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lifestyle WEDNESDAY, JANUARY 14, 2015 Fashion Formerly ‘banished’ Galliano storms back with London show lmost four years after being effectively “It’s John Galliano so it’s okay, it’s fabulous,” banished from the Paris fashion scene, accessory designer Manolo Blahnik told Reuters. ADior’s former star designer John Galliano “It’s a beautiful show. I am glad he’s working made what some hailed as a triumphant return again.” Hilary Alexander, veteran fashion journal- on Monday with a haute couture show in ist and former fashion editor of the Daily London. The 54-year-old British designer is Telegraph newspaper, could not contain her widely regarded as one of the most flamboyant excitement at the return of the enfant terrible. and successful fashion minds of his generation, “The show was sensational,” she said. “I am but was fired by Dior in 2011 after he was absolutely thrilled, I am ecstatic, I couldn’t be caught on camera making anti-Semitic remarks happier. in a Paris cafe. “It was Galliano at his very best, on peak form Since then, Galliano has acknowledged hav- and surprising and delightful and just wonderful ing undergone treatment for drugs and alcohol, ... There were ribbons and incredible masks and and worked briefly as a designer for New York shells and gilt and gold and embroidery and tai- fashion brand Oscar de la Renta in 2013. Maison lored trouser suits.” Galliano, a graduate of Martin Margiela gave him a permanent role London’s prestigious Central Saint Martin’s when it appointed him creative director in College, had won praise from fashion critics for October. his theatrical, romantic shows at Dior as well as Among the supporters who attended his new for his creative designs for his John Galliano Margiela show in London, which featured sever- brand, which is still owned and run by LVMH, the al striking red dresses, were model Kate Moss, world’s biggest luxury group. — Reuters whose wedding dress Galliano designed, and In a file picture taken on March 6, 2009 British designer A picture taken on January 25, 2010 in Paris shows British designer John John Galliano acknowledges the public at the end of the Burberry Chief Executive Officer Christopher Galliano acknowledges the audience following the Christian Dior spring-sum- Christian Dior during the autumn/winter 2009 ready-to- Bailey. Other fashion world figures in the front mer 2010 haute couture collection show. — AP/AFP photos wear collection show in Paris. row expressed their support for Galliano’s return from the wilderness. Autumn/Winter 2015 London Collections: Men fashion event Models present creations by Moschino on the third day of the Autumn/Winter 2015 London Collections: Men fashion event in London. — AFP photos Nasir Mazhar .

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Famous British Designer John Galliano Spring - Summer 2016 Collection
Beat: Arts FAMOUS BRITISH DESIGNER JOHN GALLIANO SPRING - SUMMER 2016 COLLECTION PARIS FASHION WEEK AT PALAIS DE TOKYO PARIS - LONDON - NEW YORK, 10.10.2015, 13:26 Time USPA NEWS - The Fashion Week in Paris (woman) was held from September 29 to October 7, 2015. The famous British Designer John Galliano chose the mythical location of Palais de Tokyo to show to the audience his new collection Woman Spring - Summer 2016... The Fashion Week in Paris (woman) was held from September 29 to October 7, 2015. The famous British Designer John Galliano chose the mythical location of Palais de Tokyo to show to the audience his new collection Woman Spring - Summer 2016. It was on sunday October 4, 2015. John Galliano is a British Fashion Designer who served as Head Designer of the French Haute Couture Houses Givenchy (1995-1996) and Christian Dior (1996-2011). Galliano created some of the industry's most famous collections, including the Blanche Dubois in October 2008 (inspired by the 1951 film A Streetcar Named Desire), the Napoleon and Josephine in March 1992 (inspired by the love story of these famous historic figures) and the Princess Lucretia in October 1993 (inspired by the Russian princess). Galliano was named British Designer of the Year in 1987, 1994 and 1997, and he was made a Chevalier in the French Legion of Honour in 2009, an award previously bestowed on fashion luminaries Yves Saint Laurent and Suzy Menkes. Article online: https://www.uspa24.com/bericht-5707/famous-british-designer-john-galliano-spring-summer-2016-collection.html Editorial office and responsibility: V.i.S.d.P.
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David Lynch: Mondi Intermediali
NicolaDusi, Cinzia Bianchi (acura di) Tutte le propostedi pubblicazioneprovenienti da autori italianivengono sottoposte alla pro ceduradel referaggio(peer review} , fondata su una valutazioneche viene espressada parte di due refereeanonimi, selezionati fra DAVID LYNCH: docentiuniversitari e/o espertidell'argomento. MONDI INTERMEDIALI CON TESTI DI: CINZIA BIANCHI, VANNI CODELUPPI, NICOLA Dus,, LEONARDO GANDINI, Rov MENARINI, LUCIO SPAZIANTE, MARCO TETI Comitato scientifico ArthurAsa Berger (San Francisco State University}, Mike Featherstone(Goldsmiths , Universityof London), Patrice Flichy (UniversitéParis -Est Marne-la-Vallée}, Mark Gottdiener(University at Buffalo}, GillesLipovetsky ~niversité de Grenoble}, Geert Lovink (UniversiteitVan Amsterdam}, LevManovich (The Graduate Center, City University of NewYork) , GeorgeRitzer (University of Maryland}, , <( 1- DanSchiller (University of Illinois). LLJ u o U) LLJ zLLJ o N <( u z => ~ o FrancoAngeli u Indice Introduzione. Identità e variazione nell'universo mediale di Lynch, di Nicola Dusi e Cinzia Bian chi pag. 7 1. Identità visiva in progress » 7 2. Riconoscibilità stilistica e figuralità » 11 Riferimenti bibliografici » 15 » Progetto grafico della copertina: Elena Pellegrini 1. David Lynch e la pubblicità, di Cinzia Bian chi 17 1. Uno sguardo d'insieme » 19 /11cope rtina un 'elaborazione grafica dei ciottoli di Mas d 'Azi/ in Francia, risale/lii al Mesolitico. » 22 Dipinti con morivi cruciformi, a cerchi, a bande anche serpentiformi o con serie di punti ; 2. Pubblicizzare i profumi questi l·egni p ittografic i vengono interpretati in vario modo e sono ritenuti uno dei primi esempi 3. Il caffè tra serialità e produzione » 26 di comunicazione simbolica . 4. Singolarità e interte stualità negli anni Copyright © 2019 by FrancoAn geli s.r.l., Milano, Italy Duemila » 28 5.
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Stephen Jones Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Stephen Jones And the Accent of Fashion Hanish Bowles ISBN 9781851496525 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 240 Pages Illustrations 297 color Price £45.00 First monograph on the work of the celebrated milliner Stephen Jones With a preface by John Galliano and texts by authorities such as Hamish Bowles, Andrew Bolton, Suzy Menkes and Anna Piaggi, with new photography by Nick Knight and David Bailey "Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight.
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Gwand 2004 Country Medium Journalist Date UK VOGUE.COM 30Th November 2004
Gwand 2004 Country Medium Journalist Date UK VOGUE.COM 30th November 2004 Vogue Stories 26.4.2005 12:14 Uhr Receive all the latest fashion news and special offers free by email Enter Email Address SEARCH OUR ARCHIVE ACKERMANN WINS HAIDER ACKERMANN was fashion's biggest winner this weekend when he won the esteemed Swiss Textiles award from a sparkling line-up of finalists including Sophia Kokosalaki, Laurent Mercier, Eley Kishimoto, Preen, Lutz and Cosmic Wonder. The five-year-old award, which is presented every year at the GWAND fashion festival in Lucerne, Switzerland, is one of the industry's most prestigious and lucrative, affording the winner 100,000 Euros which is funnelled into a carefully devised business plan by a team of financial advisors. "I'm so surprised, so happy, thank you," said ex-Galliano assistant Ackermann, whose collection of edgily glamorous deconstructed jersey pieces, some featuring delicate smocking and sequinned detailing, soft leather shorts and chic sparkly vests put him ahead of the game. The 33-year-old Colombian-born, Antwerp-trained designer, who launched his label in February 2002 before being hand-picked to create a collection for Ruffo as part of their Research initiative, was chosen by a high fashion panel including Suzy Menkes and Vogue's own Harriet Quick. "Ackermann has a chic moody aesthetic typical of Antwerp- trained designers and a great skill in draping of jersey, suede and leather," said Quick. (November 30 2004, AM) Haider Ackerman after winning his award this weekend NAOMI ACTS UP FOR TESCO CLAUDIA OVERSHADOWS J'ADORE BABY DIOR Naomi Campbell is playing MATTHEW John Galliano is making the herself for the latest Tesco ads Matthew Vaughn ordered to fashion set feel seriously broody make room for Claudia at the Film Festival Terms & Conditions / Contact Us / Masthead Condé Nast UK Vogue International © CondéNet.UK Ltd, makers of the official websites for GQ, GLAMOUR, CONDÉ NAST TRAVELLER, EASY LIVING and TATLER All rights reserved http://www.vogue.co.uk/Vogue_Daily/Story/story.asp?SSID=429 Seite 1 von 1.
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Altman on Jacobs on Dior: Fashion Through Fractals and Archives
Streetnotes (2012) 20: 90-110 90 ISSN: 2159-2926 Altman on Jacobs on Dior: Fashion Through Fractals and Archives J. Emmanuel Raymundo Abstract On February 25, 2011, the fashion luxury company Christian Dior suspended John Galliano, who had been its creative director since 1996, after his arrest over making anti-Semitic remarks at a Paris bar. Quickly following his suspension, a video from December 2010 was distributed showing Galliano hurling anti-Semitic invectives at several bar patrons. On March 1, 2011, Dior fired Galliano. At stake in the considerable interest and speculations regarding who takes over at Dior is control of a €24.6B business empire and access to a historic couturier’s archive. In this sense, its designer will influence the label’s “books” both financial and what will be stored in its physical repository as part of the brand’s creative and artistic repertoire. Despite fashion’s apparent ubiquity, the anticipation surrounding who takes over at Dior is proof that despite fashion’s professed democratization, there still exists a fashion hierarchy with Dior occupying its upper echelon. Since Galliano’s dismissal, fashion insiders have moved from breathlessly feverish in their speculations to desperately calling out for relief in the face of an unexpectedly drawn-out waiting game that is now over a year old and otherwise an eternity in fashion’s hyper accelerated production cycle. To purposely counter fashion’s accelerated internal clock, the purpose of this commentary is to keep fashion in a reflective state rather than a reflexive stance and uses fashion on film, and specifically Robert Altman’s Prêt-à-Porter (1994), to give cultural and historical context to all the online speculation and chatter.
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25/1/2019 At Paris Couture, Digital Decadence and Tradition | Fashion Show Review, Multiple, Haute Couture - Spring 2019 | BoF HAUTE COUTURE - SPRING 2019 At Paris Couture, Digital Decadence and Tradition BY ANGELO FLACCAVENTO JANUARY 24, 2019 12:43 Valentino’s Pierpaolo Piccioli and Margiela’s John Galliano were the undisputed winners of the season, one classic, the other hyper-modern, reports Angelo Flaccavento. PARIS, France — Can couture be modern? The question arises each season and the answers are almost as many as the designers and houses that are part of the calendar. Couture is both an anachronism, completely at odds with the present time, and yet probably the only place left in the modern luxury business where fashion can still produce radically progressive, soulful fantasies. This tension makes for fascinating results. And there was lots of dream-making in the couture week which closed in Paris on Thursday: a crescendo that started with the Dior circus on Monday, passed through Chanel's jolly villa affair on Tuesday and took off on Wednesday with the equally extreme, but almost diametrically opposed visions of Valentino’s Pierpaolo Piccioli and Maison Margiela’s John Galliano, who were the undisputed winners of the season. In brief, the offering was festive, indulgent and at times escapist; full of decadence of every sort. It is not surprising: dire, divisive times like ours call for outbursts of joy and excess, for a frenzied dance on the edge of the abyss. If the world as we know it is rotting, why not front the debacle with shimmer and glamour instead of gloom and doom? If even a master of luxurious restraint such as Giorgio Armani embraces out-there, assertive opulence you have to take notice.
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Christian Dior Why Would Bernard Arnault Invest
A work project, presented as part of the requirements for the Award of a Master Degree in International Finance from the NOVA – School of Business and Economics CHRISTIAN DIOR WHY WOULD BERNARD ARNAULT INVEST BILLIONS ON A NAME HE ALREADY HOLDS? CAROLINA MARQUES BARREIROS – 4134 / 24015 A Project carried out on the Master in Finance Program, under the supervision of: Paulo Pinho January 2019 Tuesday, April 25th 2017i. Bernard Arnault decided to go shopping. On the menu, a double operation that aims to simplify the ties that unite the group LVMH (Moët Hennessy Louis Vuitton), Christian Dior and its owner Bernard Arnault. The first transaction consists of an offer worth about €12.1 billion from the holding company controlled by Arnault Family Group to take over of the remaining 25.9% stake Christian Dior. The second one on the strengthening of LVMH group through the acquisition of the Christian Dior Couture for €6.5 billionii. However, a question remains: why would Bernard Arnault invest billions on a name he already holds? LVMH “The LVMH group is the world’s leading luxury goods company, the result of successive alliances among companies that, from generation to generation, have successfully combined traditions of excellence and creative passion with a cosmopolitan flair and a spirit of conquest.” - LVMH websiteiii Born out of the merger of Louis Vuitton and the Moët Hennessy group in 1987, the LVMH group led by Bernard Arnault is the world’s largest luxury conglomerate in terms of turnover (Exhibit 1). In 2016, the consolidated revenue of LVMH group was €37.6 billioniv, 5% more than in 2015 (Exhibit 2).
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Dossier De Presse Expo Dior
EXPOSITION DIOR musée du président Jacques Chirac 1er février – 15 avril 2010 Dior, la passion créatrice L’exposition Dior présentée au musée du président Jacques Chirac est composée d’une trentaine de robes de haute couture des années 1947 à 1951 (créées par Christian Dior) et 1997 à 2009 (créées par John Galliano). Parmi elles figurent notamment la robe Ciao Ci San (2007) de l’affiche, une robe 2008 portée par Marion Cotillard et la robe 2009 portée par Monica Bellucci au Festival de Cannes. L’exposition comprend également une douzaine de flacons et coffrets de parfum, des croquis de Christian Dior et des photos de grands photographes de mode. La scénographie de l’exposition est due à René Bouchara Design. L’exposition a été conçue par huit collaborateurs de la maison Christian Dior : Olivier Bialobos, Frédéric Bourdelier, Daphné Catroux, Gérald Chevalier, Barbara Jeauffroy-Mairet, Philippe Le Moult, Vincent Leret et Soizic Pfaff. Le musée Christian Dior à Granville a aimablement participé à l'exposition. Un catalogue produit par le musée accompagne l’exposition. Il a été réalisé par la maison Christian Dior, avec des textes de Nathalie Fraser, Vincent Leret et Soizic Pfaff. En voici quelques extraits. LE FONDATEUR Christian Dior naît le 21 janvier 1905 à Granville, en Normandie, dans une famille bourgeoise aisée qui déménage à Paris lorsqu’il a cinq ans. Ses parents imaginent pour lui une carrière de diplomate ; il abandonne donc son rêve de devenir architecte et s’inscrit à Sciences Po. Mais ce n’est qu’une parade : le jeune homme, habitué des milieux artistiques, ouvre en 1928 avec des amis une première galerie d’art contemporain, où il expose le travail de Georges Braque, Fernand Léger, Maurice Utrillo, Aristide Maillol, Raoul Dufy, et de proches comme Max Jacob, Léonor Fini, Salvador Dali et Christian Bérard.
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P28-29 Layout 1
28 Established 1961 Thursday, January 25, 2018 Lifestyle Fashion Brits Galliano and Waightwow ParisKeller haute couture ritish designers kicked up a storm yester- be perceived as a comment on the illusion of which brought French stars Marion Cotillard, day at Paris haute couture week with high- social media and the alternative reality a snap- Isabelle Huppert and German actress Diane Bly-praised shows from Givenchy’s Clare happy society can present to the world.” Galliano Kruger to the front row, were decidedly more Waight Keller and John Galliano at Maison knows all about being caught in the glare of the mixed, however. The veteran designer’s Margiela. Waight Keller made a flawless haute spotlight. Once fashion’s favorite extrovert, he has “evening shorts” and crystal leggings got short couture debut late Tuesday with critics swooning largely withdrawn from view since his disgrace, shift from some critics, as did another creation over her moonlit sonata in black and white. And embarking on a extended public penance. The which Friedman described as “paillette-covered Galliano, who showed his first Margiela men’s designer commissioned American artist Jessi bloomers”. The haute couture shows-which are collection last week since his fall from grace after Reaves to make the backdrop for his set, with unique to the French capital-are the creme de a drunken anti-Semitic rant in a Paris bar in 2011, many guests also sitting on his banks of decon- la creme of fashion with sometimes thousands gave his fans something to shout about on structed furniture-a nod to Galliano and of hours going into the handmade dresses that Wednesday morning.
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A Combat for Couture Command of Luxury Labels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 24 Issue 1 Fall 2013 Article 3 Human v. House: A Combat for Couture Command of Luxury Labels Carly Elizabeth Souther Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Carly E. Souther, Human v. House: A Combat for Couture Command of Luxury Labels, 24 DePaul J. Art, Tech. & Intell. Prop. L. 49 (2013) Available at: https://via.library.depaul.edu/jatip/vol24/iss1/3 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Souther: Human v. House: A Combat for Couture Command of Luxury Labels HUMAN V. HOUSE: A COMBAT FOR COUTURE COMMAND OF LUXURY LABELS Carly Elizabeth Souther* ABSTRACT As an industry that thrives on-rather than succumbs to- adversity, the couture corporate world demands innovation and encourages risks. When combined with successful marketing and savvy business practices, these risks can result in large payoffs, which exist, primarily, due to the nature of the global fashion market.' Endless consumption drives the market, rewarding fashion houses that cater to current trends with top-line growth and damning those whom fail to suffer decreased net earnings. In order to remain a viable player in the fashion industry, the house must have the resources to market and manufacture the product in a timely manner, as well as incur the costs if a collection is poorly received.
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Christian Dior Crisis Communication Plan March 20, 2011
Christian Dior Crisis Communication Plan March 20, 2011 Table of Contents The Current Crisis (David Sigmund)…………………………………………..p. 3 Action Taken to Date (Michele Hladik)……………………...p.4 Team Opinions on Actions Taken to Date (Katie Ulrich and Helen Anderson)…...p.5 Alternatives and Recommendations (Katie Goodling)…………...p.6 Conclusion (Katie Ulrich)…………………………………………………………...p.8 The Current Crisis In 1984, at the age of just twenty-four, John Galliano launched his own fashion label and by 1987, was the British Designer of the Year (Bio, 2011). In 1996, Galliano was appointed Creative Director of Christian Dior. He created what became known as “Anything Goes” by revamping the entire style of Dior (New York Fashion, 2011). In January of 2009, he received France’s highest honor as he was made a Chevalier in the French Legion of Honour (Vogue, 2008). John Galliano is a highly respected and highly successful figure in the fashion industry. In Late February of this year, Galliano was sitting in a bar in Paris. A local French couple recognized him and a conversation between them began. From this point on, the reports differ. One eyewitness claims that Galliano tried to say “Cheers” to the couple and they insulted him. Another account is that they tried to talk to him and he suddenly began to spew anti-Semitic comments at them. A few days later a video of a December 2010 incidence of Galliano making anti-semitic remarks was released to a British tabloid. In the video Galliano said that he loved Hitler and that if he were alive today, “you would all be gassed.” “You would all be dead!” He then called them ugly.
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Christian Dior
Héritage collection,Paris.(Composite scan:Katerina Jebb) jacketand black pleated wool crepeskirt.HauteCouture Spring–Summer 1947, Christian Dior (French,1905–1957). Bar suit, afternoonensemble with anecru natural shantung Corolle line.Dior The Brooklyn Museum to Present Major Retrospective of the House of Dior in September 2021 The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior and features unique pieces drawn primarily from the Dior archives Timed tickets available for purchase starting June 17, 2021 Christian Dior: Designer of Dreams explores the more than seventy-year history of the House of Dior with over two hundred haute couture garments as well as photographs, archival videos, sketches, vintage perfume elements, accessories, and works from the Brooklyn Museum’s collection. Presented in the Museum’s magnificent 20,000-square- foot Beaux-Arts Court, designed by McKim, Mead & White in 1893, Christian Dior: Designer of Dreams is based on major exhibitions held at the Musée des Arts Décoratifs, Paris, in 2017, the Victoria and Albert Museum, London, in 2019, and the Long Museum West Bund, Shanghai, in 2020. The exhibition is curated by Dior scholar Florence Müller, Avenir Foundation Curator of Textile Art and Fashion, Denver Art Museum, in 200 Eastern Parkway, Brooklyn, NY 11238-6052 718.501.6354 [email protected] June 4, 2021 1 of 3 collaboration with Matthew Yokobosky, Senior Curator of Fashion and Material Culture, Brooklyn Museum, and will be on view from September 10, 2021, to February 20, 2022. New to the Brooklyn Museum presentation are works by leading American photographers such as Lillian Bassman, Cass Bird, Henry Clarke, Louise Dahl-Wolfe, William Helburn, Horst P.
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