Alun Armstrong

Total Page:16

File Type:pdf, Size:1020Kb

Alun Armstrong ALUN ARMSTRONG Film: Cordelia Roger Studio Pow Adrian Shergold Possum Maurice Matthew Holness Thefyzz Funny Cow Lenny Adrian Shergold Gizmo Films Out Of Innocence Detective Callaghan Danny Hiller Defiant Films Golden Years Sid John Miller Molifilms Ent Eragon Uncle Garrow Stefen Fangmeier Fox 2000 Pictures Oliver Twist Mr Fang Roman Polanski R. P Productions Millions St Peter Danny Boyle Pathe Pictures International Van Helsing Cardinal Jinette Stephen Sommers Universal Paradise Found Pissaro Mario Andreacchio Adelaide Motion Pictures It's All About Love Manager Thomas Vinterberg Nimbus Films The Mummy Returns The Curator Stephen Sommers Universal Proof Of Life Wyatt Taylor Hackford Castlerock Harrison's Flowers Samuel Brubeck Ellie Chouraqui 7 Films Cinema Strictly Sinatra* Bill Collins Peter Capaldi Blue Orange Sleepy Hollow Hugh Constable Tim Burton Paramount Greenwich Mean Time Uncle Henry John Strickland Anvil Films With Or Without You Sammy Michael Winterbottom Revolution Films Onegin Zaretsky Martha Fiennes 7 Arts Entertainment The Saint Inspector Teale Philip Noyce Paramount Pics Braveheart Mornay Mel Gibson Icon Entertainment An Awfully Big Adventure Uncle Vernon Mike Newell Heathyard Ltd Black Beauty Reuben Caroline Thompson Warner Bros Blue Ice Osgood Russell Mulcahy B B C / Working Title Patriot Games Owen Philip Noyce Paramount Split Second Thrasher Tony Maylam Split Second Prods London Kills Me Stone Hanif Kureishi Working Title The Widow Maker The Father John Madden Central Films Ltd American Friends Weeks Tristram Powell B B C The Child Eater Stefano Jonathan Tammuz Tammuz Prods White Hunter Black Heart Lockhart Clint Eastwood Warner Bros That Summer Of White Roses Zemba Rajko Grlic Amy Int Billy The Kid And The Green Maxwell Randall Alan Clarke I T C Entertainment Baize Vampire Krull Torquil Peter Yates Columbia Pictures The French Lieutenant's Woman Grimes Karel Reisz Juniper Films The Duellists Lacourbe Ridley Scott Enigma Productions The Likely Lads Tommy Michael Tuchner Anglo- E M I Productions Ltd Existence Tommy David Hemmings Avianca Productions A Bridge Too Far Corporal Davies Richard Attenborough Joseph E. Levine Prods Get Carter Keith Mike Hodges M G M Television: Frontier Lord Benton Various Netflix Alun Armstrong 1 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA Prime Suspect 1973 Clifford David Caffrey I T V Productions Dark Angel George Stott Brian Percival World Productions Broken Biscuits Roger Craig Cash BBC The Country Woman Detective Callaghan Danny Hiller Telegael Golden Years Sid Morris John Miller Molifilms Entertainment Ltd Downton Abbey Christmas Special Stowell Minkie Spiro Carnival Film & Television Ltd Penny Dreadful Brand Juan Antonio Bayona Neal Street Productions Ltd The Hollow Crown Earl of Northumberland Richard Eyre Neat Street Productions Ltd Edwin Drood Mr Grewgious Diarmuid Lawrence BBC New Tricks (8 Series) Brian Lane Various Wall To Wall Garrow's Law John Southouse Peter Lydon Shed Productions A Passionate Woman Donald Kay Mellor/ Antonia Bird Rollem Productions Little Dorrit Flintwich Dearbhla Walsh B B C The Dinner Party Jim Tony Grounds B B C Filth: The Mary Whitehouse Story Earnest Whitehouse Andy De Emmony Wall To Wall Kids Of Chernobyl Bob Philip Martin Granada Bleak House Bucket Justin Chadwick B B C When I'm Sixty Four Jim Pier Wilkie B B C Between The Sheets Peter Delany Robin Sheppard Rollem Prods. Carrie''s War Mr Evans Coky Giedroyc B B C New Tricks Brian Lane Graham Theakston Wall To Wall The Inquisition Prisoner Betsame Morris Drama House Ltd Sparkhouse Richard Robin Sheppard Red Prods Bedtime Neil Andy Hamilton Hat Trick P Messiah I I Charlie Mcintyre David Richards Vengeance / B B C Waiters Oscar Max Roberts Tyne Tees The Cappucino Years George Mole Sandy Johnson Tiger Aspect Score George Andy De Emmony B B C Wales David Copperfield Dan Simon Curtis B B C Oliver Twist Mr Fleming Renny Rye Diplomat Oliver This Is Personal* George Oldfeild David Richards Granada Aristocrats Henry Fox David Caffrey B B C In The Red Jefferson Marcus Mortimer B B C Underworld Middlemas Liddy Oldroyd Hat Trick Brazen Hussies Jimmy Hardcastle Elijah Mojinski B B C Tales From The Crypt Herbert Peter Hewityt H B O Breaking The Code Mick Ross Herbie Wise Drama House Les Miserables ( Albert Hall) Thenardier Trevor Nunn Thames Witness Against Hitler Fr Harold Prouchau Betsan Morris- Evans B B C Sorry About Last Night Mickey Metin Hussein B B C Our Friends In The North Austin Donoghue Peter Flemming B B C Doggin' Around Charlie Foster Dearmond Davis I T V Macgyver Henry Capshaw Michael Greenberg Paramount Goggle Eyes Gerald Carol Wiseman B B C Television The Life And Times Of Henry Pratt Uncle Teddy Adrian Shergold Granada Married With Children Trevor Jerry Cohen American T V Goodbye Cruel World Ray Grade Adrian Shergold B B C Stanley And The Women Rufus Hilton David Tucker Central Murder In Eden Cgt Mcging Nick Renton B B C Sticky Wickets Evans Jane Harris B B C A Night On The Tyne Willy C Campbell Smith B B C This Is David Lander Sterling Graham Dixon C4 No: 27 Murray Tristran Powell B B C Bulman D S Figg Kenneth Royce Granada Sharing Time Lead Mike Vardy B B C Nicholas Nickelby Squeers Jim Goddard Primetime T V Get Lost Keaton Lawrence Gordon Clark Yorkshire Only Make Believe Lead Dennis Potter B B C Shooting The Chandelier Brodovich Jane Howell B B C Days Of Hope Shep Ken Loach B B C The Stars Look Down Joe Gowlan Roland Joffe Granada All Day On The Sands The Father Giles Foster L W T Our Day Out Mr Briggs Various B B C Measure For Measure Barnardino Des Davies B B C Alun Armstrong 2 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA Sharp Intake Of Breath Co-star Ronnie Taylor B B C Z Cars Ds Boley John Mcgrath B B C Enemy At The Door Louis Mendoza Jonathan Alwyn L W T Play For Today Various Various B B C Centre Play Richard Clewes Desmond Davis B B C Romance Weaver Piers Haggard Thames Porridge Spraggon Various B B C The Squirrels Sweeney/ Jim Shaun O' Riordan A T V The Sweeney Peter Jenner Douglas Camfield Euston Films Public Eye Vince Gregson Jonathan Alwyn A B C Father Brown Joe Robert Tronson A T V Justice Bob Graham Mark Cullingham Y T V General Hospital Ken Hartley John Scholz- Conway A T V Villains Terence Bolden Various L W T Compact Teddy Boy Gerald Blake B B C Advent Of Steam Hedley Richard Gilbert Thames Theatre: The Cane Edward Vicky Featherstone Royal Court Theatre The Caretaker Davies Toby Frow Gate Theatre, Dublin Exit The King King Berenger I Lawrence Boswell Bath Theatre Royal The Royal Hunt Of The Sun Pizarro Trevor Nunn National Theatre The Front Page Walter Burns Sam Mendes Donmar Warehouse Death Of A Salesman Willie Loman David Thacker National Theatre Endgame Hamm Katie Mitchell Donmar Warehouse Insignificance Einstein Terry Johnson Donmar Warehouse Sweeney Todd* Sweeney Todd Declan Donnellan National Theatre The Baker's Wife* Aimable Trevor Nunn Phoenix Theatre The Father * The Captain David Leveaux NationalTheatre The Jew Of Malta * Barabas Barry Kyle R S C Stratford Fashion Stuart Clark Nick Ham R S C Stratford Les Miserables* Thenardier Trevor Nun R S C & Palace Troilus & Cressida Therisites Howard Davies R S C The Winter's Tale* Leontes Adrian Noble R S C Tour The Crucible* John Proctor Barry Kyle R S C Tour Taming Of The Shrew Petruccio Barry Kyle R S C The Tempest Trinculo Ron Daniels R S C Nicholas Nickleby Squeers Trevor Nunn R S C / Broadway Bastard Angel Alan Howard Davies R S C Warehouse The Loud Boys Life Harry Baker/ Lionel Frontage Howard Davies R S C Much Ado About Nothing Dogberry Howard Davies R S C Tour The Changing Room Billy Spencer Lindsay Anderson Royal Court The Passion Fourth Soldier Bill Bryden National Theatre Awards: * The Childeater Nomination - U S Academy Award For Best Live Action Short * Strictly Sinatra Nomination - B A F T A Awards Carl Foreman Award For The Most Promising Newcomer * This Is Personal Nomination - B A F T A For Best Drama Serial Nomination - Broadcast Awards For Best Single Drama Nomination - Royal Television Society Award For Best Actor * Sweeney Todd Winner - Laurence Olivier Award For Best Actor In A Musical * The Baker's Wife Nomination - Laurence Olivier Award For Best Actor In A Musical * The Father Nomination - Laurence Olivier Award For Best Actor * The Jew Of Malta Nomination - Laurence Olivier Award For Best Actor * Les Miserables Nomination - Laurence Olivier Award For Best Actor In A Musical * The Winter's Tale Nomination - Laurence Olivier Award For Best Actor * The Crucible Nomination- Laurence Olivier Award For Best Actor Alun Armstrong 3 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA Alun Armstrong 4 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA.
Recommended publications
  • Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
    'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play.
    [Show full text]
  • ANNUAL REVIEW 2015 -16 the RSC Acting Companies Are Generously Supported by the GATSBY CHARITABLE FOUNDATION and the KOVNER FOUNDATION
    ANNUAL REVIEW 2015 -16 The RSC Acting Companies are generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION. Hugh Quarshie and Lucian Msamati in Othello. 2015/16 has been a blockbuster year for Shakespeare and for the RSC. 400th anniversaries do not happen often and we wanted to mark 2016 with an unforgettable programme to celebrate Shakespeare’s extraordinary legacy and bring his work to a whole new generation. Starting its life in Stratford-upon-Avon, Tom Morton-Smith about Oppenheimer, we staged A Midsummer Night’s a revival of Miller’s masterpiece Dream in every nation and region Death of a Salesman, marking his of the UK, with 84 amateurs playing centenary, and the reopening of Bottom and the Mechanicals and The Other Place, our new creative over 580 schoolchildren as Titania’s hub. Our wonderful production of fairy train. This magical production Matilda The Musical continued on has touched the lives of everyone its life-enhancing journey, playing involved and we are hugely grateful on three continents to an audience to our partner theatres, schools and of almost 2 million. the amateur companies for making this incredible journey possible. Our work showcased the fabulous range of diverse talent from across We worked in partnership with the the country, and we are proud of the BBC to bring ‘Shakespeare Live! From increasing diversity of our audiences. the RSC’ to a television audience of 1.6m and to cinema audiences in People sometimes ask if Shakespeare 15 countries. The glittering cast is still relevant. The response from performed in the Royal Shakespeare audiences everywhere has been a Theatre to an audience drawn from resounding ‘yes’.
    [Show full text]
  • Playing Shakespeare with Deutsche Bank Production of Twelfth Night
    2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • The Royal Hunt of the Sun Free Download
    THE ROYAL HUNT OF THE SUN FREE DOWNLOAD Peter Shaffer | 112 pages | 25 Jan 2007 | Penguin Books Ltd | 9780141188881 | English | London, United Kingdom The Royal Hunt of the Sun All rights reserved. Color: Color Technicolor. Parents Guide. There have been numerous suns over the years, but when the play was first staged it was a large metal contraption, with huge 'petals' that opened up and outwards. Royal National Theatre. Archived from the original on 9 June He does The Royal Hunt of the Sun, and is strangled. Hernando de Soto. Director Trevor Nunn makes full use of the large Olivier auditorium; scenes interlace, actors fill every inch of the stage — and occasionally the aisles — and music and mime play a large part in the proceedings. Edit page. Alun Armstrong's Pizarro is a stocky slogger who finds himself almost homo-erotically entranced by Paterson Joseph's muscularly fey and unearthly Atahuallpa. Read more. The conversion attempt fails, however, prompting the Spanish churchman to demand Atahualpa be captured and held for ransom. The expedition The Royal Hunt of the Sun predominantly in the name of gold, religion and belief; all Incas being heathens who must be brought before God. Felipillo as Sam Krauss Percy Herbert The play critically studies these two themes throughout the discovery of Atahualpa — the Inca Sun God — and massacre of the The Royal Hunt of the Sun themselves. Looking for some great streaming picks? They're all something. Hernando de Soto Leonard Whiting You must be a registered user to use the IMDb rating plugin. From Wikipedia, the free encyclopedia.
    [Show full text]
  • Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced info the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on untii complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
    1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000.
    [Show full text]
  • Annual Review 2011- 2012
    ANNUAL REVIEW2012 2012 was a phenomenal year for the Globe In an Olympic year packed with events throughout the capital, Globe to Globe, our contribution to the London 2012 Festival and the Cultural Olympiad, distinguished itself by its sheer scale, variety and creative ambition. It brought a huge new audience to the theatre and created a wonderfully festive multilingual showcase for Shakespeare, the Globe and London. The festival was recognised in January 2013 with a rare special award from the Critics’ Circle. Our main theatre season, which marked the triumphant return of Mark Rylance and of Original Practices to the Globe, garnered awards and achieved excellent attendance figures. But this was a big season for artistic activity beyond Bankside too, with two West End transfers, a much more extensive touring programme and international premieres of our productions on screen. All this earned us the ‘London Theatre of the Year’ award from The Stage. We are pleased to report that these achievements did nothing to compromise our educational and other activities. This was another ambitious year of teaching and public events and of developments in print and digital publishing. 2012 also brought enhancements to our exhibition and tour and saw the steady WELCOME! expansion of our retail, catering and hospitality operations. But perhaps most excitingly of all, following decades of planning and a period of intense fundraising, work began on the construction of our indoor theatre, now named the Sam Wanamaker Playhouse. All this was achieved without government funding and in a climate of financial austerity. ‘ The Globe to Globe season was a one-off, once-in-a- lifetime event that changed the cultural landscape of globe to globe London theatreland in every sense for six weeks last summer.
    [Show full text]
  • Iain Robertson
    22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] IAIN ROBERTSON HEIGHT: 5’8 HAIR: Black EYES: Hazel VEHICLE LICENCES: Full Driving Licence Iain received a Scottish BAFTA for Gillies Mackinnon’s ‘Small Faces’. He has been nominated for the Ian Charleson Award twice, receiving a commendation for Bill Bryden’s ‘Mysteries’ trilogy, and third prize for Michael Grandage’s ‘The Tempest’. THEATRE LAST FERRY TO DUNOON ‘Johnaboy’ Dir. David Hayman Jr. [Òran Mór] ON THE SIDELINES ‘John’ Dir. Gilles MacKinnon (Òran Mór) VLAD THE IMPALER ‘Aga Carasol/Dragavei/Dan/Painter/Impaled Romanian’ Dir. Faynia Williams (Òran Mór) THE BRIDGE ‘Davy’ Dir. Donna Franceschild (Òran Mór) FRANK’S DEAD ‘Neil’ Dir. Graeme Maley (Òran Mór) SHANG-A-LANG ‘Carl’ Dir. Michael Emans (Rapture Theatre) THE GREAT TRAIN RACE ‘Cammie’ Dir. Rob Jones (Òran Mór and Lemon Tree, Aberdeen) BREAKER ‘Danny’ Dir. Graeme Maley (Sodid Svid Company at Underbelly, Edinburgh Festival) CLASSIC CUTS: THE TAMING OF THE SHREW ‘Petruchio’ Dir. Rosie Kellagher (Òran Mór) TAKIN’ OVER THE ASYLUM ‘Eddie’ Dir. Mark Thompson (Lyceum Edinburgh / Citizens Glasgow) Nominated Best Male Performance, Critics’ Awards for Theatre in Scotland 2012 - 2013 TAKE ME IF YOU NEED ME Dir. Graeme Maley (Òran Mór) ANGELS ‘Nick’ Dir: Graeme Maley (Oran Mor, Glasgow / Traverse, Edinburgh) THE HARD MAN ‘Johnstone/The Bandit’ Dir. Philip Breen (Edinburgh Festival Theatre) MY ROMANTIC HISTORY ‘Tom’ Dir. Lyndsey Turner (Bush Theatre/Sheffield Theatre/Traverse Theatre) LYSISTRATA ‘Cleonice’ Dir. David MacLennan (Òran Mór) CONFESSIONS OF A JUSTIFIED SINNER ‘Gill-Martin’ Dir. Mark Thomson (Royal Lyceum, Edinburgh) HOMECOMING SCOTLAND CELEBRATIONS ‘Robert Burns’ Dir.
    [Show full text]
  • Download Publication
    Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects .
    [Show full text]
  • Dd Shrewstudyguide.Pdf
    HOFSTRA UNIVERSITY DEPARTMENT OF DRAMA AND DANCE THE TAMING OF THE SHREW William Shakespeare STUDY GUIDE Written and compiled by James J. Kolb, Professor of Drama HOFSTRA/DRAMA 1997 A Study Guide to Hofstra University’s Department of Drama and Dance Production of The Taming of the Shrew by William Shakespeare March 1997 Table of Contents The New Cambridge Shakespeare version of The Taming of the Shrew, edited by Ann Thompson, is the text used in the About Shakespeare 2 current production. It is published in paperback by Cambridge University Press, 40 West 20th Street, New York, Title Page of the First Folio Edition New York 10011-4211 of Shakespeare’s Plays 2 ISBN # 0 521 29388 X ($10.95) Shakespeare’s Coat of Arms 3 Shakespeare’s Plays 3 Shakespeare’s Theatre 4 HOFSTRA/DRAMA Department of Drama and Dance Summary of the Story 5 Hofstra University (516) 463-5444 The Sources of the Story 5 The Date of Composition and Special Problems With the Text of The Taming of the Shrew As Related to The Taming of a Shrew 6 A Few Critical Comments 7 The cover engraving is taken from James Edmund Harting’s About the Play on Stage 10 The Birds of Shakespeare (1871). It depicts hawks in training being carried to the field in “the cadge,” carried by “the Notable Lines 15 cadger.” See page 8 of the Study Guide for some additional comments about falconry. About the Play in Other Forms 16 The idea and format of this study guide is by Peter Sander.
    [Show full text]
  • Annual Review. 2018
    Annual Review. 2018 Shakespeare’s Globe OUR CAUSE We celebrate Shakespeare’s transformative impact on the world by conducting a radical 4 Chief Executive’s Welcome theatrical experiment. 6 Theatre Inspired and informed by the unique historic 6 The Globe playing conditions of two beautiful iconic 14 The Sam Wanamaker Playhouse theatres, our diverse programme of work harnesses the power of performance, 20 Beyond the Globe cultivates intellectual curiosity and excites 21 Learning for all learning to make Shakespeare accessible 25 Widening access for all. 26 Exhibition & Tour ‘And let us… on your imaginary 27 Behind the scenes forces work’ 28 How we made it Henry V, Prologue 29 How we spent it #Globe2018 30 Looking forward 020 7401 9919 32 Learning for all shakespearesglobe.com 34 Financial Stability 34 Project Prospero 36 Thanks, thanks and ever thanks 38 Staff 41 Trustees and Globe Councillors 42 Cast members and Creatives 2018 The Shakespeare Globe Trust. Registered in England and Wales No. 1152238. Registered charity No. 266916. 2 3 Welcome to this year’s Shakespeare’s Globe review, celebrating a few of the highlights from spring 2018 to spring 2019. Our cause is to celebrate and interrogate Shakespeare’s transformative impact on the world, while our two theatres allow us to experience the architectural playing conditions under which Shakespeare’s plays were originally performed. 2018 was a year of artistic leadership change and further strategic development. Our 2017 review looked forward to a new era of artistic endeavour on Bankside, one closely integrated with our other activities, but creatively distinct; historically aware, but radically contemporary.
    [Show full text]