to Lark Rise: The journey of a community playwright (j) Programmes and leaflets for performances including PCPA Theaterfest, Santa Maria (1982) and Cottishead, Oxfordshire (2007); good luck card, dated 1978. (9 items) (k) Memo and copies of newspaper articles regarding the performance at PCPA Theaterfest, Santa Maria (1982). (41 items) (l) Invitation to reception in honour of Keith Dewhurst at the Marian Theater, Santa Maria, 12 February 1982 2/54/8 – Newspaper clippings relating to the 1982 performance of Lark Rise at Cottesloe Theatre. (16 items) 2/54/9 – Magazines containing reviews of Lark Rise to Candleford. Now!, 30 November 1979, pages 112-113 (production at Cottesloe Theatre); Music Week, 13 December 1980, p. 30 (album by Keith Dewhurst and the Albion Band)

2/55 – Lark Rise / Lark Rise to Candleford (2) Date: c. 1970s-1980s First performed: Cottesloe Theatre, National Theatre (1978) 2/55/1 – Two exercise books containing ms. script of Lark Rise, with explanatory notes attached to covers. First book contains photograph of a house, with note on reverse: “The End House—where the Timms family lived.” 2/55/3 – Script, with ms. annotations

2/56 – Lark Rise / Lark Rise to Candleford (3) Date: c. 1970s-1980s 45

First performed: Cottesloe Theatre, National Theatre (1978) 2/56/1 – Script for Lark Rise, with ms. annotations, dated July 1979 2/56/2 – Royalty statements for the album of Lark Rise to Candleford 2/56/3 – Envelope with photographs of Lark Rise performance at Western Australian Academy of Performing Arts, some including Keith Dewhurst. Some with notes on reverse, dated 1984. (8 items) 2/56/4 – Envelope containing correspondence to Keith Dewhurst from members of the Santa Maria cast of Lark Rise. (3 items) 2/56/5 – Programmes and leaflets for productions of Lark Rise at venues including Santa Maria, Cambridge and Cottesloe Theatre. (7 items) 2/56/6 – Newspaper clippings relating to Lark Rise. (9 items) 2/56/7 – Artefact: Newsheet of East Midlands Arts, May 1978, including articles about Lark Rise 2/56/8 – Plays and Players magazine, May 1978, including review of Lark Rise on pp. 26-27 2/56/9 – Photographs of rehearsals and performances of several productions of Lark Rise, some with notes on reverse. (28 items)

2/57 – Lark Rise / Lark Rise to Candleford (4) Date: c. 1970s-1980s First performed: Cottesloe Theatre, National Theatre (1978) 2/57/1 – Ms. introduction to the first published version of Lark Rise; ms. script and sleeve notes for album of Lark Rise to Candleford; explanatory notes 2/57/2 – First draft script, with explanatory note 2/57/3 – Script, as performed at the National Theatre, with ms. annotations and explanatory note 2/57/4 – Script, as 2/57/3 without cover page 2/57/5 – Black and white photographs, some with notes on reverse, of productions of Lark Rise and Candleford, and also locations related to the story (see also 2/20). Also explanatory notes and large envelope with note on front. (36 items) 2/57/6 – Postcard to Keith Dewhurst 2/57/7 – Script of Lark Rise to Candleford, adapted for Sevenoaks School Theatre Company, dated December 1981. (See also 2/54/7 (h)) 2/57/8 – Postcard from unknown production of Lark Rise with correspondence from ‘Tim’ on reverse

2/58 – Number not used

2/59 – The Last Accoustic Detail Date: c. 1976 46

First performed: Lyttelton Theatre, National Theatre (c. 1976) 2/59/1 – Explanatory notes 2/59/2 – Script

2/60 – Luggage (not present) Date: 1977 First performed: National Theatre (1977) 2/60/1 – Flier with names of cast and crew 2/60/2 – National Theatre listings leaflet, October 1977

2/61 – The Magic Island Date: c. 1974-1978 First performed: Birmingham Repertory Theatre (1974) 2/61/1 – Explanatory notes 2/61/2 – Flier for Christmas play The Magic Island starring folk-rock band Hedgehog Pie 2/61/3 – Bound script, with ms. annotations and detailed synopsis 2/61/4 – Hedgehog Pie postcard and booking form for The Magic Island 2/61/5 -– Newspaper clippings relating to performance at Birmingham Repertory Theatre. (7 items) 2/61/6 – Programme for benefit concert at Riverside Studios, London, 9-10 December 1978. Includes pieces written by Keith Dewhurst about Julie Covington and The Albion Band

2/62 – The Miser (1) Date: c. 1973 First performed: Royal Lyceum Theatre, Edinburgh (1973) 2/62/1 - Explanatory note on the adaptation of Molière’s L’Avare 2/62/2 – Ts. script 2/62/3 – Explanatory note regarding actor Lawrence Davidson 2/62/4 – Literal translation [of L’Avare], by Lawrence Davidson 2/62/5 – Newspaper clippings relating to Edinburgh production and subsequent tour and transcript of a review by Brigitte Wilson on BBC Radio 4 Scotland, 29 May 1973. (8 items) 2/62/6 – Promotional leaflet for production of The Miser at His Majesty’s Theatre, Aberdeen; black and white photograph including Keith Dewhurst

2/63 – The Miser (2) Date: c. 1973 First performed: Edinburgh Lyceum Theatre (1973) 2/63/1 – Script, with ms. annotations and additional ms. final page 2/63/2 – Envelope containing illustrated telegram and cards from well-wishers for opening night of The Miser. (6 items) 2/63/3 – Programmes and leaflet for productions in Edinburgh and Aberdeen. (3 items) 2/63/4 – Attendance figures and ticket sales for the play’s Scottish tour; also a press release. (3 items)

2/64 – Mother’s Hot Milk (Radio Play) Date: c. 1979 First performed: BBC Radio 4 (1979) 2/64/1 – Exercise books containing ms. script. (3 items) 2/64/2 – A4 poster promoting Just Before Midnight series of short plays on BBC Radio 4, including Mother’s Hot Milk 2/64/3 – Ms. script 2/64/4 – Script 2/64/5 – Recording script dated 11 May 1979, with William Morris Agency compliments slip

2/65 – Mrs Breakspear’s Overflow Date: c. 1990s First performed: N/A 2/65/1 – Explanatory notes 2/65/2 – Large notebook containing ms. draft script 2/65/3 – Ms. draft scripts and development notes

2/66 – 1940 Date: c. 2000s First performed: N/A 2/66/1 – Explanatory note 2/66/2 – Script R

2/67 – Number not used 48

2/68 – One Short Date: c. 1976 First performed: Crucible Theatre, Sheffield (1976) 2/68/1 – Leaflet advertising One Short at the Crucible. (2 copies) 2/68/2 - Newspaper reviews of One Short. (2 items)

2/69 – Old Nelly and the Hope Mill Ghost Date: c. 1985-1988 First performed: N/A 2/69/1 – Explanatory notes 2/69/2 – Bound script, with ms. rewrites dated November 1988 at p. 80 2/69/3 – Exercise books containing ms. draft script. (2 items) 2/69/4 – Exercise books containing ms. draft script, with additional pages. (5 items)

2/70 – Philip Roberts and the Royal Court Date: c. 1980s First performed: N/A 2/70/1 – Explanatory notes 2/70/2 – Correspondence between Philip Roberts and Keith Dewhurst regarding his experiences working at the Royal Court Theatre with Bill Gaskill

2/71 – Philoctetes Date: c. 1988 First performed: N/A 2/71/1 – Script, with ms. annotations 2/71/2 – Ms. script 2/71/3 – Letter from Keith Dewhurst to ‘Declan and Nick’ about adapting the Sophocles play, dated 2 May 1988. (See also reference in 2/49/1)

2/72 – Pirates (1) Date: c. 1960s-1970s First performed: Royal Court, Theatre Upstairs (1970) 49

2/72/1 – Exercise books containing draft material for Avery, which later became Pirates, and the first pages of an untitled play with explanatory notes. (3 items) 2/72/2 – Script, with ms. annotations and added scene rewrite. Note on cover: “This would seem to be Bill Bryden’s working script” 2/72/3 – Script, with ms. annotations and added scene rewrites December 1970 2/72/4 – Bound script, early version, with explanatory note 2/72/5 – Copy of onstage photograph, with notes on reverse 2/72/6 – Programme for Pirates and leaflet for The Baby Elephant, with envelope. (See also 2/15) 2/72/7 – Template programme and leaflet for Pirates; programme for productions at the Theatre Upstairs including The Baby Elephant. (See also 2/15) 2/72/8 – Newspaper reviews of Pirates. (4 items)

2/73 – Pirates (2) Date: c. 1960s-1970s First performed: Royal Court, Theatre Upstairs (1970) 2/73/1 – Exercise book containing ms. research material for Pirates; also explanatory note 2/73/2 – Exercise book containing ms. first part of The Successful Pyrate, which later became Pirates; also explanatory note 2/73/3 – Exercise books containing ms. draft script. (7 items) 2/73/4 – Exercise books containing ms. draft script. (9 items) 2/73/5 – Exercise books containing ms. draft script. (7 items) 2/73/6 – Exercise books containing ms. script, with two versions of book 6. (7 items) 2/73/7 – Exercise books containing ms. draft dialogue. (2 items) 2/73/8 – Exercise books containing ms. rewrites. (3 items)

2/74 – Pirates (3) Date: c. 1960s-1970s First performed: Royal Court, Theatre Upstairs (1970) 2/74/1 – Script, with ms. annotations 2/74/2 – Script, ms. and ts. 2/74/3 – Bound script, with ms. annotations with note from copy typist, dated 27 October 1969 2/74/4 – Bound script, with compliments slip

2/75 – Pirates (4) 50

Date: c. 1960s-1970s First performed: Royal Court, Theatre Upstairs (1970) 2/75/1 – Detailed synopsis, with note attached: “Very first thoughts on ‘Pirates’” 2/75/2 – Leaflet for performance at the Theatre Upstairs; cast list and rehearsal schedule 2/75/3 – Character study of Caraccioli and ‘broadsheet’ distributed during the interval of Pirates; with explanatory notes 2/75/4 – Script, with loose ms. page. Note on cover page: “Probably 1st version for Greenwich Theatre” 2/75/5 – Script, second draft

2/76 – Prisoners of Love (1) Date: c.1990s First performed: N/A 2/76/1 – Script, ts. and ms. with annotations 2/76/2 – Ms. research notes on the Curragh Camp. (5 sections)

2/77 – Prisoners of Love (2) Date: c.1990s First performed: N/A 2/77/1 – Script, with ms. annotations 2/77/2 – Ms. script 2/77/3 – Selection of ts. and ms. script pages, with annotations 2/77/4 – Ms. sections of draft scripts 2/77/5 – Ms. sections of draft scripts 2/77/6 – Ms. sections of draft scripts 2/77/7 – Ms. sections of draft scripts 2/77/8 – Ms. section of prologue script 2/77/9 – Ms. section of script beginning at start of scene one, with added pages and annotations

2/78 – Prisoners of Love (3) Date: c.1990s First performed: N/A 2/78/1 – Script, ts. and ms. with annotations. Date July 1996 crossed out on cover page 51

2/78/2 – Ms. section of script

2/79 – Psalm 68 Date: Unknown First performed: N/A 2/79/1 – Explanatory note 2/79/2 – Ms. fragment of a piece about Cromwell

2/80 – Rafferty’s Chant (See also 1/68) Date: 1960s First performed: Mermaid Theatre, London (1967) 2/80/1 – Explanatory note 2/80/2 – Script, with ms. annotations and explanatory note 2/80/3 – Script, with compliments slip from the Elspeth Cochrane Agency 2/80/4 – Script, with ms. annotations. Note attached suggesting annotations were by Robin Midgley 2/80/5 – Two exercise books containing ms. script written as a TV play 2/80/6 – Programme from performance at the Mermaid Theatre, with press release and booking form 2/80/7 – What’s on in London, 7 July 1967, with references to Rafferty’s Chant on pp. 12, 14 and 17 2/80/8 – Illustrated greetings telegram from ‘Jenny and Brian’ sent to Keith Dewhurst, dated 28 June 1967 2/80/9 – Newspaper clippings relating to Rafferty’s Chant. (21 items) 2/80/10 – Plays and Players magazine, August 1967, with reference to Rafferty’s Chant on p. 5

2/81 – RSC Youth Festival Date: 1982 First performed: The Other Place, Stratford-upon-Avon 2/81/1 – Explanatory note on Keith Dewhurst’s appearance as a panellist at the RSC Youth Festival 2/81/2 – Leaflet for the RSC Youth Festival, 18 October-6 November 1982, with Keith Dewhurst listed as a panellist in the ‘Playwrights as Historians’ forum on 30 October

2/82 – Sam’s Father, Part 1 (1) Date: 1980s-1990s First performed: N/A 52

2/82/1 – Explanatory notes 2/82/2 – Ms. section of script, labelled “Last roughs, mid-January 1989” 2/82/3 – Ms. sections of script, dated November 1996 2/82/4 – Ms. script 2/82/5 – Article ‘Used as studs, unwanted as fathers’, The Independent, 24 April 1994, pp. 54-55. 2/82/6 – Script, “1st version after rewrites”, including loose page of ms. notes. Also newspaper article by Sarah Lonsdale, ‘Used as studs, unwanted as fathers’, The Independent, 24 April 1994, pp. 54-55. (3 items)

2/83 – Sam’s Father, Part 1 (2) Date: 1980s-1990s First performed: N/A 2/83/1 – Exercise books, containing ms. script. (5 items) 2/83/2 – Outline for film of Sam’s Father, dated May 1987 2/83/3 – Outline for film of Sam’s Father, as 2/83/2, with ms. annotations 2/83/4 – Ms. draft notes for a letter

2/84 – Sam’s Father, Part 1 (3) Date: 1980s-1990s First performed: N/A 2/84/1 – Script, second draft 2/84/2 – Script, final draft, with ms. annotations and additional ms. pages 2/84/3 – Script 2/84/4 – Script 2/84/5 – Exercise book, containing section of ms. script 2/84/6 – Notebook containing “last rewrite roughs”

2/85 – Sam’s Father, Part 2 Date: 2000s First performed: N/A 2/85/1 – Notebook containing section of ms. script, dated July 2006 2/85/2 – Script, with note attached: “My intermediate set in the 2000s with grown up Sam”

2/86 – Sixty Minute TV Play (See also Corunna! – 2/27-28) Date: c.1960s First performed: N/A 2/86/1 – Explanatory notes 2/86/2 – Synopsis, with ms. annotations

2/87 – The Sleep of Reason Produces Monsters Date: 1970s First performed: Edinburgh Fringe Festival [1971?] 2/87/1 – Explanatory note 2/87/2 – Scene written by Keith Dewhurst for a play devised by Jack Shepherd

2/88 – Spies of the Kaiser Date: Unknown First performed: N/A 2/88/1 – Explanatory note regarding the adaptation of William Le Queux’s novel 2/88/2 – Ms. notes. (12 items) 2/88/3 – Copied pages from Spies of the Kaiser by William Le Queux with biographical information about Le Queux

2/89 – Tess Date: 1980s-1990s First performed: N/A 2/89/1 – Explanatory notes R 2/89/2 – Note from Howard Goodall to Keith Dewhurst, dated 16 June 1988; explanatory note on envelope 2/89/3 – Several sections of different versions of the script, bound together, with ms. annotations and additional pages. Fax sheet at front addressed to Stephen Edwards, dated 18 September 1996; also fax sheet between sections, addressed to Stephen Edwards, dated 27 January 1997 2/89/4 – Two A4 notebooks, containing ms. script. On first page: “Thomas Hardy’s Tess of the D’Urbevilles. Book and lyrics: Keith Dewhurst. Music: Howard Goodall” 2/89/5 – A4 notebooks, containing ms. and ts. draft sections of script and notes. (3 items)

2/90 – That’s Charlie George Over There (Radio Play) 54

Date: 1972 First performed: BBC Radio 4 (1972) 2/90/1 – Letter on BBC headed paper from ‘Joan’ inviting Keith Dewhurst to the recording of the play 2/90/2 – Script, with ms. annotations; transmission date 27 January 1972 2/90/3 – Script, including continuity announcements; rehearsal date 18 December 1971

2/91 – These Buttons We Wear (Radio play) (See also 3/3) Date: c. 2012 First performed: BBC Radio 3 (2013) 2/91/1 – Exercise book, containing research notes for the adaptation of Herman Melville’s Billy Budd, sailor 2/91/2 – Notebook, containing draft dialogue. On first page: “Mutiny then titled These Buttons We Wear, Summer 2012” 2/91/3 – Script, with ms. annotations and list of pages containing alterations 2/91/4 – Script 2/91/5 – Recording script, dated 21 November 2012 2/91/6 – Directions for rehearsal and recording venues; also scene timings for recording. (5 items)

2/92 – Thoughts on Theatre Date: c. 1970s First performed: N/A 2/92/1 – Notebook containing Dewhurst’s thoughts on contemporary theatre; two brief notes attached, front and back

2/93 – True German Date: 1940s First performed: N/A 2/93/1 – Explanatory notes regarding the one-scene play written before Keith Dewhurst went to Peterhouse, Cambridge 2/93/2 – Ms. draft script

2/94 – Underdogs (See also 3/9 and 4/47) Date: c. 2002 First performed: N/A 55

2/94/1 – Explanatory note on the play about the 1879 football matches between Old Etonians and Darwen 2/94/2 – Script, with ms. annotations 2/94/3 – Script, up to p. 53, with additional ms. pages and annotations 2/94/4 – Script, pp. 54-71, with additional ms. pages and annotations

2/95 – The World Turned Upside Down (1) Date: c. 1970s-2000s First performed: Cottesloe Theatre, National Theatre (1978) 2/95/1 – Cartoon of Keith Dewhurst, with an explanatory note 2/95/2 – Ms. cast list 2/95/3 – Newspaper clippings relating to production at the Cottesloe Theatre. (12 items) 2/95/4 – National Theatre listings leaflets, October 1978 to February 1979 2/95/5 – Programme for production at the Cottesloe Theatre. Two copies, one including revised scene order 2/95/6 – Programme for production at the Welsh College of Music and Drama, February 2000 2/95/7 – First night card sent by Keith Dewhurst to the cast of the Cottesloe Theatre production, depicting the Great Seal of the Commonwealth; also explanatory note 2/95/8 – Letter from John Coleby to Keith Dewhurst sent after the first night of The World Turned Upside Down; also explanatory note 2/95/9 – Black and white photograph of entrance to St. George’s Hill golf club, with good luck message dated 2 November 1978; brief explanatory note attached 2/95/10 – Morning Star, 9 November 1978, including an interview on p. 2 with Keith Dewhurst and Christopher Hill, author of the novel on which the play is based 2/95/11 – Plays and Players, January 1979, including a review of The World Turned Upside Down on p. 17 2/95/12 – First night card to Keith Dewhurst from Maggie Edwards of the National Theatre publicity department; explanatory note on envelope 2/95/13 – Letter from Michael Hallifax, dated 1 November 1978, inviting Keith Dewhurst to a first night party in the Cottesloe Bar 2/95/14 – Script, with ms. annotations mostly by Bill Bryden 2/95/15 – Script for scene 14 (alternative version of scene 16 in 2/95/14) 2/95/16 – Cast list and information about The Putney Debates, as performed at the Cottesloe Theatre to accompany The World Turned Upside Down; also explanatory notes 2/95/17 – Correspondence between Keith Dewhurst and Marcus Nevitt regarding an article Nevitt wrote about The World Turned Upside Down. (See also 2/95/18) 56

2/95/18 – Nevitt, Marcus (2014) ‘The theatre of The World Turned Upside Down’, Prose Studies, 36 (3), 185-198. (See also 2/95/17)

2/96 – The World Turned Upside Down (2) Date: c. 1970s-2000s First performed: Cottesloe Theatre, National Theatre (1978) 2/96/1 – Ms. script dated 1985, title pages 1991 2/96/2 – Script, with ms. annotations 2/96/3 – Prompt script, with ms. annotations 2/96/4 – Script, with ms. annotations 2/96/5 – Script 2/96/6 – Selection of script pages, with ms. annotations 2/96/7 – Script, with additional pages 2/96/8 – Selection of script pages, ms. notes and copies of C17th song lyrics

2/97 – The World Turned Upside Down (3) Date: c. 1970s-2000s First performed: Cottesloe Theatre, National Theatre (1978) 2/97/1 – Ms. character sketches. (11 pages) 2/97/2 – Ms. script, followed by character list 2/97/3 – Script, with some loose pages 2/97/4 – Selection of script pages

2/98 – The Writer’s Liberation Army Date: Unknown First performed: N/A 2/98/1 – Explanatory note 2/98/2 – Script

2/99 – 1st scene of a play for the theatre Date: 1959 First performed: N/A 2/99/1 – Script, with brief note attached 57

Section 3: Film

3/1 – Afterburn Date: 1987-1990 Release date: N/A 3/1/1 – Synopsis, dated February 1987 3/1/2 – Synopsis, with ms. first page and annotations, dated February 1987 3/1/3 – Synopsis, dated June 1987 3/1/4 – Synopsis, dated 1990

3/2 – Back on Monday Date: c. 1998 Release date: N/A 3/2/1 – Explanatory notes on Back on Monday and other collaborations with script editor George Akers 3/2/2 – Cast list for a rehearsed reading of Back on Monday 3/2/3 – Ms. notes. (4 items) 3/2/4 – Letter to Keith Dewhurst from George [Akers?] with ideas for Back on Monday, dated 25 March 1998 3/2/5 – Ms. synopsis, for the attention of George Akers, dated May 1998 3/2/6 – Ms. synopsis, faxed from George [Akers?] to Keith Dewhurst, dated 6 May 1998 3/2/7 – Synopsis, faxed, dated 6 May 1998 3/2/8 – Copies of pages from Radio Times for Friday 25 May 1951, with some programmes circled 3/2/9 – Synopsis, with extensive ms. annotations and cover note. Titled Road Movie with alternative titles including Back on Monday. Faxed to George Akers and dated 1 April 1998 3/2/10 – Copies of material written about Guy Burgess and Donald Maclean, with ms. annotations. (17 items) 3/2/11 – Ms. draft of screenplay 3/2/12 – Ms. notes. (4 items) 3/2/13 – Large envelope with ms. notes on front

3/3 – Billy Budd (See also 2/91) Date: Unknown Release date: N/A 58

3/3/1 – Exercise books containing ms. screenplay. (7 items) 3/3/2 – Selection of ts. and ms. synopses and research notes 3/3/3 – Email to Keith Dewhurst from Frank Stirling, followed by notes on the Billy Budd screenplay 3/3/4 – Draft script, with ms. pages and annotations R

3/4 – Number not used

3/5 – The Day a Team Died (see also 4/55, 6/2) Date: 1981 Release date: N/A 3/5/1 – Explanatory notes 3/5/2 – Audio cassette tape of research material 3/5/3 – Envelope containing a newspaper clipping of Keith Dewhurst presenting a cheque for the Manchester United Disaster Fund, 1958, and a caricature of Keith Dewhurst by Evening Chronicle cartoonist Cecil Rigby 3/5/4 – Newspaper clippings relating to the proposed film, Keith Dewhurst’s writing and the Munich air disaster. (5 items) 3/5/5 – Ms. screenplay 3/5/6 – Screenplay, first draft, dated August 1981 3/5/7 – Screenplay, second draft, dated November 1981 3/5/8 – Two copies of a black and white photograph of the Manchester United team that played following the Munich air disaster, one with a note and player names on reverse

3/6 – Dead Cert Date: 1972-1973 Release date: 9 May 1974 3/6/1 – Folder containing synopsis and sections of screenplay, ts. and ms. with annotations. Note attached: “Dead Cert 1973 dir Tony Richardson. I did the 2nd draft with him at La Garde Freinet.” 3/6/2 – Script by Dick Francis with explanatory note (not present)

3/7 – Departures Date: Mid 1990s Release date: N/A 3/7/1 – Explanatory notes 59

3/7/2 – Small notebook containing research notes taken at Gatwick Airport for Departures; also notes on Land Girls 3/7/3 – Telegraph Magazine, 4 May 1996, open at an article on Heathrow Airport 3/7/4 – Ms. notes. (4 items) 3/7/5 – Ms. notes relating to Heathrow Airport and Lark Rise. (See also 2/54-57) 3/7/6 – Exercise book containing research notes taken at Gatwick Airport in 1993 3/7/7 – Selection of leaflets relating to Gatwick Airport. (7 items) 3/7/8 – Gatwick monthly newsletter, Grapevine, October 1995 3/7/9 – Selection of BAA brochures and reports. (6 items) 3/7/10 – Floorplans of Gatwick’s North and South terminals. (2 items) 3/7/11 – Gatwick information guides and statistics. (6 items)

3/8 – Dog Date: c. 1967 Release date: N/A 3/8/1 – Explanatory note 3/8/2 – Draft screenplay idea, with compliments slip from Dormar Productions dated 17 November 1967 3/8/3 – Draft screenplay idea

3/9 – The Dream of the Game (See also Underdogs – 2/94 and 4/47) Date: Unknown Release date: N/A 3/9/1 – Explanatory note 3/9/2 – Screenplay

3/10 – Edith’s War Date: Unknown Release date: N/A 3/10/1 – Printed outline for the film, illustrated with photographs 3/10/2 – Ms. research notes 3/10/3 – Ms. screenplay, first draft, with explanatory note

3/11 – The Empty Beach Date: c. 1980s Release date: 12 September 1985 3/11/1 – Screenplay, based on the novel by Peter Corris 3/11/2 – Large promotional poster for the film 3/11/3 – Small promotional poster for the film 3/11/4 – Australian newspaper clippings relating to The Empty Beach. (9 items)

3/12 – An Englishman, an Irishman and a Scotsman Date: Unknown Release date: N/A 3/12/1 – Explanatory note 3/12/2 – Ms. notes

3/13 – Football Fragment Date: c. 1970 Release date: N/A 3/13/1 – Explanatory note 3/13/2 – Ms. section of screenplay

3/14 – Guy Fawkes Date: c. 1964 Release date: N/A 3/14/1 – Explanatory note 3/14/2 – Letter to Keith Dewhurst from director Nicholas Ray, dated 24 November 1964 3/14/3 - Summaries and ideas titled either Guy Fawkes or Gunpowder Plot. (6 items)

3/15 – Hone Heke and the Flagpole War Date: Unknown Release date: N/A 3/15/1 – Explanatory notes 3/15/2 – Description of events involving Maori chief Hone Heke 61

3/15/3 – Research notes on Robert Louis Stevenson’s time in Samoa. (3 items)

3/16 – Johnny England Date: Unknown Release date: N/A 3/16/1 – Explanatory notes 3/16/2 – Detailed synopsis, with ms. annotations 3/16/3 – Detailed synopsis, with ms. annotations

3/17 – Kilo 40 Date: 2009 Release date: N/A

3/17/1 – Screenplay based on the novel by Miles Tripp, dated September 2009

3/18 – King David Date: c. 1974 Release date: N/A 3/18/1 – Explanatory notes about the screenplay set in C18th Yorkshire 3/18/2 – Screenplay, first draft, dated May 1974 3/18/3 – Copy of screenplay, first draft, dated May 1974 3/18/4 – Folder containing synopsis of King David; also prose piece titled The Coiners relating to the storyline of King David

3/19 – Lancaster and Mrs. Miller Date: Late 1970s Release date: N/A 3/19/1 – Explanatory notes 3/19/2 – Exercise books containing ms. screenplay. (4 items)

3/20 – Land Girls (1) Date: c. 1990s Release date: September 1998 (UK) 62

3/20/1 – Souvenir postcards, one correspondence from [‘Sophie’] dated 19 March 1999. 3/20/2 - Invitation to the cast and crew screening of the film on 19 April 1998 3/20/2 – An extensive series of handwritten draft pages of the screenplay

3/21 – Land Girls (2) Date: c. 1990s Release date: September 1998 (UK) 3/21/1 – Screenplay, with ms. annotations 3/21/2 – Letter from David Leland to Simon Relph and Anne Scott regarding Land Girls, dated 10 April 1996 3/21/3 – Notes on Land Girls 3/21/4 – Ms. screenplay, dated June 1996 3/21/5 – Screenplay 3/21/6 – Ms. list of actors R. 3/21/7 – Postcard from ‘David’ [Leland]

3/22 – Land Girls (3) Date: 1996-1997 Release date: September 1998 (UK) 3/22/1 – Draft screenplay, dated June 1996 3/22/2 – Screenplay by Keith Dewhurst and David Leland, second draft, dated September 1996 with correspondence containing script notes, dated January 1997, and ms. notes 3/22/3 – Screenplay by Peter Prince, dated January 1996, with ms. annotations and notes attached

3/23 – The Man in the Iron Mask Date: c. 1980s Release date: 1985 (Australia) 3/23/1 – Ms. screenplay, based on the novel by Alexandre Dumas 3/23/2 – Detailed ms. outline of screenplay 3/23/3 – Outline of screenplay, with ms. annotations 3/23/4 – Comments on screenplay, author not indicated 3/23/5 – Screenplay, with ms. annotations and additional pages 63

3/23/6 – Recording script for animated version of The Man in the Iron Mask, with changes highlighted. Attached is a letter from Burbank Films, dated 29 January 1985, inviting Keith Dewhurst to attend a rehearsal or recording of the production

3/24 – McSullivan’s Beach (See also 1/56) Date: September 1986 Release date: N/A 3/24/1 – Explanatory notes 3/24/1 – Screenplay based on Keith Dewhurst’s own novel, dated September 1986

3/25 – Nightingale Date: 2007-8 Release date: N/A 3/25/1 – Explanatory notes 3/25/2 – Notebook containing ms. notes; also loose ts. and ms. notes originally in notebook. These include sets of notes by Bob Bierman regarding the screenplay, one dated 9 June 2008. (4 items) 3/25/3 – Notebook, containing ms. draft of screenplay, with dates on first page of draft completions during 2008 3/25/4 – Ms. screenplay 3/25/5 – Screenplay, with ms. additional pages and annotations, dated June 2008; also list of alterations and envelope marked “1st draft mark-up for rewrite”

3/26 – Offcuts Voyage Date: c. 1992 Release date: n/a 3/26/1 – Explanatory notes 3/26/2 – Screenplay based on the novel by Peter Terson, dated 3 November 1992 3/26/3 – Proposed script changes 3/26/4 – Ms. list of script changes 3/26/5 – Illustrated brochure for the proposed film 3/26/6 – Colour photographs of buildings and landscapes, with notes on reverse. Originally in plastic wallet with note attached: “Offcuts Voyage. Chester to Stoke on Trent research photos.” (26 items) 3/26/7 – Colour photographs of buildings and landscapes, with notes on reverse. Originally in plastic wallet with note attached: “Offcuts Voyage research photos on trip to Runcorn etc.” (36 items) 64

3/26/8 – Colour photographs of buildings and landscapes, with notes on reverse. Originally in plastic wallet. (36 items) 3/26/9 – Small photograph album containing colour photographs of buildings and landscapes. Note attached: “Offcuts Voyage day research trip Runcorn—locations as mentioned in book.” (14 items) 3/26/10 – Two notebooks, containing notes on criminal activity in Spain, written in Madrid, June 1990. Also included are some handwritten notes by Dewhurst and a postcard with an image of the Costa Verde on the front.

3/27 – One Fine Summer Day Date: 1998 Release date: N/A 3/27/1 – Detailed synopsis by Keith Dewhurst and Jonathan Hacker, dated March 1998

3/28 – Otto Plaschkes idea Date: c. 1960s Release date: N/A 3/28/1 – Explanatory notes 3/28/2 – Ms. outline for screenplay

3/29 – Peanut Colada Date: 1981 Release date: N/A 3/29/1 – Explanatory notes 3/29/2 – Screenplay, dated March 1981

3/30 – The Prince and the Premier Date: c. 1980s 3/30/1 – Folder containing Keith Dewhurst’s research into Australian crime, including ms. notes, newspaper clippings and a writer’s brief 3/30/2 – Screenplay, dated 1986; also page of notes attached 3/30/3 – Screenplay, dated 1988; also explanatory note 3/30/4 – Explanatory notes

3/31 – Portland Mason 65

Date: Unknown Release date: N/A 3/31/1 – Explanatory note 3/31/2 – Draft idea written for James Mason’s daughter, Portland

3/32 – Prostitute Date: 1960s Release date: N/A 3/32/1 – Explanatory notes 3/32/2 – Draft idea, including plot summary and section of script

3/33 – Rich Old Cat Date: c. 1980 Release date: N/A 3/33/1 – Explanatory note 3/33/2 – Newspaper clipping about a Sheffield cat who inherited a house, sent to Keith Dewhurst by Michael Powell as an idea for a film 3/33/3 – Copy of 3/33/2, with brief note

3/34 – Sarah Date: 1984 Release date: N/A 3/34/1 – Outline for screenplay, dated April 1984 3/34/2 – Ms. outline for screenplay, dated April 1984

3/35 – Sleeping Together Date: 1995 Release date: N/A 3/35/1 – Explanatory notes 3/35/2 – Ms. outline and copy, dated August 1995; also fax cover sheet addressed to Alison Gee, dated 10 August 1995

3/36– Snow Queen 66

Date: August 1995 3/36/1 – Selection of ms. notes 3/36/2 – Synopsis, treatment and detailed outline. (2 items) 3/36/3 – Letter from Richard Sharples to Keith Dewhurst, dated 1 August 1995, with sections of text and illustrations from several versions of The Snow Queen. (6 items) 3/36/4 – Pages of ms. notes, numbered 5 to 7

3/37 – The Streets of Forbes (1) Date: January 1984 3/37/1 – Draft screenplay with ms. inserts and annotations. Dated January 1984. 3/37 /2 – Handwritten draft pages of the screenplay.

3/38 – The Streets of Forbes (2) Date: May 1984 3/38/1 – Synopsis, dated May 1984. 3/38/2 – Screenplay.

3/39 – Telling Stories Date: 1998 3/39/1 - Explanatory note 3/39/2 - Fax from David Leland to Dewhurst’s agent, 4 August 1998, with synopsis, written by Dewhurst and Leland

3/40 – Thirteen Ragged Men Date: March 1977 3/40/1 – Explanatory note 3/40/2 – Map of Australia, photocopy 3/40/3 – Newspaper clipping, photocopy. On ‘Russian (or ‘Rushing’) Jack’, an Australian gold prospector. 3/40/4 –Handwritten notes for the screenplay. 3/40/5 – Outline for the film, March 1977. 3/40/6 – Ms notes 3/42/7 – Folder of research material into the Norther Territory gold rush and related topics. 67

3/41 – The Three Musketeers Date: 1986 (Aus) 3/41/1 – Explanatory note 3/41/2 – Script, 27 September 1985 3/41/3 – Screenplay, with annotations. 3/41/4 – Ms. screenplay

3/42 – U Boat 47 Date: n/a 3/42/1 - Explanatory note 3/42/2 – Screenplay

3/43 – Vet Date: n/a 3/43/1 – Explanatory note 3/43/2 – Research notes, with an attached explanatory note. 3/43/3 – Notebook, ‘vet notes’, containing research notes. 3/43/4 – Ms. notes 3/43/5 – Ms. draft pages of the beginnings of a screenplay.

3/44 – War in Val D’Orcia Date: 1982 3/44/1 – Explanatory note 3/44/2 – Screenplay 3/44/3 – Ms. first draft of the screenplay. 3/44/4 – A series of typed, re-written pages, with annotations. 3/44/5 – Second draft of the script, dated November 1982. Pages missing.

3/45 – War in Val D’Orcia (2) Date: November 1982 3/45/1 –Script. 68

3/46 – Washington Highball Date: n/a 3/46/1 – Explanatory note 4/46/2 - Screenplay 3/46/3 – Ms. draft of the screenplay. 3/46/4 – Draft of the screenplay, with annotations. 3/46/5 – Plot outline with annotations

3/47 – The White Stadium Date: c.1961 3/47/1 – Explanatory note 3/47/2 – Screenplay 3/47/3 – Script with explanatory note 3/47/4 – Two notebooks, containing a first draft of the screenplay with explanatory note 3/47/5 – A synopsis for film which became ‘The White Stadium’ with an attached explanatory note

3/48 – ‘Ideas Australia/England’. Unmade Works, synopses and Ideas. Items received as one folder as ‘ideas for TV films etc’ Mainly single items. (Not a comprehensive section of unmade works as many other works elsewhere in the collection are also unmade). 3/48/1 – Explanatory note 3/48/2 – Notebook, containing a ms. draft for a screenplay with the working title ‘Albert Wood’. 3/48/3 – A ms. draft synopsis for ‘The Beach of Falesa’. 3/48/4 – (number not used) 3/48/5 – A draft synopsis of ‘Ladies Football Team’, along with an untitled version of the synopsis, January 1988. Attached is a clipping from The Guardian (December 21, 1987) about a women’s rugby team. 3/48/6 – Ms. draft synopsis for a screenplay titled ‘Pitcairn’, based on the HMS Bounty mutiny. March 1988. 3/48/7 – An outline for a film, titled ‘Runners’ May 1987. 3/48/8 – (number not used) 3/48/9 – A typed synopsis of ‘Strong Woman – Weak Man’, dated 1987. Attached is a ms. draft of the synopsis and a fax from Dewhurst to a Jennifer Rowe, with compliments slip. 69

3/48/10 – A typed synopsis of ‘Stuart’s Software’, an idea for a ‘Twist in the Tale’ series. Attached is a ms. version of the synopsis, with a fax sent to Dewhurst by Marc Berlin’s assistant. October 1987. 3/48/11 – Synopsis for a screenplay, with annotations, concerning a husband and wife who are ‘non- existent lovers’. Attached is a series of ms. draft pages with explanatory note. 3/48/12 – Two screenplay idea summaries, ‘Love Story’ and ‘Animals’, and consists of a number of shorter ideas, each with a different animal as a thematic title. One of the shorter ideas is ‘Dog’, (3/8) 3/48/13 – Two red notebooks, containing a draft screenplay written for Peter Cregreen. With explanatory note. 3/48/14 –Screenplay outline, one ts, one ms, April 1988. The plot concerns the development of global economics, told via the transformations of a piece of jewellery. Potentially intended as an animation 3/48/15 – Untitled draft with explanatory note. 3/48/16 – A ts. Screenplay titled ‘Monologue’ with accompanying correspondence from James Brabazon, BBC. 12 April 1967. 3/48/17 – Draft for ‘The Wreck of the Royal Charter’.

Section 4: Books

4/1 – Aborted Novel Date: n/a 4/1/1 – Ms. pages containing the beginnings of a novel with explanatory note.

4/2 – Actress Date: c. Late 1960 4/2/1 – Two notebooks containing a draft of the story with explanatory note. 4/2/2 – Ts. draft of the story. 4/2/3 – Ms. draft of the story.

4/3 – Ambush Date: c.1950s 4/3/1 – Ms. short story, with explanatory note from Dewhurst,

4/4 – Autobiography / Family Date: c.2013 4/4/1 – Two notebooks, containing ms. pages detailing Dewhurst’s personal and family history with explanatory note.

4/5 – Autobiography (2) Date: n/a 4/5/1 – A notebook, containing a ‘copy out’ of Dewhurst’s autobiographical material 4/5/2 – A notebook, containing a draft of Dewhurst’s autobiographical material, with annotations and alterations. The back of the notebook contains a draft for a different work – a short story, or a chapter for a longer work. With explanatory note

4/6 – Captain of the Sands – Research Materials (1) Date: c. mid-1970s 4/6/1 – Oyster shell from the Gambia River with explanatory note 4/6/2 – Five postcards, obtained in Gambia, Inverness-shire, Whitby and Williamsburg, Virginia with explanatory note. 71

4/6/3 – Two maps of Virginia, one dated 1977. 4/6/4 – Two versions of a leaflet distributed by the Gambian Ministry of Information and Tourism with business card. 4/6/5 – Great Historic Plantation tourism leaflet, Virginia. 4/6/6 – ‘The Nation’, a Gambian fortnightly newspaper, printed in Banjul, Saturday 4 March, 1978. 4/6/7 – Leaflet printed by the ‘Tendeba Camp’, a Gambian nature and wildlife reserve with small handwritten piece of paper containing three names relating to ‘information for broadcasting’ 4/6/8 – Occasional Papers on wrestling, published by the Gambian Cultural Archives and dated September 1976. 4/6/9 – Ms. research notes. 4/6/10 – Map of the island of Antigua. 4/6/11 – Road map of Antigua for tourists. 4/6/12 – Three wallets containing photographs and corresponding negatives, taken by Dewhurst on his research trips to Gambia, Antigua and Virginia.

4/7 – Captain of the Sands – Research Material (2) Date: c. mid-1970s 4/7/1 – Blank notebook, obtained on Dewhurst’s trip to Gambia. 4/7/2 – Notebook titled ‘Gambia 1’, containing ms. research notes with inserts 4/7/3 – Notebook, titled ‘Antigua 1’, containing ms. research notes with index 4/7/4 – Notebook, titled ‘USA’, containing ms. research notes 4/7/5 – Two copies of ‘A Short Guide to the Fort at James Island’, produced by the Gambia Tourist Board. One copy has been annotated. 4/7/6 – Gambian tourist guide, dated December 1975. 4/7/7 – Map, detailing points of interest for tourists in Richmond. Annotated. 4/7/8 – A postcard from Antigua. 4/7/9 – A draft for the second half of story outline, dated 1977. 4/7/10 – ‘British Empire’ magazine concerning Britain’s role in the slave trade, 1979. 4/7/11 – Ms. notes by Alan Dewhurst,1979. The notes are on Chapter 20 of Cambridge Modern History 7, written by Eric Robson, which concerns the Seven Years War. 4/7/12 – Photocopied version of ‘The Journal of a Slave Trader’, written by John Newton, also including Newton’s ‘Thoughts Upon the African Slave Trade’ and an introduction written by Bernard Martin and Mark Spurrell. 4/7/13 – A range of ms. notes on a variety of topics, including the tobacco industry, ideas for the narrative, Pidgin English and work routines on plantations. 72

4/8 – Captain of the Sands Date: c. 1970s 4/8/1 – Notebook, containing a draft of part of the plot outline. 4/8/2 – Typewritten draft, titled ‘Unfinished Novel’ and containing part two of ‘Captain of the Sands’.

4/9 – Captain of the Sands (2) Date: c.1970s 4/9/1 – Typewritten draft of the novel.

4/10 – Captain of the Sands (3) Date: 1981 4/10/1 – Notebook containing Dewhurst’s first draft of the first section. With ms. research notes and an explanatory note. 4/10/2 – Final re-writes, dated December 1980. With attached explanatory note.

4/11 – Captain of the Sands (4) Date: 1981 4/11/1 – Ts. draft of the novel, including a list of characters.

4/12 – Captain of the Sands (5) Date: 1981 4/12/1 – Two memoranda of agreement, 25 June and 14 October 1981, detailing financial arrangements relating to the Italian and German translations of the novel. 4/12/2 – Ms. ‘copy out’ of the first section with explanatory note

4/13 – Captain of the Sands (6) Date: 1981 4/13/1 – Ms. drafts of chapters 18 – 23. 4/13/2 – Ms. drafts of chapter 32 and chapters 34 – 37. 4/13/3 – Notes pages relating to ‘A People’s Dream’, including a list of characters divided according to locations. This idea seems to have thematic concerns and settings that are closely aligned with ‘Captain of the Sands’.

4/14 – Captain of the Sands (7) Date: 1981 4/14/1 – Five notebooks containing ms. drafts of chapters

4/15 – Captain of the Sands (8) Date: 1981 4/15/1 – Two notebooks, containing ms. drafts of chapters 28 – 31. 4/15/2 – Notebook containing a draft chapter with inserts.

4/16 – Captain of the Sands (9) Date: 1981 4/16/1 – Draft of the first eleven chapters. 4/16/2 – Draft of the first three chapters with annotations. 4/16/3 – Draft of the first three chapters with annotations.

4/17 – Captain of the Sands (10) Date: 1981 4/17/1 – Draft pages, both ms. and typed, with annotation and alteration. [Second half of the novel]

4/18 – Captain of the Sands (11) Date: 1981 4/18/1 – Draft pages, both ms. and typed, with annotation and alteration. [First half of the novel]

4/19 – Captain of the Sands (12) Date: 1981 4/19/1 – Photocopied reviews sent by Viking Press Publishers with explanatory notes (6 items) 4/19/2 – Explanatory note from Dewhurst, detailing his relationship with editor John Knowler who worked with him on ‘Captain of the Sands’. 4/19/3 – ‘Jonathan Cape’ magazine, dated 1982. A summary of ‘Captain of the Sands’ is included in the fiction section, on page 10. 4/19/4 – ‘Bookseller’ magazine, dated 23 January 1982. An advertisement for ‘Captain of the Sands’ appears on page 311. With accompanying correspondence from Jonathan Cape publisher 17 February 1982. 74

4/19/5 – ‘Library Journal’ October 1 1981. ‘Captain of the Sands’ is included in the list of Viking Press publications for August – December 1981. 4/19/6 – An envelope containing American reviews of ‘Captain of the Sands’, sent to Dewhurst by Viking Press with two copies of Viking Press publication listings (11 items)

4/20 – Captain of the Sands (13) Date: 1981 4/20/1 – Ms. drafts of chapters 24 – 33 including some annotations and alterations.

4/21 – Captain of the Sands (14) Date: 1981 4/21/1 – Draft, both ms. and typed including annotations and alterations. This draft titled ‘Unfinished Novel’.

4/22 – Captain of the Sands (15) Date: 1981 4/22/1 – Draft of a section of the first half of the novel

4/23 – Dancing Bear Date: c. 1980s, re-drafted c. 2000 4/23/1 – Draft of pages 85 – 172, including annotations and ms. inserts.

4/24 – Dancing Bear (2) Date: c. 1980s, re-drafted c. 2000 4/24/1 – Draft of the novel.

4/25 – Dancing Bear (3) Date: c. 1980s, re-drafted c. 2000 4/25/1 – Notebook, containing a ms. insert for chapter six of the novel with attachments 4/25/2 – Draft of the first seven chapters of the novel. 4/25/3 – Draft of chapter six of the novel, with annotations and accompanying note 4/25/4 – Draft of the opening six chapters of the novel, with annotations and ms. inserts.

4/26 – Dancing Bear (4) Date: c. 1980s, re-drafted c. 2000 4/26/1 – Draft of the novel

4/27 – Dancing Bear (5) Date: c. 1980s, re-drafted c. 2000 4/27/1 – Ms. pages for insertion into the draft of the novel. 4/27/2 – Draft of pages 46 to 84 with annotations. 4/27/3 – Draft of pages 161 to 190 with annotations. 4/27/4 – Draft of pages 191 to 202 with annotations and ms. insert at page 198. 4/27/5 – Draft of pages 203 – 214 with annotations and ms. insert at page 204.

4/28 – Dancing Bear (6) Date: c. 1980s, re-drafted c. 2000 4/28/1 – Two notebooks, labelled ‘E’ and ‘F’, containing a handwritten section draft 4/28/2 – Two notebooks, labelled ‘rough 1’ and ‘rough 2’, containing a first draft. Enclosed are two newspaper clippings relating to homelessness in London, along with some loose ms. pages.

4/29 – Dancing Bear (7) Date: c. 1980s, re-drafted c. 2000 4/29/1 – Two notebooks, labelled ‘A’ and ‘D’, containing draft sections of ‘Dancing Bear’. 4/29/2 – Two notebooks, labelled ‘rough 3’ and ‘rough 4’, containing a first draft of ‘Dancing Bear’. Also enclosed are some loose, ms. pages. 4/29/3 – A notebook labelled ‘last rough book – 6’, containing a draft of the closing section of the novel.

4/30 – Dancing Bear (8) Date: c. 1980s, re-drafted c. 2000 4/30/1 – Notebook, labelled ‘C’, containing a draft section. 4/30/2 – Two notebooks, containing drafts of chapters 7 to 13. 4/30/3 – Several loose pages of ms. notes and drafts.

4/31 – Dancing Bear (9) 76

Date: c/ 1980s, re-drafted c.2000 4/31/1 – Notebook, ‘labelled ‘B’, containing a draft section. 4/31/2 – Two notebooks, labelled ‘Dancing Bear 1’ and ‘2’, containing a draft of the opening chapters with ms. attachments. 4/31/3 – Notebook containing a draft section. 4/31/4 – Notebook containing ms. draft of chapters 4 to 6. 4/31/5 – Notebook, titled ‘Dancing Bear Roughs’ and containing a ms. draft section.

4/32 – Harry Date: n/a 4/32/1 – Notebook, containing a copy-out of the first section of ‘Harry’ with explanatory note. 4/32/2 – Diary for 1998-99, containing a rough draft of ‘Harry’ at the front and a draft opening of another novel at the back with explanatory note.

4/33 – The History of Polly Bowler Date: n/a 4/33/1 – Assorted loose, ms. notes pages. 4/33/2 – Ms. draft.

4/34 – The History of Polly Bowler (2) Date: n/a 4/34/1 – Notebook containing a ms. draft of a section of ‘The History of Polly Bowler’, with annotations. Also enclosed are three loose draft pages. [Original 4/34/1b R] 4/34/2 – Photocopied ms. draft. [Original R]

4/35 – The History of Polly Bowler (3) Date: n/a 4/35/1 – Two notebooks containing the first copy-outs of ‘The History of Polly Bowler’ with explanatory note.

4/36 – The History of Polly Bowler (4) Date: n/a 4/36/1 – Ms. draft pages.

4/37 – Impossible Plays Date: 2006 Publisher: Bloomsbury: Methuen Drama 4/37/1 – Print-out of the cover design. 4/37/2 – Flyer

4/38 – The Inconsolable Clerk Date: n/a 4/38/1 – Ms. draft in self-addressed envelope. [January 1954] with explanatory note.

4/39 – McSullivan Date: c. 1983 4/39/1 – Explanatory note 4/39/2 – A summary of three McSullivan plot outlines, dated April 1985.

4/40 – McSullivan’s Beach Date: 1985 4/40/1 – Three newspaper clippings of reviews, July and August 1985. 4/40/2 – A draft of the novel, containing both typed and ms. pages, inserts, and annotations.

4/41 – McSullivan’s Champagne Lady Date: n/a 4/41/1 – A notebook containing a draft of the first nine chapters of the novel, including annotations.

4/42 – McSullivan’s Champagne Lady (2) Date: n/a 4/42/1 – A notebook containing a rough copy of chapter ten of the novel with inserts and explanatory note.

4/43 – McSullivan’s Laundry Date: n/a 4/43/1 – A series of ms. notes pages with explanatory note.

4/44 – Phone Call Date: c.1990 4/44/1 – Notebook containing a rough draft of an idea for ‘Phone Call’ with explanatory note

(4/45-46 Reference numbers not used)

4/47 – Underdogs (See also 2/94 and 3/9) Date: 2012 Publisher: Yellow Jersey Press 4/47/1 – Print-outs of reviews from History Today, The Guardian and The Spectator, 2012. 4/47/2 – A copy of ‘What’s on Where Kent’ April 2012 containing a summary of ‘Underdogs’ that connects the book to the Kent region, written by Dewhurst, on page 6. 4/47/3 – Correspondence from Paul Crankshaw and Curtis Brown regarding facts in ‘Underdogs.’ 4/47/4 – Correspondence from George [Akers], relating to ‘Underdogs’ and containing a brief reference to Sheffield’s Hallam F.C. 21 March 2012 4/47/5 –Dewhurst’s schedule of promotional appearances for ‘Underdogs’, between 7 - 16 of March 2012. 4/47/6 – ‘Daily Telegraph’ sports section, 21 March 2012, containing a review of ‘Underdogs’ on page S20. 4/47/7 – ‘The Tower’ pamphlet written by Alan Duckworth, relating to the centenary of the existence of a tower in the town of Darwen, Lancashire.

4/48 – Underdogs (2) Date: 2012 Publisher: Yellow Jersey Press 4/48/1 – Book jacket design. 4/48/2 – Draft section of the book with ms. pages for insertion and re-writes of certain pages. 4/48/3 – Photocopy of a ms. draft pages 45 – 55 of the book, which includes annotations and alterations. 4/48/4 – Photocopy of a ms. draft pages. 4/48/5 – Photocopy of a ms. draft pages 4/48/6 – Draft pages

4/49 – White Princess of Death Date: c. 1995 4/49/1 – A draft of the novel, ms. and ts. with introduction explaining the origin of the idea.

4/50 – White Princess of Death (2) Date: c. 1995 4/50/1 – Eight folders of research photographs in a range of locations with explanatory notes.

4/51 – White Princess of Death (3) Date: c. 1995 4/51/1 – Two notebooks, labelled 1 and 2, containing ms. drafts with inserts.

4/52 – White Princess of Death (4) Date: c. 1995 4/53/1 – Two notebooks, labelled 3 and 4, containing a ms. drafts.

4/53 – White Princess of Death (5) Date: c. 1995 4/52/1 – Draft of the novel, ms. and ts.

4/54 – White Princess of Death (6) Date: c. 1995 4/54/1 – Three notebooks containing a ms. drafts.

4/55 – When You Put on a Red Shirt (see also 3/5, 6/2) Date: n/a 4/55/1 – A notebook containing early writings on the history of football.

4/56 – When You Put on a Red Shirt Date: 2009 80

Publisher: Yellow Jersey Press 4/56/1 – Correspondence from Graham Kelly 23 March, 2012 relating to ‘When You Put on a Red Shirt’. 4/56/2 – Correspondence from a Mr. W. H. Parry, dated 2 March 2012, praising the book and suggesting some corrections with attachments. 4/56/3 – A copy of ‘Red Issue’, a Manchester United fan magazine, published March 2012. With Dewhurst feature. 4/56/4 – Two printed pages from United We Stand’ magazine, issue 213 containing Dewhurst feature. 4/56/5 – Photocopied newspaper reviews with compliments slip (8 items)

4/57 – When You Put on a Red Shirt (2) (draft) Date: February 2004 Publisher: Yellow Jersey Press 4/57/1 – Draft, dated February 2004, which includes annotations and insert pages.

4/58 – When You Put on a Red Shirt (3) Date: 2009 Publisher: Yellow Jersey Press 4/58/1 – Three exercise books containing rough material for ‘When You Put on a Red Shirt’ with explanatory note.

4/59 – When You Put on a Red Shirt (4) Date: 2009 Publisher: Yellow Jersey Press 4/59/1 – A copy of the design for the book’s front cover. 4/59/2 – Draft of the book, dated February 2004 and with annotations and inserts.

4/60 – When You Put on a Red Shirt – Munich Crash Clippings Date: 1958 4/60/1 – Explanatory note 4/60/2 – A cup final souvenir edition of the Manchester Evening Chronicle, dated Wednesday April 23 1958. 4/60/3 – Excerpt from match program featuring Dewhurst column with explanatory note 81

4/60/4 – A series of newspaper clippings containing Dewhurst’s football writing from the 1950s with explanatory note (14 items). 4/60/5 – Six copies of the Manchester Evening Chronicle Football Pink and Manchester Evening Chronicle Football Pink from 1958 on the Munich air disaster. A number of the papers contain writing by Dewhurst, including the copy dated Saturday May 3 which contains Dewhurst’s match report on the 1958 F.A. Cup final.

4/61 – When You Put on a Red Shirt – Football Journalism Date: 1950s 4/61/1 – Four notebooks containing Dewhurst’s notes on football matches, taken during his time at the Manchester Evening Chronicle’s Wigan office with explanatory note. 4/61/2 – Two Everton F.C. programmes from the season 1954-55 for matches against Portsmouth and Blackpool on which Dewhurst wrote match reports with explanatory note. 4/61/3 – A copy of the Manchester Evening Chronicle, Wigan and District edition, dated Saturday October 8 1955. 4/61/4 – A notebook containing match notes and a short story, with an enclosed explanatory note. 4/61/5 – A notebook containing Dewhurst’s notes taken on his 1958 trip to Switzerland to report on Manchester United. Enclosed is an explanatory note. 4/61/6 – A clipping of a match report Dewhurst wrote for a match between Manchester City and Birmingham City, April 27 1957 with explanatory note. 4/61/7 – A series of seven copies of the Manchester Evening Chronicle and Manchester Evening News, most of which relate to cup finals featuring Manchester United during the 1960s.

4/62 – When You Put on a Red Shirt – Football Journalism (2) Date: c. 1950s 4/62/1 - Seven notebooks containing history of football research.

4/63 - When You Put on a Red Shirt – Football Journalism (3) Date: c. 1950s 4/63/1 –Seven notebooks containing history of football research and match reports.

Section 5: Journalism and speeches

5/1 – Bradford Students Peace Conference Speech Date: c. 1970 Publication: n/a 5/1/1 – A notebook containing ms. speech delivered by Dewhurst to the Bradford Students Peace Conference with explanatory note.

5/2 – Cambridge Union Society (Debate) Date: 1971 Publication: n/a 5/2/1 – A handwritten copy of Dewhurst’s speech for the Cambridge Union debate ‘Criticism is Killing Art’. 5/2/2 – Leaflet advertising the debate, Friday 22 October 1971.

5/3 – English Fairs Date: 1975 Publication: n/a 5/3/1 – A newspaper clipping containing Dewhurst’s review of ‘English Fairs’ by Ian Starsmore.

5/4 – Essential Law for Journalists Handbook Date: n/a Publication: n/a 5/4/1 – Dewhurst’s copy of ‘Essential Law for Journalists’.

5/5 – Evening Chronicle Cuttings Date: c. 1950s Publication: Manchester Evening Chronicle 5/5/1 – Two scrapbooks containing cuttings of articles written by Dewhurst during his time as a reporter for the Manchester Evening Chronicle. One scrapbook contains cuttings from his time at the Chronicle’s Wigan office.

5/6 – John Osborne Evening Standard Manuscript 83

Date: n/a Publication: [London Evening Standard] 5/6/1 – A ms. draft of an article by Dewhurst for the Evening Standard concerning John Osborne.

5/7 – Fast Show Booklet (Research) Date: Publication: n/a 5/7/1 – An explanatory note. 5/7/2 – Dewhurst’s interview notebook for this booklet, dated July 17 2007 with postcard advertisement. 5/7/3 – Eight pages of Dewhurst’s notes on ‘The Fast Show’. 5/7/4 – A series of printed research pages relating to the cast and crew.

5/8 – Evening Chronicle (Manchester) Date: c. 1955 – 1959 Publication: Manchester Evening Chronicle 5/8/1 – Eleven notebooks containing ms. notes. Enclosed are clippings, diagrams and loose pages and explanatory notes. 5/8/2 – Ms. notebook containing notes for TV sports column and an article on the boxer Tom Sayers with explanatory note. 5/8/3 – Ms. notebook. 5/8/4 – Ms. notebook containing draft articles and notes on various sporting figures and teams. 5/8/5 – A copy of the Manchester Evening Chronicle Pink May 18, 1957. Dewhurst’s ‘TV Sports View’ is included on page 14 and the article on Tom Sayers (see 5/8/2) is included on pages 8 and 9.

5/9 – Guardian Articles Date: 1960s-70s, 2001 Publication: The Guardian 5/9/1 – Explanatory notes 5/9/2 – Four articles concerning Manchester and Manchester United. 5/9/3 – Notebook containing ms. draft for an article on the actor Wilfrid Lawson with explanatory note. 5/9/4 – 39 film and theatre reviews 84

5/9/5 – 12 music articles 5/9/6 – 4 literature articles 5/9/7 – 22 art and architecture articles 5/9/8 – 14 general topics articles, including politics and history. 5/9/9 – 2 football articles 5/9/10 – 73 television articles 5/9/11 – Article on St. Helen’s rugby league team with explanatory note. 5/9/12 – Notebook containing notes for a review of Café La Mama at the Royal Court with explanatory note. Notebook also contains Rugby League match reports

5/10 – Harangue Date: June 19 1968 Publication: n/a 5/10/1 – A notebook, dated June 19, 1968, containing a draft for an article on the New English Bible, with accompanying explanatory note.

5/11 – Granada TV Memoirs Date: October 1996 Studio/ Publication: Granada TV 5/11/1 -Correspondence from John Finch, 9 October 1996, requesting involvement in a book project concerning Granada Television with explanatory note. 5/11/2 – Dewhurst’s rough draft pages for his contribution to a book on Granada Television.

5/12 – Leni Riefenstahl Interview Date: n/a Studio: BBC 5/12/1 – An explanatory note. 5/12/2 – A typewritten timeline of Riefenstahl’s life. 5/12/3 – A typewritten copy of the interview transcript from Dewhurst’s conversation with Riefenstahl.

5/13 – Notes from the Ditch – Tape Date: 1998 Studio: BBC 5/13/1 – A cassette tape, containing a recording of ‘Notes from the Ditch’, a BBC talk show for which Dewhurst contributed a discussion recorded at Everton F.C’s Goodison Park when they played Manchester United in 1998. With explanatory note.

5/14 – Oxford Dictionary of National Biography - Brian Glover Date: c. 2000 Publication: 5/14/1 – An agreement between Dewhurst and the Oxford Dictionary of National Biography to write an entry for Mark Shivas, July 19 2010. 5/14/2 – Proofs and print out for an entry on Brian Glover, May 2000.

5/15 – Riverside Studios Benefit Concert Date: 1978 5/15/1 – Ms. and typed notes on Julie Covington and The Albion Band for a benefit concert held for Riverside Studios, dated 9 and 10 December 1978.

5/16 – The Royal Society of Literature Review Alan Plater Obituary Date: 2011 Publication: 5/16/1 – Royal Society of Literature Review 2011

5/17 – The Saints Programme Date: 1996 Publication: Southampton F.C. match day Programme 5/17/1 – A copy of Southampton F.C’s match-day programme, ‘The Saints Programme’ from a game against Manchester United on 13 April 1996. Dewhurst’s piece is included on pages 12 – 13. 5/17/2 – A copy of Dewhurst’s photograph, as printed in the programme.

5/18 – Tempo Date: n/a Publication: n/a 5/18/1 – A typewritten copy of an idea for Tempo, a TV arts magazine with explanatory note

5/19 – The Twelve Disciples Art Show Date: February 1967 Publication: n/a 5/19/1 – Explanatory note 5/19/2 – A programme for the exhibition at the Manchester Cathedral chapter house. 5/19/3 – Copies of Dewhurst’s writing for the exhibition. 5/19/4 – Six newspaper clippings relating to the exhibition.

5/20 – Miscellaneous clippings Date: Various Publication: Various 5/20/1 – Explanatory notes 5/20/2 – Eight clippings, mainly brief mentions of Dewhurst’s work.

5/21 – Oxford Union Society debate Date: 26 May 1973 Publication: n/a 5/21/1 – Advertising poster

Section 6: Memorabilia, biographical and other material

6/1 – Enid Butler Funeral Date: March 2012 6/1/1 – Ts. speech Dewhurst gave at the funeral of Enid Butler with explanatory note.

6/2 –Football Memorabilia (see also 3/5, 4/55) Date: n/a 6/2/1 – An envelope containing Dewhurst’s application to the National Union of Journalists and his N.U.J. card. 6/2/2 – Two framed shirt badges, taken from a Manchester United Shirt and a Bolton Wanderers shirt, from the 1958 F.A. Cup final. 6/2/3 –Press passes; Manchester United 1958 – 1959 season and 1958 World Cup. 6/2/4 – Manchester United souvenir annual, 1948. With enclosed newspaper clippings 6/2/5 – Two menus from dinners held in honour of European cup ties played by Manchester United in 1958. A.C. Milan, Wednesday 14 May, Berne Young Boys, dated Wednesday 1 October. 6/2/6 – Material relating to the 1948 F.A. Cup final, which was played between Manchester United and Blackpool F.C, including a newspaper clipping, photographs of the 1947-48 Manchester United team and a programme from the cup final (6 items). 6/2/7 – Souvenir programme from the 1966 world cup, including annotations. 6/2/8 – Two Manchester United programmes from the 1957-58 season, taken from the first two matches after the Munich air disaster with explanatory note from Dewhurst, explaining the chronology. The Nottingham Forest programme contains Dewhurst’s first programme article. 6/2/9 – Guide to the 1958 World Cup in Sweden, with an attached printed page containing details of a match between Hungary and Wales. Also attached is a guide to Gothenburg’s Ullevi stadium. 6/2/10 – Two memoranda dated June 1958, from two newspaper editors to J. Goulden, the editor of the Manchester Evening Chronicle, offering their praise for Dewhurst’s reporting on the 1958 World Cup in Sweden. 6/2/11 – A programme from a match between Manchester United and Manchester City, dated Saturday 27 August 1960 with explanatory note. 6/2/12 – A programme from a match between Tottenham Hotspur and Manchester United, dated Saturday 17 January 1976 with match tickets and explanatory note 6/2/13 – A ticket for the Manchester Reference Library’s great hall. 6/2/14 – A card, entitling Dewhurst to send telegraphs via the Great Northern Telegraph Company from Sweden during the 1958 world cup. 6/2/15 – A press box ticket from Blackpool Football Club, dated 19 March 1955. 6/2/16 – A refreshment ticket from Aston Villa Football Club, dated 8 March 1958. 88

6/2/17 – A series of photographs, mostly relating to various football matches across a number of years. Most have an explanatory note from Dewhurst written on the back (13 items). 6/2/18 – A pamphlet, advertising a memorial service. Undated, probably for Munich disaster 1958 6/2/19 – A reunion edition of the Manchester Evening Chronicle, dated July 26 2003with a reunion update bulletin, dated January 2004 and a loose page containing Dewhurst’s contribution to the reunion publication, and a compliments slip. 6/2/20 – A collection of fourteen newspaper clippings of Dewhurst’s reporting from the 1958 World Cup in Sweden. 6/2/21 – Two notebooks containing notes on the history of football [1950s]

6/3 - The Falklands Play Controversy [R] Date: September 2007 6/3/1 – Explanatory note from Dewhurst relating to the cancellation of the production of a TV play by Ian Curteis on the Falklands. 6/3/2 – A note from Ian Curteis dated July 23 2007, along with a printed copy of a fifteen-page section from Curteis’s website relating to his Falkland’s TV play.

6/4 – Iris Origo – War in Val d’Orcia Date: n/a 6/4/1 – An explanatory note. 6/4/2 – A series of newspaper clippings relating to Iris Origo, including three obituaries from 1988 and a piece from 2012, along with a compliments slip. 6/4/3 – A photograph of Iris Origo. 6/4/4 – Photocopies of a section of Iris Origo’s diary. 6/4/5 – Two photographs of Rovio, Italy, with an accompanying note from Dewhurst.

6/5 – Joan Clark File [R] Date: 1980s 6/5/1 – A series of confidential files from the BBC, relating to Joan Clark, with an accompanying explanatory note from Dewhurst.

6/6 – School exercise books Date: 1943 6/6/1 – Dewhurst’s English exercise book from his time at Rydal Junior School, Colwyn Bay with inserts and explanatory note. 89

6/6/2 – Notebook. N.d.

6/7 Other Date: Various 6/7/1 - A pamphlet advertising a protest meeting at Palm Beach Protest, Sydney. With explanatory note. N.d. 6/7/2 - Four postcards, depicting locations in Holland, France, Australia and the Alps. With explanatory notes. N.d. 6/7/3 - Song lyrics [relating to Stewart Parker]. Ms. and typed. N.d. 6/7/4 – Poem/painting. N.d. 6/7/5 – Play poster, ‘Wm. Shakespeare’s King Lear’ from The Theatre Exchange. With explanatory note. 6/7/6 – Information sheet for ‘After Mercer’ play. 6/7/7 – Theatre program, ‘The Best of Friends’, Apollo Theatre 1988. 6/7/8 – Plays and Players magazine, September 1967. 6/7/9 – Spectator magazine, July 1967. 6/7/10 – National Theatre joke ‘Apologies sheet’. With explanatory note. 6/7/11 – Two documents relating to Stewart Parker. With explanatory note. 6/7/12 – ‘Bust card’ issued by the Release organisation; advice for people arrested on drugs charges. N.d. 6/7/13 – Dramatists Club Eigth Anniversary dinner menu, March 1989. With explanatory note. 6/7/14 – Order of Service for Johnny Speight funeral, 14 July 1998. 6/7/15 – Daily Mail clipping on ‘Magical Mystery Tour’ by The Beatles. In envelope with explanatory note. [28 December 1967] 6/7/16 – Ticket for Joe Bugner v Joe Frazier boxing match, in envelope with explanatory note. 2 July 1973 6/7/17 – Nobby Clark business card in envelope with explanatory note. N.d.

Section 7: Correspondence Arranged alphabetically by sender. Correspondence as received with other items removed from diaries (see sections 7/9 and 7/10)

7/1/1 – Explanatory note 7/1 – Senders A – C 7/1/2 – James Affleck. Contains note from Peter Duval-Smith, BBC radio producer, to Affleck. June 1956 7/1/3 – Lindsay Anderson, director. Two letters. 27 May and 2 July 1970. 7/1/4 – R. H Arundel. Invitation to a Howard Arundel’s 21st birthday party. 1969. 7/1/5 – K. O. Barnabrook. Criticism. January 11 1968. 7/1/6 – Peter Bayliss. ‘The Siege of Manchester’. 4 July 1965. 7/1/7 –Tony Benn. Recent Guardian article. 30 June 1969. 7/1/8 – Peter Black, TV critic. Thanking Dewhurst for his notes on a book he had written. 1972 7/1/9 – Gavin Blakeney, actor. Regarding a production of Hamlet in which he performed. 25 April 1971. 7/1/10 – Norman Bowler. Two enclosed short stories. September and October 1978. 7/1/11 – Mike Broadbent. 12 September 1998. 7/1/12 – Lyndon Brook, actor (‘Local Incident’). 17 September 17 1961. 7/1/13 – John Bruce. July 6 1965. 7/1/14 – Pauline Buchanan and co-workers. Fan mail. ‘At last its Friday’. 28 November 1968. 7/1/15 – Sir Matt Busby. Thanks for congratulations on his knighthood. [1968]. 7/1/16 –Alex Buzo. Two items; postcard November 21 1974, letter 30 June 1982. 7/1/17 –Rudolph Carter, TV director. 8 April 1970. 7/1/18 – Catriona Catchpole. Criticism of a performance of Macbeth. April 1972. 7/1/19 – Sid Chaplin, writer. Thanking Dewhurst for a Guardian review. N.d 7/1/20 – Tony Church, actor/director. 13 March 1967. 7/1/21 – John Coleby. Three letters, one with accompanying photographs. 20 April 1982, 7 Jan 1984, [1992]. 7/1/22 –Reverend Constant of Kirkby Malham. 24 September 1967.

7/2 – Senders D – F 7/2/1 – Ronald Deadman, editor of Teacher’s World. 19 June 1969. 7/2/2 – Emma Dewhurst, daughter. 5 items. 1975 – 1992. 91

7/2/3 – Faith Dewhurst, daughter. 4 items, 2 [R]. 1982 – 2000. 7/2/4 – Richard Dewhurst. 24 December 1998. 7/2/5 – Eileen Diss, designer. 11 September 1965. 7/2/6 – Donovan. N.d. 7/2/7 – Peter Duval-Smith, BBC radio producer 13 June 1956 7/2/8 – John Elliot, adaptation of Alastair Horne’s ‘The Fall of Paris’. 25 April 1973. 7/2/9 – David Ellison, postcard. N.d. 7/2/10 – Ronald Eyre, director. N.d. 7/2/11 –Harry Field, A.B.C news sports editor, job rejection. 25 April 1956. 7/2/12 –Professor Raymond Fielding of Temple University, Pennsylvania. 12 September 1971. 7/2/13 – Albert Finney, 3 March 1982. 7/2/x – Robert Flemyng, 29 July 1982 7/2/14 – John Foster, writer and producer. 27 October 1980. 7/2/15 – Benjamin Frankel, composer. 9 items. May – November 1966. 7/2/16 – Sally Fromont solicitors. 28 October 28 1999. 7/2/17 – Christopher Fry, dramatist 6 February 1969.

7/3 – Senders G – J 7/3/1 – Bill Gaskill. Six items. 1970 - 1999. 7/3/2 – Marius Goring, actor. 30 December 1970. 7/3/3 – Hayden Griffin. 13 December 1986. 7/3/4 - John Grigg, journalist and politician. 10 August 1974. 7/3/5 – Alec Guinness. Five items. 1967 – 1991. 7/3/6 – Peter Hall, director. Two postcards. 22 June 1982 and N.d 7/3/7 – Willis Hall to Marc Berlin, regarding ‘Franco’. N.d 7/3/8 – D. W. Harding, psychology professor and literary critic. Two letters. 11 November 1962 and 6 July 1967. 7/3/9 – David Hare. Two items. 15 May 1984 and 5 January 1984. 7/3/10 – David Hart. November 1981 7/3/11 – Ronald Hastings, theatre writer. 4 February 1969. 7/3/12 – Margaret Henry, the mother of actor Victor Henry. 29 November 1972. 7/3/13 – Christopher Hill. Two letters. 26 December 1995, 8 December 1996. 92

7/3/14 – Ewan Hooper, actor and director of Greenwich Theatre. Three letters. 13 and 16 June and 4 August 1966. 7/3/15 – Jane Howell. N.d. 7/3/16 –Hugh Hunt, professor of drama at the University of Manchester. N.d. 7/3/17 – Jill Hyem, actor, television and radio writer. May 28 2012.

7/4 – Senders K – M 7/4/1 – Graham Kelly, chief executive of the Football Association. 28 March 2012. 7/4/2 – Sean Kenny, designer. 3 February 1969. 7/4/3 – Sheila Kinton, fan-mail for ‘Corunna!’ 8 June 1971. 7/4/4 – Irving Kristol, Encounter editor. 18 May 1955. 7/4/5 –Stanley Kubrick. 5 June 1967. 7/4/6 – Catherine Lacey. 4 September 1961. 7/4/7 –Oscar Lewenstein. 17 April 1973. 7/4/8 – Joseph Losey. Two items. 23 December 1969, 5 January 1970. 7/4/9 – Ronald Lowis. 22 September 1969. 7/4/10 – Mary Lou. 6 July 1965. 7/4/11 – John Lyle, surrealist. 16 July 1971. 7/4/12 – Norbert Lynton. 1 October 1970. 7/4/13 –Frank Machin, journalist. Two letters, June 1956. 7/4/14 – Ernest Manfred. 22 July 1969. 7/4/15 – James Mason. Two items, [12 December 1963],6 April 1970. 7/4/16 – Alex May, 7 July 1999. 7/4/17 – Donald McKillop. 4 February 1969. 7/4/18 – Walter Michel. 14 July 1969. 7/4/19 – Ernest Milton, actor. Three letters, two 1960 and one 1971. 7/4/20 –Mary Morris. 17 May 1969. 7/4/21 – Ian Mullins. 22 March 2000. 7/4/22 – Tom Murphy, dramatist. Four letters, one addressed to Alexandra Cann. 11 August 1982 – 25 August 1997, n.d.

7/5 – Senders N – P 93

7/5/1 – Marcus Nevitt. Two items. May 2012 and 28 January 2013. 7/5/2 – Vicky Ogden, actress. 21 July 1982 7/5/3 – Iris Origo. Two items. 25 August 1981 and [March 1982] 7/5/4 – John Osborne. 25 November 1981. 7/5/5 – Aspassia Papathanassiou, actress. 9 October 1970. 7/5/6 – Stewart Parker. N.d. 7/5/7 – Michael Parslew. 14 December 1981. 7/5/8 – Mrs. D Philippson. 11 January 1971. 7/5/9 – Sheila Pickles. 22 February 1974. 7/5/10 –Michael Powell, director. Six items, two n.d. four 1961 to 1982. 7/5/11 –Alice Prendergast, wife of ‘Z Cars’ writer Bill Prendergast with newspaper clipping. 12 July 1971.

7/6 – Senders Q – T 7/6/1 – Marie Richman, fan-mail. 30 December 1970. 7/6/2 – Ian Roger, playwright. N.d. 7/6/3 – Jane Russell, the mother of Dewhurst’s school friend Peter Thirlby. 24 September 1966. 7/6/4 - Ken Russell. 15 January 1968. 7/6/5 – Sheila Saville, Dramatists’ Club. 13 November 1980. 7/6/6 –Paul Scofield. Two items, one [1982] one n.d. 7/6/7 –Michael Seeley. Doomwatch. 27 December 2011. 7/6/8 – Peter Shaffer to Marc Berlin. ‘Amadeus’. 18 June 1979. 7/6/9 –Brian Sharrock, Wigan boxer. With enclosed idea for a screenplay. March 1965. 7/6/10 – [Shivas Hare/Have?] telegram. With accompanying letter from [‘Glen’]. 16 August 1972. 7/6/11 – Mark Shivas, director. Postcard. 2 January 1989. 7/6/12 – Edwin Smith. Photographer. 5 June 1967. 7/6/13 – John Southworth. Ipswich Arts Theatre. 20 July 1969. 7/6/14 – John Standing. Two items. N.d 7/6/15 – Clive Swift, actor. 18 June 1971. 7/6/16 – Basil Sydney. Actor. [4 September 1961]. 7/6/17 – Peter Thirlby. School friend of Dewhurst. Two items. 4 November 1965, 6 August 1983. 7/6/18 – Ronald Travers. Producer. 7 July 1963.

7/7/7 – Senders U – Z 7/7/1 – Peter Wigglesworth and Bettina Suter-Weider. Promotional material for the Formatera furniture store in Zurich. 21 January 1983. 7/7/2 – Richard Williams Animation. Christmas greeting card. N.d. 7/7/3 – Herbert Wise. Director. Includes letter sent to Wise by the theatre manager George Devine, 9 August 1960. 7/7/4 – Roger Woddis. Writer. 10 November 1964. 7/7/5 – Charles Wood, dramatist. 18 November 1964. 7/7/6 – Belinda Wright. Postcard. N.d. 7/7/7 – Masaharu Yoshiiwa. Postcard. N.d.

7/8 - Unknown/other 7/8/1 – Invitation to Garry Anderson Gallery event, Darlinghurst, Australia. January 1988 7/8/2 – Postcard with two Times cuttings. 1983. 7/8/3 – Member of the public regarding ‘Local Incident’. 17 October 1961 7/8/4 – [Fay]. Christmas card with two photos. From Mexico. [1967]. 7/8/5 – [Hugh L]. Postcard. N.d 7/8/6 – [Pat M.S]. 16 November 1982 7/8/7 – ‘Peter’. Christmas card. N.d. 7/8/8 – From the Crucible Theatre, Sheffield. 12 June 1978. 7/8/9 – Postcard. 17 October 1988. 7/8/10 – ‘Russell’ ‘Aquarius’ ITV programme. 14 Jan 1971. 7/8/11 – ‘Steve’. Postcard. [26 January 1988] 7/8/12 – ‘Arthur W’. (Walmsley?) Sent from Blackpool. 1 January 1979. 7/8/13 – Unknown. From ROSC Holdings, London. 4 January 1993. 7/8/14 - Various. 16 items. Telegrams/cards regarding first night performance of ‘Rafferty’s Chant’. 28 June 1967

7/9 – Named correspondence removed from diaries, 1985 – 2010. 7/9/1 – Judith Betterton. 16 June 1990. 7/9/2 – Brian Brolly. 25 February 1993. 7/9/3 – Richard Brown. Two items. ‘Lark Rise’. 23 February, 6 May 1996. 7/9/4 – Robert Burstein to Richard James with explanatory note [R]. ‘Black Snow’. 22 November 1992. 95

7/9/5 - Peter Buckingham. ‘Land Girls’. 16 October 1998. 7/9/6 – Alexandra Cann. Three items, two [R]. 13 October 1998 and n.d. 7/9/7 – Adrian Cleasby. 6 April 1988. 7/9/8 – Tommy Conlon. Sunday Independent. 9 July 2009. 7/9/9 – Ron Craddock. BBC. 21 October 1985. 7/9/10 – Peter Creegeen. BBC. 20 October 1992. 7/9/11 – Linda Crook. ‘Arthur’ script. 31 May 2002. 7/9/12 – Satya [Crystal]. Two items. 26 October [2010] and [2010]. 7/9/13 – Stephen [Davis]. 6 November 1989. 7/9/14 – Mr and Mrs De Gara. 9 August 2000. 7/9/15 – Jacques Dercourt. 23 September 1993. 7/9/16 – Keith Dewhurst to David Leland. ‘Land Girls.’ Two items. 10 June 1997. 7/9/17 – Brownen Douglas. ‘Stages of Translation’. [1996]. 7/9/18 – David Durham. Companies House. 21 March 1996. 7/9/19 – Andrew Greenhill. ‘Coruna’. 5 January 2010. 7/9/20 – Malcolm Grumbridge. Postcard. 31 July 1992. 7/9/21 – Karen Louise Hebden and Bruce Athol MacKinnon. Thoor Productions. 11 November 1997. 7/9/22 – Henry [Hely-Hutchinson]. Two items. 2010 7/9/23 – James Hogan. Oberon Books. 24 July 1996. 7/9/24 – Peter Juster. 9 August 1994. 7/9/25 – Brian Kay. 20 August 1998. 7/9/26 – Beeban Kidron. Director. 14 August 2010. 7/9/27 – Barbara Knowland. Don Quixote. 15 June 1990. 7/9/28 – Rod Langlands. 20 November 1989. 7/9/29 – Christopher Lees. 19 June 1989. 7/9/30 – Richard Linford. ‘Spies of the Kaiser’. 18 June 2002. 7/9/31 – Sarah Lloyd. [October 1998]. 7/9/32 – K R Merrett. Manchester United. 27 January 1999. 7/9/33 – Patrick Miles. 18 April 1997. 7/9/34 – B Murray. Hospital secretary. 27 June 1990. 7/9/35 – Mike Nicholson. 2 April 2010. 7/9/36 – Mary Price. BBC. 21 December 1998. 96

7/9/37 – John [Retallack]. Oldham Coliseum Theatre. 1 April 1986. 7/9/38 – Nigel Rideout. Two items. [1989] and 25 October 1990. 7/9/39 – James Roose-Evans. 20 January 1989. 7/9/40 – Caroline Scott. 1987/ 7/9/41 - Sean Scully. 14 October 2010. 7/9/42 – John Shrapnel. 15 August 1998. 7/9/43 – Jane Singleton. ‘The Vitage Years’. 13 March 1992. 7/9/44 – Jane Vernon Smith. 1 December 1987. 7/9/45 – Susan Taylor. 14 November 1994. 7/9/46 – Arthur and Lillian Walmsley. [1987]. 7/9/47 – Eric Whitman. 6 November 1988. 7/9/48 – Anthony Williams. 23 June 1989.

7/10 - Unknown and other correspondence removed from diaries, 1975 - 2002 7/10/1 – ‘Alan’. Fax, Hollywood. 5 February 1986. 7/10/2 –‘Anna and Mireh’ Three items. Toronto. [1989], 12 January 1995. 7/10/3 – ‘Bill.’ Postcard. 17 August 1992. 7/10/4 – ‘Catherine.’ Fax. ‘Black Snow’. 5 December 1990. 7/10/5 – ‘David.’ Two postcards. 8 November 1995, 5 July 2002. 7/10/6 – ‘Donald’. Postcard. 18 August [1998] 7/10/7 – ‘Eve’. Postcard. 1 August 2002. 7/10/8 – ‘Giorgio’. Fax. 20 January 1975. 7/10/9 – ‘Howard’. Composition/production. 5 September 1991. 7/10/10 – ‘Ian’. Postcard. 22 July 1998. 7/10/11 – ‘Patrick’. 26 October 1990 7/10/12 – [Illegible]. Postcard sent from Mercers Road, London. N.d. 7/10/13 – [Illegible]. Sent from Castiglione, Italy. 24 September 1990. 7/10/14 – [‘Mary’]. Sent from Leamington Spa. [1991].

Section 8: Photographs

8/1 – Photographs - 1970s 8/1/1 – Explanatory note. 8/1/2 – Wallet, labelled ‘Miser Party, St. Aidan’s Trip – June 1973, Kidnapped 1972’. 8/1/3 – Wallet, labelled ‘Australia 1973’. 8/1/4 – Wallet, labelled ‘1973 – Miser and Up Sunday’. 8/1/5 – Wallet, labelled ‘The Miser – Edinburgh Lyceum 1973. Magic Island 1974, Birmingham Rep’. 8/1/6 –Dewhurst, Alexandra Cann and David Leland at the Crucible Theatre, Sheffield, in 1976. 8/1/7 – Wallet, labelled ‘Birmingham Rep 1974, Juniper Hill research trip, Highwood – childhood home, 1977’. 8/1/8 – A wallet, labelled ‘Europe 1977’.

8/2 – Photographs - 1980s 8/2/1 – Two loose photographs. Dewhurst, Alexandra Cann and Peter Wigglesworth. Sainsbury Centre. [1980]. 8/2/2 - Wallet, labelled ‘Peter Wigglesworth etc. + shop he designed for Paul Smith in Covent Garden’. [1980]. 8/2/3 – Wallet, labelled ‘Fringford etc. – Candleford Research Trip. Paul Smith Shop – Covent Garden’. 8/2/4 – Five loose photographs, 1982 - 1986. [Australia]. 8/2/5 – Six loose photographs, taken by Fay Goodwin. With accompanying correspondence and poster. 1981 8/2/6 – Loose photograph of Keith Dewhurst, Laird Williamson, ‘Kenny’ and ‘Kathy’ in costumes. , Central City Colarado, 1985. With explanatory note

8/3 – Photographs – Undated and Miscellaneous 8/3/1 – Wallet, rehearsal of ‘Lloyd George’ including Anthony Hopkins, and a visit by the Queen to Dewhurst’s children’s school. Undated 8/3/2 – Four loose photographs, Dewhurst, Alexandra Cann and Aresha, the daughter of Russian poet Andrey Voznerenki. Undated 8/3/3 – Two yellow wallets containing undated photographs of a variety of locations. 8/3/4 – Loose photograph of Keith Dewhurst, taken by David Hart. Undated 8/3/5 – Four loose photographs of unknown people. Undated 98

8/3/6 – Strip of negatives. Undated

Section 9: Diaries

9/1 - 1951. 9/2 - 1966. Includes 1966 World Cup tube match. 9/3 –1974. 9/4 – 1978. 9/5 – 1979. 9/6 –1980. 9/7 – 1981. 9/8 – 1982. 9/9 –1983. 9/10 – 1984. Includes miscellaneous loose items. 9/11 – 1985. Includes miscellaneous loose items. 9/12 – 1986. Includes miscellaneous loose items. 9/13 – 1987. Includes miscellaneous loose items. 9/14 – 1988. Includes miscellaneous loose items. 9/15 – 1989. Includes miscellaneous loose items. 9/16 – 1990. Includes miscellaneous loose items. 9/17 – 1991. Includes correspondence and miscellaneous loose items. 9/18 – 1992. Includes miscellaneous loose items. 9/19 – 1993. Includes miscellaneous loose items. 9/20 – 1994. Includes miscellaneous loose items. 9/21 – 1995. Includes correspondence and miscellaneous loose items. 9/22 – 1996. Includes correspondence and miscellaneous loose items. 9/23 – 1997. Includes miscellaneous loose items. 9/24 – 1998. Includes correspondence and miscellaneous loose items. 9/25 - 1999. Includes correspondence and miscellaneous loose items. 9/26 - 2000. Includes correspondence and miscellaneous loose items. 9/27 – 2001. Includes correspondence and miscellaneous loose items. 9/28 – 2002. Includes miscellaneous loose items. 9/29 - 2003. 9/30 – 2006 (loose Filofax pages). 100

9/31 – 2007 (loose Filofax pages). 9/32 – 2008 (loose Filofax pages). 9/33 – 2010. Includes correspondence, miscellaneous loose items and loose pages from a Filofax 2010 diary. 9/34 – 2011 (loose Filofax pages). 9/35 – 2012 (loose Filofax pages).

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Section 10: Works not by Keith Dewhurst Material related to works not by Keith Dewhurst. Received with donation of the archive

10/1 – The Changing Room - David Storey Date: c. 1971 Theatre: Royal Court Theatre 10/1/1 – Cast list with contact information R

10/2 – Encounters - Stella Richman Date: c. 1993 Broadcast date: N/A Production Company: LWT (Not made) 10/2/1 – Explanatory note 10/2/2 – Correspondence from Stella Richman 10/2/3 – Newspaper clipping of ‘Encounters’ personal ads from The Times 10/2/4 – Treatment for Encounters by Stella Richman, dated June 1993. Ts. with ms. annotations

10/3 – The Inquest - Michael Mansfield and Tony Wardle Date: 5 October 2010 Production Company: Vanson Productions (Not made) 10/3/1 – Explanatory note 10/3/2 - Note from Yvette Vanson, the project’s producer, to David Leland 10/3/3 – Synopsis / treatment, including character biographies and chapter synopses with notes 10/3/4 – Chapter one 10/3/5 – Chapter two

10/4 – David Leland Projects Date: n/a 10/4/1 – Synopses of ‘Blind Eye’ with explanatory note, 1999. 10/4/2 – Synopsis of ‘Telling Stories’ with accompanying correspondence from David Leland. 4 Auguat 1998 10/4/3 – Ms notes 10/4/4 – Fax from Dewhurst to Leland 102

10/4/5 – Clipping from The Times, 14 November 1998 on women who had relationships with Nazis in occupied Europe

10/5 – Oh Hex! – Jeremy Lloyd Date: c. August 1991 Production Company: BBC (Not made) 1/63/1 – Explanatory notes 1/63/2 – Screenplay

10/6 – Royal Court Book Date: 1971 10/6/1 – Explanatory note. 10/6/2 – Correspondence from Roger Williams and Peter Newbolt, 1970-71 10/6/3 – Ms. page of notes, to-do list for the production of the book. 10/6/4 – Correspondence between Arnold Wesker, Lindsay Anderson and Roger Williams relating to Wesker’s contribution to the book. Includes a copy of ‘The Critic in the Theatre no.1’, containing a piece by Arnold Wesker titled ‘Casual Condemnations - a Brief Study of the Critic as Censor’; a note from Wesker to Lindsay Anderson is written on the front. 10/6/5 – Script for a recording of a BBC radio programme related to the life of George Devine, dated 28 October 1966 with attached note 10/6/6 – ‘English Stage Company – A Record of Two Years Work’ publication, 1958. 10/6/7 – Memorandum from Roger Williams to Lindsay Anderson in December 1970. 10/6/8 – Note from Roger Williams to a contributor to the Royal Theatre book. On the back is a handwritten list of contributors and notes on their contributions, dated 25 February 1971. 10/6/9 – A memorandum, agenda, and minutes for a publicity meeting that took place on 4 November 1971. The minutes are dated 27 October 1971. Dewhurst is listed as a required attendee. 10/6/10 – Newspaper clippings, by John Osborne, [Tribune, 18 August 1961], and George Devine, The Guardian, April 2 1962 with explanatory note. 10/6/11 – Ms. notes containing a list of contributors for [section one]. 10/6/12 – Correspondence from Greville Poke to Dewhurst, 14 June 1971. 10/6/13 – Ms notes with compliment slip from Lorrimer publishing 10/6/14 – Royal Court 1970 brochure 10/6/15 – ‘Ten Years of the Royal Court 1956/1966’ publication

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10/7 – A Slave in London – Georgina Abrahams Date: c. July 1991 Broadcast date: N/A Production Company: Friday Productions (Not made) 10/7/1 – Explanatory notes re potential involvement in the project 10/7/2 – Correspondence from Rob Pursey to Keith Dewhurst. Includes Q&A preparation notes for a meeting with Channel 4. Dated 1 July 1991 10/7/3 – Three documents regarding the story’s real-life main protagonist, as transcribed and written by Eleanor Graham, dated 26 October 1990-7 February 1991 with correspondence from Rob Pursey, dated 9 July 1991.

10/8– Yachting - Keith Wheatley Date: Unknown Broadcast date: N/A Production Company: Unknown (Not made) 10/8/1 – Explanatory notes 10/8/2 – Exercise book containing ms. ideas for the project 10/8/3 – Synopsis by Keith Wheatley, dated 1993 10/8/4 – Book chapter by Keith Wheatley 10/8/5 – Correspondence from 0Keith Wheatley

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Section 11: Book collection DEWHURST 1 With Love, Maurice Chevalier (Cassell Publishers, 1960) DEWHURST 2 Z-Cars – Four Television Scripts (Longmans 1967, 582233712) DEWHURST 3 Plays of the Years vol. 33, J.C. Trewin (ed) (Elak, 1968) DEWHURST 4 The Bedside ‘Guardian’ 17, W.L. Webb (ed) (Collins, 1968) DEWHURST 5 The Bedside ‘Guardian’ 18, W.L. Webb (ed) (Collins, 1969) DEWHURST 6 Bravo Maurice!: A Compilation from the Autobiographical Writings of Maurice Chevalier, Maurice Chevalier (Allen & Unwin, 1973) DEWHURST 7 Captain of the Sands, Keith Dewhurst (Viking Press, 1981) DEWHURST 8 Maurice Chevalier, His life, 1888-1972, James Harding (Secker & Warburg, 1982) DEWHURST 9 McSullivan’s Beach, Keith Dewhurst (TBS The Book Service, 1986) DEWHURST 10 When You Put on a Red Shirt, Keith Dewhurst (Yellow Jersey Press, 2012) DEWHURST 11 Black Snow, Mikhail Afanasʹevich Bulgakov (Absolute Classics, 1991) DEWHURST 12 Lark Rise and Candleford, Keith Dewhurst (S. French, 1995) DEWHURST 13 War Plays, Keith Dewhurst (Oberon Books, 1996) DEWHURST 14 Stages of Translation, David Johnston (ed) (The Longdunn Press 1996, 0748230754) DEWHURST 15 The New Choice Reader for Tiende, Jeremy Watts (et al) (Gyldendal Uddannelse, 1996 9788700244788) DEWHURST 16 Philoctetes, Keith Dewhurst (Oberon Books, 2000) DEWHURST 17 Prophets of Doom: The Unauthorised History of Doomwatch, Michael Seely (Miwk Publishing Ltd, 2012) DEWHURST 18 Joe Wilson, Henry Lawson (Ellsyd Press, 1987) 105

Section 12: Oversized Items 12/1 - Lark Rise, Newmans, St Aldates 12/2 - Lark Rise. Newmans, St Aldates (large) 12/3 - Lark Rise. National Theatre, Factory Theatre, Milton Keynes (large. Two copies, one framed) 12/4 - Lark Rise. National Theatre, Factory Theatre, Milton Keynes 12/5 - Lark Rise. Samuel Ward School 12/6 - Lark Rise to Candleford. National Theatre (two copies) 12/7 - Lark Rise to Candleford album (two copies) 12/8 - The Bomb in Brewery Street. The Crucible, Sheffield (two copies, one framed) 12/9 - The Magic Island. Birmingham Reparatory Theatre (two copies, one framed) 12/10 - The World Turned Upside Down. National Theatre 12/11 - Don Quixote. National Theatre (two copies) 12/12 - At Last Its Friday. Granada TV production 12/13 - Radio Times poster (not present)