June Tabor & Oysterband

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June Tabor (voc) John Jones (voc, bharp) Ian Telfer (vio, bvoc) Alan Prosser (g, bvoc) Chopper (bass, cello, bvoc) Dil Davies (drums, percussion) June Tabor & Auswahl-Diskographie The Oxford Girl And Other Stories (2010 - WP 87190) Oysterband Meet You There (2007 - WP 87141) The 25th Anniversary Concert (DVD 2005 - 87111) Ragged Kingdom The Big SessionVol. 1 (2004 - WP 87105) Rise Above (2002) Westpark 87215 Here I Stand (1999) Freedom And Rain (1990) Seit mehr als 20 Jahren gehört das Album „Freedom And Rain“ von June Tabor und der Oysterband zum Besten, was musikali- Westpark Music sche Kooperationen unterschiedlicher Künstler bisher hervorge- Postfach 260227, 50515 Köln bracht hat. Dass die Chemie immer noch stimmt, zeigt das neue Tel.: 0221 24 76 44 www.oysterband.co.uk [email protected] Album von einer der besten Folklore-Stimme Englands und den www.WestparkMusic.de wichigsten Vertretern des Polit-Folkrocks. Durch die Kooperation des gewaltigen und einzigartigen Talents „If you can’t appreciate June Tabor and Oysterband der großartigen englischen Folk-Sängerin June Tabor mit den rau- June Tabor, you should just „a marriage made in hen und lauten Rebellen stop listening to music“ heaven“ der Oysterband, ent- Elvis Costello Rolling Stone stand schon 1990 bei Er- scheinen des Albums „Freedom And Rain“, der ersten Zusammenar- beit dieser Vollblut- musiker, etwas Neues und Ausbaufähiges. Zwanzig Jahre später, als man sich für die Party zum 30. Geburtstag des renommierten Magazin fRoots wieder zusammen tat, sprang der Funken sofort wieder über. „Ragged Kingdom“ war 1. Bonny Bunch Of Roses 4:59 dann nur noch eine Frage der Zeit - ein brillantes, reichlich verspä- 2. That Was My Veil 2:59 tetes Folge-Album zu einem der beliebtesten Alben Englands. Ein 3. Son David 3:51 Album, das Traditionelles mit Modernem in verblüffender Form ver- bindet. Da folgt auf das gute alte „Bonny Bunch Of Roses“ eine 4. Love Will Tear Us Apart 3:28 eigene Interpretation von PJ Harveys „That Was My Veil“, es gibt 5. (When I Was No But) Sweet Sixteen 3:03 eine Akustik-Version von Joy Divisions „Love Will Tear Us Apart“ zu 6. Judas (Was A Red Headed Man) 4:13 hören, gefolgt vom schottischen Traditional „(When I Was No But) Sweet Sixteen“. 7. If My Love Loves Me 4:58 Alle beteiligten Musiker haben sich in den vielen dazwischen lie- 8. The Hills Of Shiloh 4:32 gen Jahren stilistisch weiterentwickelt. June wurde eine vielseitige 9. Fountains Flowing 3:51 Sängerin, die aus den verschiedensten Quellen ihre Inspiration zie- 10. The Leaves Of Life 3:35 hen kann, und die Oysterband erkundet immer wieder aufs Neue systematisch die eigenen akustischen Wurzeln. Zusammen geben 11. Seven Curses 3:29 sie dem Projekt dieses enorme künstlerische Gewicht mit dem rich- 12. The Dark End Of The Street 2:51 tigen Gespür dafür, die Gefühlswelt des Hörers zu berühren. Bis- weilen werden die Pfade der Traditionals absichtlich verlassen, um Produziert von Al Scott den heutigen Zeitgeist einfliessen zu lassen. Aufgenommen in den Rockfield Studios und Die besondere Stimme von June Tabor und die anpassungsfähige Musikalität der Oysters ergänzen sich zu einem ergreifenden, mit- Metway Studios von Februar bis April 2011 reissenden, nachdenklichen, stimmungsvollen Kunstwerk. Fotos: Judith Burrows.

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“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people.
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UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat.
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June Tabor Ask June Tabor About the Cinematic Image and She'll Talk With
June Tabor Ask June Tabor about the cinematic image and she'll talk with wonder of the relentless rain in Seven Samurai, Max Schreck's terrifying shadow on the castle wall in Nosferatu, or the first shimmering sight of Sherif Ali on the desert horizon in Lawrence of Arabia. She finds such powerful images in songs too - they are her inspiration, and she paints them vividly with her voice so that they take root in the subconcious. 2012 was a good year for June Tabor. She was named BBC Folk Awards Singer of the Year for the second time this century, and her recent partnership with Oysterband won three more of the year's most coveted prizes. It's the Ragged Kingdom album with the Oysters that has occupied June for the past two years, which means she's been touring in 'rock' mode, away from the more intimate intensity of her own solo concerts for some time. These March 2013 dates mark her return to the kind of performances that she feels most at home with: in 'listening' venues, where her singing can take hold of the imagination, and the warmth of her presentation lead listeners along the storyteller's path. June is joined by three of the musicians who combined on her most recent solo album, Ashore (2011): pianist Huw Warren, accordionist Andy Cutting and viola player Mark Emerson: all experienced Tabor-accompanists who know how to give June the space to sing and provide the depth which she exploits so beautifully. "One of Britain's most emotive voices...in a category of one" Mojo "Tabor has been a folk legend for four decades.
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Track Artist Album Format Ref # Titirangi Folk Music Club
Titirangi Folk Music Club - Library Tracks List Track Artist Album Format Ref # 12 Bar Blues Bron Ault-Connell Bron Ault-Connell CD B-CD00126 12 Gates Bruce Hall Sounds Of Titirangi 1982 - 1995 CD V-CD00031 The 12th Day of July Various Artists Loyalist Prisoners Aid - UDA Vinyl LP V-VB00090 1-800-799-7233 [Live] Saffire - the Uppity Blues Women Live & Uppity CD S-CD00074 1891 Bushwackers Faces in the Street Vinyl LP B-VN00057 1913 Massacre Ramblin' Jack Elliot The Essential Ramblin' Jack Elliot Vinyl LP R-VA00014 1913 Massacre Ramblin' Jack Elliot The Greatest Songs of Woodie Guthrie Vinyl LP X W-VA00018 The 23rd of June Danny Spooner & Gordon McIntyre Revived & Relieved! Vinyl LP D-VN00020 The 23rd Of June the Clancy Brothers & Tommy Makem Hearty And Hellish Vinyl LP C-VB00020 3 Morris Tunes - Wheatley Processional / Twenty-ninth of May George Deacon & Marion Ross Sweet William's Ghost Vinyl LP G-VB00033 3/4 and 6/8 Time Pete Seeger How to play the Old Time Banjo Vinyl LP P-VA00009 30 Years Ago Various Artists & Lindsey Baker Hamilton Acoustic Music Club CD H-CD00067 35 Below Lorina Harding Lucky Damn Woman CD L-CD00004 4th July James RAy James RAy - Live At TFMC - October 2003 CD - TFMC J-CN00197 500 Miles Peter Paul & Mary In Concert Vinyl LP X P-VA00145 500 Miles Peter Paul & Mary Best of Peter, Paul & Mary: Ten Years Together Vinyl LP P-VA00101 500 Miles The Kingston Trio Greatest Hits Vinyl LP K-VA00124 70 Miles Pete Seeger God Bless the Grass Vinyl LP S-VA00042 900 Miles Cisco Houston The Greatest Songs of Woodie Guthrie Vinyl LP
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Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
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MADDY PRIOR– EFDSS Gold Badge Testimonial Maddy Prior Is Without Doubt One of the Best Known Voices from the English Folk Revi
MADDY PRIOR– EFDSS Gold Badge Testimonial Maddy Prior is without doubt one of the best known voices from the English folk revival, with a career spanning over forty years which continues today, and several key recordings which will always be identified with her, including by generations born long after the original release of those songs. Her work, however, has extended way beyond her global hits Gaudete and All Around my Hat. Born in Blackpool to Z-Cars co-creator Alan Prior, Maddy grew up in St Albans where she came to prominence in the late 1960’s in a duo with singer/ guitarist Tim Hart, who built a reputation on the folk club circuit, releasing two albums. In the early 1970’s they joined forces with Ashley Hutchings (of Fairport Convention) and Gay & Terry Woods, with the idea of fusing folk song with rock instrumentation and technique. The new group took its name from a traditional Lincolnshire ballad 'Horkstow Grange' - the tale of a character called Steeleye Span. As is well known, Steeleye Span took folk music out of the clubs and into the charts with a string of consistently strong hit albums, gold discs and world tours. Tim Hart and Maddy Prior remained the core of the group whose changing line-ups read like a Who's Who of British folk until Tim left for health reasons in 1980. Maddy continued to work with the band in its changing line-ups until 1997, when after two massive tours around the release of the album Time, she left the band after 28 years, only to return to work with them again from 2002 onwards, and is still touring with them today.
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FW May-June 03.Qxd
CD REVIEWS • CALENDAR OF EVENTS • INTERVIEWS FREE Volume 3 Number 6 November-December 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY VIVA“Don’t you knowCONJUNTO that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers FLACO JIMENEZ ROCKIN’ THE SKIRBALL BY BETTO ARCOS laco Jimenez knows where ings, of your roots, where you come from. he comes from and he’s My point is ‘life is life’ and everybody’s proud to say it: “I’m just got a heart that feels, and there’s good ones an accordion player from and bad ones. We all struggle to survive. the West side of town.” But still, if I’m a poor musician, I’m a mil- The West side of town is a lionaire in music, but not with money. The F working class area in San heart is the one that’s rich.” Antonio. For a long time, this neigh- Flaco Jimenez has a particular way of borhood carried a stigma and a bad explaining what it is that makes music so reputation, but for Flaco, and many of important in life. Every musician has their the best Tejano musicians, the West own style, their own feeling the way they side is where much of the music we play music, he says. But, “sometimes there now know as Tex-Mex, Conjunto or are musicians that are just mechanical, Tejano was born. they don’t have the ‘crying expression’ of Leonardo “Flaco” Jimenez was born explaining the music, but still they’re good into a legendary musical family.
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Maddy Prior Born August 14, 1947 in Blackpool, England, Maddy Prior Is a Renowned Songwriter, and Interpreter and Curator of Marvelous Old Folk Songs
The Folk Club of Reston-Herndon Preserving the traditions of Folk Music, Folk Lore, and Gentle Folk Ways www.RestonHerndonFolkClub.com Volume 25, Issue 7 July 2009 July 14 Showcase – Greg Vickers Greg is a program director for a construction materials trade association. He lives in Reston, and has been a Folk Club regular since 2003. He hasn’t done a showcase since 2005, and says he’s really looking forward to the July 14th gig. Greg and his wife, Gillian, just flew off to Colombia for two weeks where they went to see their daughter get married. Busy with wedding, travel, and day job plans, Greg says he hasn’t decided what he’ll play at his showcase. Nor does he know who he’s going to invite to share the stage. He says he likes surprises, though, and he frequently decides what he’s going to play at regular Folk Club open mikes only after he’s arrived at the Tortilla Factory. Greg started playing guitar and writing songs as a teenager in McLean in the 70’s. He remembers his first band, The Back of the Bus, jamming for hours in his parents’ basement. “We mercilessly punished contemporary rock songs and a few originals,” Greg says. “My recollection of that band was that we really sucked. But we loved to play and sing so much that we still managed to create a fun, contagious sort of energy. Every time I take the stage, I try to recapture that same old spirit, without, y’know, all that suction.” Eventually, Greg took up harmonica and banjo, too.
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January / February
CD REVIEWS • CALENDAR OF EVENTS • INTERVIEWS FREE BI-MONTHLY Volume 4 Number 1 January-February 2003 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers African Roots Peruvian Soul PERU NEGRO BY ENRICO DEL ZOTTO AlsoAlso inside:inside: hen we think of Peruvian music, most of us think of the music of Andean flute groups, but Bess Hawes Peru, like all of Latin America, has a diverse Bess Hawes culture. Part of this diversity is the Afro- Peruvian experience, which will be shared with InterviewInterview Los Angeles this February 8th as Peru Negro W performs at UCLA’s Royce Hall. Peru Negro was founded by Ronaldo Campos de la Colona in 1969. AA MusicalMusical Originally a made-up of a dozen family members it now has grown to over 30 members who perform music and dance from the African tradition in Peru. JourneyJourney Although similar in some ways to the Afro-Latin tradi- tions we might recognize from Brazil and Cuba, Afro- Peruvian culture developed under the gaze of the Spanish FolkFolk AllianceAlliance Viceroyalty seated in Peru. Consequently, some of the oppor- tunities for preserving African culture that existed in the more remote parts of the empire, like the Caribbean, did not exist for Africans in Peru. Where Cuban musicians play many per- cussion instruments from African origins, drums were banned PLUSPLUS outright in Peru. Instead of African drums we hear the tithing box from the Catholic Church (played by opening and clos- KeysKeys toto thethe HighwayHighway ing the lid with one hand and slapping the side with the other) and the quijada de burro (a donkey’s jaw) and the cajon (orig- inally a crate for produce, which is also used in some Cuban CDCD ReviewsReviews music).
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Rosemary Lane
Rosemary Lane Rosemarythe pentangle magazine Lane John's New Album: Bert's New Album: Travellers' Prayer Toy Balloon Jacqui's Colin Harper Next Album on Colin Reid Issue No 13 Spring 1998 Rosemary Lane Editorial... i there! Here we have another Pentangle 1967 bert jansch song book. From John spectacular. As you can tell from this we have his arrangement for Death & issue’s cover Bert, John and Jacqui have all The Lady. Just a few days ago Colin also been very busy in the studio. Three new phoned in an account of Bert’s recent gig in Belfast so there’s a report on that and also going and there may even be a fourth by the of the opening night of John and Jacqui’s autumn if John and Jacqui get their skates on!. Only Bert’s is actually out so far and this is pleased to see an article on John’s classic reviewed at length on the centre pages; but collection of instrumentals published in Solo Guitar Pieces and towards the end as about how the others took shape. Colin Harper usual the discographies soldier on..... The has done us proud this time round. Not only gig guides show that many, many people are we re-printing his well-informed piece on are going to have the chance to see John or Solomon’s Seal Mojo, but Jacqui or Bert this year. Bert has already been touring in the Far East, Australia and supporting Bert of late. Colin has also been Ireland and by the time you read this John busy preparing an entry on Pentangle for the Guinness Rockapedia Jacqui’s been twice to Italy.
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L1 FOLKORIGINALS 334 27 Februari 2011 Arnold Rypens
L1 FOLKORIGINALS 334 27 februari 2011 Arnold Rypens - Kirsten (vanaf 2:35): 1:12 1. Tri-Coloured Ribbon (trad.) E.O. ANNE BYRNE L95 2 The Originals gaan op de folk-toer, grondig en heftig. All Around My Hat, bekend van Steeleye Span en zelfs van Status Quo, herkende je in deze Tri-Coloured Ribbon van Anne Byrne. Drie kleuren die hier ongetwijfeld staan voor het oranje-wit-groen van de Ierse vlag want vooral in Ierland werd deze nochtans Engelse folk-tune massaal gerecupereerd. Onze oudst bewaarde opname gaat trouwens over een martelaar van de Ierse Paasopstand in 1916: The Death Of (Cathal) Brugh op de tune van All Around My Hat door Johnny McDonagh in 1951. 1:39 2. The Death Of Brugh (Seán) Rounder JOHNNY McDONAGH 32 5:50 3. The Unquiet Grave (trad.) Folkways ANDREW ROWAN SUMMERS L107a 13 Heavy folkoriginals, we hadden verwittigd!Met na de oudst bewaarde All Around My Hat de oudst bewaarde The Unquiet Grave, alle twee uit 1951 en alle twee gelinkt aan Steeleye Span. De uitdrukking "for twelve months and a day" komt trouwens in beide songs terug. De moraal: wie langer dan één jaar blijft rouwen gaat op de duur de dode vervelen! We hoorden Andrew Rowan Summers voor Folkways, met voorsprong eerder dan het zo goed als voltallige puik van zowel het Engelse àls het Amerikaanse folk-gild: Ewan MacColl, A.L. Lloyd, Shirley Collins, Jean Ritchie, Joan Baez, Peter, Paul & Mary, de groep Gryphon, The Dubliners, The New Lost City Ramblers, Eliza Carthy, ja zelfs Ween en Bonnie 'Prince' Billy.
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6518383784.Pdf
56 Declaration ofJoAnn Mar I, JoAnn Mar, do hereby declare: I. I am the Executive Producer of the locally-produced program, "Folk Music & Beyond", wlrich has been broadcast from October 1988 to the present by noncommercial station KALW(FM), 91.7 MHz, San Francisco, California ("KALW") licensed to the San Francisco Unified School District ("SFUSD"). 2. "Folk Music & Beyond" is a weekly program that showcases folklrootsiCeltic/acoustic based music mostly from AJrerica, the British Isles, Ireland, and occasionally other parts ofthe world. 3. As Executive Producer of "Folk Music & Beyond", my duties include: choosing the topics and guests presented on the program, booking guests on the program, being aware offmformiog myself of/reading up on issues important to the music-listening community, researclring topics and preparing for interviews, editing interviews and pre-producing programs for broadcast, and submitting a list ofprogram topics to KALW management for publication in the quarterly KALW program guide. 4. During the period from November 3, 1996 to November 3, 1997, "Folk Music & Beyond" was broadcast on KALW on Saturdays between 5 and 6 pm From July 16, 2003 to July 16, 2004, "Folk Music & Beyond" regularly aired on KALW on Saturdays, between 3 and 5 pm 5. Program lists for "Folk Music & Beyond" wlrich I prepared for programs produced during November 3,1996 to November 3,1997, and July 16,2003 to July 16, 2004 are attached at Attachment A. The attached lists appeared in the KALW quarterly program guides for the time periods listed above. I hereby confirm that these lists accurately describe the "Folk Music & Beyond" programs delivered to KALW during these time periods, and such programs were broadcast by KALW on the listed dates and times.
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