Press Kit About Contemporaneous

Total Page:16

File Type:pdf, Size:1020Kb

Press Kit About Contemporaneous Press Kit About Contemporaneous Contemporaneous is an ensemble of 21 musicians whose mission is to bring to life the music of now. Recently recognized for a “ferocious, focused performance” (The New York Times) and for its “passionate drive...setting a high bar for other ensembles to live up to” (I Care If You Listen), Contemporaneous performs and promotes the most exciting work of living composers through innovative concerts, commissions, recordings, and educational programs. Based in New York City and active throughout the United States, Contemporaneous has performed over 80 concerts at a wide range of venues, including Lincoln Center, (le) poisson rouge, Merkin Concert Hall, Baryshnikov Arts Center, St. Ann’s Warehouse, and the Bang on a Can Marathon. The ensemble has worked with artists as diverse as David Byrne, Jherek Bischoff, Donnacha Dennehy, Yotam Haber, Julia Wolfe, and Dawn Upshaw. Contemporaneous has premiered more than 60 works, many of them large-scale pieces by emerging composers. Through its commissions and readiness to play challenging music, the ensemble encourages composers to take risks and defy constraints. Contemporaneous’ debut album, Stream of Stars — Music of Dylan Mattingly (Innova Recordings), has been featured on radio programs around the world, including WNYC's “New Sounds” and WRTI's “Now is the Time.” The ensemble has also recorded for the New Amsterdam Records, Brassland, Roven, Mona, and Leaf labels. Contemporaneous also leads participatory programs for public school students in the communities where the ensemble performs. These workshops are designed to instill a passion for new music and to convey the power of careful listening and meaningful expression through music. The ensemble has held residencies at Simon’s Rock College, the University of New Orleans, Williams College and is currently an ensemble-in-residence at Bard College, where the group was founded in 2010. Contemporaneous is a federally tax-exempt not-for-profit organization, supported by a dedicated community of listeners. Read more at contemporaneous.org. Press Quotes “Feverishly varied, [Andrew Norman’s] Try was given a ferocious, focused performance by Contemporaneous... Contemporaneous attacked with passion.” — Zachary Woolfe, The New York Times (June 23, 2014) “[Dawn] Upshaw’s lustrous instrument was delicately framed by members of Contemporaneous, led adroitly by conductor David Bloom.” — Bruce Hodges, Seen and Heard International (September 16, 2015) "What came through loud and clear were the ensemble’s tremendous versatility, fine musicianship, focus, and incredibly rich and varied talent, as well as the powerful commitment to creating and fostering an ever-expanding community among composers, musicians, and listeners.” — Susan Scheid, Prufrock’s Dilemma (March 16, 2015) “Contemporaneous has once again displayed their passionate drive for new music... The musical ability of all of the players in the group is fantastic, and coupled with a drive to commission and perform new works by young composers, Contemporaneous is setting an extremely high bar for other ensembles to live up to.” — Sam Reising, I Care If You Listen (December 13, 2013) Educational Program Topics Contemporaneous offers tailor-made educational programs centered around the creation and performance of new music for people of all ages, from Kindergarten students to adults. The ensemble has presented these programs for such institutions as public schools in New York City, Bard College, Williams College, the University of New Orleans, the Western Connecticut Youth Orchestra, Face the Music, the Poughkeepsie Day School, and many others. The Composer in You: Everybody can write music! This workshop empowers people to express themselves in a new way through original compositions. Participants will use images, words, and stories as notation for their new pieces to be performed by the musicians of Contemporaneous. By demonstrating the ability of new music to convey emotions particular to our time and place, Contemporaneous aims to instill a passion for new music. No Time Like the Present: Introducing participants to the thrill of new music, this workshop features live performances of works by today’s most exciting composers. The musicians guide in- depth discussions that reveal the design and inspirations of the compositions Composition Workshop: Contemporaneous offers performances, readings, and recordings of new works by student composers, as well as workshops on instrumental techniques, score preparation, and professional development specific to composers. The ensemble treats student works with the same kind of passion and devotion with which it approaches its own repertoire. Instrumental, vocal, and conducting masterclasses: With consummate musicians on virtually every instrument, Contemporaneous offers uniquely broad possibilities in performance masterclasses focused on contemporary repertoire and techniques. Making a Life in Music: This round-table discussion with the members of Contemporaneous offers diverse insights and advice on starting an artistically fulfilling and financially sustainable career in music. Musicians The core members of Contemporaneous are close friends who are dedicated to carrying out the group’s mission both as members of the ensemble and as individual artists. All active in the new music world outside of Contemporaneous, the members also perform with Asphalt Orchestra, Bang on a Can, Bearthoven, Carnegie Hall’s Ensemble ACJW, ensemble mise-en, Gutbucket, Manhattan Saxophone Quartet, The Millennials, TIGUE , and Warp Trio, among many others. Many are also active in indie, rock, and folk music, both as solo artists and members of bands. Most members of Contemporaneous are also active as educators outside of the organization’s own outreach programs. They teach privately and at such institutions as Bard College, Bard High School Early College, Brooklyn Conservatory of Music, Carnegie Hall, City University of New York, Dartmouth College, Face the Music, Keene State College, New York Youth Symphony, Special Music School, Third Street Music School, and the University of Maryland. The members of Contemporaneous hold degrees from Bard College, Eastman School of Music, the Juilliard School, the Manhattan School of Music, the New England Conservatory, New York University, Northwestern University, Oberlin Conservatory, the Ohio State University, Rice University, the University of Michigan, and the Yale School of Music, among others. Fanny Wyrick-Flax — flute Lucy Dhegrae — soprano Stuart Breczinski — oboe Colin Davin — guitar Vicente Alexim — clarinet Josh Henderson — violin Daniel Kochersberger — saxophone Finnegan Shanahan — violin David A. Nagy — bassoon Sabrina Tabby — violin Cameron West — horn Sarah Haines — viola Evan Honse — trumpet Adam Matthes — viola Daniel Linden — trombone Dylan Mattingly — cello, co-artistic director Matt Evans — percussion Pat Swoboda — contrabass Amy Garapic — percussion David Bloom — conductor, co-artistic director Milena Gligić — piano Selected Repertoire Key: * New York premiere ** East Coast premiere † United States premiere †† World premiere John Adams (b. 1947): Son of Chamber Symphony (2007) Samuel Carl Adams (b. 1985): twenty-four strings (2012) John Luther Adams (b. 1979): Sila: The Breath of the World (2014) †† Thomas Adès (b. 1971): Living Toys (1993) Vicente Alexim (b. 1987): Impulses (2015) (Contemporaneous commission) †† Albert Behar (b. 1991): The Beauty in Breathing (2009) (Contemporaneous commission) †† Jherek Bischoff (b. 1979): Selections Conor Brown (b. 1988): Scrolls (2012) (Contemporaneous commission) †† David Byrne (b. 1952): And She Was (1985), Strange Overtones (2008) Ryan Chase (b. 1987): Carroll Madrigals (Contemporaneous commission) (2013) †† Bryce Dessner (b. 1976): O Shut Your Eyes Against the Wind (2010) Donnacha Dennehy (b. 1970): Grás agus Bás (2007) Tamzin Elliott (b. 1992): Gloria Nightwatch and The Ghost (2015) (Contemporaneous commission) †† Matt Evans (b. 1988): Still Life for Ensemble (2015) (Contemporaneous commission) †† Sean Friar (b. 1985): Clunker Concerto (2011, rev. 2013) ††, revised version Philip Glass (b. 1937): String Quartet No. 5 (1991) Judd Greenstein (b. 1979): Vayomer Shlomo (2009) Yotam Haber (b. 1976): In Plaster (2015) †† Yotam Haber (b. 1976): We were all (2011, rev. 2012) Michael Harrison (b. 1959): Tessellations and Orchestral Modules (2014) (Contemporaneous commissions) †† Gabrielle Herbst (b. 1986): BODILESS (2014) †† Shawn Jaeger (b. 1985): Letters Made with Gold (2011) and The Cold Pane (2013) David Lang (b. 1957): increase (2002) Dylan Mattingly (b. 1991): Atlas of Somewhere on the Way to Howland Island (2011) Dylan Mattingly (b. 1991): Bakkhai (2011) †† Dylan Mattingly (b. 1991): Lighthouse (Refugee Music by a Pacific Expatriate) (2010) David Moore (b. 1985): ...and then it rained... (2007) Nico Muhly (b. 1981): Seeing is Believing (2007) Andrew Norman (b. 1979): Try (2011) Steve Reich (b. 1936): Tehillim (1981) Terry Riley (b. 1935): In C (1964) Frederic Rzewski (b. 1938): Coming Together (1971) Finnegan Shanahan (b. 1993): Water Cycle (2014) (Contemporaneous commission) †† George Tsontakis (b. 1951): Melville Pilot (2008) West Fourth New Music [Matt Frey (b. 1980), Tim Hansen (b. 1978), Molly Herron (b. 1982) and Ruben Naeff (b. 1981)]: Moby Dick (2014) (Contemporaneous commission) †† Julia Wolfe (b. 1958): The Vermeer Room (1989) Contact For booking and press inquiries, contact co-artistic director David Bloom. Email: [email protected]
Recommended publications
  • School of Music 2016–2017
    BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2016–2017 School of Music 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Goff-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.
    [Show full text]
  • Walt Disney Concert Hall Opening Season
    WALT DISNEY CONCERT HALL 2014/15 CHRONOLOGICAL LISTING OF EVENTS SEPTEMBER 2014 LOS ANGELES PHILHARMONIC Thursday, September 25, 2014, at 7 PM YOLA AT LACHSA CHOIR AND MUSICIANS Daniel Cohen, conductor Neighborhood Concert Martin Chalifour, violin Luckman Auditorium PUENTE Oye como va VIVALDI/PIAZZOLLA Selections from The Four Seasons MILHAUD Le boeuf sur le toit LOS ANGELES PHILHARMONIC Tuesday, September 30, 2014, at 7 PM -OPENING NIGHT GALA- Walt Disney Concert Hall Gustavo Dudamel (Non-subscription) Itzhak Perlman, violin Dan Higgins, alto saxophone Glenn Paulson, vibraphone Mike Valerio, string bass U.S. Army Herald Trumpets Los Angeles Children’s Chorus Anne Tomlinson, artistic director Netia Jones, projection design Robin Gray, lighting design A John Williams Celebration Olympic Fanfare and Theme Soundings Three Pieces from Schindler’s List Cadenza and Variations from Fiddler on the Roof* The Duel from The Adventures of Tintin Escapades from Catch Me if You Can Throne Room and Finale from Star Wars *Includes excerpts from the original Jerry Bock score from Fiddler on the Roof. OCTOBER 2014 LOS ANGELES PHILHARMONIC Thursday, October 2, 2014, at 8 PM Walt Disney Concert Hall Friday, October 3, 2014, at 11 AM Saturday, October 4, 2014, at 8 PM Sunday, October 5, 2014, at 2 PM Gustavo Dudamel, conductor Sō Percussion LANG Man Made (U.S. premiere, LA Phil co-commission) MAHLER Symphony No. 5 GREEN UMBRELLA Tuesday, October 7, 2014, at 8 PM Walt Disney Concert Hall Los Angeles Philharmonic New Music Group Sō Percussion Joseph Pereira,
    [Show full text]
  • Stranger Love Treatment
    S T R A N G E R L O V E an opera in 3 acts Music by Dylan Mattingly Libretto by Thomas Bartscherer Lead Production Team (in-progress): Martin Butler, Ruben Van Leer, Leigh Sachwitz, Nicole Beutler Concept by Thomas Bartscherer & Dylan Mattingly Contact: [email protected] | +1 510 333 2543 For more information, visit: www.stranger.love *** What is Stranger Love? Stranger Love is a 6-hour-long multimedia opera, scored for 28 musicians, 8 singers, and 6 dancers. An immersive experience, Stranger Love is a grand celebration of being alive. Inspired by Plato’s account of love in the Symposium, Stranger Love gradually broadens in scope and frame over the course of its three acts from the personal to the archetypical to the expansion of the universe. The experience of Stranger Love evokes the visceral thrill of a gospel revival, the ethereal calm of watching snow fall, the wonder of staring into the night sky. Stranger Love is committed to an experience of the impossible. It is is deliberately countercultural in both scale and its commitment to joy; its music dances faster than we believe possible and offers stretches of unimaginable serenity. The fragmentation of contemporary life into ever-shorter temporal intervals has turned hectic distraction into a default mode of daily experience. Stranger Love offers an opportunity to dwell within a different temporality, in which attention is both dilated and focused. *** The structure of Stranger Love Structurally inspired by Plato’s Symposium, Stranger Love is divided into three acts, each one presenting a wider perspective than the last.
    [Show full text]
  • Art Works Grants
    National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops.
    [Show full text]
  • The 2021 Guide
    FestivalsThe 2021 Guide April 2021 Editor’s Note Spring is in the air, vaccinations are in (many) arms, and our hardy crop of mountain, lakeside, and pastorally sited music-makers appear to be in major recovery mode from a very long, dark year. Our 2021 Festival Guide lists 100-plus entries, some still in the throes of program planning, others with their schedules nailed down, one or two strictly online, and most a combination of all of the above. We’ve asked each about their COVID-19 safety protocols, along with their usual dates, places, artists, and assorted platforms. Many are equipped to head outside: Aspen Music Festival, Tanglewood, and Caramoor Music Center already have outdoor venues. Those that don’t are finding them: Central City Opera Festival is taking Carousel and Rigoletto to a nearby Garden Center and staging Dido & Aeneas in its backyard; the Bay Chamber Concerts Screen Door Festival is headed to the Camden (ME) Amphitheater. Still others are busy constructing their own pavilions: “Glimmerglass on the Grass” is one, with 90-minute re- imagined performances of The Magic Flute, Il Trovatore, and the premiere of The Passion of Mary Cardwell Dawson. The Virginia Arts Festival has also built a new open-air facility called the Bank Street Stage, a large tent area with pod seating options. Repertoire range is as broad as ever, with the Cabrillo Festival priding itself on being “America’s longest-running festival of new orchestral music”; Bang on a Can will make as much avant-garde noise as humanly possible with its “Loud Weekend” at Mass MOCA and its composer trainings later in the summer.
    [Show full text]
  • THE REBELS MATTINGLY | LIGETI | SCHUMANN Thursday, December 6, 2012 | Zellerbach Hall, UC Berkeley
    THE REBELS MATTINGLY | LIGETI | SCHUMANN Thursday, December 6, 2012 | Zellerbach Hall, UC Berkeley Berkeley Symphony 2012-13 Season 5 Message from the Music Director 7 Message from the Executive Director 9 Board of Directors & Advisory Council 10 Orchestra 13 Program 15 Program Notes 37 Music Director: Joana Carneiro 39 Guest Artists 43 Berkeley Symphony 47 Music in the Schools 49 Under Construction 51 Young People’s Symphony Orchestra 53 Contributed Support 66 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the Official Florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No photographs or recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. All programs subject to change. Berkeley Symphony, 1942 University Ave., Ste. 207, Berkeley, CA 94704 510.841.2800 • Fax: 510.841.5422 E-mail: [email protected] Web site: www.berkeleysymphony.org To Advertise: 510.652.3879 December 6, 2012 3 2012-13 Under Construction New Music Concerts Andrew V. Ly Michael Nicholas Davide Verotta Experience the making and transformation of new works by the 2012–13 Under Construction Composers. The concerts will feature compositions by Andrew V. Ly, Michael Nicholas, and Davide Verotta, as the Orchestra experiments with their presentation, live on stage for the first time. Each performance is followed by a Q&A session with the composers and Music Director Joana Carneiro, to explore the themes and ideas behind the works.
    [Show full text]
  • Joana Carneiro and Berkeley Symphony Present a World Premiere by Dylan Mattingly Shai Wosner Features As Soloist in Ligeti’S Piano Concerto December 6
    JOANA CARNEIRO AND BERKELEY SYMPHONY PRESENT A WORLD PREMIERE BY DYLAN MATTINGLY SHAI WOSNER FEATURES AS SOLOIST IN LIGETI’S PIANO CONCERTO DECEMBER 6 Berkeley, CA – November 7, 2012 – Music Director Joana Carneiro and Berkeley Symphony continue their 2012-13 Season on Thursday, December 6 at 8 PM in Zellerbach Hall with the world premiere of Invisible Skyline by Berkeley native Dylan Mattingly. Berkeley Symphony also welcomes acclaimed pianist Shai Wosner. Praised by NPR’s All Things Considered for his “keen musical mind and deep musical soul,” Wosner will perform as soloist in Ligeti’s Concerto for Piano and Orchestra. Robert Schumann’s Symphony No.2 in C Major, Op.61 also features on the program. Berkeley Symphony dedicates the concert to the memory of Alan Farley, who hosted the KALW broadcast of the orchestra’s Zellerbach Hall performances until his passing in October. Dylan Mattingly’s music has been performed around the world by such performers as Berkeley Symphony, the Del Sol String Quartet, Ignat Solzhenitsyn, Soovin Kim, Sarah Cahill, Mary Rowell and Geoffrey Burleson. A multi-talented performer and improviser on cello, bass, piano, guitar and percussion, Mattingly is influenced by the music by Thomas Ades, John Adams, Olivier Messiaen, Joni Mitchell, Bob Dylan and the old American blues and folk field recordings of the Lomaxes. For two years he was the co-director of Formerly Known as Classical, a Bay Area new music ensemble whose young members only play music written in their lifetimes, and is now the co-artistic director and co-founder of Contemporaneous, a New York-based ensemble of young musicians dedicated to performing the most exciting music of the present moment.
    [Show full text]
  • Invigorating the American Orchestral Tradition Through New Music
    FEARLESS PROGRAMMING: INVIGORATING THE AMERICAN ORCHESTRAL TRADITION THROUGH NEW MUSIC Octavio Más-Arocas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2016 Committee: Emily Freeman Brown, Advisor Timothy F. Messer-Kruse Graduate Faculty Representative Marilyn Shrude Kenneth Thompson © 2016 Octavio Más-Arocas All Rights Reserved iii ABSTRACT Emily Freeman Brown, Advisor Despite great efforts by American composers, their prodigious musical output has been mostly ignored by American orchestras. Works by living American composers account for an annual average of only 6% of all the music performed by American orchestras, while works by living composers of all nationalities combined totals a meager 11%. This study examines some of the historical breaking points in the relationship between American orchestras and new music. Five exceptional orchestras are cited, the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony Orchestra, the Atlanta Symphony, and the Seattle Symphony, that are thriving while successfully incorporating new music in their programing. This document draws attention to the significant role new music can play in the future of American orchestras by analyzing the programing of new music and projects that support composers, identifying innovative orchestral leaders and composers who have successfully served in advisory positions, and by recognizing and discussing the many creative strategies orchestras are using today. This document attempts to increase the understanding of the need for change in concert programing while highlighting several thrilling examples of innovative strategies that are making an essential contribution to the future of orchestral music.
    [Show full text]
  • Los Angeles Philharmonic
    20/21 SEASON RENEW TODAY! The 20/21 Season Whether it’s a symphony written 250 years ago or a world premiere given today, music is created anew each time it’s performed. That understanding of music – as a vital, living thing with something to say – is at the heart of what we do. From the vibrant cultural scenes of modern-day Mexico City, Seoul, and Belo Horizonte to the captivating stories of our own friends and neighbors, this season features premieres from dynamic and emerging voices and long- beloved classics filtered through our contemporary experiences as artists and audiences. Join us at Walt Disney Concert Hall for a season of exceptional moments. RENEW TODAY! LAPHIL.COM | 323 850 2025 Contents Why Subscribe? Explore the Season Online CONTENTS 4 5 Stars Voices 20/21 of the of Today Projects Season 6 7 8 Package Options Los Angeles Philharmonic 14 Classical Presentations 33 Green Umbrella 37 Jazz 38 World Music / Songbook 39 Special Concerts A New Home for YOLA Sounds About Town 40 Deck the Hall / Visiting Orchestras 41 42 Ordering Pricing Support Your the LA Phil Tickets 44 45 47 Why Subscribe? Subscription Create Your Single Ticket Packages Own Package Purchases STARTING MARCH STARTING AUGUST Guaranteed lowest price for the best seats · · WHY SUBSCRIBE? WHY Easy ticket exchange FREE SMALL FEE · Access to exclusive pre-sales and premium seating · before the general public Convenient monthly payment plan · · Subscriber Loyalty Perks such as complimentary seat · · upgrades and invitations to private events with musicians One handling fee, no per-ticket charges · Discounts on select concert tickets (restrictions apply) · Dedicated hotline for special assistance · · Satisfaction guarantee (see page 44) · · 10% discount at the LA Phil Store · · Select any group of concerts to build your own package · LIMITED TIME OFFER RENEW BY FEBRUARY 28 AND WE’LL WAIVE THE HANDLING FEE! 4 Explore the Season Online It’s now easier than ever to find the right concerts and packages for you.
    [Show full text]
  • Marin Alsop Music Director | Conductor
    SANTA CRUZ CIVIC AUDITORIUM MISSION SAN JUAN BAUTISTA MUSIC DIRECTOR|CONDUCTOR MARIN ALSOP OF CONTEMPORARY MUSIC CONTEMPORARY OF ´:KHQ,FDPH,GLGQ·WHYHQIHHOOLNH,ZDVFDSDEOHRIOHDUQLQJ ,KDYHOHDUQHGVRPXFKKHUHDW+*3DERXWIDUPLQJDQGRXUIRRG V\VWHPVDQGDERXWOLYLQJDSURGXFWLYHOLIHµ ²0$5<&+(55<)250(575$,1(( &KDQFHVDUH\RXKDYHKHDUGRXUQDPHEXWZKDWH[DFWO\LV WKH+RPHOHVV*DUGHQ3URMHFW"2QRXU1DWXUDO%ULGJHVRUJDQLF IDUPZHSURYLGHMREWUDLQLQJWUDQVLWLRQDOHPSOR\PHQWDQGVXSSRUW VHUYLFHVWRSHRSOHZKRDUHKRPHOHVV :HLQYLWH\RXWRVWRSE\DQGVHHRXUEHDXWLIXOIDUP<RXFDQ SLFNXSVRPHWRROVDQGJDUGHQDORQJZLWKXVRQYROXQWHHU GD\VRUFRPHSLFNDQGEX\GHOLFLRXVRUJDQLFDOO\JURZQ YHJHWDEOHVIUXLWVKHUEVDQGÁRZHUV *RRGIRUWKHFRPPXQLW\*RRGIRU\RX6KDUHWKHORYH KRPHOHVVJDUGHQSURMHFWRUJ_ 9,6,7285'2:172:1*,)76725( 8QLTXH/RFDO2UJDQLFDQG+DQGPDGH*LIWV 23(1)ULGD\V 6DWXUGD\VSP6XQGD\VSP &RRSHU+RXVH%UHH]HZD\ &RRSHU3DFLÀF$YH6WH* CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 1 2 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC 2014JULY 27–AUG 10 SANTA CRUZ OF CONTEMPORARY MUSIC PROGRAM BOOK CONTENTS The 2014 Cabrillo Festival of Contemporary Music 5 Calendar of Events Program Book is a publication of Summer Fests, 7 President’s Message a Cultural Arts Collaborative of: 9 Board of Directors & Staff 11 Music Director Marin Alsop Cabrillo Festival of Contemporary Music 12 Hall of Fame Santa Cruz Shakespeare 13 Festival History 14 Cabrillo Festival Experience For information contact: 16 Church Street Fair Cabrillo Festival of Contemporary Music 19 Creativity Tent for Kids 147 South River Street, Suite 232 20 Guest Composers Santa Cruz, CA 95060
    [Show full text]
  • Moving Music Forward the Los Angeles Philharmonic and Gustavo Dudamel Present the 2014/15 Season at Walt Disney Concert Hall
    MOVING MUSIC FORWARD THE LOS ANGELES PHILHARMONIC AND GUSTAVO DUDAMEL PRESENT THE 2014/15 SEASON AT WALT DISNEY CONCERT HALL A season of reinvention, combining traditional presentations with a rich array of collaborations and initiatives designed for an evolving audience Newly-imagined series conceived for engaging a new audience, in/SIGHT and Inside the Music with Brian Lauritzen, lead the spectrum of innovations in a season that includes: New explorations in visual collaboration, interactive content and education Multi-media productions presenting a vibrant mixture of disciplines and additional artistic elements, such as staging, dance, pre- and post- concert discussions, online forums and video Season Highlights include: in/SIGHT – New Friday evening series featuring works by prominent video artists in tandem with orchestral and choral selections, including Berlioz’ Romeo and Juliet, Beethoven’s Missa Solemnis, Unsuk Chin’s Alice in Wonderland and Steve Reich’s Three Tales Inside the Music with Brian Lauritzen – New Friday evening series hosted by award- winning classical radio personality Brian Lauritzen which provides audience members a deeper insight into the music they will hear through unique Lauritzen-produced videos; pre- and post-concert discussions; and an online forum for continuing exploration NEXT ON GRAND: Contemporary Americans – A collaboration with the other prominent arts organizations along Grand Avenue that focuses on contemporary American artists. Next on Grand includes music by Reich, Glass, Mackey, Norman, Shaw, Dessner, Wolf/Lang/Gordon and more; programs include Pulitzer Prize-winning music, video installations, vocal, chamber and orchestral music with artists including Katia and Marielle Labèque, Roomful of Teeth, Ensemble Signal and the Calder Quartet Commitment to new music – 10 commissions, 8 world premieres, 5 U.S.
    [Show full text]
  • National Endowment for the Arts—2014 Fall Grant Announcement
    National Endowment for the Arts—2014 Fall Grant Announcement Art Works, Challenge America, and Creative Writing Fellowships State Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the state or jurisdiction below to jump to that area of the document. Grants are sorted by city then name of organization after state. Alaska Indiana Nebraska South Carolina Alabama Iowa Nevada South Dakota Arizona Kansas New Hampshire Tennessee Arkansas Kentucky New Jersey Texas California Louisiana New Mexico Utah Colorado Maine New York Vermont Connecticut Maryland North Carolina Virginia District of Columbia Massachusetts North Dakota Washington Florida Michigan Ohio West Virginia Georgia Minnesota Oklahoma Wisconsin Hawaii Mississippi Oregon Wyoming Idaho Missouri Pennsylvania Illinois Montana Rhode Island Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 234 ALASKA Number of Grants: 10 Total Dollar Amount: $210,000 49 Writers, Inc. $10,000 Anchorage, AK FIELD/DISCIPLINE: Challenge America To support a literary tour featuring author Melinda Moustakis, including workshops, readings, and related activities. Planned in partnership with "Alaska Quarterly Review" (AQR), a virtual book discussion of Moustakis's book "Bear Down Bear North" will take place using the Alaska OWL (Online With Libraries) videoconferencing system. The virtual discussion will benefit remote, rural Alaska communities.
    [Show full text]