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2018 Adelaide Biennial of Australian Art
DIVIDED ART GALLERY OF SOUTH AUSTRALIA WORLDS 2018 ADELAIDE BIENNIAL OF AUSTRALIAN ART The cat sits under the dark sky in the night, watching the mysterious trees. There are spirits afoot. She watches, alert to the breeze and soft movements of leaves. And although she doesn’t think of spirits, she does feel them. In fact, she is at one with them: possessed. She is a wild thing after all – a hunter, a killer, a ferocious lover. Our ancestors lived under that same sky, but they surely dreamed different dreams from us. Who knows what they dreamed? A curator’s dream DIVIDED WORLDS ART 2018 GALLERY ADELAIDE OF BIENNIAL SOUTH OF AUSTRALIA AUSTRALIAN ERICA GREEN ART ARTISTS LISA ADAMS JULIE GOUGH VERNON AH KEE LOUISE HEARMAN ROY ANANDA TIMOTHY HORN DANIEL BOYD KEN SISTERS KRISTIAN BURFORD LINDY LEE MARIA FERNANDA CARDOSO KHAI LIEW BARBARA CLEVELAND ANGELICA MESITI KIRSTEN COELHO PATRICIA PICCININI SEAN CORDEIRO + CLAIRE HEALY PIP + POP TAMARA DEAN PATRICK POUND TIM EDWARDS KHALED SABSABI EMILY FLOYD NIKE SAVVAS HAYDEN FOWLER CHRISTIAN THOMPSON AMOS GEBHARDT JOHN R WALKER GHOSTPATROL DAVID BOOTH DOUGLAS WATKIN pp. 2–3, still: Angelica Mesiti, born Kristian Burford, born 1974, Waikerie, 1976, Sydney Mother Tongue, 2017, South Australia, Audition, Scene 1: two-channel HD colour video, surround In Love, 2013, fibreglass reinforced sound, 17 minutes; Courtesy the artist polyurethane resin, polyurethane and Anna Schwartz Gallery Melbourne foam, oil paint, Mirrorpane glass, Commissioned by Aarhus European Steelcase cubicles, aluminium, steel, Capital of Culture 2017 in association carpet, 261 x 193 x 252 cm; with the 2018 Adelaide Biennial Courtesy the artist photo: Bonnie Elliott photo: Eric Minh Swenson DIRECTOR'S 7 FOREWORD Contemporary art offers a barometer of the nation’s Tim Edwards (SA), Emily Floyd (Vic.), Hayden Fowler (NSW), interests, anxieties and preoccupations. -
Sylvia Kanytjupai Ken, Tjungkara Ken & the Ken Sisters Collaborative
Sylvia Kanytjupai Ken, Tjungkara Ken & the Ken Sisters Collaborative Seven Sisters: Kungkarangkalpa 24 August – 18 September 2021 The exhibition ‘Seven Sisters’ showcases the distinct artistic styles and visions of Sylvia Ken and Tjungkara Ken, two award-winning female indigenous artists, both at the forefront of contemporary painting in Australia. Alongside the work of Sylvia Ken and Tjungkara Ken, the exhibition also features large scale paintings by the renowned Ken Sisters Collaborative (Freda Brady, Sandra Ken, Tjungkara Ken, Maringka Tunkin and Yaritji Young). Based in the Amata community in the remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands of South Australia and painting at Tjala Arts, Sylvia and Tjungkara’s evocative paintings are a celebration of Anangu culture and connection to country alongside their individual expression of 'Tjukurpa'(ancestral knowledge and law). Sylvia and Tjungkara paint, in different but related ways, the Seven Sisters creation story, an ancestral narrative of the Pleiades constellations (the sisters) and a sinister man (Orion) who followed them across earth and sky. Both Sylvia and Tjungkara’s family are traditional owners of significant sites where the Seven Sisters story takes place with each painting referencing this story and the important sites within the vast landscape. These stories are the artists’ birthright and come with a responsibility to continue the passing of culture and knowledge to the next generation. “I listen to the old people’s stories and I think about these stories, and then ideas come for my paintings. I listen to my mother and father, to my grandmother and grandfather. I listen when they are talking about ‘Tjukurpa’ and telling creation stories and when they say to me ‘No, you should paint this way, the Seven Sisters’’. -
HOUSE of ASSEMBLY Page 2215 HOUSE of ASSEMBLY Thursday 25 November 2010 the SPEAKER (Hon
Confidential and Subject to Revision Thursday 25 November 2010 HOUSE OF ASSEMBLY Page 2215 HOUSE OF ASSEMBLY Thursday 25 November 2010 The SPEAKER (Hon. L.R. Breuer) took the chair at 11:01 and read prayers. UNIVERSITY OF ADELAIDE (TRUST PROPERTY) AMENDMENT BILL Ms CHAPMAN (Bragg) (10:32): Obtained leave and introduced a bill for an act to amend the University of Adelaide Act 1971. Read a first time. Ms CHAPMAN (Bragg) (10:33): I move: That this bill be now read a second time. I move the University of Adelaide (Trust Property) Amendment Bill with a heavy heart. However, it is supported by the Liberal opposition and I am pleased to have its support. It is a bill to amend the University of Adelaide Act 1971. Members will be aware that the University of Adelaide was established by an act of this parliament, the first in South Australia and the third in Australia. It has a proud and respected history as an institution in this state. In 2003, the structure and independence of the governance of our universities was debated as a result of introduced bills for our three public universities in South Australia by then minister Lomax-Smith and supported by the opposition. An essential element of that bill was to provide greater autonomy in the handling of the university's own affairs, including its financial affairs and, in particular, the capacity to be able to buy, sell, lease, encumber or deal with its assets, and particularly real property. However, the reform retained in it an obligation to secure cabinet approval for very substantial property it owned, including the North Terrace precinct, Roseworthy and Waite campuses. -
Spirit Festival Takes Centre Stage
Aboriginal Way Issue 48, Mar 2012 A publication of South Australian Native Title Services Spirit Festival takes centre stage Tandanya, the National Aboriginal Cultural Institute has hosted another successful Spirit Festival. Thousands of people attended, immersing themselves in Aboriginal and Islander culture. Left is Panjiti Lewis from Ernabella. For more photos from the Spirit Festival turn to pages 8 and 9. Photo supplied by Tandanya andRaymond Zada.Photosupplied Tandanya by Judges and magistrates have The Ripple Effect Supreme Court Judges and with assistance from Courts Administration Magistrates from Adelaide have Authority Aboriginal Programmes Manager taken steps to break down the Ms Sarah Alpers and Senior Aboriginal cultural barriers between Aboriginal Justice Officer Mr Paul Tanner. people and the legal system by The visit promoted cross-cultural spending time on the Anangu awareness between the judiciary and Pitjantjatjara Yankunytjatjara Lands. Aboriginal communities, and to improve Not only did 17 judges and magistrates understanding between the cultures spend five days and nights on the lands about law and justice matters. visiting communities but a DVD has been Justice Sulan said the trip was also in made of the trip so that others can learn keeping with Recommendation 96 of the from the experience. 1991 Royal Commission into Aboriginal The DVD is called The Ripple Effect and it Deaths in Custody. explains how decisions made by judges “…that recommendation calls on Australian and magistrates affect entire communities judiciary to make itself aware of Aboriginal hundreds of kilometres away. culture and practices through cultural The DVD was launched at a ceremony in the awareness programs and informal Above: Caption. -
Sunday 24 March, 2013 at 2Pm Museum of Contemporary Art Sydney, Australia Tional in Fi Le Only - Over Art Fi Le
Sunday 24 March, 2013 at 2pm Museum of Contemporary Art Sydney, Australia tional in fi le only - over art fi le 5 Bonhams The Laverty Collection 6 7 Bonhams The Laverty Collection 1 2 Bonhams Sunday 24 March, 2013 at 2pm Museum of Contemporary Art Sydney, Australia Bonhams Viewing Specialist Enquiries Viewing & Sale 76 Paddington Street London Mark Fraser, Chairman Day Enquiries Paddington NSW 2021 Bonhams +61 (0) 430 098 802 mob +61 (0) 2 8412 2222 +61 (0) 2 8412 2222 101 New Bond Street [email protected] +61 (0) 2 9475 4110 fax +61 (0) 2 9475 4110 fax Thursday 14 February 9am to 4.30pm [email protected] Friday 15 February 9am to 4.30pm Greer Adams, Specialist in Press Enquiries www.bonhams.com/sydney Monday 18 February 9am to 4.30pm Charge, Aboriginal Art Gabriella Coslovich Tuesday 19 February 9am to 4.30pm +61 (0) 414 873 597 mob +61 (0) 425 838 283 Sale Number 21162 [email protected] New York Online bidding will be available Catalogue cost $45 Bonhams Francesca Cavazzini, Specialist for the auction. For futher 580 Madison Avenue in Charge, Aboriginal Art information please visit: Postage Saturday 2 March 12pm to 5pm +61 (0) 416 022 822 mob www.bonhams.com Australia: $16 Sunday 3 March 12pm to 5pm [email protected] New Zealand: $43 Monday 4 March 10am to 5pm All bidders should make Asia/Middle East/USA: $53 Tuesday 5 March 10am to 5pm Tim Klingender, themselves aware of the Rest of World: $78 Wednesday 6 March 10am to 5pm Senior Consultant important information on the +61 (0) 413 202 434 mob following pages relating Illustrations Melbourne [email protected] to bidding, payment, collection fortyfive downstairs Front cover: Lot 21 (detail) and storage of any purchases. -
Citizens' Jury
SUNDAY VERSION South Australia’s Citizens’ Jury on Nuclear Waste Final Report November 2016 “Under what circumstances, if any, could South Australia pursue the opportunity to store and dispose of nuclear waste from other countries?” Jury Summary Statement The Citizens Jury would like to Acknowledge that we have been meeting on Kaurna land and we pay our respects to the Traditional owners, past and present, across South Australia. The jury generally had a strong conviction in taking a position one way or another. Two thirds of the jury do not wish to pursue the opportunity under any circumstances and one third support a commitment to pursue under the circumstances outlined in this report. Introduction: Citizen’s Jury 2 (CJ2) was a group of 350 residents of South Australia who were brought together under the remit of discussing and reporting on the question: “Under what circumstances, if any, could South Australia pursue the opportunity to store and dispose of high level nuclear waste from other countries?”. To be clear, the jury considered only high-level nuclear waste. The people on Citizen’s Jury Two were selected to be broadly representative of the population of South Australia based on demographics (as best as was possible based on the responses to the initial invitation to take part). The 50 jurors from Citizen’s Jury One were also invited back to be part of the second jury process and approximately 30 of them decided to take part in the second jury. On the first day of the jury, we established some guiding principles for how we should approach the process. -
Dialogue and Indigenous Policy in Australia
Dialogue and Indigenous Policy in Australia Darryl Cronin A thesis in fulfilment of the Requirements for the degree of Doctor of Philosophy Social Policy Research Centre Faculty of Arts & Social Sciences September 2015 ABSTRACT My thesis examines whether dialogue is useful for negotiating Indigenous rights and solving intercultural conflict over Indigenous claims for recognition within Australia. As a social and political practice, dialogue has been put forward as a method for identifying and solving difficult problems and for promoting processes of understanding and accommodation. Dialogue in a genuine form has never been attempted with Indigenous people in Australia. Australian constitutionalism is unable to resolve Indigenous claims for recognition because there is no practice of dialogue in Indigenous policy. A key barrier in that regard is the underlying colonial assumptions about Indigenous people and their cultures which have accumulated in various ways over the course of history. I examine where these assumptions about Indigenous people originate and demonstrate how they have become barriers to dialogue between Indigenous people and governments. I investigate historical and contemporary episodes where Indigenous people have challenged those assumptions through their claims for recognition. Indigenous people have attempted to engage in dialogue with governments over their claims for recognition but these attempts have largely been rejected on the basis of those assumptions. There is potential for dialogue in Australia however genuine dialogue between Indigenous people and the Australian state is impossible under a colonial relationship. A genuine dialogue must first repudiate colonial and contemporary assumptions and attitudes about Indigenous people. It must also deconstruct the existing colonial relationship between Indigenous people and government. -
Business Name Description Contact Phone Mobile Email Website Service Area 1 A.R.T. Employment Pre Employment and Training Allan
1 South Australian Aboriginal Business Register September 2015 Business Name Description Contact Phone Mobile Email Website Service Area 1 A.R.T. Employment Pre Employment and Training Allan Jones 0414 210 526 [email protected] www.artemployment.com.au Metropolitan Adelaide 2 A.R.T. Services Garden care and landscaping, Traffic Barry Buckskin 0407 453 071 [email protected] www.artemployment.com.au Metropolitan Management, Domestic Services, Fencing Adelaide and Heritage Services 3 Aboriginal Cultural SA Award winning cultural tours on Mid Quenten Agius 0429 367 121 [email protected] www.aboriginalsa.com.au Mid-North, Tours North and Yorke peninsula. Cultural Yorke Heritage consultant. Award winning training, Peninsula safety videos and documentaries. Accredited with Tourism Aust, Eco Tourism, and Respecting Our Culture 4 Aljerre Cultural Awareness training John Lochowiak 0418 832 550 [email protected] Metropolitan Adelaide 5 Anangu Ngangkari ANTAC is an Aboriginal business founded 0475 081 504 [email protected] http://www.antac.org.au Metropolitan Tjutaku Aboriginal by the Aboriginal traditional healers - Adelaide and Corporation ngangkari - from the APY Lands in SA. APY ANTAC provides ‘Ngangkari Traditional Healing Services’ to a broad customer base: health care services, correctional services, general public and organisations 6 Ananguku Arts Arts supplier 08 8227 2788 [email protected] http://www.anangukuarts.com.au/ National 7 Attainable Real Estate Land Agent Emily and Lucas 08 8250 0670 [email protected] www.attainablerealestate.com.au Northern Pty Ltd Jaworek Adelaide 8 Australian Institute For 22 years the Australian Institute has Rosemary 08 8341 5557 0438 203 032 [email protected] http://www.lossandgrief.com.au/ National for Loss and Grief been 100% Aboriginal owned and operated. -
PE CB 6707 Rising Spirits: Final Report - Appendices
PE_CB_6707 Rising Spirits: Final Report - Appendices APPENDIX A EXEMPLARY SUPPORT PROGRAMS Small local Aboriginal community controlled programs The following programs were initiated by Aboriginal people themselves. They operated around a holistic concept of social and emotional wellbeing and have high Aboriginal community engagement. Rosemary Wanageen through her Institute of Loss and Grief does individual and family counselling and runs workshops. She does a great deal of outreach work in rural and remote areas and is highly sought after. She charges a fee-for-service because her program is not eligible for Medicare rebates. Often, government services and ACCHS pay her fee on behalf of Aboriginal clients. Warna Manda Aboriginal Women’s Corporation, in Pt Lincoln, offers bush trips and camps on country as a healing process for people which include creative activities, cooking and walking. These are free of charge. Garridja developed by respected Narungga elder Tauto Sansbury works in partnership with local Aboriginal organisations, Elders and schools to run camps for Aboriginal youth with a suicide prevention intent and focussing on connecting with culture and finding identity. Aboriginal men’s, women’s, elders, and youth support groups are considered by some health practitioners to be as important to healing of grief and loss as counselling support. However, many of these groups are inadequately funded, some being funded by financial left-overs of other programs. Most of the ACCHS have one or two such groups as do: o Kura Yerlo which is an incorporated centre offering a range of programs including healing, men’s , Elder’s and youth support groups, and child care. -
Outstation-Tjala-Ken-Family-Catalogue
A KEN FAMILY EXHIBITION Tjukurpa, Ngura, Waltja. Culture, Country, Family. IN PROUD ASSOCIATION WITH OUTSTATION GALLERY AND TJALA ARTS FREDA BRADY FREDDY KEN RAY KEN SANDRA KEN SYLVIA KANYTJUPAI KEN TJUNGKARA KEN PANINY MICK MARINGKA TUNKIN MICK WIKILYIRI YARITJI YOUNG Opening Saturday 18th April at 11am Showing 18th April - 9th May 2015 8 Parap Place, Parap Northern Territory 0820 P : 08 8981 4822 F : 08 8981 4877 COVER: Mick Wikilyiri, Ngayuku ngura - My E: [email protected] Country see page 10; LEFT: Ken Sisters Collaborative Seven Sisters (detail) see W: www.outstation.com.au page 8; PAGE 7 Tjala honey ant courtesy Tjala Arts Director Matt Ward Your culture is in your blood, look after each other as you have been taught. — YARITJI YOUNG … my mind moves to country as I am painting. It makes me happy. My name is Mick Wikilyiri. This exhibition was my idea. I am an old man Tjilpie. As a young man I worked on the cattle stations, riding the horses. It was great work, hard work, but those were happy times. I know all about the white man’s world, how the white man thinks. These days I am still working, I am in the Art Centre every day painting and teaching young fellas. My mind takes me back to the old days, and my mind moves to country as I am painting. It makes me happy. I may be a Tjilpie, but I know my law, I am strong in my law and I work everyday, in the Art Centre, in my community, and country to make sure that Law is held, and kept strong, this is the most important thing that I think about. -
Annual Report 2012–13
2012–13 ANNUAL REPORT ANNUAL REPORT ANNUAL REPORT 2012–13 ANNUAL REPORT 2012–13 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Mick Namarari Tjapaltjarri Act 1975. Pintupi people Untitled (Rain Dreaming at Nyunmanu) 1994 (detail) The vision of the National Gallery of Australia is to be synthetic polymer paint on linen an inspiration for the people of Australia. 152 x 183 cm purchased with funds from the Honorary Exhibition Circle The Gallery’s governing body, the Council of the National Patrons, 2013 Gallery of Australia, has expertise in arts administration, © the estate of the artist represented by Aboriginal Artists Agency corporate governance, administration and financial and business management. (back cover) In 2012–13, the National Gallery of Australia received Korewori caves an appropriation from the Australian Government East Sepik province, Papua New Guinea totalling $49.219 million (including an equity injection Hunter’s helper figure (Aripa) c 1480–1670 of $16.392 million for development of the national wood, ochre art collection), raised $23.573 million, and employed 174.3 x 6.5 x 32 cm 252 full-time equivalent staff. purchased 2011 © National Gallery of Australia 2013 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing -
MUNICH (May, 2021) – Luxury Fashion Online Retailer Mytheresa Is
MYTHERESA PARTNERS WITH LE CENTRE POMPIDOU : WOMEN IN ABSTRACTION EXHIBITION MAY 19 - AUGUST 23, 2021 L’artiste américaine Lynda Benglis réalisant un projet commande par l’Université de Rhode Island, Kingston, Rhode Island, 1969. © Adagp, Paris 2021. Photo by Henry Groskinsky /The LIFE Picture Collection via Getty Images MUNICH (May, 2021) – Luxury fashion online retailer Mytheresa is honored to be a sponsor of the “Women in Abstraction” exhibition, to support and give recognition to female artists around the globe. The “Women in Abstraction” exhibition, which should be presented at the Centre Pompidou from May 19th to August 23th 2021, offers a new take on the history of abstraction - from its origins to the 1980s - and brings together the specific contributions of around one hundred and ten “women artists”. FOR FURTHER INFORMATION PLEASE CONTACT: MYTHERESA SANDRA ROMANO PHONE: +49 89 12 76 95-236 EMAIL: [email protected] MYTHERESA PARTNERS WITH LE CENTRE POMPIDOU : WOMEN IN ABSTRACTION EXHIBITION MAY 19 - AUGUST 23, 2021 “Les amis du Centre Pompidou and the Centre Pompidou express their warmest thanks to Mytheresa and to its CEO, Michael Kliger, for their so generous support and positive commitment to the pivotal Women in Abstrac- tion exhibition, which opens in May at the Centre Pompidou”, commented Floriane de Saint Pierre, Chair of the Board of the amis du Centre Pompidou and Serge Lasvignes, President of the Centre Pompidou. “We are very proud and excited to sponsor this outstanding exhibition, in the globally renowned museum such as Le Centre Pompidou. Empowering women is a mission truly close to our heart at Mytheresa and this exhibition shows the importance and impact at women's art work and gives them the recognition they deserve within the Abstract movement on a global scale”, says Michael Kliger, CEO of Mytheresa.