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Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P. -
Digital Switchover of Television and Radio in the United Kingdom
HOUSE OF LORDS Select Committee on Communications 2nd Report of Session 2009–10 Digital switchover of television and radio in the United Kingdom Report with Evidence Ordered to be printed 18 March 2010 and published 29 March 2010 Published by the Authority of the House of Lords London : The Stationery Office Limited £price HL Paper 100 The Select Committee on Communications The Select Committee on Communications was appointed by the House of Lords with the orders of reference “to consider communications”. Current Membership Baroness Bonham-Carter of Yarnbury Baroness Eccles of Moulton Lord Fowler (Chairman) Lord Gordon of Strathblane Baroness Howe of Idlicote Lord Inglewood Lord King of Bridgwater Lord Macdonald of Tradeston Baroness McIntosh of Hudnall Bishop of Manchester Lord Maxton Lord St John of Bletso Baroness Scott of Needham Market Publications The report and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee are available on the intranet at: http://www.parliament.uk/parliamentary_committees/communications.cfm General Information General information about the House of Lords and its Committees, including guidance to witnesses, details of current inquiries and forthcoming meetings is on the internet at: http://www.parliament.uk/about_lords/about_lords.cfm Contact details All correspondence should be addressed to the Clerk of the Select Committee on Communications, Committee Office, House of Lords, London SW1A 0PW The telephone number for general enquiries is -
Stable Repositories: Sudo Dnf Install Mellowplayer
MellowPlayer Documentation Release 3.6.8 Colin Duquesnoy Jan 09, 2021 Contents 1 User documentation 3 1.1 About MellowPlayer...........................................3 1.2 Installation................................................3 1.3 Features..................................................5 1.4 Getting started..............................................6 1.5 FAQ & Known issues.......................................... 16 2 Developer documentation 19 2.1 Coding guidelines............................................ 19 2.2 Project structure............................................. 19 2.3 Plugins.................................................. 20 2.4 Contributing to MellowPlayer...................................... 24 3 Indices and tables 27 i ii MellowPlayer Documentation, Release 3.6.8 Contents 1 MellowPlayer Documentation, Release 3.6.8 2 Contents CHAPTER 1 User documentation Contents: 1.1 About MellowPlayer MellowPlayer is born from the need of a Qt-based alternative to NuvolaPlayer for the KaOS linux distribution Here are the initial goals: • the application should embed a web view of the music streaming service (the same as you see in a regular browser) and should provide an integration with the desktop (media keys support, global shortcuts, notifica- tions,. ). • the application should be able to support more than 1 streaming service • we (the core team) will only support the streaming services that we are actively using. Other services should be added and maintained by contributors. The main reason is that we won’t be able to support non-free services (even those who have a trial period). Support for free services (even with limitations) might be added by the team after the release 1.0. • adding a new service/extension should be easy: you just write a javascript plugin 1.2 Installation This page will guide you throught the installation of MellowPlayer on the supported operating systems. -
Sonos Connect:Amp
SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products. -
Mysqueezebox Setup Request Server Setup
Streaming Services Quick Start Enabling and configuring streaming music on your Serious Play 7 server MySqueezebox Setup You must have a MySqueezebox account to use streaming audio and music services on your ReQuest server. Create your account at www.MySqueezebox.com Changes made in your MySqueezebox account may take up to 5 minutes to show up on your ReQuest sytem. Once logged in, click on App Gallery Browse to each app you are interested or any of the featured app icons. in and click the Install button.. Supported Apps Only the following MySqueezebox apps currently work with ReQuest. This list is subject to change. Absolute Radio UK, AccuRadio, BBC, CBC, CBS Radio, Classical.com, Digitally Imported, Last.fm Radio, Live365, Live Music Archive, MOG, Orange Liveradio, Pandora, Podcasts, RadioFeeds UK & Ireland, RadioIO, Radionomy, SHOUTcast, SiriusXM Internet Radio, SKY.fm, Slacker, SomaFM, Sounds & Effects, Spotify, TuneIn Radio ReQuest Server Setup Screen Saver ReQuest.com | Remote | Settings Use a computer to browse to your Status ReQuest web server. Streaming Services If you don’t know the address of your System Info webserver, use a computer on the same Task Manager network as your ReQuest and go to: Click on Settings at the bottom Choose Streaming Services from the top request.com/findmyserver pulldown menu. If Streaming Services is not an option, you may not be running Serious Play 7. Enter your MySqeezebox account information here. Status messages: Some MySqueezebox services require separate accounts. This list is subject to Valid -
13Th May 2019 for Release 12:00 (CEST) RADIOPLAYER to LAUNCH in DENMARK Radioplayer Worldwide Has Signed a Licensing Agreement
13th May 2019 For release 12:00 (CEST) RADIOPLAYER TO LAUNCH IN DENMARK Radioplayer Worldwide has signed a licensing agreement with Danish broadcasters, to form Radioplayer Denmark. The new collaboration will use Radioplayer technology, designed and developed in partnership with broadcasters worldwide over the past eight years; enabling Danes to access radio stations across the country, with high quality sound, all in one place. Denmark will become the tenth country to join the international Radioplayer platform, and there will be around 60 stations at launch, drawn from across the public service, private, and non-profit sectors. Marianne Bugge Zederkof, Director of Danske Medier, said: “Danish broadcasters are proud to be joining the Radioplayer family. We’re looking forward to adding our weight to the crucial work that Radioplayer is doing, to secure radio’s place in the car dashboards and connected devices of the future.” Radioplayer will launch in Denmark later this summer across multiple platforms, including an industry-wide web player, and world-leading apps for iOS and Android. The agreement will also see Danish broadcasters benefit from Radioplayer’s partnership with the Audi/VW group, DTS/Xperi, and other car manufacturers, ensuring that radio maintains its prominence in car dashboards with a smooth listener experience. The Radioplayer model was first developed as a unique collaboration between the BBC and commercial radio in the UK, creating an innovative listening platform for the digital age. Unlike other radio aggregation models, each Radioplayer system is specific to the country in which it is launched, and operated by the stations it serves. -
Download Radioplayer Launches on Bose Speakers.Pdf , Opens in a New Window
Press release for immediate use RADIOPLAYER LAUNCHES ON BOSE SPEAKERS Above: Speakers from the BOSE SoundTouch and Soundbar range Radioplayer, the international radio platform backed by public service and commercial radio groups, has partnered with BOSE to bring high-quality radio streams to their home speakers. The integration will make all stations available to listeners with BOSE SoundTouch and Soundbar speakers, across the 10 countries currently part of the Radioplayer platform. Using the BOSE controller app, listeners can browse stations alphabetically, see recommendations, search for something to listen to, listen to catch-up programmes and podcasts, and set Radioplayer stations as presets, so that their favourite stations can be played at the touch of a button on the speaker. As Radioplayer is the radio industry’s official distribution platform, BOSE listeners will benefit from hearing higher- quality audio streams and uninterrupted content, including live sports coverage that’s unavailable on other integrations. Michael Hill, Radioplayer Managing Director said: ”This new partnership between Radioplayer and BOSE will open up a world of excellent, high-quality audio for listeners - whether they like music, sport, podcasts, or any other kind of radio. We love working with people who understand about great sound quality.” Mike Angelo, Director of Product Management at BOSE said. “We’re excited to add Radioplayer as a partner on our SoundTouch products! This partnership unlocks high quality content for our customers globally, with a particular focus on regions such as the UK, Belgium, and Germany, and we’re confident they’ll enjoy this new addition.” ENDS Notes to editors For more press information about Radioplayer please contact: [email protected]. -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing Price (25 May 2020): €4.06 Market Capitalisation: €43M EV: €50M Free Float: C
AudioValley BELGIUM Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing price (25 May 2020): €4.06 Market capitalisation: €43m EV: €50m Free float: c. 33% Digital audio software, ad tech and monetisation engine, all-in-one Share price performance vs. peers (€, rebased) Unique European listed technology play on digital audio disruption… 6 AudioValley is a Belgian technology company active in the field of digital audio disruption covering most of the industry’s value chain: from music licencing to software enabling the 5 creation, streaming and hosting of digital audio content over the internet for a range of 4 publishers including online radio channels, podcasts, connected hardware, etc. The digital audio 3 market is growing fast, catching up (Europe) or taking over (North America) analogue audio in terms of audience. We expect digital audio ad spend to grow at 21% CAGR 2019-23e. 2 … and ad tech engine for digital audio publishers 1 AudioValley’s main USP, and growth driver, is its global digital ad selling business, Targetspot, a 0 technology platform allowing digital audio publishers to monetise their audience through Jul-18 Jan-19 Jul-19 Jan-20 targeted advertising. The B2B platform consists of an ad tech software providing AudioValley Peers audience/listener data management with real-time analytics allowing for targeted advertising over streaming audio, the sweet-spot for any global or local advertisers (looking for efficiency) and publishers (looking to monetise their audience with higher CPMs). AudioValley operates globally, with over 1.1bn monthly impressions moving through its ad server (70% in N. -
Estimating Displacement Rates of Copyrighted Content in the EU
Estimating displacement rates of copyrighted content in the EU Final Report [Written by Martin van der Ende, Joost Poort, Robert Haffner, Patrick de Bas, Anastasia Yagafarova, Sophie Rohlfs, Harry van Til] [May – 2015] EUROPEAN COMMISSION Directorate-General for Internal Market, Industry, Entrepreneurship and SMEs Unit 0.1 — Chief Economist Team Contact: Kamil Kiljanski E-mail: [email protected] European Commission B-1049 Brussels EUROPEAN COMMISSION Estimating displacement rates of copyrighted content in the EU Final Report Directorate-General for Internal Market, Industry, Entrepreneurship and SMEs Chief Economist Team 2014 EUR [number] EN Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE This document has been prepared for the European Commission however it reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2014 ISBN [number] doi:[number] © European Union, 2014 Reproduction is authorised provided the source is acknowledged. Printed in [Country] PRINTED ON ELEMENTAL CHLORINE-FREE BLEACHED PAPER (ECF) PRINTED ON TOTALLY CHLORINE-FREE BLEACHED PAPER (TCF) PRINTED ON RECYCLED PAPER PRINTED ON PROCESS CHLORINE-FREE RECYCLED PAPER (PCF) Image(s) © [artist's name + image #], Year. Source: [Fotolia.com] (unless otherwise specified) TABLE OF CONTENTS EXECUTIVE SUMMARY .................................................................................................. -
Música Grabada
MÚSICA GRABADA 2015, año cero EUGENIO VIÑAS I Redactor jefe de Cultura de Valencia Plaza 1 PANORAMA GLOBAL DEL SECTOR DE LA MÚSICA GRABADA 2 LA MÚSICA GRABADA EN ESPAÑA 3 4 ANUARIO SGAE DE LAS ARTES ESCÉNICAS, MÚSICA MUSICALES Y AUDIOVISUALES 2016 GRABADA TABLAS TABLA 1 Ventas mundiales de música grabada por regiones y tipo de soporte (físico/digital). 2010-2015 2 Principales países en ventas de música grabada. 2015 3A Principales países en ventas físicas. 2015 3B Principales países en ventas digitales. 2015 4 Servicios legales online de descargas de música en el panorama internacional. 2015 5 Evolución del mercado discográfico español según soportes. 2010-2015 6 Evolución del mercado discográfico nacional según soportes. 2010-2015 Evolución de la presencia del repertorio español e internacional entre los 50 álbumes 7 más vendidos en España. 2004-2015 8 Álbumes más vendidos en España. 2015 9 Recopilaciones más vendidas en España. 2015 10 DVD musicales más vendidos en España. 2015 11 Top radio en España. 2015 12 Los lanzamientos de álbumes de más éxito en Europa. 2015 13 Top global de música digital (singles). 2015 2 7 3 4 ANUARIO SGAE DE LAS ARTES ESCÉNICAS, MÚSICA MUSICALES Y AUDIOVISUALES 2016 GRABADA GRÁFICOS GRÁFICO 1 Evolución de las ventas mundiales de música grabada. 2006-2015 2 Evolución de las ventas globales de música grabada según soportes. 2006-2015 3 Evolución mundial de ventas globales de música grabada digital. 2006-2015 4 Evolución de ventas globales de música grabada digital. 2007–2015 5 Ventas de música grabada en España según el tipo de mercado. -
Worlddab Automotive – DAB Digital Radio in Car User Experience Design Guidelines
WorldDAB Automotive – DAB Digital Radio In Car User Experience Design Guidelines Version 2 - February 2019 1. Background a) Radio in-car b) In car user experience Group c) Document status and future work 2. A hybrid radio future in connected cars 3. WorldDAB in-car DAB user experience research 4. Consumer use cases 5. Design guidelines 6. Hybrid Radio and voice 7. Performance of DAB in-car 8. Annex – Glossary of terms 1. Background – Radio in-car • Consumers love radio in their cars: • Live broadcast radio is the most popular source for entertainment on the road* • 82% of people wouldn’t buy a car without a radio** • 75% of all audio consumed in the car is live radio** • 84% of people “always” or “mostly” listen to the radio on every journey** • Radio in-car is going digital***: • 4.4 Million cars with DAB+ were sold in 2018, 7% more than in 2017 • In Norway (98%), The UK (92%), Switzerland (85%), Australia (60%), Italy (46%), Germany (39%), Netherlands (38%), Belgium (30%), Denmark (24%) and France (20%) cars have DAB as standard • European Electronics Communications Code Directive mandates digital radio in new cars • Came in to force on 20 December 2018 • Member States then have two years to transpose rules into national legislation • All new car radios sold or rented in the EU will need to have digital terrestrial radio by end 2020 • See the WorldDAB fact sheet here *EBU IN-car radio study Jan 2018 https://tech.ebu.ch **Radioplayer research 2016 http://www.radioplayer.co.uk/great-cars-need-great-radios ***Source: WorldDAB, national industry associations, JATO 1.