Wagon Tracks Volume 9 Issue 1 Wagon Tracks Volume 9, Issue 1 (November Article 1 1994)
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Historic Resources of the Santa Fe Trail (Revised)
NPS Form 10-900-b (Rev. 01/2009) OMB No. 1024-0018 (Expires 5/31/2012) United States Department of the Interior National Park Service NPS Approved – April 3, 2013 National Register of Historic Places Multiple Property Documentation Form This form is used for documenting property groups relating to one or several historic contexts. See instructions in National Register Bulletin How to Complete the Multiple Property Documentation Form (formerly 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items New Submission X Amended Submission A. Name of Multiple Property Listing Historic Resources of the Santa Fe Trail (Revised) B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each.) I. The Santa Fe Trail II. Individual States and the Santa Fe Trail A. International Trade on the Mexican Road, 1821-1846 A. The Santa Fe Trail in Missouri B. The Mexican-American War and the Santa Fe Trail, 1846-1848 B. The Santa Fe Trail in Kansas C. Expanding National Trade on the Santa Fe Trail, 1848-1861 C. The Santa Fe Trail in Oklahoma D. The Effects of the Civil War on the Santa Fe Trail, 1861-1865 D. The Santa Fe Trail in Colorado E. The Santa Fe Trail and the Railroad, 1865-1880 E. The Santa Fe Trail in New Mexico F. Commemoration and Reuse of the Santa Fe Trail, 1880-1987 C. Form Prepared by name/title KSHS Staff, amended submission; URBANA Group, original submission organization Kansas State Historical Society date Spring 2012 street & number 6425 SW 6th Ave. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected]
Boston College Law Review Volume 59 | Issue 6 Article 2 7-11-2018 Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://lawdigitalcommons.bc.edu/bclr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Edward Lee, Fair Use Avoidance in Music Cases, 59 B.C.L. Rev. 1873 (2018), https://lawdigitalcommons.bc.edu/bclr/vol59/iss6/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. FAIR USE AVOIDANCE IN MUSIC CASES EDWARD LEE INTRODUCTION .......................................................................................................................... 1874 I. FAIR USE’S RELEVANCE TO MUSIC COMPOSITION ................................................................ 1878 A. Fair Use and the “Borrowing” of Copyrighted Content .................................................. 1879 1. Transformative Works ................................................................................................. 1879 2. Examples of Transformative Works ............................................................................ 1885 B. Borrowing in Music Composition ................................................................................... -
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour -
Hamad Thrills Fans at Dusk,Jazz Insights: Frankie Carle,Is This Jazz?: Passion Reverence Transcendence — a Tribute To
In Pursuit of an Out Of This World Girl, JeanLou Shines On SuperNova Girl JeanLou is one of the city’s most active performers — he released three projects in just one year. He kicked things off in 2017 with, Since Your Listening… The five-song project was the official start of his musical journey. What came next is what really caught my attention. In early 2018 came the arrival of Melodies & Remedies, Vol. 1. On that project is one of my favorite tracks by JeanLou, “Sade,” a warm-hearted ode to “the one” in his life. This was moment I became fully aware of his talents, but arriving late to the party I knew something new was in store for the future. Thankfully, I didn’t have to wait too long for that, as project number 3, SuperNova Girl, would arrive a few months after Melodies & Remedies, Vol. 1 Strapped with 10 songs, SuperNova Girl sports features Z100Wave and Yoshe Mars, along with production from Gold, DreamNation, Mantra and Rrarebear. Throughout the album, JeanLou displays his versatility, stringing together songs with tempos and different sounds, from slow-paced and stripped-down R&B to the more upbeat and energetic dance sound. Kicking the album off with a clip from the 1999 movie, Zenon: Girl of the 21st Century, JeanLou gets things going with “Zenon’s Interlude.” The track features a dose of the slow-paced, stripped-down R&B, which appears once again in the following track, “Lust.” “Zenon’s Interlude” serves as a slight nudge forward into the album’s content, depicting his experience with a girl who’s “out of this world.” Vulnerable as ever, he sits on the wing of his spaceship, top hat tipped down low, as he puts his feelings on wax for this girl. -
Appendix to Book 2 Old Casinos
Las Vegas Sins and Scams – Appendix to Book 2 – Old Casinos Paul Wallace Winquist Published by Paul Wallace Winquist at Smashwords Copyright 2006 pwinquist.com [email protected] US Phone 503-278-7316 9600 SW 74the Ave, Tigard OR 97223 ISBN 9781310761232 9781310360367 eBooks Version 1.1 (c) 2006 Paul Wallace Winquist Freemont Street While it Still Had Trees, Las Vegas, NV Photo by Paul Winquist The following information is mostly from Wikipedia during October, 2011. It is edited to only have the material of interest for the context of the books Las Vegas Sins and Scams by Paul Winquist. No references are given, and the material has been seriously edited; to get the full story on each character, casino, or organization see the Wikipedia listing, and then the reference material given. All green writing is by me. (PWW) All photos marked Wikipedia are some sort or another of semi-copyright material; you should look up the source contracts on the Wikipedia sites before copying them. All photos by me can be copied for non-publishing uses as long as credit is given to Paul Wallace Winquist. For commercial uses call me at 503-431-1032 or e-mail [email protected] Table of Contents The Plaza Hotel & Casino, Las Vegas Las Vegas Union Pacific Station Monte Carlo Casino in Monaco Binion's Horseshoe, Las Vegas The Mint, Las Vegas Moulin Rouge Hotel, Las Vegas Hotel Del Rey, San Jose, Costa Rica Key Largo, San Jose Costa Rica Bourbon Street Hotel and Casino, Las Vegas Four Queens - Casino and Hotel, Las Vegas Main Street Station -
Swarthmore Folk Alumni Songbook 2019
Swarthmore College ALUMNI SONGBOOK 2019 Edition Swarthmore College ALUMNI SONGBOOK Being a nostalgic collection of songs designed to elicit joyful group singing whenever two or three are gathered together on the lawns or in the halls of Alma Mater. Nota Bene June, 1999: The 2014 edition celebrated the College’s Our Folk Festival Group, the folk who keep sesquicentennial. It also honored the life and the computer lines hot with their neverending legacy of Pete Seeger with 21 of his songs, plus conversation on the folkfestival listserv, the ones notes about his musical legacy. The total number who have staged Folk Things the last two Alumni of songs increased to 148. Weekends, decided that this year we’d like to In 2015, we observed several anniversaries. have some song books to facilitate and energize In honor of the 125th anniversary of the birth of singing. Lead Belly and the 50th anniversary of the Selma- The selection here is based on song sheets to-Montgomery march, Lead Belly’s “Bourgeois which Willa Freeman Grunes created for the War Blues” was added, as well as a new section of 11 Years Reunion in 1992 with additional selections Civil Rights songs suggested by three alumni. from the other participants in the listserv. Willa Freeman Grunes ’47 helped us celebrate There are quite a few songs here, but many the 70th anniversary of the first Swarthmore more could have been included. College Intercollegiate Folk Festival (and the We wish to say up front, that this book is 90th anniversary of her birth!) by telling us about intended for the use of Swarthmore College the origins of the Festivals and about her role Alumni on their Alumni Weekend and is neither in booking the first two featured folk singers, for sale nor available to the general public. -
Online at Kancoll.Org/Books/Gregg/; See Also, 6
Dodge Citians pose beside a Santa Fe Trail marker laid by the Kansas Daughters of the American Revolution and the state of Kansas in 1906. Photo originally published in Almira Sheffield Peckham Cordy’s 1915 The Story of the Marking of the Santa Fe Trail by the Daughters of the American Revolution and the State of Kansas. Kansas History: A Journal of the Central Plains 35 (Spring 2012): 42–60 42 Kansas History MythandMemory: The Cultural Heritage of the Santa Fe Trail in the Twentieth Century by Michael L. Olsen “Aslongasthesunflowercontinuestobloom,andtheprairiedogisnotexterminated,theSantaFeTrail willnotbeforgotten.” HughEstep,ca.19061 rench tourist Guy De Larigaudie took an extended trip across the United States in 1936. He traveled by busfromNewYorktoLosAngeles;hewentnorthtoSeattle,thenbackeast,finishinghistourinQuébec, Canada.PartofthisroutetookhimalongtheoldSantaFeTrail,fromcentralMissouritoSantaFe,viathe trail’sMountainBranchthroughColorado.DeLarigaudierecordedhisadventuresinabook,Par Trois Route Américaines,publishedinParisin1937.HerememberedthatafterfourdaysonthebusfromChicagohereached“Les Fvillagesmexicains,”“theMexicanvillages,”ofPueblo,Colorado,andLasVegasandSantaFe,NewMexico.Hewas impressedby“deschapeauximmense,”“theimmensehats”ofthecowboys,orperhapsofMexicansinsombreros, heencountered.Heexperienceda“rodeod’hierouround-updedemain,”a“rodeoonedayand,twodayslater,a round-up.”Evidentlyitwasallthathehadexpected,forheexulted,“noussommedansleFar-West,”“weareinthe FarWest.”2 MichaelL.Olsenis professor emeritus of American history -
The Backstreets Liner Notes
the backstreets liner notes BY ERIK FLANNIGAN AND CHRISTOPHER PHILLIPS eyond his insightful introductory note, Bruce Springsteen elected not to annotate the 66 songs 5. Bishop Danced RECORDING LOCATION: Max’s Kansas City, New included on Tracks. However, with the release York, NY of the box set, he did give an unprecedented RECORDING DATE: Listed as February 19, 1973, but Bnumber of interviews to publications like Billboard and MOJO there is some confusion about this date. Most assign the which revealed fascinating background details about these performance to August 30, 1972, the date given by the King songs, how he chose them, and why they were left off of Biscuit Flower Hour broadcast (see below), while a bootleg the albums in the first place. Over the last 19 years that this release of the complete Max’s set, including “Bishop Danced,” magazine has been published, the editors of Backstreets dated the show as March 7, 1973. Based on the known tour have attempted to catalog Springsteen’s recording and per- chronology and on comments Bruce made during the show, formance history from a fan’s perspective, albeit at times an the date of this performance is most likely January 31, 1973. obsessive one. This booklet takes a comprehensive look at HISTORY: One of two live cuts on Tracks, “Bishop Danced” all 66 songs on Tracks by presenting some of Springsteen’s was also aired on the inaugural King Biscuit Flower Hour and own comments about the material in context with each track’s reprised in the pre-show special to the 1988 Tunnel of Love researched history (correcting a few Tracks typos along the radio broadcast from Stockholm. -
Soccer Earns NCAA Berth the Use of Humor and Anecdotes
THE~____ ~~~ TUFTS DAILY Where You Read It First Mondav. October 31,1994 Vol XXM,Number 32 Slater to give lecture on rights for women by KAREN EPSTEM social workers, therapists, and Senior Staff Wnter educatorsindealing with the adop- Tuesday evening, Tufts Lec- tion process since 1984. ture Series is sponsoring a lecture Slater stressed that her lecture entitled, “Women’s choices in the is not just for people who were ’90s: Are we going back to the adopted. She said it is important to O OS?' from 8 to 10 p.m. in Cabot see for anyone who is “sexually Auditorium. The speaker, Ronda active, or even if they plan to be.” Slater, will discuss her personal People who do not relate to the experience of facing an unplanned adoption issue will “appreciate pregnancy in the ’60s and her re- what they have,” Slater said. union with the daughter she gave According to Slater,the lecture up for adoption. is very much about decision mak- Slater, a 47-year old actress ing and how these decisions im- and playwright from California, pact our lives. She said that it will gave birth toachild in 1966 while inspire students from divorced still in college and was forced to families as well. give the child up for adoption. She Slater said the lecture will dis- was reunited with her daughter 18 years later Ronda Slater In her lecture, Slater will dis- cuss her experiences in the ’60s as Speaker on reproductive and they relate to college students to- adoption rights for women day. -
U.S. National GAYP National Tournament “Arthur Niederhoffer
the checker games of U.S. National GAYP National Tournament “Arthur Niederhoffer” National Youth Tournament WCDF GAYP World Qualifying Tournament WCDF GAYP World Qualifying Tournament –Women annotated by Jim Loy + Dr. Richard Beckwith’s reminiscences of Vegas and all four tournaments IaIaI Ia I I I I IaI IaIa IaIaI I I IbI Ib bIbIbI I I IbI Ib IbI I I Red Draws J. Webster – R. Beckwith p.22 © 2008, Jim Loy photo taken from nccheckers.org site 2007 Youth tournament featuring the Cardie clan (yellow lettered shirts), Solomon and Forest Reece (striped shirts), and, left-to-right, Ryan Pronk, Rich Beckwith, Marjorie & Gerry Lopez, Shane McCokser, Alan Millhone, Tim Laverty (in front of Alan), Paul Bryan, and Keith Weaver (front-right). Rich Beckwith and Colton Cardie. Taken by John Cardie. L-R 1) Nico Pradenas 2) Alex Weaver 3) Francesco La Rocca 4-back) Gene Lindsay 5) John Cardie (back white hat is Ron King) 6) Tim Laverty 7) Hollis McClard 8) Paul Bryan. Photo by Francesco La Rocca. Freemont Street Las Vegas Blvd. (the Strip) Front row, left-to-right: ?, Keith Weaver, John Webster, Tim Laverty, Wilma Wolverton, Paul Lyons, Francesco La Rocca, Alex Weaver, Gerry Lopez, 2nd row: Michael Holmes, Paul Stein, Jimmy O’Grady, Ron King (behind Wilma), Saul Fenster?, Bob Murr, 3rd & 4th rows, Paul Bryan, Wade Holder, Ray Shelly, Tommy Canning, Lubabalo Kondlo (behind Laverty), Rich Beckwith, Jim Morrison, Anthony Bishop (behind Jim’s shoulder) back rows, left-to-right: ?, Eric Strange, ? (behind Eric), Kevin Burks, Shane McCosker (behind Lubabalo’s right shoulder), Robert Ferguson, Billy Runge, Gene Lindsay, ?, Steve Blackshear (waving), Al Darrow. -
Aaron Keim Graduate Non Fiction Jazz on a Horse, the Musical Style of Milton Brown and His Musical Brownies
Aaron Keim Graduate Non Fiction Jazz On A Horse, the Musical Style of Milton Brown and His Musical Brownies Beginning in 1932, musicians from America’s Southwest produced their own type of jazz that has since been labeled western swing. These jazz musicians were geographically isolated from the jazz scenes in the American urban centers of the East. They made music that mixed jazz with traditional string band styles, using both jazz instruments and folk instruments to create a unique sound. Due to racial and cultural stereotypes, geographical issues and issues of instrumentation, such music has been ignored by jazz historians and left out of the canon of jazz history. If modern listeners can place the early jazz style into this unique context and concentrate on how the music sounds, it is not so hard to accept western swing as a branch of the jazz tradition. After all, to white people of the rural Southwest, western swing was their kind of jazz. Even though western swing possesses characteristics that seem foreign to modern jazz tastes, a detailed study of how the music was played will demonstrate that it does have credibility has a type of jazz. An appropriate place to begin this study is with the first superstars of western swing, Milton Brown and His Musical Brownies. The Brownies were responsible for setting the repertoire, sound and playing style for western swing. Through a careful analysis of these characteristics we can illuminate this style as a type of jazz and show how important the Brownies are to American music. While engaging in this study of the Brownies’ music, we will also uncover important cultural issues that address race, class, geography, musical transmission and musical culture of the depression era.