Ffl-Olrr Vol. 53. No. 38
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ABSTRACT Title of Document: DEPRESSION AND
ABSTRACT Title of Document: DEPRESSION AND EMOTIONAL DISTRESS IN YOUNG, LOW-INCOME AFRICAN- AMERICAN MEN AND FATHERS Megan E. Fitzgerald, M.S. Directed By: Associate Professor Kevin Roy, Department of Family Science Depression is a debilitating mental illness that in its most serious form, major depression, has affected between 3.6% to 12.7% of men in the United States (Cochran & Rabinowitz, 2000; Jonas, Brody, Roper, & Narrow, 2003; Kessler, McGonagle, Zhao, & Nelson, 1994). It has consistently been found to be twice as prevalent in women as in men, and yet the suicide rate of men is four to five times that of women (Singh, Kochanek, & MacDorman, 1996; World Health Organization, 2005). Despite this, little is known about the experience and expression of the full range of depression in men, and specifically, young, low-income men of color who are fathers. When young fathers suffer from depression, there are enormous consequences for young families, both financial and emotional (Ansseau et al., 2008; Mirowsky & Ross, 2002; Montgomery, Cook, Bartley, & Wadsworth, 1999; Patten et al., 2006; Rehman, Gollan, & Mortimer, 2008; Soares, Macassa, Grossi, & Viitasara, 2008). It is possible that the risk for depression increases when fatherhood includes the challenges of nonresidential parenting and financial stress (Cochran & Rabinowitz, 2002; Roy, 2004). This has implications for their co-parenting relationships, and shapes their identities and roles as parents and providers (Bouma, Ormel, Verhulst, & Oldehinkel, 2008; Kim, Capaldi, & Stoolmiller, 2003). However, fatherhood also brings many opportunities for young men; it is a chance for them to be generative for the first time in their lives and to experience the joys that accompany the challenges of parenthood (Palkovitz, Copes, & Woolfolk, 2001). -
Interpretive Performance Techniques and Lyrical Innovations on The
INTERPRETIVE PERFORMANCE TECHNIQUES AND LYRICAL INNOVATIONS ON THE BASS TROMBONE: A STUDY OF RECORDED PERFORMANCES BY GEORGE ROBERTS, “MR. BASS TROMBONE” Jonathan K. Yeager, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2006 APPROVED: Vern Kagarice, Major Professor Darhyl Ramsey, Minor Professor Tony Baker, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Yeager, Jonathan K., Interpretive performance techniques and lyrical innovations on the bass trombone: A study of recorded performances by George Roberts, “Mr. Bass Trombone.” Doctor of Musical Arts (Performance), December 2006, 82 pp., 18 illustrations, bibliography, 25 titles. Nicknamed “Mr. Bass Trombone” for his role as a prominent, trailblazing recording artist, George Roberts (b. 1928) has often been recognized as redefining the role of the bass trombone in popular music as well as setting new standards for technical refinement and expressive possibilities of the instrument. Through two interviews and a comparison between ten recorded performances by Roberts and corresponding lead sheets, I make observations about Roberts’ performance techniques and illustrate various examples of those techniques. The document includes 35 pp. of interview transcriptions. Copyright 2006 by Jonathan K. Yeager ii ACKNOWLEDGEMENTS I wish to thank those who assisted in the preparation of this document. Specifically, I would like to thank George Roberts for providing his time and thoughts; Vern Kagarice for his guidance and assistance in securing sources; Matthew Litwaitis for his help in locating resources; Ben van Dijk, Bob Hughes, and Douglas Yeo for providing comments; Keith Pawlak at the University of Arizona, John R. -
MUSICIANS· ETUDE Tic [Eb on Choral Literature Yilu'~E Offices, Bryn Mawr', Pa
#n /ht/) #Joue ... .. Ability and Training Ezio Pinza "Your Musical Dawn Is at Hand" Boris Goldovsky Security for Music Teachers James Francis Cooke Midland Makes Its Own Music T. Gordon Harrington Gershwin Is Here to Stay Mario Braggiotti The Healthy Habit of Doubting Jan Smeterlin \ Ten Years at Tanglewood Ralph Berkowitz Who Are the World's Greatest Piano Teachers? Doron K. Antrim . LeTTeRS 1.' 0 1.' D E EDITOR Articles that it is. Dear Sir: I love your August Sybil Mac DOl/aid antatas and Oratorios issue. It alone is worth the price Memphis, Tenn; SATB Unleu Otherwise Indicated of a two-year subscription! Each article is stimulating, and after Class Instruction Dear Sir : For man y years, I reading them I have the same en- have been an interested reader and LENT thusiasm and stimulus that I have user of the ETUDE. I ha ve found ~ PENITENCE, PAROON AND PEACE (Advent and general,Sop. orI.., after attending a summer short I SOp Alto, Ten., Bar., Bar., 35 min.l Maunder 411401491.71 the articles recently have been ex- BEHOLD THE CHRIST (Holy Week or. genera Nevin ., 432-40168 $.75 course with an artist teacher. tremely stimulating. I also use the 40 rnin.) ....•...•......•.... Bass 20 min.) n PENITENCE PAROON AND PEACE (SSA, Sop., Alto, 35 mln.l Thanks so much! '" Maunder·Warhurst 411-40053.71 ETUDE La lend out to various ~ CALVARY ILent nr Easter, Ten., Bar., 'Sheppard 412-40061 .75 Mrs. C. P. Fishburne students, which they seem to enjoy 1 h ) Stainer 432·40128 .75 .n SEVEN LAST WOROS OF CHRIST (Sop., Ten., B!r., Eng.& la!.tert, 45'inl Walterboro, South Carolina CRUCIFIXION ITen., Bass, our 0 b rn 432.40L29 .60 § " OubOls·Douty411-401711~ immensely. -
Country Christmas ...2 Rhythm
1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY -
Ring Shout 3*
Volume 3 ANNO III 2004 DIRETTORE RESPONSABILE E CURATORE Vincenzo Caporaletti Hanno collaborato a questo numero: Giorgio Lombardi Leo Izzo Francesco Chiari Vincenzo Caporaletti Progetto grafico Gabriele H. Marcelli - Roma [email protected] Registrazione al Tribunale di Prato n. 6/02 del 20 novembre 2002 Copyright ©2002 Società italiana di Musicologia Afroamericana SIdMA A.P.S. I diritti di traduzione, di riproduzione e adattamento, totale o parziale, e con qualsiasi mezzo - comprese le copie fotostatiche, i film didattici e i microfilm - sono riservati per tutti i Paesi. www.sidma.it Sommario Prefazione del curatore 5 Giorgio Lombardi LE ULTIME COMPOSIZIONI INEDITE PER BIG BAND DI JELLY ROLL MORTON. IL CONTESTO STORICO-BIOGRAFICO 9 Leo Izzo GANJAM E OH, BABY: LA SVOLTA INAUDITA DELL’ULTIMO MORTON 21 Francesco Chiari CULTURA JAZZ E POP: PROSPETTIVE DIFFERENTI. UNA LETTURA DI SHAKE, RATTLE AND ROLL 97 Vincenzo Caporaletti UNA BIBLIOGRAFIA SULL’IMPROVVISAZIONE MUSICALE 115 Elenco dei collaboratori 175 Indice dei nomi 177 Prefazione del curatore è un persistente luogo comune che vorrebbe la musicologia in un astratto empireo di beata lonta- nanza dalla realtà, compiaciuta della sua fortunata intangibilità rispetto al trascorrersi delle umane cose. Chi ci crede, probabilmente, rimarrebbe un po’C’ interdetto nell’apprendere che il consistente ritardo accumulato nella pubblicazione di questo numero di «Ring Shout» è uno degli effetti col- laterali di un uragano tropicale. Tutto nasce dal fatto che questa issue è stata quasi interamente dedicata al ritrovamento dei manoscritti delle ultime composizioni per big band di Jelly Roll Morton. Ora, non è cosa di tutti i giorni, specie per la musica che chiamiamo africana-americana, riuscire ad acquisire per la prima volta materiale così importante e poter intervenire analiticamente su dei tesori per tanto tempo nascosti. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
Talking Black Dance: Inside Out
CONVERSATIONS ACROSS THE FIELD OF DANCE STUDIES Talking Black Dance: Inside Out OutsideSociety of Dance InHistory Scholars 2016 | Volume XXXVI Table of Contents A Word from the Guest Editors ................................................4 The Mis-Education of the Global Hip-Hop Community: Reflections of Two Dance Teachers: Teaching and In Conversation with Duane Lee Holland | Learning Baakasimba Dance- In and Out of Africa | Tanya Calamoneri.............................................................................42 Jill Pribyl & Ibanda Grace Flavia.......................................................86 TALKING BLACK DANCE: INSIDE OUT .................6 Mackenson Israel Blanchard on Hip-Hop Dance Choreographing the Individual: Andréya Ouamba’s Talking Black Dance | in Haiti | Mario LaMothe ...............................................................46 Contemporary (African) Dance Approach | Thomas F. DeFrantz & Takiyah Nur Amin ...........................................8 “Recipe for Elevation” | Dionne C. Griffiths ..............................52 Amy Swanson...................................................................................93 Legacy, Evolution and Transcendence When Dance Voices Protest | Dancing Dakar, 2011-2013 | Keith Hennessy ..........................98 In “The Magic of Katherine Dunham” | Gregory King and Ellen Chenoweth .................................................53 Whiteness Revisited: Reflections of a White Mother | Joshua Legg & April Berry ................................................................12 -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
New Worlds of Dance
NEW WORLDS OF DANCE WHEN PEOPLE LEAVE THE SOCIETY THEY WERE BORN INTO, EITHER VOLUNTARILY OR INVOLUNTARILY, DANCE IS ONE OF THE THINGS THEY TAKE WITH THEM. WHEN AFRICANS WERE TAKEN AS SLAVES TO THE AMERICAS, DANCE CHANGED FROM BEING AN EXPRESSIVE, COMMUNICATIVE EXPRESSION TO PRIMARILY ENTERTAINMENT. AS LONG AS THE SOCIAL DANCING OF ENSLAVED AFRICANS DID NOT OFFEND THE WHITES’ NOTIONS OF PROPRIETY, IT WAS TOLERATED. FUSION OF AFRICAN & EUROPEAN DANCE IN U.S. DANCING CONTESTS ON SOME PLANTATIONS ENCOURAGED AFRICAN SLAVES TO DEVELOP THEIR DANCING SKILLS. DANCES PERFORMED BY SLAVES: A. THE JIG-A FUSION OF IRISH AND WEST AFRICAN DANCE FORMS B. THE BUCK-FROM ANIMAL PANTOMIMES OF WEST & CENTRAL AFRICA C. THE PIGEON WING-FROM ANIMAL PANTOMIMES OF WEST & CENTRAL AFRICA D. THE CAKEWALK-SYNCOPATED STRUTTING EVOLVED FROM BLACK PARODIES OF WHITE FORMATION DANCES E. THE RING SHOUT-ADAPTATION OF THE TRADITIONAL AFRICAN CIRCLE DANCE AFRICAN AMERICAN PLANTATION DANCE ONE OF THE SOURCES OF THE CAKEWALK MINSTREL SHOWS MADE POPULAR IN THE 1830’S BY AN ENTERTAINER KNOWN AS DADDY “JIM CROW” RICE. HE BLACKENED HIS FACE WITH BURNT CORK MIMICKING AN OLD CRIPPLED SLAVE. HE ENTERTAINED WHITE AUDIENCES WITH A COMIC SONG AND DANCE ROUTINE KNOWN AS JUMP JIM CROW. IT WAS THE FIRST INDIGENOUS AMERICAN MUSICAL THEATRE. IT BLENDED CLOG DANCING OF BRITAIN AND JIGS OF IRELAND WITH SHUFFLE STEPS AND LOOSE LIMBS OF AFRICAN DANCE. T. D. RICE IN JUMP JIM CROW 1833, BOWERY THEATRE, NEW YORK MASTER JUBA ALL FEATURED PERFORMERS OF MINSTREL SHOWS WERE WHITE EXCEPT WILLIAM HENRY LANE, A FREE-BORN NORTHERN BLACK, 1825-1852. -
African American Creative Arts: Dance, Literature, Music, Theater and Visual Art from Slavery Through the Harlem Renaissance
International Journal of Humanities and Social Science Vol. 5, No. 1; January 2015 African American Creative Arts: Dance, Literature, Music, Theater and Visual Art from Slavery through the Harlem Renaissance Iola Thompson, Ed. D Medgar Evers College, CUNY 1650 Bedford Ave., Brooklyn, NY 11225 USA Abstract The African American creative arts of dance, music, literature, theater and visual art have changed over time since arriving with the slave ships. These changes are a manifestation of political, educational and economic evolution as well as assimilation. As the life experiences of African Americans changed, from slavery through the Harlem Renaissance, their creative activities have reflected it. Keywords: African American, creative arts, slavery, Harlem Renaissance 1. Introduction African American creative arts arrived on the slave ships with the African people who brought their ways of expression with them as they landed on the shores of North America, South America and the Caribbean. The creative expression of African American arts has changed over time as life and experiences have progressed, but some elements have remained the same; most notably, the innate African way of expression that was passed from generation to generation and can still be seen today. However, today’s generation may not be aware of their heritage and why they do things the way they do. For example, some of the latest dance styles developed by young people: Breaking, Hip Hop, Krumping, Clowning, and Popping are considered street dances, but they not only have their roots from traditional African dance, their basic movement structures are also from traditional African dance. Certain ways of movement and expressing art are cultural manifestations that seem to remain even though they have become intermingled with other artistic attributes through assimilation. -
AGING . . . Focusing Through the Transitions of Later Life
THE Volume 22, Number 1, 2010 FOLIO A JOURNAL FOR FOCUSING AND EXPERIENTIAL THERAPY AGING . Focusing Through the Transitions of Later Life TABLE OF CONTENTS iii PUBLISHER’S PAGE iv LETTER FROM THE EDITORS vii ACKNOWLEDGEMENTS PART 1: PERSONAL STORIES 3 THE ESSENCE OF BEING WITH WHAT IS: Thirty-Three Years with Focusing Reva Bernstein (in conversation with Ann Weiser Cornell) 8 IT NEEDS TO MAKE SENSE Bebe Simon (in conversation with Rob Foxcroft) 21 MY JOURNEY WITH FOCUSING: A Developmental Process Jill Drummond 26 SOME THOUGHTS ABOUT FOCUSING AND AGING: Losses and Gains Joan Lavender, Psy.D. 36 FOCUSING AND AGING: Accompanying a Woman’s Aging Journey Patricia Manessy, NHC 40 GROWING UP WITH FELT SENSING AND STAYING YOUNG INTO AGING WITH FOCUSING Christel Kraft, M.Ed. 51 FOCUSING HAPPIER Carol Belin 56 FOCUSING ADVENTURES IN AGING: Alone — Crisis and Opportunity Hadley Fisk, LICSW 60 FOCUSING AND AGING Erna de Bruijn The Folio (ISSN: 1063-3693) is the journal of the Focusing Institute, Inc., Spring Valley, N.Y. The Focusing Institute is a world-wide membership organization and a not-for-profi t corporation in the state of New York. ii • CONTENTS 63 THE GOLDEN YEARS Kevin McEvenue (Focusing with Karen Whalen) 74 FOCUSING, LIFE COACHING AND AGEISM Judy Robbins, Psy.D. 84 AGING’S MUSIC: Aging and Co-Aging in a Focusing Marriage Jane and Dave Young, LCSW PART 2: INSIGHTS: TRANSFORMATIONS USING FOCUSING WITH OTHERS 105 THE BOOK OF LIFE: The Final Chapter Mary McGuire, CSJ, Psy.D. 111 ATTUNING TO NATURAL PROCESS ACTION STEPS: How does one fi nd the natural action, the unforced next step? (Maybe with a Little Wind from Your Fingertips!) Katarina Halm 130 AN INTEGRATED APPROACH TO PROCESSING AGING AND PAIN Elfi e Hinterkopf, Ph.D. -
The Energy Department Wants to Dam Your Favorite River
conservation • access • events • adventure • Safety BY BOATERS FOR BOATERS July/Aug 2014 THE ENERGY DEPARTMENT WANTS TO DAM YOUR FAVORITE RIVER Protecting Headwater StreamS – THE WOTUS RULE AND THE CLEAN WATER Act History AW’s early Stewardship work getting cool on the grand canyon First descent of the middle San Joaquin Where will a take you next? WHITEWATER | TOURING | FISHING · JACKSONKAYAK.COM A VOLUNTEER PUBLICATION PROMOTING RIVER CONSERVATION, ACCESS AND SAFETY american whitewater Journal July/aug 2014 – Volume 54 – issue 4 COLUMNS 5 The Journey Ahead by mark Singleton 30 News & Notes 50 Letter to the Editor 50 Book Review StEWARDSHIP 6 What’s a WOTUS Anyway? Bringing Clarity to the Clean Water Act by megan Hooker 8 The Energy Department Wants to Dam Every River!!? by megan Hooker FEATURE ARTICLES HISTORY 12 Ammo to Use in Fighting for California’s Wild Rivers by Steve LaPrade 15 Another First on the Moose by Pete Skinner 18 “Becuss uf You, Heinrich”by chris Koll 27 First Descent of the Middle Fork San Joaquin by reg Lake INTERNATIONAL 31 Maya Mayhem by Larry rice ROAD TRIPS 42 A Month of Bliss by Jordan Vickers Headwaters all around the nation, like this alpine reach of Publication Title: American Whitewater the Middle Fork San Joaquin (CA), could be ensured Clean Issue Date: July/Aug 2014 Statement of Frequency: Published Bimonthly Water Act protections if a new rule by the EPA and Army Authorized Organization’s Name and Address: American Whitewater Corps of Engineers is implemented. If it’s not, the question P.O. Box 1540 of what qualifies as a WOTUS might remain murky for Cullowhee, NC 28723 years or even generations (see pg.