Compleat History of the Ram Club
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Download PDF Booklet
“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
In My Tradition: Ballads and Folk Lyrics
In My Tradition: Ballads and Folk Lyrics Rosaleen Gregory Four more songs, all sung a cappella. Two of these shire) traditional singer Anne Briggs on her 1963 I’ve known for many years: the other two I learned Topic EP, The Hazards of Love. The three other more recently to illustrate conference papers given by songs on that long-ago disc – “Lowlands Away”, Dave, and liked enough to go on singing them. This “Polly Vaughan” and “Rosemary Lane” – have al- time I seem to have unconsciously focused on flow- ready been featured in this column in the Fall 2009 ers (garden and other) and musical instruments. It and Fall 2011 issues of Canadian Folk Music. must have something to do (at least the flowers part) with spring finally coming to northern Alberta (al- Flowers in the Valley though this is actually the Winter 2011-12 issue of Canadian Folk Music!). This engaging (but not exactly feminist) song has something of a history. It was collected in 1891 by The Bloody Gardener Devon collector and clergyman Sabine Baring-Gould from Sam and Mary Gilbert of Mawgan-in-Pyder, This unusual and chilling tale with its distinctive tune Cornwall. Neither informant could remember all the was collected by Maud Karpeles on her first collect- words, so Baring-Gould, in the manner of the day, ing trip in Newfoundland. It was sung to her by Mrs. created a composite lyric based on the possible Eng- May McCabe at North River, Conception Bay, on lish and Scottish antecedents of the fragments Sam 16th October 1929. -
Listing Showing Events from 10/11/2016 to 20/11/2016 and Within 12 Miles of Ashbourne
Listing showing events from 10/11/2016 to 20/11/2016 and within 12 miles of Ashbourne Time to....... www.visitpeakdistrict.com A Concert of Remembrance at Cheadle Discovery and Visitor Centre Cheadle Discovery and Visitor Centre, Lulworth House, 51 High Street, Cheadle, Staffordshire, ST10 1AR 12th Nov 2016 19:30-22:00 Contact: Alan Wigley Tel: 01538 753519 Tickets are £6.00 and available in advance from the Discovery Centre and Crafty Urchins (76, High Street) Tickets will also be available on the door. A Concert of Remembrance at the Cheadle Community Theatre, featuring the Florence Brass Band and the Wetley Rocks Male Voice Choir. NEW Craft and Gift Fair at Ashbourne Town Hall Ashbourne Town Hall, Market Place, Ashbourne, Derbyshire, DE6 1ES 12th Nov 2016 10:00-16:00 19th Nov 2016 10:00-16:00 Contact: Chrisian Email: [email protected] . Remembrance Church Concert at St Oswald's Church St Oswald's Church, Church Street, Ashbourne, Derbyshire, DE6 1AJ 12th Nov 2016 19:30 Contact: St Oswalds Admission free Remembrance Concert a collaboration of The Ashbourne Singers with Ashbourne Town Band hosted by British Legion in the fine setting of St Oswald's Church. Pool Inflatable Fun Session at Ashbourne Leisure Centre Ashbourne Leisure Centre, Clifton Road, Ashbourne, Derbyshire, DE6 1AA 12th Nov 2016 14:15-15:30 19th Nov 2016 14:15-15:30 Contact: Ashbourne Leisure Centre Tel: 01335 343712 Email: [email protected] Children & Concessions £2.50 Adults £3.70 Additional 50p for non-members Can you conquer our inflatable obstacle course or will you end up slip sliding your way into the pool. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
The Matthews Baartmans Conspiracy Singer Songwriter Iain Matthews
The Matthews Baartmans Conspiracy Singer songwriter Iain Matthews and guitarist/singer songwriter/producer BJ Baartmans met in 2003, shortly after the former had relocated to the south of Holland. BJ was accompanying touring American singer songwriter, Eugene Ruffolo in a local music cafe and the two were introduced after the show. A mutual respect for each other’s talents developed and they have been playing and recording together more or less since then. Mostly in the all Dutch lineup of Matthews Southern Comfort, which they formed together in 2005. Releasing three albums and touring extensively throughout Europe. It's a natural habitat for both musicians who each have a long and rich history in the music world, as a solo act or bandmember: Matthews worked with ao Fairport Convention, Matthews Southern Comfort, Plainsong, More Than A Song. Baartmans worked with a long list of Dutch and international acts like Oh Susanna, Jeff Finlin, David Corley. Amy Speace, Cara Luft [ distant chatter] When last years pandemic forced all performers off the road, the two began writing together in earnest and made plans to record and tour as a duo once curfews were lifted. Calling themselves ‘The Matthews Baartmans conspiracy’, a year and half and seventeen tunes later, their new album titled Distant Chatter and it’s accompanying EP Close Call will be available from September 15, 2021. It's a collection of rootsy americana songs with an adventurous, gritty and colorful side to it. Intruiging harmonies and ear catching hooklines. Matthews and Baartmans call it “an album that had no other option than to be made”. -
Sherman Robertson Band Chris Jagger's Atacha!
OCTOBER 2009 NOVEMBER 2009 Fri 2 Sun 1 Sherman Robertson Band Afternoon Tea Party (1pm till 6pm) £10adv £12door £5 feat. Mortiarty, The Hi and Lo, Giles Likes Tea, Sherman Robertson is a master of hard-swinging Texas electric The Gadjos, Matthew & The Echos and Richard Walters. blues. “I use that driving, zydeco groove and put blues on top of Moriarty are not your average indie-rock band or streamlined it,” says Robertson. “When I first saw him he was on fire. He ruled electro-pop unit. With members of French, American, Swiss and the stage and reminded me of Albert Collins. He’s got that Texas Vietnamese parentage, they’re a ramshackle olde worlde acoustic energy, great guitar chops and is a wonderful, soulful singer.”- outfit with a theatrical bent and a tendency to dress like 1930s Bruce Iglauer, Alligator Records. www.movinmusic.co.uk Prohibition outlaws and a sound that takes in folk, country, blues, jazz and cabaret. www.myspace.com/moriartylands Thu 8 Wed 4 Chris Jagger’s Atacha! Johnny Dickinson & Paul Lamb £8adv £10door £8adv/ £10door plus Paul Cowley Founded in 1994, Chris Jagger’s Atcha! are now hotter than ever Johnny Dickinson has been called the most potent slide player in and are one of very few UK bands that can handle cajun, R&B, the UK. Johnny was a founder member of Paul Lamb’s acclaimed zydeco, blues and country in an authentic and original fashion. band The Kingsnakes. Hailed by both aficionados and the music Chris is backed by a band of great musicians. -
Andy Roberts Urban Cowboy 01
ANDY ROBERTS 01 URBAN COWBOY www.thebeesknees.com ANDY ROBERTS 02 URBAN COWBOY The first seeds for this album were sown in October 1970. Everyone, my Morgan Studios had been started by well-known drummer Barry Morgan post Liverpool Scene band, was put out of business in a devastating four years before, and was Samwell’s studio of choice. His principal client instant when our long wheelbase Transit was side swiped in Basingstoke in those days was Cat Stevens, who was well on his way to being a global by a jack-knifing flatbed, killing Paul Scard, our 19-year-old roadie, and superstar. One day after a Matthews session I was taking my time packing injuring Andy Rochford, his colleague. up my guitars, when in strolled Alan Davies, who was Steve’s right hand man on acoustic (still is, as far as I know). Alan and I knew each other from The musicians in the band were all safely back in London when it way back, when we had both at various times played with Jeremy Taylor happened. Earlier we had played at Southampton University, and I was and Sydney Carter. I showed him the Kriwaczek String Organ I had with Plainsong rehearsal photographs by Harry Isles sitting in drummer John Pearson’s kitchen in Bruton Place, having a cup me (a unique stringed instrument, designed by a great friend of mine, of of tea with John, Dave Richards and Paul, when Andy Rochford phoned up which I was at that time the sole exponent!), and then we began playing to ask if Paul could possibly return to Southampton to fetch him.