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Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2016 Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A. Amato Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Amato, Sara A., "Female Anti-Heroes in Contemporary Literature, Film, and Television" (2016). Masters Theses. 2481. https://thekeep.eiu.edu/theses/2481 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� f.AsTE�ILLINOIS UNIVERSITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, andDistribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
Die Gewalt in Den Körpern
# 2019/11 dschungel https://jungle.world/artikel/2019/11/die-gewalt-den-koerpern »Destroyer«, der jüngste Film der Regisseurin Karyn Kusama Die Gewalt in den Körpern Von Benjamin Moldenhauer Karyn Kusama inszeniert mit »Destroyer« einen weiblichen Polizeifilm mit einer herausragenden Nicole Kidman als traumatisierter Ermittlerin. Wie in einer Versuchsanordnung zeigen die Filme der US-amerikanischen Regisseurin Karyn Kusama, was entstehen kann, wenn Genreregeln nach feministischen Kriterien verändert werden. Ihr Kinodebüt »Girlfight« (2000) erzählte den klassischen »Rocky«-Plot (ein Mann boxt sich von unten nach oben) mit einer Protagonistin, die den Mann, in den sie verliebt ist, im Kampf verdrischt. Die konsequentesten Umschreibungen hat Kusama bislang im Horrorgenre unternommen. »Jennifer’s Body« (2009) spielt mit der Angst vor der vagina dentata, wenn die Titelheldin ermordet wird und als Wiedergängerin ihre Mitschüler frisst. »Her Only Living Son«, Kusamas Beitrag zum US-amerikanisch- kanadischen Episodenfilm »XX«, eine Horroranthologie, deren sämtliche Beiträge von Regisseurinnen inszeniert wurden, lässt eine alleinerziehende Mutter gegen Satan antreten. Kusama zeigt, was aus Rosemarys Baby hätte werden können. In den physisch schmerzhaften Action-Szenen wird spürbar, dass die ausgezehrt wirkende Frau ihre Energie nur noch aus ihrer ungeheuren Wut bezieht – einer Mischung aus Aggression und Selbsthass. Ihr jüngster Film »Destroyer« nimmt sich den Polizeithriller vor. Der Film knüpft an die mythisch überhöhte Figur des einsamen Cops an, der mit den Mitteln des offiziellen Ermittlungsapparates nicht mehr weiterkommt und auf eigene Faust agiert. »Dirty Harry« ist das große Vorbild. Kusama schickt eine ungeschminkte Nicole Kidman in den Krieg gegen eine Gang von Bankräubern. Mit jeder Einstellung scheint Kidman daran zu erinnnern, wie selten Hauptrollen mit Frauen über 40 besetzt werden. -
Jeff Ho Surfboards and Zephyr Productions Opened in 1973 and Closed in 1976
Sharp Sans Display No.2 Designed By Lucas Sharp In 2015 Available In 20 Styles, Licenses For Web, Desktop & App 1 All Caps Roman POWELLPERALTA Black — 50pt BANZAI PIPELINE Extrabold — 50pt BALI INDONESIA Bold — 50pt MICKEY MUÑOZ Semibold — 50pt TSUNAMI WAVE Medium — 50pt MALIA MANUEL Book — 50pt MIKE STEWART Light — 50pt WESTWAYS CA Thin — 50pt TYLER WRIGHT Ultrathin — 50pt FREIDA ZAMBA Hairline — 50pt Sharp Sans Display No.2 2 All Caps Oblique ROBERT WEAVER Black oblique — 50pt DENNIS HARNEY Extrabold oblique — 50pt PAUL HOFFMAN Bold oblique — 50pt NATHAN PRATT Semibold oblique — 50pt BOB SIMMONS Medium oblique — 50pt MIKE PARSONS Book oblique — 50pt JAMIE O'BRIEN Light oblique — 50pt JACK LONDON Thin oblique — 50pt KAVE KALAMA Ultrathin oblique — 50pt CRAIG STECYK Hairline oblique — 50pt Sharp Sans Display No.2 3 All Caps Roman Lubalin Ligatures JOYCE HOFFMAN Black (Lubalin Ligatures) — 50pt FRED HEMMINGS Extrabold (Lubalin Ligatures) — 50pt MATADOR BEACH Bold (Lubalin Ligatures) — 50pt OAHU WAVE INT. Semibold (Lubalin Ligatures) — 50pt DREW KAMPION Medium (Lubalin Ligatures) — 50pt ROB MACHADO Book (Lubalin Ligatures) — 50pt HEATHER CLARK Light (Lubalin Ligatures) — 50pt PAPAKOLEA BAY Thin (Lubalin Ligatures) — 50pt MIKE PARSONS Ultrathin (Lubalin Ligatures ) — 50pt LAIRD HAMILTON Hairline (Lubalin Ligatures) — 50pt Sharp Sans Display No.2 4 Title Case Roman Hawaii Five-O Black — 50pt Playa Del Rey Extrabold — 50pt Fuerteventura Bold oblique — 50pt Sunny Garcia Semibold — 50pt Zephyr Team Medium — 50pt The Dogbowl Book — 50pt Pismo -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
Last-Christmas-Movie-Production
UNIVERSAL PICTURES Presents In Association with PERFECT WORLD PICTURES A CALAMITY FILMS Production A FEIGCO ENTERTAINMENT Production A PAUL FEIG Film EMILIA CLARKE HENRY GOLDING MICHELLE YEOH and EMMA THOMPSON Executive Producer SARAH BRADSHAW Producers DAVID LIVINGSTONE, p.g.a. EMMA THOMPSON, p.g.a. PAUL FEIG, p.g.a. JESSIE HENDERSON, p.g.a. Story by EMMA THOMPSON & GREG WISE Screenplay by EMMA THOMPSON and BRYONY KIMMINGS Directed by PAUL FEIG Last Christmas_Production Information 2 PRODUCTION INFORMATION EMILIA CLARKE (HBO’s Game of Thrones, Me Before You), HENRY GOLDING (A Simple Favor, Crazy Rich Asians), MICHELLE YEOH (Crazy Rich Asians; Crouching Tiger, Hidden Dragon) and two-time Oscar® winner EMMA THOMPSON (Sense and Sensibility, Saving Mr. Banks) star for director PAUL FEIG (A Simple Favor, Spy, Bridesmaids) in Last Christmas, a romantic comedy inspired by a GEORGE MICHAEL beat, from a screenplay by Academy Award® winner Thompson (Sense and Sensibility, Nanny McPhee) and writer/performer BRYONY KIMMINGS. Kate (Clarke) harrumphs around London, a bundle of bad decisions accompanied by the jangle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom (Golding) seems too good to be true when he walks into her life and starts to see through so many of Kate’s barriers. As London transforms into the most wonderful time of the year, nothing should work for these two. But sometimes, you gotta let the snow fall where it may, you gotta listen to your heart … and you gotta have faith. Set in London during the 2017 holiday, Last Christmas features the music of George Michael and Wham!, including the bittersweet holiday classic of the film’s title. -
GIRLS on the BORDERLINE Rewriting the Rite of Passage Film
GIRLS ON THE BORDERLINE Rewriting the Rite of Passage Film Esther Jo Steiner Doctor of Philosophy Feature Film Screenwriting Media Arts Department Royal Holloway, University of London - iii - Abstract Girl protagonists in rite of passage films regularly come to be burdened with a sobering maturity that sees them acquire a dysphoric subjective position under an oppressive patriarchal paradigm. According to Oedipal logics, both genders, in extricating themselves from the imaginary fullness of the maternal bond, come to be subjects of lack, but culturally entrenched patriarchal fictions concur in fostering masculine narcissism at the expense of the feminine. This practice-based research asks how the Oedipal narrative structure, which has defined twentieth- century mainstream cinema, can be re-appropriated and re- imagined for the purpose of writing a screenplay that highlights the girl’s active and constructive engagement in the project of selfhood. My reading of seven films, which are all at the low-budget end of the mainstream (studio-financed as well as independent), details parallel structures and discourses within the proposed genre. Victor Turner’s rite of passage model is used as a template for understanding rite of passage plot structure and transformative symbolism, while key concepts in Lacanian psychoanalysis serve to throw light on the adolescent girl’s psychosexual development. My reading of Girlfight, which follows Luce Irigaray’s critique of phallocentrism and concept of intersubjective dialogue, provides a key insight into how the narrative aspects of film can provide a propitious environment for resolving cultural impasse and catalysing understanding and change. I have written my screenplay Lullaby, which accompanies the thesis as Appendix IV, in accordance with my research goals. -
Film Guide October 2018
FILM GUIDE OCTOBER 2018 www.loftcinema.org WOMEN OF HORROR, ALL THROUGH OCTOBER! HALLOWEEN • NEW 40TH ANNIVERSARY DIGITAL RESTORATION! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. OCTOBER 2018 SPECIAL ENGAGEMENTS 4-32 LOFT MEMBERSHIPS 6 BEER OF THE MONTH: SCIENCE ON SCREEN 9 1554 BLACK LAGER SOLAR CINEMA 9,10,14,21,25 NEW BELGIUM BREWING LOFT JR. 13 ONLY $3.50 ALL THROUGH OCTOBER! LOFT STAFF SELECTS 15 ESSENTIAL CINEMA 20 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! NT LIVE 22 The Loft Cinema now offers Closed Captions and Audio COMMUNITY RENTALS 26-31 Descriptions for films whenever they are available. Check our NEW FILMS 33-44 website to see which films offer this technology. REEL READS SELECTION 43 MONDO MONDAYS 45 FILM GUIDES ARE AVAILABLE AT: CULT CLASSICS 46 • aLoft Hotel • First American Title • Rogue Theatre • Antigone Books • Fresco Pizza • Santa Barbara Ice Cream • Aqua Vita • Fronimos • Shot in the Dark Café • AZ Title Security • Heroes & Villains • Southern AZ AIDS THE LOFT CINEMA • Bentley’s • Hotel Congress Foundation • SW U of Visual Arts 3233 E. Speedway Blvd. • Black Crown Coffee • How Sweet It Was • Ted’s Country Store Tucson, AZ 85716 • Bookmans • Humanities Seminars • Bookstop • Imagine Barber Shop • Time Market SHOWTIMES: 520-795-7777 • Brooklyn Pizza • Jewish Community Ctr -
Genre, Authorship and Contemporary Women Filmmakers
KATARZYNA PASZKIEWICZ GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Katarzyna Paszkiewicz Not for distribution or resale. For personal use only. Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Katarzyna Paszkiewicz, 2018 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 10/12.5pt Sabon by Servis Filmsetting Ltd, Stockport, Cheshire and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 2526 1 (hardback) ISBN 978 1 4744 2527 8 (webready PDF) ISBN 978 1 4744 2528 5 (epub) The right of Katarzyna Paszkiewicz to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Not for distribution or resale. For personal use only. CONTENTS List of Figures vi Acknowledgements viii Introduction: Impossible Liaisons? Genre and Feminist Film Criticism 1 1. Subversive Auteur, Subversive Genre 34 2. -
[Listed] Calendar of Events
The following is an abridged version of the official events listed on the Brown Commemoration website. It is supplemented by a list of the extra unlisted events members of the EBC team attended. The events that were attended by members of the EBC that were listed on the Brown website have a star next to them. The events listed on the main website were not inclusive of all of the Brown events throughout the university nor is it inclusive of the Brown events sponsored by the Chancellors office. Many Brown related events were planned throughout the semester by various groups including student groups- not all of these events made it to the website. This list is also not inclusive of all of the events that came to our attention that list is impossible to generate. The list we did generate is abridged and includes information that difference campus constituencies give importance to such as outreach information and sponsorship, when this information was available. [Listed] Calendar of Events View Brown Events on the Web at: http://will.uiuc.edu/community/beyondbrown/brownarchives.htm September, 2003 *University Library Exhibit, Main Library First Floor Hallway -- "Separate and Unequal: Segregation and Three Generations of Black Response, 1870-1950." September 17 Reading Brown: Walt Harrington, author of Crossing: A White Man's Journey Into Black America. Streaming for this event is available at: http://will.uiuc.edu/community/brownarchives.htm September 18 Community Sing with Ysaye Barnwell, of the internationally acclaimed vocal quintet Sweet Honey in the Rock, will be teaching music from the African American tradition. -
Press, Undertow
MICHAEL SHANNON JESSICA CHASTAIN T A K E S H E L T E R Written and Directed by Jeff Nichols Official Selection: 2011 Sundance Film Festival Winner Grand Prix Critics Week | Fipresci Prize International Critics Prize Cannes Film Festival 2011 www.takeshelterfilm.com 120 min | Release Date (NY/LA): 09/30/2011 | Rated R for some language East Coast Publicity West Coast Publicity Distributor Hook Publicity Block Korenbrot Sony Pictures Classics Jessica Uzzan Judy Chang-Merrick Carmelo Pirrone Mary Ann Hult Jennifer Malone Lindsay Macik [email protected] 110 S. Fairfax Ave, #310 550 Madison Ave [email protected] Los Angeles, CA 90036 New York, NY 10022 917-653-6122 tel 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax LOG LINE Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself. SYNOPSIS Curtis LaForche lives in a small Ohio town with his wife Samantha and six-year-old daughter Hannah, who is deaf. Curtis makes a modest living as a crew chief for a sand-mining company. Samantha is a stay-at-home mother and part-time seamstress who supplements their income by selling handmade wares at the flea market each weekend. Money is tight, and navigating Hannah’s healthcare and special needs education is a constant struggle. Despite that, Curtis and Samantha are very much in love and their family is a happy one. Then Curtis begins having terrifying dreams about an encroaching, apocalyptic storm. -
OF LYNDHURST BRIEFS Warehouse, Volunteer Cleanup Day Paraders to Meet Office Space at Town Hall Park to Cover Area Sept
Bomb threat at Newark Babes and waves Liberty bounces back two hour search yields nothing Kam reviews "Blue Crush- Playoff series now tied Page 3 Page 7 Page 9 THE COMMERCIAL 25. I like a man who grins when he fights. - Winston Churchill THURSDAY, AUGUST 22, 2002 Established 1922 OF LYNDHURST BRIEFS Warehouse, Volunteer cleanup day Paraders to meet office space at Town Hall Park to cover area Sept. 20 The Department of Recreation, un- planned for More than 500 employee volunteers "We've seen a tremendous increase der the direction of Commissioner fmm corporations in the Bergen Count) m the numhei ol participating compa- Paul Pasiamaoo, Jr announces that area will fan out on Iriday. Sept 20, to nies and volunteers, and expect that the public ts invited to watch the An Marin Ave. spruce up properties. the opportunity lodoa service project nual Boys and Girls Soccer Parade Catanese Inc. has received approval Armed with shovels, lakes and painl in memory of Wl I victims will increase on Saturday. Sept. 7. from the board of adjustment for an P • P brushes, the squads v> ill clean up. plant those numbers even more," she added. Parade participants will assemble at I l,(K)O-square-tiH>t warehouse/office and paint non-profit agencies in the The Unity in the Spun ot America the Town Hall Park! [Vlaficld Avenue) county. building to be located at 611 Mann An architect's rendering of a new warehouse/oftice building. (USA) act signed into law by l*resi at 11 am and inarch In Volunteer Sta Avenue. -
Catherine Keener? That’S Okay, She’S Never Heard of You Either
PL2016-ReasonAd1.qxd 7/3/02 3:31 PM Page 1 Reason #1: The price. Now only $299* *MSRP. "PlayStation" and the "PS" Family logo are registered trademarks of Sony Computer Entertainment Inc. Horizontal stand not included. 00-FM0802-scouts 7/9/02 5:25 PM Page x2 Who knows how far they’ll go. 1-888-SCOUTS-NOW • www.scouts.ca Document1 6/26/02 4:59 PM Page x2 UNIVERSAL PICTURES ANDIMAGINE ENTERTAINMENT PRESENT ABRIAN GRAZER PRODUCTION "BLUE CRUSH" KATE BOSWORTH MICHELLE RODRIGUEZ MATTHEW DAVIS SANOE LAKE MUSIC MUSIC COSTUME FILM PRODUCTION DIRECTOR OF CO- MIKA BOOREMBYPAUL HASLINGER SUPERVISOR DANA SANO DESIGNERSUSAN MATHESON EDITOREMMA E. HICKOX DESIGNERTOM MEYER PHOTOGRAPHYDAVID HENNINGS PRODUCERRICK DALLAGO EXECUTIVE PRODUCED STORY SCREENPLAY DIRECTED PRODUCERSBUFFY SHUTTKATHY JONESLOUIS G. FRIEDMAN BY BRIAN GRAZER KAREN KEHELA BYLIZZY WEISS BYLIZZY WEISS& JOHN STOCKWELL BYJOHN STOCKWELL SOUNDTRACK ON VIRGIN RECORDS AUGUST 16 ©A 2002 UNIVERSAL UNIVERSAL PICTURE STUDIOS IF YOU WANT TO FEEL THE RUSH YOU HAVE TO TAKE THE RISK contents 7/9/02 3:28 PM Page 5 contents Famous | volume 3 | number 8 | 3/C B G R 28 46 24 FEATURES DEPARTMENTS COLUMNS 100 2 5 25 50 75 95 98 20 GETTING CLOSE TO JACKIE 06 EDITORIAL 38 LINER NOTES An extra reports from the set of Wide Mouth Mason opens up Jackie Chan’s The Tuxedo 08 SHORTS Festival season, Austin Powers’ car 40 NAME OF THE GAME 24 TIDE UP and the Colm Feore game Mario returns After reading about Michelle Rodriguez you’re going to want to see her new 10 SNAPS 41 BIT STREAMING movie.