AGING . . . Focusing Through the Transitions of Later Life
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ABSTRACT Title of Document: DEPRESSION AND
ABSTRACT Title of Document: DEPRESSION AND EMOTIONAL DISTRESS IN YOUNG, LOW-INCOME AFRICAN- AMERICAN MEN AND FATHERS Megan E. Fitzgerald, M.S. Directed By: Associate Professor Kevin Roy, Department of Family Science Depression is a debilitating mental illness that in its most serious form, major depression, has affected between 3.6% to 12.7% of men in the United States (Cochran & Rabinowitz, 2000; Jonas, Brody, Roper, & Narrow, 2003; Kessler, McGonagle, Zhao, & Nelson, 1994). It has consistently been found to be twice as prevalent in women as in men, and yet the suicide rate of men is four to five times that of women (Singh, Kochanek, & MacDorman, 1996; World Health Organization, 2005). Despite this, little is known about the experience and expression of the full range of depression in men, and specifically, young, low-income men of color who are fathers. When young fathers suffer from depression, there are enormous consequences for young families, both financial and emotional (Ansseau et al., 2008; Mirowsky & Ross, 2002; Montgomery, Cook, Bartley, & Wadsworth, 1999; Patten et al., 2006; Rehman, Gollan, & Mortimer, 2008; Soares, Macassa, Grossi, & Viitasara, 2008). It is possible that the risk for depression increases when fatherhood includes the challenges of nonresidential parenting and financial stress (Cochran & Rabinowitz, 2002; Roy, 2004). This has implications for their co-parenting relationships, and shapes their identities and roles as parents and providers (Bouma, Ormel, Verhulst, & Oldehinkel, 2008; Kim, Capaldi, & Stoolmiller, 2003). However, fatherhood also brings many opportunities for young men; it is a chance for them to be generative for the first time in their lives and to experience the joys that accompany the challenges of parenthood (Palkovitz, Copes, & Woolfolk, 2001). -
Interpretive Performance Techniques and Lyrical Innovations on The
INTERPRETIVE PERFORMANCE TECHNIQUES AND LYRICAL INNOVATIONS ON THE BASS TROMBONE: A STUDY OF RECORDED PERFORMANCES BY GEORGE ROBERTS, “MR. BASS TROMBONE” Jonathan K. Yeager, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2006 APPROVED: Vern Kagarice, Major Professor Darhyl Ramsey, Minor Professor Tony Baker, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Yeager, Jonathan K., Interpretive performance techniques and lyrical innovations on the bass trombone: A study of recorded performances by George Roberts, “Mr. Bass Trombone.” Doctor of Musical Arts (Performance), December 2006, 82 pp., 18 illustrations, bibliography, 25 titles. Nicknamed “Mr. Bass Trombone” for his role as a prominent, trailblazing recording artist, George Roberts (b. 1928) has often been recognized as redefining the role of the bass trombone in popular music as well as setting new standards for technical refinement and expressive possibilities of the instrument. Through two interviews and a comparison between ten recorded performances by Roberts and corresponding lead sheets, I make observations about Roberts’ performance techniques and illustrate various examples of those techniques. The document includes 35 pp. of interview transcriptions. Copyright 2006 by Jonathan K. Yeager ii ACKNOWLEDGEMENTS I wish to thank those who assisted in the preparation of this document. Specifically, I would like to thank George Roberts for providing his time and thoughts; Vern Kagarice for his guidance and assistance in securing sources; Matthew Litwaitis for his help in locating resources; Ben van Dijk, Bob Hughes, and Douglas Yeo for providing comments; Keith Pawlak at the University of Arizona, John R. -
Memoirs Stories of One Aha Transformational Focusing Experience the Volume 24, Number 1, 2013
THE Volume 24, Number 1, 2013 FOLIOA JOURNAL FOR FOCUSING AND EXPERIENTIAL THERAPY MEMOIRS Stories of One AHa Transformational Focusing Experience THE Volume 24, Number 1, 2013 FOLIOA JOURNAL FOR FOCUSING AND EXPERIENTIAL THERAPY MEMOIRS: Stories of One AHa Transformational Focusing Experience v THE FOLIO vi LETTER FROM THE EDitoRS viii ACKNOWLEDGMENTS 1 THE MAGIC QUESTION Elizabeth Abraham 3 MEMOIRS: The Space Between Sarah Bean 7 ANGER BECOMES ASSERTION POWER Janet Beggs, M.A. 11 NEW BEGINNINGS Donna Blank, M.S., GCFP/T, LMA 14 SURVIVING COLLEGE—FOCUSING BEFORE AND AFTER: “How to Write an Essay Without Chewing Off Your Own Leg” Abbe Blum, Ph.D. CFP 18 Meeting LANDSCAPE: An Instance at the Seashore Jan Boelhouwers 27 MY VERY FIRST FOCUSING SESSION, LOVE AT FIRST SIGHT Erna de Bruijn, M.D. 30 A HEALING DIALOGUE: A Self-In-Presence Listens to Anger Pamela Carr 34 THE PINK SILK ARROW: A Visibly Big Change from Focusing Ann Weiser Cornell 43 FOCUSING WITH “BABY ON BOArd” Barbara Dickinson, C.F.T. The Folio (ISSN: 1063-3693) is the Journal of the Focusing Institute, Inc., Spring Valley, N.Y. The Focusing Institute is a world-wide membership organization and a not-for-profit corporation in the state of New York. ii • The Folio • 2013 48 TAKING OFF THE STRAIGHT JACKET: A Healing Focusing Process through the Inner Connection to Other Existing Dimensions Ifat Eckstein, M.S.W. 52 GREEN DREAM Jael Emberley, CFT 55 MY BIG FOCUSING AHA Rosie Fanale, APRN, RNC, M.Ed. 58 A CLEARING IN THE Space: My Transformational Aha María José Fernández-Caballero 61 A TRANSFORMational FOCUSING EXPERIENCE: The Power of Engaging from One’s Embodied Presence: A Tribute to Neil Friedman Glenn Fleisch, Ph.D., MFT 69 WE HAVE TO FIND YOUR KITTEN Rob Foxcroft 79 TRANSFORMationS THROUGH FOCUSING—FOR CLIENT AND THERAPIST! Isabel Gascón 82 CLEARING THE FOG . -
Country Christmas ...2 Rhythm
1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY -
Sexuality, Spirituality and the Body: the Art and Science of Somatic Psychotherapy
Somatic Psychotherapy Today | Winter 2016 | Volume 6 Number 1 | page 2 Sexuality, Spirituality and the Body: The Art and Science of Somatic Psychotherapy This forward-looking conference explores the exciting future of somatic psychology and bodymind therapies. Healing the whole person by working with the energies and emotions of our embodiment leads us to questions about the spirituality of each human-being and about the ways in which our sexual desires gird so many of our energy blocks and emotional conflicts. The 2016 USABP Conference will investigate the discovery of our embodied spirituality and the connections of bodymind therapy with other path-breaking fields such as transpersonal psychology, ecopsychology, and the traditions of spiritual healing. Also to be investigated are the challenges of working with sexuality in the context of bodymind practice — how is our sexual life, and the sexual lives of those whom we help in the clinical setting, to be integrated with our emotional, spiritual and somatic being-in-the-world. Read All About it! Starting on page 34 Somatic Psychotherapy Today | Winter 2016 | Volume 6 Number 1 | page 3 Somatic Psychotherapy Today Our Feature Stories 36 Welcome to the USABP Congress Sexuality, Spirituality and the Body: The Art and Science of Somatic Psychology 38 On the Significance of “Bodymind” Visioning for the Profession and for the Planet By Barnaby B. Barratt 42 Sexuality, Spirituality, and the Body. An Interview with Joan Borysenko By Nancy Eichhorn 48 Gender Based Changes to Manage Stress: How Behavior and Nutrition Play a Part in our Relationships. An Interview with John Gray By Nancy Eichhorn 54 In Honor of Eugene T. -
Volume 6, Number 1, Winter 2016.Pub
In honor of Eugene T. Gendlin The USABP Life Time Achievement Award Winner 2016 GENDLIN ON FOCUSING Focusing is simply the little, specific essence of directing the person's attention to what is not yet clear. And what is not yet clear can be directly sensed in the body. There is a special level, a special kind of space, a special kind of attention that most people don't know, to allow the body to form a wholistic sense of some problem. If one can stop and allow the body to respond to that, that problem or anything, there will be a bodily sense that will not be clear at first, no matter how much one knows about the problem. It includes everything one knows, but it is always a single whole, a single sense. This bodily sense has his own directions. It has its own need to form a further step. And something comes there, which one can't get any other way (Gendlin & Lietaer 1983). Somatic Psychotherapy Today | Winter 2016 | Volume 6 Number 1 | page 54 Eugene Gendlin, Somatic Pioneer By Ann Weiser Cornell One of the most important and influential trusting another, that enabled them to figures in somatic psychology is… a escape the Nazis, when many other families philosopher. Odd? Actually not. Because the were blocked from leaving the country and more we learn about Eugene Gendlin’s later were sent to their deaths. When Gene revolutionary philosophy of the body, the asked, “Papa, how did you know you could more it makes sense that he is known as not trust that person?” his father tapped his one of the originators of modern body- chest and said, “I follow my feeling” (Korbei, oriented psychotherapy. -
1 ABBEY LINCOLN NEA Jazz Master
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ABBEY LINCOLN NEA Jazz M aster (2003) INTERVIEWEE: ABBEY LINCLON (AUGUST 6, 1930 – AUGUST 14, 2010) INTERVIEWER: SALLY PLAXSON DATE: DECEMBER 17-18, 1996 REPOSITORY: ARCHIVES CENTER, NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION DESCRIPTION: TRANSCRIPT, 68 PAGES SALLY PLAXSON: So, Abbey Lincoln, it's great to have yet another chance to talk with you about your life. ABBEY LINCOLN: You, too, Sally. SALLY PLAXSON: Because it's always -- even though it's our third interview, I always learn so much more when we talk. I'm always newly inspired. ABBEY LINCOLN: Thank you. SALLY PLAXSON: I thought we could start right from the beginning and just work our way through which is not terribly original, but I think it's the way we should do it. Let's start with Chicago, but I'd like to even look at something that we haven't talked about much before. Some of the prehistory of your family and background of your parents, and you were born in Chicago, but how far back can you trace the family history? ABBEY LINCOLN: Mama was the storyteller at home and she told us about our grandparents and our great-grandparents and she told us about our fathers' grandparents, and in the autobiography that I'm writing, she wrote the first part of the book, 38 pages, For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 and she told everything about -- I mean, she told about the life that we lived before I was born. -
Catalogo Xpress
Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley -
The Relaxation & Stress Reduction Workbook, Sixth Edition
“This comprehensive workbook deserves to be in the library of every active therapist, but it shouldn’t be left on the shelf! Once again, the authors have empowered the reader with straight- forward instructions on every major approach to stress management known. From worry to chronic headaches to information overload, here is your one-stop guide to recovery.” — R. Reid Wilson, Ph.D., author of Don’t Panic: Taking Control of Anxiety Attacks “This text remains, after twenty years, the clearest, best-organized, and most readable book on stress management. It has achieved the status of the ‘classic’ self-help reference in the field.” — Edmund J. Bourne, Ph.D., author of The Anxiety and Phobia Workbook, Coping with Anxiety, and Beyond Anxiety and Phobia “An exemplary book on stress. It is lucidly written, rationally ordered, and comprehensive, and each section is densely packed with instructions and exercises which make the workbook easy to practice.” — Somatics Magazine: Journal of the Mind/Body Arts and Sciences The Relaxation & Stress Reduction WORKBOOK SIXTH EDITION Martha Davis, Ph.D. Elizabeth Robbins Eshelman, MSW Matthew McKay, Ph.D. New Harbinger Publications, Inc. Publisher’s Note This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering psychological, financial, legal, or other professional services. If expert assistance or counseling is needed, the services of a competent professional should be sought. The material in chapter 13 that is based upon the work of Michelle G. Craske and David H. -
The Changes Book
The Changes Book A Handbook for Empathic Listening, Experiential Focusing, and Therapeutic Community Edited by Kathleen McGuire, Ph.D. The Changes Book: A Handbook for Empathic Listening, Experiential Focusing, and Therapeutic Community Written by many members of the original Changes Listening/Focusing Community including Eugene Gendlin, Mary Hendricks, Jim Iberg, Ann Weiser Cornell, Kristin Glaser, Ferdinand van der Veen and Linda Olsen Chicago, IL, May, 1970-1978 With a new Foreword by Kathleen McGuire-Bouwman, July 2017 Cover image via visualhunt.com (c)Kathleen McGuire-Bouwman, 2016 Director, Creative Edge Focusing (TM) www.cefocusing.com, [email protected] Table of Contents Kathleen McGuire-Bouwman, New Foreword, August 2017 .....................................1 Part One: The book and the Changes community ................................................5 Ferdinand van der Veen, Why Changes and a book about Changes are important to me ..5 Kristin Glaser and Eugene Gendlin, Main themes in Changes, a therapeutic community ..7 Part Two: About listening ...........................................................................14 Ferdinand van der Veen, Some thoughts about what listening is .............................14 Ferdinand van der Veen, How to do listening: an explanation for people new to Changes . 19 Eugene Gendlin and Mary Hendricks, Absolute listening .......................................23 Eugene Gendlin and Mary Hendricks, Further steps toward better listening and focusing: centering and checking .............................................................................27 -
Boulez: Composer Into Conductor Budget Your Stereo Dollar Wisely
STEREO EQUIPMENT RECORDS MUSIC MARCH 1968 M HIS H Fl II E LITT/ Amplified Instruments, Music or Noise? How to Judge an Amplifier Boulez: Composer into Conductor Budget Your Stereo Dollar Wisely www.americanradiohistory.com ,,,,,,,,,o, 00 90_ 92. 94 96 90 100 102 104 106 101 100 lE '10 00 i:-9 - 140 160 The new Fisher 550-T. www.americanradiohistory.com The 550-T has both AM and FM. The 550 -T AM/FM-stereo re- microvolts- weaksignalscansound Ir ceiver pulls in twice as many sta- like strong local stations. Mail this coupon as the 500 -T. Because it has A seventh IC is used for muting tions for your free copy Which means and for the d'Arsonval twice as many bands. controlling of The Fisher Hand- you can at last listen to your favor- tuning meter. And Fisher's pat- book 1968. This ite news, sports, or AM -music ented Stereo Beacon* signals the 80 -page reference station without distortion. presence of a stereo station and guide to hi -fi and The AM -tuner section of the a utcmatica I ly switches to the stereo stereoalso includes 550 -T is really special. Unlike most mode. detailed informa- commercial AM -tuner sections, this A word about the amplifier sec- tion on all Fisher components. new Fisher receiver has two (not tion, identical in both the 550 -T just one) transistors in both the RF and 500 -T receivers. With 90 watts Fisher Radio Corporation and mixer stages. These extra tran- music power (IHF), the 550 -T can 11 -35 45th Road sistors permit reception, without drive even the most inefficient Long Island City, N.Y. -
Developing and Delivering a Repertoire for Use in Music Therapy on Placement with Two Singing Groups of People Living with Neurological Conditions, and Their Carers
Playing Their Song: Developing and delivering a repertoire for use in music therapy on placement with two singing groups of people living with neurological conditions, and their carers. Jenny Gordon 2019 An exegesis presented in partial fulfilment for the degree of Master of Music Therapy Victoria University of Wellington Wellington, New Zealand. Abstract: This research study uses qualitative, action research methodology to investigate the factors impacting how I can choose and deliver repertoire within the context of my music therapy practice on placement with two singing groups of people living with neurological conditions and their partners and carers. Adhering to the characteristics of action research, this study consists of cycles of learning, and focuses on my understanding of the perceptions and perspectives of clients of the service, plus my own responses regarding the repertoire and how it is used during the music therapy, thus attempting to understand people’s preferred repertoire and improve my practice. My clinical practice notes, participatory observations and reflective journals were coded and analysed to develop themes. Following this, inductive meanings were made of what, how and why the particular repertoire was used. There were many insights learned, from the perspective of the researcher (as a student music therapist and beginning researcher), but the most salient seemed, to me, to be that the entire gestalt of the experience shared whilst singing and playing together with the groups was more important than the minutiae of individual factors that go into making up that experience. Keywords: Group singing; Repertoire; Music preferences; Neurologic conditions; Community Music Therapy i 1.