Mysqueezebox Setup Request Server Setup

Total Page：16

File Type：pdf, Size：1020Kb

Streaming Services Quick Start Enabling and configuring streaming music on your Serious Play 7 server MySqueezebox Setup You must have a MySqueezebox account to use streaming audio and music services on your ReQuest server. Create your account at www.MySqueezebox.com Changes made in your MySqueezebox account may take up to 5 minutes to show up on your ReQuest sytem. Once logged in, click on App Gallery Browse to each app you are interested or any of the featured app icons. in and click the Install button.. Supported Apps Only the following MySqueezebox apps currently work with ReQuest. This list is subject to change. Absolute Radio UK, AccuRadio, BBC, CBC, CBS Radio, Classical.com, Digitally Imported, Last.fm Radio, Live365, Live Music Archive, MOG, Orange Liveradio, Pandora, Podcasts, RadioFeeds UK & Ireland, RadioIO, Radionomy, SHOUTcast, SiriusXM Internet Radio, SKY.fm, Slacker, SomaFM, Sounds & Effects, Spotify, TuneIn Radio ReQuest Server Setup Screen Saver ReQuest.com | Remote | Settings Use a computer to browse to your Status ReQuest web server. Streaming Services If you don’t know the address of your System Info webserver, use a computer on the same Task Manager network as your ReQuest and go to: Click on Settings at the bottom Choose Streaming Services from the top request.com/findmyserver pulldown menu. If Streaming Services is not an option, you may not be running Serious Play 7. Enter your MySqeezebox account information here. Status messages: Some MySqueezebox services require separate accounts. This list is subject to Valid Account: Your change: server is ready to stream. Free Accounts Required: Invalid MySqueezebox Last.fm: www.last.fm Account: Incorrect Slacker: www.slacker.com username or password TuneIn Radio: www.tunein.com No account has been Paid Accounts Required, Free Trial specified: An account Available: needs to be created at Classical.com: www.classical.com mysqueezebox.com 30 day free trial available MOG: www.mog.com/logitech 14 day free trial available SiriusXM: www.siriusxm.com/ Spotify requires a Spotify 30-Day Free Trial Premium account. Enter your account info here. Paid/Premium Accounts Required Spotify: www.spotify.com The same status messages Pandora: www.pandora.com/logitech apply to Spotify service and credentials. ©2015 ReQuest Serious Play 14 Corporate Drive Clifton Park, NY 12065 800.236.2812 www.ReQuest.com.

Copy Link

Recommended publications

Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P.
[Show full text]
Stable Repositories: Sudo Dnf Install Mellowplayer
MellowPlayer Documentation Release 3.6.8 Colin Duquesnoy Jan 09, 2021 Contents 1 User documentation 3 1.1 About MellowPlayer...........................................3 1.2 Installation................................................3 1.3 Features..................................................5 1.4 Getting started..............................................6 1.5 FAQ & Known issues.......................................... 16 2 Developer documentation 19 2.1 Coding guidelines............................................ 19 2.2 Project structure............................................. 19 2.3 Plugins.................................................. 20 2.4 Contributing to MellowPlayer...................................... 24 3 Indices and tables 27 i ii MellowPlayer Documentation, Release 3.6.8 Contents 1 MellowPlayer Documentation, Release 3.6.8 2 Contents CHAPTER 1 User documentation Contents: 1.1 About MellowPlayer MellowPlayer is born from the need of a Qt-based alternative to NuvolaPlayer for the KaOS linux distribution Here are the initial goals: • the application should embed a web view of the music streaming service (the same as you see in a regular browser) and should provide an integration with the desktop (media keys support, global shortcuts, notiﬁca- tions,. ). • the application should be able to support more than 1 streaming service • we (the core team) will only support the streaming services that we are actively using. Other services should be added and maintained by contributors. The main reason is that we won’t be able to support non-free services (even those who have a trial period). Support for free services (even with limitations) might be added by the team after the release 1.0. • adding a new service/extension should be easy: you just write a javascript plugin 1.2 Installation This page will guide you throught the installation of MellowPlayer on the supported operating systems.
[Show full text]
Sonos Connect:Amp
SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products.
[Show full text]
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A.
[Show full text]
Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing Price (25 May 2020): €4.06 Market Capitalisation: €43M EV: €50M Free Float: C
AudioValley BELGIUM Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing price (25 May 2020): €4.06 Market capitalisation: €43m EV: €50m Free float: c. 33% Digital audio software, ad tech and monetisation engine, all-in-one Share price performance vs. peers (€, rebased) Unique European listed technology play on digital audio disruption… 6 AudioValley is a Belgian technology company active in the field of digital audio disruption covering most of the industry’s value chain: from music licencing to software enabling the 5 creation, streaming and hosting of digital audio content over the internet for a range of 4 publishers including online radio channels, podcasts, connected hardware, etc. The digital audio 3 market is growing fast, catching up (Europe) or taking over (North America) analogue audio in terms of audience. We expect digital audio ad spend to grow at 21% CAGR 2019-23e. 2 … and ad tech engine for digital audio publishers 1 AudioValley’s main USP, and growth driver, is its global digital ad selling business, Targetspot, a 0 technology platform allowing digital audio publishers to monetise their audience through Jul-18 Jan-19 Jul-19 Jan-20 targeted advertising. The B2B platform consists of an ad tech software providing AudioValley Peers audience/listener data management with real-time analytics allowing for targeted advertising over streaming audio, the sweet-spot for any global or local advertisers (looking for efficiency) and publishers (looking to monetise their audience with higher CPMs). AudioValley operates globally, with over 1.1bn monthly impressions moving through its ad server (70% in N.
[Show full text]
Estimating Displacement Rates of Copyrighted Content in the EU
Estimating displacement rates of copyrighted content in the EU Final Report [Written by Martin van der Ende, Joost Poort, Robert Haffner, Patrick de Bas, Anastasia Yagafarova, Sophie Rohlfs, Harry van Til] [May – 2015] EUROPEAN COMMISSION Directorate-General for Internal Market, Industry, Entrepreneurship and SMEs Unit 0.1 — Chief Economist Team Contact: Kamil Kiljanski E-mail: [email protected] European Commission B-1049 Brussels EUROPEAN COMMISSION Estimating displacement rates of copyrighted content in the EU Final Report Directorate-General for Internal Market, Industry, Entrepreneurship and SMEs Chief Economist Team 2014 EUR [number] EN Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE This document has been prepared for the European Commission however it reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2014 ISBN [number] doi:[number] © European Union, 2014 Reproduction is authorised provided the source is acknowledged. Printed in [Country] PRINTED ON ELEMENTAL CHLORINE-FREE BLEACHED PAPER (ECF) PRINTED ON TOTALLY CHLORINE-FREE BLEACHED PAPER (TCF) PRINTED ON RECYCLED PAPER PRINTED ON PROCESS CHLORINE-FREE RECYCLED PAPER (PCF) Image(s) © [artist's name + image #], Year. Source: [Fotolia.com] (unless otherwise specified) TABLE OF CONTENTS EXECUTIVE SUMMARY ..................................................................................................
[Show full text]
Música Grabada
MÚSICA GRABADA 2015, año cero EUGENIO VIÑAS I Redactor jefe de Cultura de Valencia Plaza 1 PANORAMA GLOBAL DEL SECTOR DE LA MÚSICA GRABADA 2 LA MÚSICA GRABADA EN ESPAÑA 3 4 ANUARIO SGAE DE LAS ARTES ESCÉNICAS, MÚSICA MUSICALES Y AUDIOVISUALES 2016 GRABADA TABLAS TABLA 1 Ventas mundiales de música grabada por regiones y tipo de soporte (físico/digital). 2010-2015 2 Principales países en ventas de música grabada. 2015 3A Principales países en ventas físicas. 2015 3B Principales países en ventas digitales. 2015 4 Servicios legales online de descargas de música en el panorama internacional. 2015 5 Evolución del mercado discográfico español según soportes. 2010-2015 6 Evolución del mercado discográfico nacional según soportes. 2010-2015 Evolución de la presencia del repertorio español e internacional entre los 50 álbumes 7 más vendidos en España. 2004-2015 8 Álbumes más vendidos en España. 2015 9 Recopilaciones más vendidas en España. 2015 10 DVD musicales más vendidos en España. 2015 11 Top radio en España. 2015 12 Los lanzamientos de álbumes de más éxito en Europa. 2015 13 Top global de música digital (singles). 2015 2 7 3 4 ANUARIO SGAE DE LAS ARTES ESCÉNICAS, MÚSICA MUSICALES Y AUDIOVISUALES 2016 GRABADA GRÁFICOS GRÁFICO 1 Evolución de las ventas mundiales de música grabada. 2006-2015 2 Evolución de las ventas globales de música grabada según soportes. 2006-2015 3 Evolución mundial de ventas globales de música grabada digital. 2006-2015 4 Evolución de ventas globales de música grabada digital. 2007–2015 5 Ventas de música grabada en España según el tipo de mercado.
[Show full text]
Free Streaming, Product Discovery, and Digital Music Consumption
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Aguiar, Luis Working Paper Let the Music Play? Free Streaming, Product Discovery, and Digital Music Consumption Institute for Prospective Technological Studies Digital Economy Working Paper, No. 2015/16 Provided in Cooperation with: Joint Research Centre (JRC), European Commission Suggested Citation: Aguiar, Luis (2015) : Let the Music Play? Free Streaming, Product Discovery, and Digital Music Consumption, Institute for Prospective Technological Studies Digital Economy Working Paper, No. 2015/16, European Commission, Joint Research Centre (JRC), Seville This Version is available at: http://hdl.handle.net/10419/202217 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been
[Show full text]
Digital-Music-Report-2015
CONTENTS 4 25 Introduction Moving to a global release day in 2015 Plácido Domingo, chairman, IFPI Frances Moore, chief executive, IFPI 27 Country case studies 6 Brazil: a top performing market Market overview China: moving towards paid services An evolving portfolio business Germany: streams grow, CDs resilient Regional picture 32 10 Music and the wider economy Most popular artists and global bestsellers of 2014 The broader effect of investment in artists IFPI Global Recording Artist of the Year 2014 Music helps drive social media Top selling global albums & singles of 2014 Music and economic growth How streaming is changing the charts Tomorrow’s world 14 34 Key recording industry trends in 2014 Labels working with artists: four case studies Subscription drives the music portfolio David Guetta: using data intelligently New global services, more reach Lucas Lucco: artist and digital native Smartphones and partnerships drive growth Sam Smith: innovative promotion Getting subscription to the mass market Wakin Chau: interactive digital promotion Streaming revenue models Streaming services compete on curation 38 Payment options diversify Tackling digital piracy Downloads decline Consumer attitudes towards piracy Video streaming surges Website blocking Search engines 20 Advertising and payment providers New IFPI data shows artist payments Piracy and apps as share of revenues are up IFPI’s content protection work 22 41 Fixing the ‘value gap’ in digital music Digital music services worldwide Cover Taylor Swift photo by Sarah Barlow + Stephen Schofield Robin Schulz photo by Geturshot.com Wakin Chau photo courtesy of Rock Group One Direction photo by RJ Shaughnessy Lucas Lucco photo by Guto Costa Ed Sheeran photo by Ben Watts Katy Perry photo by Cass Bird This report includes new findings from a consumer study carried out by IPSOS in January 2015 across 13 of the world’s leading music markets (Australia, Brazil, Canada, France, Germany, Great Britain, Italy, Japan, Mexico, South Korea, Spain, Sweden, United States), www.ifpi.org commissioned by IFPI.
[Show full text]
Licensing Rules Repertoire Definition
CIS14-0091R36 Source language: English 03/12/2020 The most recent updates are marked in red Licensing Rules Repertoire Definition This document sets out the repertoire definitions claimed directly by European Licensors in Europe and in some cases outside Europe. the repertoires are defined per Licensor / territory / types of on-line exploitations and DSPs with starting dates when necessary. Differences with the last version of this document are written in red. The document is a snap shot of the current information available to the TOWGE and is updated on an ongoing basis. Please note that the repertoires are the repertoires applied by the Licensors and are not precedential nor can they bind other licensing entities. The applicable repertoire will always be the one set out in the respective representation agreement between Licensors. Towge best practices on repertoires update are: • to communicate an update preferably 3 months but no later than 1 month before the starting period of the repertoire in order to allow enough time for Towge to communicate a new "repertoire definition document" to both Licensors and Licensees, which will allow these to adapt their programs accordingly • to not re-process invoices that have already been generated by Licensors and processed by Licensees Date of Publication Repertoire Licensing Body Pan-European Repertoire Definition DSPs Use Type Start Date Notes End Date Contact licensing Sep-20 ACUM Direct Member ACUM Reproduction Rights, Performing Rights and communication to the public right in Musical all digital 01/01/2019 Please note this 30/06/2020 [email protected] Repertoire Works or protions of Musical Works for which the management of the reproduction, public is not performance and communication to the public rights has been of shall entrusted to ACUM from retroactive, but time to time by its direct associate members was missing from the definition Y document.
[Show full text]
The Streaming Audio Marketplace, Sponsored by Targetspot
January, 2015 RAIN News | The Streaming Audio Marketplace CONTENTS Foreword ...................................................................................................................................................... 4 Author’s Note .............................................................................................................................................. 5 Introduction ................................................................................................................................................. 6 Chapter 1: Defining the Audience ............................................................................................................... 8 How Big is the Audience? ........................................................................................................................ 9 Projected Audience Growth .............................................................................................................. 10 Share of Ear: Streaming’s Place in All Listening ................................................................................ 11 The Advertising Revenue Market........................................................................................................... 11 Types of Streaming Audio ...................................................................................................................... 12 On-demand music services. ................................................................................................................ 12 Internet radio
[Show full text]
SONOS PLAYBAR Product Guide
Sonos® PLAYBAR Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. Sonos and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. Sonos Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android® is a trademark of Google, Inc. Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol are trademarks of Dolby Laboratories. Amazon, Kindle, Kindle Fire, the Amazon Kindle logo and the Kindle Fire logo are trademarks of Amazon.com, Inc. or its affiliates. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. November 2014 ©2004-2014 by Sonos, Inc. All rights reserved. Sonos PLAYBAR® Flood any room with epic, full-theater HiFi sound and wirelessly stream all the music on earth through one easy-to-use player.
[Show full text]