Porcupine Tree Spiral Circus Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Porcupine Tree Spiral Circus Mp3, Flac, Wma Porcupine Tree Spiral Circus mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Spiral Circus Country: US Style: Prog Rock MP3 version RAR size: 1859 mb FLAC version RAR size: 1431 mb WMA version RAR size: 1950 mb Rating: 4.8 Votes: 839 Other Formats: ASF ADX RA APE DMF WMA DTS Tracklist A1 Burning Sky 11:02 A2 Voyage 34 5:32 A3 Always Never 6:28 B1 Radioactive Toy 9:58 B2 Up The Downstair 7:15 B3 Not Beautiful Anymore 8:58 Companies, etc. Phonographic Copyright (p) – Delerium Records Copyright (c) – Delerium Records Published By – Hit & Run Music (Publishing) Ltd. Recorded At – The Borderline Recorded At – The Nags Head Credits Bass – Colin Edwin Drums, Percussion – Chris Maitland Guitar, Vocals – Steve Wilson* Keyboards – Richard Barbieri Supervised By [Recording From The Mixing Desk] – Mike Bearpark* Written-By – Duffy* (tracks: A3), Wilson* Notes These recordings are taken from the very first Porcupine Tree live performances. All tracks recorded directly from the mixing desk to cassette or DAT. Thanks to Mike Bearpark for supervising this process. A1: First Half from BBC live broadcast. 6th Dec. 1993. Second Half from the Borderline, London. 7th Dec. 1993. A2: The Borderline, London. 7th Dec. 1993. A3: BBC live broadcast, 6th Dec. 1993. B1-B3: The Nags Head, High Wycombe. 4th Dec. 1993. Total running time side 1. (22m 58s) Total running time side 2. (26m 18s) Given away free to information service subscribers during the period 93-96. Limited edition of 500 copies of which the first 480 have white/pink artwork and the last 20 came with a different colour sleeve (white sections are blue and photograph is over the artwork instead of mixed through the artwork). This submission is for the last 20 copies with blue/pink artwork. Other versions Category Artist Title (Format) Label Category Country Year DELEC Spiral Circus DELEC Porcupine Delerium PROMO (Cass, Album, Ltd, PROMO UK 1994 Tree Records CASS 5 Promo) CASS 5 Porcupine Spiral Circus Not On Label none none US Unknown Tree (CDr, Unofficial) (Porcupine Tree) Spiral Circus Porcupine CHRCD 002 (CDr, Album, Tachika Records CHRCD 002 2007 Tree Unofficial) Porcupine Spiral Circus (LP, Chromatic CHR 002 CHR 002 UK 1997 Tree TP, W/Lbl) Records Chromatic CHR002, CHR002, Porcupine Spiral Circus (LP, Records, CHR 002 CHR 002 UK 1997 Tree Ltd) Chromatic [violet] [violet] Records Related Music albums to Spiral Circus by Porcupine Tree Porcupine Tree - The Sky Moves Sideways / 4 Chords That Made A Million Rock Porcupine Tree - Signify Rock Porcupine Tree - Stars Die: The Delerium Years 1991 - 1997 Rock Porcupine Tree - Deadwing Rock Porcupine Tree - Piano Lessons Rock Porcupine Tree - On The Sunday Of Life Rock Porcupine Tree - Up The Downstair Rock Porcupine Tree - Live At Nearfest 2001 Rock Porcupine Tree - Fear Of A Blank Planet Rock / Pop Porcupine Tree - On The Sunday Of Life... Rock.
Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • PORCUPINE TREE, the Progressif Incident Depuis Quelques Albums, Porcupine Tree Nous Enchante
    UNE PUBLICATION No 35 DU COLLECTIF NOVEMBRE 2009 MENSUEL Daily Rock GRATUIT TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE Rammstein, Monkey 3, sous The democratic future bang bang ! couverture ! p. 7 of merchandising! p. 12 p. 2 PORCUPINE TREE, The progressif incident Depuis quelques albums, Porcupine Tree nous enchante. ‘The Incident’ ne fait que nous faire fondre un peu plus. Steven Wilson s’exprime sur sa genèse. D’où vient le nom ‘The Incident’ ? Steven Wilson (chant) : Une nuit, en rentrant du studio, j’ai vu qu’il y avait eu un accident mortel. En Angleterre, lorsqu’une chose comme ça arrive, la police met un panneau sur la route Edito avec écrit ‘The Incident’ dessus. J’ai trouvé que c’était un mot très Bande de moules, froid qui définissait un événement traumatisant et dramatique pour La presse, la culture et le hard ne sont des gens. C’est un mot très neutre. toujours pas sur le point de s'éteindre Lorsque je suis passé à la hauteur comme une cigarette dans un caniveau de l’accident et que je voyais des lausannois (interdiction de fumer, gens s’arrêter pour regarder, j’ai eu blablabla) même si elle rencontre des un de ces moments poétiques où écureuils z'et méandres fumeux… j’ai ressenti la présence de ces gens morts, dans ma propre voiture. J’ai Déjà, on a la chance de vivre des moments plutôt presque vu ces gens-là dans mon poilants ces derniers jours. Oh oui, putain qu'est- rétroviseur sur mon siège arrière. ce qu'on rigole.
    [Show full text]
  • W Dzisiejszym Numerze
    Gazetka uczniów SLO im. sw. Dominika Savio we Wroclawiu Numer 01/08 Marzec 2008 „Chrystus zmartwychwstał prawdziwie i my jesteśmy tego świadkami! Krzyczymy o tym światu, aby nasza radość dotarła do wielu innych serc, zapalając w nich światło nadziei, która nie zawodzi” (Jan Paweł II) DRODZY UCZNIOWIE I RODZICE, NAUCZYCIELE I I PRACOWNICY , BYLI WYCHOWANKOWIE ORAZ SYMPATYCY LICEUM SALEZJAŃSKIEGO WE WROCŁAWIU! W najcudowniejszym dniu naszej wiary, gdy Jezus z miłości dał nam nadzieję życia wiecznego w szczęściu życzę Wam, aby radość jak i moc Bożej łaski pomagały odważnie i ufnie podążać każdego dnia drogą prawdy do Nieba. z modlitwą ks. Jerzy Babiak dyrektor W dzisiejszym numerze: Życzenia Wielkanocne.................................str. 1 Step Up 2 - recenzja.....................................str. 2 O koniach.....................................................str. 2 Być kobietą..................................................str. 2-3 Życie wg. Mateusza.....................................str. 4 Wielkanoc................... ................................str. 4 Czy na pewno święta?.................................str. 4 Porcupine Tree............................................str. 4-5 Przepis na uśmiech......................................str. 6 Wszyscy pomagają......................................str. 6 Rekolekcje szkolna......................................str. 6-7 Relacja z Hiszpanii......................................str. 8 Nasze sukcesy..............................................str. 8 Numer 01/08 Marzec 2008 1 Taniec
    [Show full text]
  • Damon Albarn Comme À La Maison
    D O ^ic^ : LE IîIElAL GOlHQUE En El Al DE G3 ACE I l l b l TL c NOUVELLE ________________ FORMULE TOUTE EN COULEUR ! OTHERE NIQUES CD Damon Albarn comme à la maison RETROUVIEZ LIES J lillX 131: l.'IETIE l:T TCUTIïS VOS RUBRIQUES HAIÎI7UIEI.I.IES ! i w . mi& ' F i ' 1SSS üi iM m w m w m f&m Welcome to MUSEA H fü 'M i , ‘ _ Progressive Music Record Lab V,4* (M, u AfamiM opaïaUKfljy>* <fo jk* Jbn* n S tV ief* i r o * » / «fcuM I $rt£*s*ntt**tjy)*en «At*x «m i <■*(> >,■** wrf | L'offre spéciale: trois CD n p *t« *i* b*ùg b«ik b j Alu» KOI ihKJ U «ht vork u MX <oi’ do»t W*««* to <oK*ct for « m u n iu d $*a*c lio u . pour 100F, port compris La»l updating : 1/W /W - Pour 300F par mois recevez 3 CDs sélectionnés par notre comité d'écoute Spécial offer ôj; What"» new *a tu t, Les références MUSEA avec «phtiig broif.ta w n tK i oatLu vWm ! descriptions et comparaisons \ % Mu Bea U s jorx V TW latl* ttotf •( jrou (mim Wxl &■ -Sçlç<'ti(?jgL9iJtKnK.nth Toutes les nouveautés: Tous les groupes Musea à voir et à écouter avec discographie, photos For 3 0 0 FF M uta «ad jd i tkn< CD m ty «ontb et échantillons musicaux. <§»' New Rclcasc* li*t aS II* w nii Mot* nluin ♦ M m ta catalogue Un clic et vous commandez AU M tm rtU tft.
    [Show full text]
  • Porcupine Tree Coma Divine (Recorded Live in Rome) Mp3, Flac, Wma
    Porcupine Tree Coma Divine (Recorded Live In Rome) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Coma Divine (Recorded Live In Rome) Country: Japan Released: 2008 Style: Space Rock, Psychedelic Rock MP3 version RAR size: 1583 mb FLAC version RAR size: 1556 mb WMA version RAR size: 1285 mb Rating: 4.5 Votes: 527 Other Formats: AC3 XM VOC ASF AUD MMF VOX Tracklist 1-1 Bornlivedieintro 1:25 1-2 Signify 5:29 1-3 Waiting Phase One 4:36 1-4 Waiting Phase Two 5:23 1-5 The Sky Moves Sideways 12:40 1-6 Dislocated Day 6:35 1-7 The Sleep Of No Dreaming 5:19 1-8 Moonloop 11:50 2-1 Up The Downstair 7:40 2-2 The Moon Touches Your Shoulder 5:05 2-3 Always Never 5:41 2-4 Is...Not 6:09 2-5 Radioactive Toy 13:30 2-6 Not Beautiful Anymore 9:39 Companies, etc. Distributed By – WHD Entertainment, Inc. Marketed By – Victor Entertainment, Inc. Copyright (c) – Snapper Music Plc Copyright (c) – Porcupine Tree Manufactured By – Snapper Music Plc Credits Bass – Colin Edwin Drums, Percussion, Backing Vocals – Chris Maitland Engineer [Recording] – Chris Thorpe Guitar, Vocals, Producer, Mixed By – Steven Wilson Keyboards, Synthesizer – Richard Barbieri Notes Recorded live In Rome 1997. Comes in a CD sized papersleeve (gatefold), with obi-strip and two inserts of notes/photos. Barcode and Other Identifiers Barcode (Scanned): 4582213912036 Barcode (Text): 4 582213 912036 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Porcupine Coma Divine (CD, Delerium DelecCD067 DelecCD067 UK 1997 Tree Album, RE) Records
    [Show full text]
  • Radio Voltaire
    Kino – Radio Voltaire (56:10, CD, InsideOut Music / Sony Music, 2018) Nach dreizehnjähriger Albumspause sind Kino wieder mit einem neuen Album am Start. Vom Original Line-up sind nur noch das Duo John Mitchell (Gesang, Gitarre, u.a. Arena, Lonely Robot, It Bites) undPete Trewavas (Bass, u.a. Marillion, Transatlantic) geblieben, immerhin ist mit It Bites- Keyboarder John Beck als Special Guest ein weiteres Mitglied der Debüt-Besetzung vertreten. Am Schlagzeug hat manCraig Blundell (u.a. Steven Wilson Band) statt dem bereits kurz nach dem Debüt ausgeschiedenen Chris Maitland (ex-Porcupine Tree) verpflichtet. „Radio Voltaire“ ist eine Art Neuanfang mit leicht verschobenen Verantwortungen. Natürlich ist wie beim Debüt „Picture“ eine stilistische Mixtur aus modernem Rock, bombastischem Neo Prog (aber vgl.John s im Interview eingenommene deutlich kritische Haltung zu dieser Schublade), sinfonischen Elementen und einem deutlichen Hang zu verspielten Melodien und einer kompakten Herangehensweise zu erkennen. Viel erinnert jedoch an das John Mitchell-Projekt Lonely Robot. Dies kommt nicht von ungefähr, denn laut ursprünglichem Plan befand sich Mitchell eigentlich in der Planungsphase zu einem neuen Album seines Soloprojekts. Doch auf Vorschlag der Plattenfirma wurde stattdessen ein neues Kino-Album daraus. So wurde Pete Trewavas kontaktiert, und beide schienen von dieser Idee angetan zu sein. Aufgrund der engen Terminpläne – vor allem derer von Pete Trewavas – entstand recht kurzfristig ein Ideenaustausch, bei dem die beiden Hauptbeteiligten ihr Songmaterial vereinten und in knapp zwei Monaten das komplette Album fertig stellten. Erst zu den endgültigen Aufnahmen stieß auch noch John Beck hinzu, der aber dieses mal weniger als Komponist, denn als Gastmusiker seine Beiträge beisteuerte.
    [Show full text]
  • Did You Grow up in a Musical Family/Environment (Was There Much Music Where You Lived)?
    © www.totalmusicmagazine.com www.totalmusicmagazine.com Interview with Fish Total Music: Did you grow up in a musical family/environment (was there much music where you lived)? Tim Bowness: “A big no to both! I did find out after her death that my Mum had dabbled in theatrical productions and had dreams about being an actor, and my Grandmother (who lived next door) had been an accomplished Classical pianist. Despite that, music and the arts never figured highly in my household and my parents actively discouraged me from getting involved in bands.” “As for the area, the immediate surroundings - North Cheshire - were pretty dead in terms of venues and there was little to do except create entertainment yourself. Manchester and Liverpool were only twenty minutes away, so as a late teenager, I had access to a great deal more.!” Total Music: Did you play in any bands we may not have heard of in your formative years and what were you major influences? Tim Bowness: “A few, mainly in the Manchester and Liverpool areas. I‟d have been aged between 18 and 23. My three main pre No-Man bands were Still (from Manchester), After - or sometimes Always - The Stranger (from Warrington) and Plenty (from Liverpool). “Still had genuine musical scope and were quite original for the time I think. We were praised by the likes of Mark Radcliffe, but sadly it came to nothing. After The Stranger was more of a standard 1980s Indie Rock band in a Chameleons/Icicle Works/Smiths style. It had a grounding in King Crimson and Van Der Graaf Generator, so it wasn‟t wholly straightforward.
    [Show full text]
  • O Rock Progressivo Depois De 1990
    UNIVERSIDADE FEDERAL DE UBERLÂNDIA Instituto de Artes – IARTE Programa de Pós-Graduação em Música CARLOS HENRIQUE RODRIGUES DE MORAES O Rock Progressivo depois de 1990. Uberlândia, MG Outubro de 2018 CARLOS HENRIQUE RODRIGUES DE MORAES O Rock Progressivo depois de 1990. Dissertação apresentada junto ao Programa de Pós-graduação em Música – Mestrado Acadêmico – do Instituto de Artes da Universidade Federal de Uberlândia, como requisito parcial para a obtenção do título de Mestre em Música. Orientador: Prof. Dr. Silvano Fernandes Baia. Uberlândia Outubro de 2018 Dados Internacionais de Catalogação na Publicação (CIP) Sistema de Bibliotecas da UFU, MG, Brasil. M827r Moraes, Carlos Henrique Rodrigues de, 1988- 2018 O rock progressivo depois de 1990 [recurso eletrônico] / Carlos Henrique Rodrigues de Moraes. - 2018. Orientador: Silvano Fernandes Baia. Dissertação (mestrado) - Universidade Federal de Uberlândia, Programa de Pós-graduação em Música. Modo de acesso: Internet. Disponível em: http://dx.doi.org/10.14393/ufu.di.2018.1338 Inclui bibliografia. Inclui ilustrações. 1. Música. 2. Música popular. 3. Rock progressivo. 4. Música - História. 5. Musicologia. I. Baia, Silvano Fernandes. II. Universidade Federal de Uberlândia. Programa de Pós-graduação em Música. III. Título. CDU: 78 Isabella de Brito Alves - CRB-6/3045 AGRADECIMENTOS À orientação de Silvano Fernandes Baia, desenvolvendo as ideias deste projeto desde a graduação, e promovendo um espaço para a pesquisa da música popular na UFU. Aos professores das bancas de qualificação e defensa: André Fabiano Voigt e Marcelo Silva Gomes, a participação dos quais foi fundamental no desenvolvimento desta pesquisa. À equipe docente do Programa de Pós-Graduação em Música da UFU, proporcionando amplas oportunidades para o aperfeiçoamento do projeto.
    [Show full text]
  • Porcupine Tree Signify Mp3, Flac, Wma
    Porcupine Tree Signify mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Signify Country: Poland Released: 1996 Style: Psychedelic Rock, Prog Rock MP3 version RAR size: 1144 mb FLAC version RAR size: 1409 mb WMA version RAR size: 1884 mb Rating: 4.4 Votes: 962 Other Formats: VQF MP4 RA FLAC MOD MMF AU Tracklist 1 Bornlivedie 1:41 2 Signify 3:26 3 Sleep Of No Dreaming 5:24 4 Pagan 1:34 5 Waiting Phase One 4:24 6 Waiting Phase Two 6:15 7 Sever 5:30 8 Idiot Prayer 7:37 9 Every Home Is Wired 5:08 10 Intermediate Jesus 7:29 11 "Light Mass Prayers" 4:28 12 Dark Matter 8:57 Credits Acoustic Guitar, Electric Guitar – Steven Wilson (tracks: 5, 10, 12) Backing Vocals – Chris Maitland (tracks: 7) Bass – Colin Edwin (tracks: 2, 5 to 8, 10, 12) Chimes, Musical Box – Steven Wilson (tracks: 10) Design, Layout – John Blackford Drum Programming – Steven Wilson (tracks: 8) Drums – Chris Maitland (tracks: 2, 3, 5 to 7, 9, 10, 12) Electric Bass, Double Bass – Colin Edwin (tracks: 3, 9) Electronics [Prophet V/system 700] – Richard Barbieri (tracks: 6, 9) Guitar – Steven Wilson (tracks: 2, 3, 6 to 9) Guitar [Banshee] – Steven Wilson (tracks: 1) Keyboards – Steven Wilson (tracks: 5 to 7, 9) Loops [Drum Loop] – Chris Maitland (tracks: 8) Mastered By – Chris Thorpe Mellotron – Steven Wilson (tracks: 2, 3) Organ – Steven Wilson (tracks: 3, 8) Organ [Hammond] – Richard Barbieri (tracks: 12) Other [Texture], Electronics [System 700], Tape [Tapes] – Richard Barbieri (tracks: 1) Percussion – Chris Maitland (tracks: 4, 6) Photography By [Live Band Photos]
    [Show full text]
  • GH Interview A. & N. Nießner (14.11.2007)
    D‘ART D‘ART PORCUPINE TREE 74 75 D‘ART D‘ART Bereits im April 2007 brachten Porcupine Tree kling das, was er hinter seinem beeindruckenden ihr neues Album Fear of a blank planet auf den Drumset produziert, anmutig, genial, ja geradezu Markt. Jetzt touren sie durch die ganze Welt virtuos. Einige Fans werfen ihm genau das vor. und präsentieren ihre Lieder. Vor dem Konzert Dass er dadurch die Stimmung der Lieder kaputt in der Münchner Elserhalle am 14. November machen würde. Dass er einfach zu viel versuchen 2007 hatten wir Gelegenheit, mit dem Schlag- würde. zeuger der Band zu sprechen. Fakt ist aber, dass sich Porcupine Tree seit sei- nem Einstieg 2002 enorm weiterentwickelt hat. avin Harrison macht einen wirklich guten Und Gavin hat maßgeblich zu dieser Entwick- GJob. Zugegeben, ohne eine Portion Talent lung beigetragen. Nicht umsonst hat er unlängst und ohne eine gewisse Disziplin, würde das, was laut einer Umfrage des Modern Drummer Ma- er macht, vermutlich weniger locker aussehen. gazins Mike Portnoy (Dream Theater) als besten Und vielleicht würde es sich auch nicht ganz so Progressive Rock Drummer abgelöst. Wir hatten gut anhören. Aber nachdem Gavin sowohl das die Möglichkeit den Mann aus Harrow, London Talent als auch die Disziplin besitzt und zusätz- zu interviewen. lich noch mit reichlich Erfahrung ausgestattet ist, Gavin HARRISON Gavin Harrison live 74 75 D‘ART D‘ART Hallo Gavin. Wann haben Sie das erste Mal Mu- funktioniert. Manchmal sehe ich in Internetforen, sik von Porcupine Tree gehört? dass Leute wirklich denken, Porcupine Tree sei Das war im Jahr 2001. Ich hatte mit deren Key- eine Steven Wilson Band – das sind wir über- boarder Richard Barbieri zusammengearbeitet haupt nicht.
    [Show full text]