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Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Appendix Wuthering Heights Screen Adaptations
Appendix Wuthering Heights Screen Adaptations Abismos de Pasión (1953) Directed by Luis Buñuel [Film]. Mexico: Producciones Tepeyac. Arashi Ga Oka (1988) Directed by Kiju Yoshida [Film]. Japan: Mediactuel, Saison Group, Seiyu Production, Toho. Cime Tempestose (2004) Directed by Fabrizio Costa [Television serial]. Italy: Titanus. Cumbres Borrascosas (1979) Directed by Ernesto Alonso and Karlos Velázquez [Telenovela]. Mexico: Televisa S. A. de C. V. Dil Diya Dard Liya (1966) Directed by Abdul Rashid Kardar [Film]. India: Kary Productions. Emily Brontë’s Wuthering Heights (1992) Directed by Peter Kosminsky [Film]. UK/USA: Paramount Pictures. Emily Brontë’s Wuthering Heights (1998) Directed by David Skynner [Television serial]. UK: ITV, Masterpiece Theatre, PBS. Hihintayin Kita Sa Langit (1991) Directed by Carlos Siguion-Reyna [Film]. Philippines: Reynafilms. Hurlevent (1985) Directed by Jacques Rivette [Film]. France: La Cécilia, Renn Productions, Ministère de la Culture de la Republique Française. Ölmeyen Ask (1966) Directed by Metin Erksan [Film]. Turkey: Arzu Film. ‘The Spanish Inquisition’ [episode 15] (1970). Monty Python’s Flying Circus [Television series]. Directed by Ian MacNaughton. UK: BBC. Wuthering Heights (1920) Directed by A. V. Bramble [Film]. UK: Ideal Films Ltd. Wuthering Heights (1939) Directed by William Wyler [Film]. USA: United Artists/ MGM. Wuthering Heights (1948) Directed by George More O’Ferrall [Television serial]. UK: BBC. Wuthering Heights (1953) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1962) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1967) Directed by Peter Sasdy [Television serial]. UK: BBC. Wuthering Heights (1970) Directed by Robert Fuest [Film]. UK: American International Pictures. Wuthering Heights (1978) Directed by Peter Hammond [Television serial]. -
Download Peter Kosminsky's Citation
PETER KOSMINSKY My Lord and Chancellor, Peter Kosminsky is an eminent TV drama director and writer whose critically acclaimed work has for many years addressed strong social and international issues. He describes himself as ‘an old-fashioned programme maker’ for whom ‘TV is about informing as well as entertaining’. Peter read Chemistry at Oxford, and to this day the detailed research and the intellectual rigour which inform his writing owe much to his scientific background. He joined the BBC in 1980 as a general trainee, one of four graduates taken from a field of several thousand applicants. This was what he calls the ‘glory route’: television was doing new and brave things, particularly in drama, and attracted many applicants of the highest calibre. As a very political student, Peter had been inspired by Jim Allen and Ken Loach’s Days of Hope (1975); he was greatly moved by this story of the labour movement between the end of World War 1 and the General Strike in 1926, but he also saw the power of the medium and wanted to be involved. From the start of his TV career his main creative influences were Loach himself, Les Blair and other film, television and theatre directors whose work was strongly informed by social and political awareness. All Peter’s work stands in the same high-minded radical tradition. He first came to prominence in 1990 when he directed Shoot to Kill, a four-hour drama detailing the government cover-up of the Stalker Enquiry which set out to establish whether there was a ‘shoot to kill’ policy at work in Northern Ireland. -
Playing Shakespeare with Deutsche Bank Production of Twelfth Night
2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh. -
NOMINATIONS in 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall
NOMINATIONS IN 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall – BBC Two STEPHEN GRAHAM This is England ’90 – Channel 4 LEADING ACTRESS CLAIRE FOY Wolf Hall – BBC Two RUTH MADELEY Don’t Take My Baby – BBC Three SHERIDAN SMITH The C Word – BBC One SURANNE JONES Doctor Foster – BBC One SUPPORTING ACTOR ANTON LESSER Wolf Hall – BBC Two CYRIL NRI Cucumber – Channel 4 IAN MCKELLEN The Dresser – BBC Two TOM COURTENAY Unforgotten - ITV SUPPORTING ACTRESS CHANEL CRESSWELL This is England ’90 – Channel 4 ELEANOR WORTHINGTON-COX The Enfield Haunting LESLEY MANVILLE River – BBC One MICHELLE GOMEZ Doctor Who – BBC One ENTERTAINMENT PERFORMANCE GRAHAM NORTON The Graham Norton Show – BBC One LEIGH FRANCIS Celebrity Juice – ITV2 ROMESH RANGANATHAN Asian Provocateur – BBC Three STEPHEN FRY QI – BBC Two FEMALE PERFORMANCE IN A COMEDY PROGRAMME MICHAELA COEL Chewing Gum – E4 MIRANDA HART Miranda – BBC One SIAN GIBSON Peter Kay’s Car Share – BBC iPlayer SHARON HORGAN Catastrophe – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME HUGH BONNEVILLE W1A – BBC Two JAVONE PRINCE The Javone Prince Show – BBC Two PETER KAY Peter Kay’s Car Share –BBC iPlayer TOBY JONES Detectorists – BBC Four House of Fraser British Academy Television Awards – Nominations Page 1 SINGLE DRAMA THE C WORD Susan Hogg, Simon Lewis, Nicole Taylor, Tim Kirkby – BBC Drama Production London/BBC One CYBERBULLY Richard Bond, Ben Chanan, David Lobatto, Leah Cooper – Raw TV/Channel 4 DON’T TAKE MY BABY Jack Thorne, Ben Anthony, Pier Wilkie, -
British Army and Palestine Police Deserters and the Arab–Israeli War
This is a repository copy of British Army and Palestine Police Deserters and the Arab– Israeli War of 1948. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/135106/ Version: Accepted Version Article: Caden, C and Arielli, N (2021) British Army and Palestine Police Deserters and the Arab– Israeli War of 1948. War in History, 28 (1). pp. 200-222. ISSN 0968-3445 https://doi.org/10.1177/0968344518796688 This is an author produced version of a paper accepted for publication in War in History. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 British Army and Palestine Police Deserters and the Arab-Israeli War of 1948 British servicemen and policemen who had been stationed in Palestine towards the end of the British Mandate and deserted their units to serve with either Jewish or Arab forces have only received cursory academic attention.1 Yet, this is a relatively unique occurrence, in the sense that in no other British withdrawal from colonial territories did members from the security forces desert in notable numbers to remain in the territory to partake in hostilities. -
Peter Kosminsky Writer / Director
Peter Kosminsky Writer / Director Peter was awarded the BAFTA Alan Clarke Award for Outstanding Creative contribution to Television in 1999. He was awarded the RTS Fellowship in 2006, the FIPA EuroFipa d'Honneur in Biarritz 2005 and the British Film Institute Special Award for Television Achievement in 1988/89. He is a Fellow of the Royal Society of Arts, was an Elected member of the BAFTA TV Commitee (2003-2007) and a BFI Governer (2012-2016). Peter is a Founding Board Member of Directors-UK (2007-2010) and was awarded an Honorary Doctorate of Arts by Bournemouth University in 2009. Agents Anthony Jones Associate Agent Danielle Walker [email protected] +44 (0) 20 3214 0858 Credits In Development Production Company Notes AMANUENSIS The Forge / BBC Writer Original 120 Minutes THE BUTCHER'S TRAIL Daybreak Pictures Executive Producer 4 x 60 minute Series Based on the book by Julian Borger CHILDREN OF THE SIEGE Daybreak Pictures / BBC Based on the book by Pauline Films Cutting BANAZ Hera Pictures / Channel 4 Original Series United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes AN INSTANCE OF THE Playground Television Based on the novel by Iain FINGERPOST Pears Television Production Company Notes THE STATE National Geographic / Writer/Director 2017 Channel 4 Original 4 Part Drama Series * 2018 Nominated Best Mini-Series BAFTA TV Awards WOLF HALL Company Television/BBC Director 2015 6 part adaptation of novels by Hilary Mantel with Mark Rylance & Damian Lewis * 2016 Winner of Best Television Limited Series or Motion Picture Made for Television - Golden Globe Awards * 2016 Winner of Best Drama Series - BAFTA TV Awards * 2016 Winner of Best Drama Series - Broadcasting Press Guild Television and Radio Awards * 2015 8 Nominations - Emmy Awards THE PROMISE Daybreak Writer/Director 2011 Pictures/Channel 4 4 x 100 minute drama starring Claire Foy and Christian Cooke about the British Mandate in Palestine between 1945-1948. -
Annual Review 2011- 2012
ANNUAL REVIEW2012 2012 was a phenomenal year for the Globe In an Olympic year packed with events throughout the capital, Globe to Globe, our contribution to the London 2012 Festival and the Cultural Olympiad, distinguished itself by its sheer scale, variety and creative ambition. It brought a huge new audience to the theatre and created a wonderfully festive multilingual showcase for Shakespeare, the Globe and London. The festival was recognised in January 2013 with a rare special award from the Critics’ Circle. Our main theatre season, which marked the triumphant return of Mark Rylance and of Original Practices to the Globe, garnered awards and achieved excellent attendance figures. But this was a big season for artistic activity beyond Bankside too, with two West End transfers, a much more extensive touring programme and international premieres of our productions on screen. All this earned us the ‘London Theatre of the Year’ award from The Stage. We are pleased to report that these achievements did nothing to compromise our educational and other activities. This was another ambitious year of teaching and public events and of developments in print and digital publishing. 2012 also brought enhancements to our exhibition and tour and saw the steady WELCOME! expansion of our retail, catering and hospitality operations. But perhaps most excitingly of all, following decades of planning and a period of intense fundraising, work began on the construction of our indoor theatre, now named the Sam Wanamaker Playhouse. All this was achieved without government funding and in a climate of financial austerity. ‘ The Globe to Globe season was a one-off, once-in-a- lifetime event that changed the cultural landscape of globe to globe London theatreland in every sense for six weeks last summer. -
Iain Robertson
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] IAIN ROBERTSON HEIGHT: 5’8 HAIR: Black EYES: Hazel VEHICLE LICENCES: Full Driving Licence Iain received a Scottish BAFTA for Gillies Mackinnon’s ‘Small Faces’. He has been nominated for the Ian Charleson Award twice, receiving a commendation for Bill Bryden’s ‘Mysteries’ trilogy, and third prize for Michael Grandage’s ‘The Tempest’. THEATRE LAST FERRY TO DUNOON ‘Johnaboy’ Dir. David Hayman Jr. [Òran Mór] ON THE SIDELINES ‘John’ Dir. Gilles MacKinnon (Òran Mór) VLAD THE IMPALER ‘Aga Carasol/Dragavei/Dan/Painter/Impaled Romanian’ Dir. Faynia Williams (Òran Mór) THE BRIDGE ‘Davy’ Dir. Donna Franceschild (Òran Mór) FRANK’S DEAD ‘Neil’ Dir. Graeme Maley (Òran Mór) SHANG-A-LANG ‘Carl’ Dir. Michael Emans (Rapture Theatre) THE GREAT TRAIN RACE ‘Cammie’ Dir. Rob Jones (Òran Mór and Lemon Tree, Aberdeen) BREAKER ‘Danny’ Dir. Graeme Maley (Sodid Svid Company at Underbelly, Edinburgh Festival) CLASSIC CUTS: THE TAMING OF THE SHREW ‘Petruchio’ Dir. Rosie Kellagher (Òran Mór) TAKIN’ OVER THE ASYLUM ‘Eddie’ Dir. Mark Thompson (Lyceum Edinburgh / Citizens Glasgow) Nominated Best Male Performance, Critics’ Awards for Theatre in Scotland 2012 - 2013 TAKE ME IF YOU NEED ME Dir. Graeme Maley (Òran Mór) ANGELS ‘Nick’ Dir: Graeme Maley (Oran Mor, Glasgow / Traverse, Edinburgh) THE HARD MAN ‘Johnstone/The Bandit’ Dir. Philip Breen (Edinburgh Festival Theatre) MY ROMANTIC HISTORY ‘Tom’ Dir. Lyndsey Turner (Bush Theatre/Sheffield Theatre/Traverse Theatre) LYSISTRATA ‘Cleonice’ Dir. David MacLennan (Òran Mór) CONFESSIONS OF A JUSTIFIED SINNER ‘Gill-Martin’ Dir. Mark Thomson (Royal Lyceum, Edinburgh) HOMECOMING SCOTLAND CELEBRATIONS ‘Robert Burns’ Dir. -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
Bakalářská Práce WUTHERING HEIGHTS: LITERARY WORK and ITS FILM ADAPTATION − COMPARATIVE STUDY
Západočeská univerzita v Plzni Fakulta filozofická BAKALÁŘSKÁ PRÁCE 2013 Markéta Bastlová Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce WUTHERING HEIGHTS: LITERARY WORK AND ITS FILM ADAPTATION − COMPARATIVE STUDY Markéta Bastlová Plzeň 2013 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi angličtina – ruština Bakalářská práce WUTHERING HEIGHTS: LITERARY WORK AND ITS FILM ADAPTATION − COMPARATIVE STUDY Markéta Bastlová Vedoucí práce: Mgr. Lenka Dejmalová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2013 Prohlašuji, že jsem práci zpracoval(a) samostatně a použil(a) jen uvedených pramenů a literatury. Plzeň, duben 2013 .................................................... Tímto bych chtěla poděkovat vedoucí mé bakalářské práce Mgr. Lence Dejmalové za vstřícný přístup po celou dobu konzultací a za čas, který mé práci věnovala. TABLE OF CONTENTS 1 INTRODUCTION ................................................................................................................. 7 2 THEORETICAL PART ....................................................................................................... 9 2.1 THE HISTORY OF FILM ADAPTATION ................................................................................. 9 2.2 THE THEORY OF ADAPTATION ......................................................................................... 10 2.2.1 The Definition and