Damon Albarn Comme À La Maison

Total Page:16

File Type:pdf, Size:1020Kb

Damon Albarn Comme À La Maison D O ^ic^ : LE IîIElAL GOlHQUE En El Al DE G3 ACE I l l b l TL c NOUVELLE ________________ FORMULE TOUTE EN COULEUR ! OTHERE NIQUES CD Damon Albarn comme à la maison RETROUVIEZ LIES J lillX 131: l.'IETIE l:T TCUTIïS VOS RUBRIQUES HAIÎI7UIEI.I.IES ! i w . mi& ' F i ' 1SSS üi iM m w m w m f&m Welcome to MUSEA H fü 'M i , ‘ _ Progressive Music Record Lab V,4* (M, u AfamiM opaïaUKfljy>* <fo jk* Jbn* n S tV ief* i r o * » / «fcuM I $rt£*s*ntt**tjy)*en «At*x «m i <■*(> >,■** wrf | L'offre spéciale: trois CD n p *t« *i* b*ùg b«ik b j Alu» KOI ihKJ U «ht vork u MX <oi’ do»t W*««* to <oK*ct for « m u n iu d $*a*c lio u . pour 100F, port compris La»l updating : 1/W /W - Pour 300F par mois recevez 3 CDs sélectionnés par notre comité d'écoute Spécial offer ôj; What"» new *a tu t, Les références MUSEA avec «phtiig broif.ta w n tK i oatLu vWm ! descriptions et comparaisons \ % Mu Bea U s jorx V TW latl* ttotf •( jrou (mim Wxl &■ -Sçlç<'ti(?jgL9iJtKnK.nth Toutes les nouveautés: Tous les groupes Musea à voir et à écouter avec discographie, photos For 3 0 0 FF M uta «ad jd i tkn< CD m ty «ontb et échantillons musicaux. <§»' New Rclcasc* li*t aS II* w nii Mot* nluin ♦ M m ta catalogue Un clic et vous commandez AU M tm rtU tft. vülk (o b u m u d (o»putK>fej . H jro« VU! u m«hr* lU vos CDs préférés vWot»«oitogM «M m k tWa 1 MOtwoid*coaitgajjhMMMÉl— \ r*q*m» to: MUSES-” Jj.- Banda Lin ol *U MUSItA b»*è» Dessinateurs français de & Mine» Designer* — pochettes progressives TW yîiul upcci ol pnfR inn nuK Pic turc* of Iht Proy La scène progressive M itkN tvt U p k ü u Les meilleurs sites progressifs mondiaux en photos 4g, Musea peonlt accessibles en Wl» u* ito*t « k i« « por* Tfco v o il i«iW «Wk>v*7 m.. quelques secondes H, Olher Prog »ltc8 i*rv*uffm *iirtn o» iW* W«b _ ÉD I TO es vacances sont là ! Chouette, dira la plupart d’entre-uous. Nous aime­ Lrions le dire aussi. Mais sans faire preuve de démagogie, je vous avouerai que la Rédaction de Rockstyle n’en prend pas cette année (ou si peu...). Pourquoi ? Parce que l’actualité de la rentrée s’annonce très riche en événements et que nous souhai­ tons avant tout vous en tenir informés dès votre retour de la plage ou de VAlpes d'Huez. Mais n ’anticipons pas, vous verrez de vous-même ce que nous vous réservons pour septembre.... Parlons plutôt de ce numéro 16. Avec Blur en couverture, nous avons voulu démon­ trer que ce groupe a vraiment sa place dans la musique des années 90. Intelligente, magnifiquement interprétée, la pop du groupe anglais emmené par Damon Albarn est héritée directement des Beatles ou des Kinks. Des références qui ne vous laisseront sûrement p a s indifférents. En outre, ce numéro a quelque chose de spécial. Je le disais tout à l’heure, les vacances sont là. Et un magazine, quel qu’il soit, sans quelques pages de jeux ne marque pas l’été. Comme il y a un an, nous avons décidé de vous offrir un petit moment de détente, d ’humour nous le sou­ haitons et de convivialité. En attendant de vous retrouver en septembre, toute la Rédaction et moi-même vous souhaitons de belles heures de farniente ! S O M M A I R E Rockstyle n Galaad 8 • Stteilla 10 IQ 12 • Peter Hammill 14 Porcupine Tree 18 • I INj 1er Earth 22 • Metallica 27 • oundgarden This is the place where I belong I really love to run you on l*ve got your sound still in my eyes W hile your traces disappear Recette de Christian Décamps 6 • News 6 • CD Reviews 44 • Flashbad; 56 • CD Rétro 59 • Images 60 • Shopping 63 • Abonnement 64 * Backstage 66 e n Le Père Christian DECAMPS La voix d’Ange Les Fils Tristan DECAMPS Claviers et Vocaux _ Hassan HAJDI Guitares Thierry SIDIIOIIM Basse Hervé ROUYER Batterie - Percussions SAMEDI 13 JUILLET MORANGIS (51-près d’Épernay) La Ferme “Pâture du Jars” 22 h 30 SAMEDI 27 JUILLET BOERSCH (67-près d’Obernai) “UN PIED DANS I.A M M GE' Contact Christian DliCAMRs Stade l'Oll^t TOUS KI NSI K.NI M IM S 6, rue Saint Saens 26 82 49 47 25200 MONTIJEltARn 22 h 00 Kl ' "Voici nu iv n u ‘11 /u ii/iiil. minutieux, iiiunutiil, im/K't LE NOUVEAU cublcDH’nl construit. " HIHIMKMilil »»!!•% l'hilipfK- MANU I VKI ROMAN l(i H :K ü H >LK DE B A I » les fesses du lion Dieu C e lir r e est /ilu s i/i i n u CHRISTIAN Une sur Aiiy/', vl infime lo rsq u e I u n n'est [m s u n DECAMPS adm irateur iiH 'niiilllloii iH‘l, mi sr (iri'iiil ii /e (li'irnvr. " BAba J.K<|tit's 1.1' H U V Jl Kl litîX- M:tg£izinr sur les fesses 1 R e n d e s cli i Bon I )ieu ' i.ivvc tWs A - A tî . f 159 ? ' ATTENTION! 99 NOMBRE LIMITÉ (fin de stock) Mes “BAba sur les fesses du Bon Dieu" Mois cl'Ange Commandez-le dès aujourd’hui Commandez-le vite ! 160 F - BON DE SOM^ANDE à retourner à ECLIPSE EDITIONS, 23 B rue Jean Wyrsch, 25000 Besançon Tél : 81 53 84 51 Je désire recevoir .........exomplaire(s) de «ANGE, Le livro des Légendes», au prix de 159 FF , soit Je désire recevoir .........exemplaire(s) de «Mes Mots d'Ange», au prix de 160 FF , soi) Je désire recevoir .........exemplaire(s) de «BAba sur les fesses du Bon Dieu»,au prix de 99FF , soit Frais de port + emballage (France) : + 30 FF (Pour l'étranger : Frais de port : + 60 FF) soit Total de la commande : ... Je joins mon règlement par chèque ou mandat international à l'ordre de ECLIPSE EDITIONS NOM & PRÉNOM : ...................................................................................................................................................................... ADRESSE :.......................................................................................................................................................................... CODE POSTAL & VILLE PAYS Il a rxjsrii q u 'e ' d e Ch r i s t i a n d é c a m P jS l 1 t>~£■ —~ff- — — Jj-' -u"- — ' ri—=^~ ; - . - - ---------- --- - 3£')p 0S(?A S> StjR £/» i ô o r oism re.c'esrPAs *£gl'jQ O £tieAlT news.• • 0 à ties ÂSSSÙ£S/.. ...Si vous aimez le progressif, ce dont on ne doute plus, vous vous devez de connaître "Prog-Résiste" ! Ce nouveau fanzine est belge et c'est bien puisque c'est écrit en... français. En format A5 et couvertu­ re couleur, "Prog-Résiste" développe sur 40 pages toute l'actualité du rock progressif, chroniquant les meilleurs skeuds du moment. Une page, un CD, voilà une formule ori­ ginale ! Ceux qui connaissent déjà “Harmonie" et "Big Bang" seront séduits par une approche fraîche et originale du sujet. Au sommaire du n° 4; Kansas, Saga, Quest, Ange, Ayreon, Lee Saunders, etc ; interview de No Name et deux pages sur le rock qui monte... le gothique. Fin de siècle oblige !... et du n°5 qui vient de sortir : Christian Décamps, Iluvatar, Collage, Pendragon,... Adresse: "Prog-Résiste", Rue Fernand Cochart, 62 - 5020 Flawinne (Namur) Belgique - 400 FB (environ 70 FF) par chèque pour 4 numéros au nom de Denis Petit... ...En marge de notre dossier sur le métal gothique et ses l assiette. dérivés, on ne peut passer à côté de l'excellent fanzine "Unholy Pain". 52 pages en format A4 pour le prix déri­ soire de 17 F, c'est fort, surtout que toute l'actualité du gothic/doom/dark/black/atmo/death métal est passée en revue. Des groupes les plus connus aux obscurs groupus­ cules, c'est un panorama quasi-exhaustif de la scène mon­ diale d'un genre en pleine expansion. Ecrire à "Unholy Recette pour 4 personnes ou 5, voire 6 si toutefois la 3ème Pain" c/o Nicolas Julien - Les Granges - 23000 - Guéret.. a déjà mangé chez la première. Le n°29 du luxueux fanzine "Harmonie" vient de sortir avec Ingrédients : 4 escalopes de dinde / 3 endives / 1 boîte de Ritual, l'excellent groupe suédois, soja (ne pas oublier de séparer la boîte du contenu) / 4 en couverture. Avec également tomates / 1 échalote vnire 2 si la première à tendance à Anekdoten, Ayreon et la rubrique s'emmerder. habituelle sur Ange. C'est 40 Frs le numéro à l'adresse suivante : "Harmonie" c/o Jean-Claude Granjeon, Préparation : Se saisir d'une poêle un tantinet profonde. 15 avenue du Béarn, 33127 Martignas Ejaculer une grosse perle d’huile d'olive. Emincer la ou les sur Jalle... échalote(s) pour ensuite la ou les jeter, en transe, dans l’hui­ le quoique peu frémissante, histoire qu’elle(s) biondisse(nt). Nouveaux albums (sortis ou Emincer les tomates et les vautrer dans la poêle. Idem pour annoncés pour les 6 mois à venir) : Gamma Ray, Toto (Best of ) , Black les endives (c’est bien fait pour leur gueule). Non mais des Crowes, Rush (à la rentrée), Ian fois, on va tout d'même pas s'iaisser emmerder la vie par des Mosley, Steve Rothery, Mark Kelly, Iron Maiden (best of), légumes... Important !! Faites revenir le tout à demi-feu sans Pearl Jam, Tribute à Rush, Dream Theatre, Magellan, omettre de touiller à l'nide d'une cuillère en bois et la cara­ Guns'n Roses, Kiss (live), Alice Cooper (coffret), Neil vane passe..
Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • The Meanings of Marimba Music in Rural Guatemala
    The Meanings of Marimba Music in Rural Guatemala Sergio J. Navarrete Pellicer Ph D Thesis in Social Anthropology University College London University of London October 1999 ProQuest Number: U643819 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U643819 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis investigates the social and ideological process of the marimba musical tradition in rural Guatemalan society. A basic assumption of the thesis is that “making music” and “talking about music” are forms of communication whose meanings arise from the social and cultural context in which they occur. From this point of view the main aim of this investigation is the analysis of the roles played by music within society and the construction of its significance as part of the social and cultural process of adaptation, continuity and change of Achi society. For instance the thesis elucidates how the dynamic of continuity and change affects the transmission of a musical tradition. The influence of the radio and its popular music on the teaching methods, music genres and styles of marimba music is part of a changing Indian society nevertheless it remains an important symbols of locality and ethnic identity.
    [Show full text]
  • King Crimson Improvattakc Volume # 1 Mp3, Flac, Wma
    King Crimson iMPRoVaTTaKc Volume # 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: iMPRoVaTTaKc Volume # 1 Country: Russia Released: 2001 Style: Prog Rock MP3 version RAR size: 1990 mb FLAC version RAR size: 1806 mb WMA version RAR size: 1448 mb Rating: 4.9 Votes: 153 Other Formats: MPC MMF FLAC AIFF AC3 TTA WMA Tracklist iMPRoVaTTaKc #1 (including: Daniel Dust / Clueless And Spightly Slack Parts 1&2 / The 1 20:06 Golden Walnut) iMPRoVaTTaKc #2 (including: Some Pussyfooting / Is There Life Out There? / The Law Of 2 26:20 Maximum Distress Parts 1&2 / Wilton Carpet) iMPRoVaTTaKc #3 (including: A Voyage To The Center Of The Cosmos / Providence / Some 3 30:27 More Pussyfooting / Coda) Credits Bass – John Wetton Drums – Bill Bruford Guitar, Mellotron – Robert Fripp Music By – King Crimson Percussion, Other [Allsort] – Jamie Muir Violin, Viola, Mellotron – David Cross Notes © 2001 Discipline Global Mobile. The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists, wich whom it resides. Discipline Global Mobile accepts no reason for artists to give away such copyright interests in their work by virtue of a "common practice" which is out of tune with the time, was always questionable and is now indefensible. Music by King Crimson. All themes and variations recorded during the European tour 1973-1974 and based on the original concept. Mixed & mastered for DGM at November, 2001. Cover and sleeve design by Collage Gallery. Engineer & editor coordinator Andrew Lipatoff. Issued in a jewel case with clear tray and 4-page booklet. Barcode and Other Identifiers Matrix / Runout: KCIM-39309 Related Music albums to iMPRoVaTTaKc Volume # 1 by King Crimson Robert Fripp - Radiophonics (1995 Soundscapes Volume 1 - Live In Argentina) King Crimson - The ConstruKction Of Light King Crimson - Epitaph King Crimson - THRAK King Crimson - The Deception Of The Thrush (A Beginner's Guide To ProjeKcts) King Crimson - Larks' Tongues In Aspic King Crimson - Absent Lovers (Live In Montreal 1984) King Crimson - USA.
    [Show full text]
  • Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
    Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b.
    [Show full text]
  • John Zorn Artax David Cross Gourds + More J Discorder
    John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request.
    [Show full text]
  • Comparison of Procedures for Determination of Acoustic Nonlinearity of Some Inhomogeneous Materials
    Downloaded from orbit.dtu.dk on: Dec 17, 2017 Comparison of procedures for determination of acoustic nonlinearity of some inhomogeneous materials Jensen, Leif Bjørnø Published in: Acoustical Society of America. Journal Link to article, DOI: 10.1121/1.2020879 Publication date: 1983 Document Version Publisher's PDF, also known as Version of record Link back to DTU Orbit Citation (APA): Jensen, L. B. (1983). Comparison of procedures for determination of acoustic nonlinearity of some inhomogeneous materials. Acoustical Society of America. Journal, 74(S1), S27-S27. DOI: 10.1121/1.2020879 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. PROGRAM OF The 106thMeeting of the AcousticalSociety of America Town and CountryHotel © San Diego, California © 7-11 November1983 TUESDAY MORNING, 8 NOVEMBER 1983 SENATE/COMMITTEEROOMS, 8:30 A.M. TO 12:10P.M. Session A. Underwater Acoustics: Arctic Acoustics I William Mosely,Chairman Naval ResearchLaboratory, Washington, DC 20375 Chairman's Introductions8:30 Invited Papers 8:35 A1.
    [Show full text]
  • King Crimson Collectors' Club (1969-1974)
    King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 King Crimson 1 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 Collectors' Club (1969-1974) di Gianluca Livi Articolo originariamente apparso in due puntate sui nn. 35 e 37 (rispettivamente Marzo/Aprile e Luglio/Agosto del 2008) di "Musikbox. Rivista di cultura musicale e guida ragionata al collezionismo", qui pubblicato, con alcune varianti, per gentile concessione dell'autore. Premessa (2008) Alla fine degli anni '90, stanco dei bootleg, Robert Fripp decise di commercializzare ufficialmente alcuni live dei King Crimson su cd, muovendo dal presupposto che, se fino a quel momento i fan avevano acquistato materiale del gruppo dal vivo di scarsa qualità, facendo guadagnare esclusivamente biechi 2 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 imprenditori pirata, poteva egli stesso vendere le medesime esibizioni, ufficializzandone l'uscita sul mercato discografico e, congiuntamente, perseguendo anche un (legittimo) fine di lucro. Poiché anche parte delle registrazioni in suo possesso erano qualitativamente scadenti, conscio dell'impossibilità di immetterle nel mercato senza suscitare polemiche, decise di distribuirle solo agli iscritti di un club, il cosiddetto “Collector's Club”. Coloro che vi avessero aderito, previo versamento di una cifra iniziale abbastanza consistente, avrebbero ricevuto i titoli pubblicati di volta in volta, vedendosi scalato il valore di ogni singolo disco dalla quota d'iscrizione. L'iniziativa andò avanti con ottimi risultati fino al 2002, quando - abbandonato definitivamente il metodo dell'iscrizione al Club - i cd furono inseriti nel catalogo della DGM, unitamente ad album ufficiali dei Crimson e di altri artisti della scuderia.
    [Show full text]
  • The Other Country: Stories and a Novella
    UNLV Retrospective Theses & Dissertations 1-1-2006 The Other Country: Stories and a novella Vu Hoang Tran University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Tran, Vu Hoang, "The Other Country: Stories and a novella" (2006). UNLV Retrospective Theses & Dissertations. 2670. http://dx.doi.org/10.25669/oqxe-i2xn This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE OTHER COUNTRY: STORIES AND A NOVELLA by Yu Hoang Tran Bachelor of Arts University of Tulsa 1998 Master of Arts University of Tulsa 2000 Master of Fine Arts University of Iowa 2002 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy Degree in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3226632 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • The Oxford Companion to English Literature, 6Th Edition
    e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip­ form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted.
    [Show full text]
  • Les Archives Du Sombre Et De L'expérimental
    Guts Of Darkness Les archives du sombre et de l'expérimental avril 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/249 Les chroniques Page 3/249 ENSLAVED : Frost Chronique réalisée par Iormungand Thrazar Premier album du groupe norvégien chz le label français Osmose Productions, ce "Frost" fait suite au début du groupe avec "Vikingligr Veldi". Il s'agit de mon album favori d'Enslaved suivi de près par "Eld", on ressent une envie et une virulence incroyables dans cette oeuvre. Enslaved pratique un black metal rageur et inspiré, globalement plus violent et ténébreux que sur "Eld". Il n'y a rien à jeter sur cet album, aucune piste de remplissage. On commence après une intro aux claviers avec un "Loke" ravageur et un "Fenris" magnifique avec son riff à la Satyricon et son break ultra mélodique. Enslaved impose sa patte dès 1994, avec la très bonne performance de Trym Torson à la batterie sur cet album, qui s'en ira rejoindre Emperor par la suite. "Svarte vidder" est un grand morceau doté d'une intro symphonique, le développement est excellent, 9 minutes de bonheur musical et auditif. "Yggdrasill" se pose en interlude de ce disque, un titre calme avec voix grave, guimbarde, choeurs et l'utilisation d'une basse fretless jouée par Eirik "Pytten", le producteur de l'album: un intemrède magnifique et judicieux car l'album gagne en aération. Le disque enchaîne sur un "Jotu249lod" destructeur et un Gylfaginning" accrocheur.
    [Show full text]
  • Forma Y Fondo En El Rock Progresivo
    Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa.
    [Show full text]
  • Chapter 7 Replication Checkpoint Dependent Rad4 Interactions
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Protein-Protein Interactions Underlying Damage Checkpoint Activation in S. pombe Christopher Wardlaw Submitted for the Degree of Doctor of Philosophy University of Sussex September 2013 II Declaration I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature:……………………………………… III Acknowledgements I would like to thank Tony Carr for the opportunity to undertake my PhD in his laboratory, and for his great supervision, help and advice throughout the process. I would also like to thank Jo Murray for her helpful input, ideas and discussion, and thank my second supervisor Alessandro Bianchi. Many thanks to all of the Carr and Murray lab members, past and present, for their help and input over the past four years, and for creating such a wonderful working environment. Special thanks to Valerie Garcia for her supervision and support, and Adam Watson for his never ending technical help and patience.
    [Show full text]