SONOS PLAYBAR Product Guide
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Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P. -
Why Rent When You Can Own: How Redigi, Apple, and Amazon Will Use the Cloud and the Digital First Sale Doctrine to Resell Music, E- Books, Games, and Movies John T
NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 15 | Issue 3 Article 3 3-1-2014 Why Rent When You Can Own: How ReDigi, Apple, and Amazon Will Use the Cloud and the Digital First Sale Doctrine to Resell Music, E- Books, Games, and Movies John T. Soma Michael K. Kugler Follow this and additional works at: http://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation John T. Soma & Michael K. Kugler, Why Rent When You Can Own: How ReDigi, Apple, and Amazon Will Use the Cloud and the Digital First Sale Doctrine to Resell Music, E-Books, Games, and Movies, 15 N.C. J.L. & Tech. 425 (2014). Available at: http://scholarship.law.unc.edu/ncjolt/vol15/iss3/3 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY VOLUME 15, ISSUE 3: MARCH 2014 WHY RENT WHEN YOU CAN OWN? How REDIGI, APPLE, AND AMAZON WILL USE THE CLOUD AND THE DIGITAL FIRST SALE DOCTRINE TO RESELL MUSIC, E-BOOKS, GAMES, AND MOVIES John T. Soma* & Michael K. Kugler** ReDigi is a cloud based internet company that facilitates the buying and reselling of pre-owned digital music. A recent ruling against ReDigi by the U.S. District Courtfor the Southern District of New York seemed to cast doubt upon its business model. This article analyzes the decision in Capitol Records, LLC v. -
Stable Repositories: Sudo Dnf Install Mellowplayer
MellowPlayer Documentation Release 3.6.8 Colin Duquesnoy Jan 09, 2021 Contents 1 User documentation 3 1.1 About MellowPlayer...........................................3 1.2 Installation................................................3 1.3 Features..................................................5 1.4 Getting started..............................................6 1.5 FAQ & Known issues.......................................... 16 2 Developer documentation 19 2.1 Coding guidelines............................................ 19 2.2 Project structure............................................. 19 2.3 Plugins.................................................. 20 2.4 Contributing to MellowPlayer...................................... 24 3 Indices and tables 27 i ii MellowPlayer Documentation, Release 3.6.8 Contents 1 MellowPlayer Documentation, Release 3.6.8 2 Contents CHAPTER 1 User documentation Contents: 1.1 About MellowPlayer MellowPlayer is born from the need of a Qt-based alternative to NuvolaPlayer for the KaOS linux distribution Here are the initial goals: • the application should embed a web view of the music streaming service (the same as you see in a regular browser) and should provide an integration with the desktop (media keys support, global shortcuts, notifica- tions,. ). • the application should be able to support more than 1 streaming service • we (the core team) will only support the streaming services that we are actively using. Other services should be added and maintained by contributors. The main reason is that we won’t be able to support non-free services (even those who have a trial period). Support for free services (even with limitations) might be added by the team after the release 1.0. • adding a new service/extension should be easy: you just write a javascript plugin 1.2 Installation This page will guide you throught the installation of MellowPlayer on the supported operating systems. -
"Licensing Music Works and Transaction Costs in Europe”
"Licensing music works and transaction costs in Europe” Final study September 2012 1 Acknowledgements: KEA would like to thank Google, the internet services company, for financing which made this study possible. The study was carried out independently and reflects the views of KEA alone. 2 EXECUTIVE SUMMARY Establishing and running online music services is a complex task, raising both technical and legal difficulties. This is particularly the case in Europe, where complex rights licensing structures hinder the development of the market and the launch of new innovative online services. Compared to the US, Europe is lagging behind in terms of digital music revenue. Furthermore, the development of the market is fairly disparate among different countries in the European Union. This study aims to identify and analyse transaction costs in music licensing. It examines the online music markets and outlines the licensing processes faced by online services. It offers a qualitative and quantitative analysis of transaction costs in the acquisition of the relevant rights by online music services. The study also suggests different ways of decreasing transaction costs. The research focuses on three countries (the UK, Spain and the Czech Republic) and builds on data collected through a survey with online music service providers available in the three countries as well as interviews with relevant stakeholders in the field of music licensing. THE EUROPEAN ONLINE MUSIC MARKET The music industry has steadily expanded over the past few years, away from selling CDs towards selling music online or through concerts and live music. (Masnick, Ho, 2012). Among the 500 licensed online music services in the world (according to IFPI), many emulate the physical record store, by offering ‘download to own’ tracks at a similar price point. -
Sonos Connect:Amp
SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products. -
Mysqueezebox Setup Request Server Setup
Streaming Services Quick Start Enabling and configuring streaming music on your Serious Play 7 server MySqueezebox Setup You must have a MySqueezebox account to use streaming audio and music services on your ReQuest server. Create your account at www.MySqueezebox.com Changes made in your MySqueezebox account may take up to 5 minutes to show up on your ReQuest sytem. Once logged in, click on App Gallery Browse to each app you are interested or any of the featured app icons. in and click the Install button.. Supported Apps Only the following MySqueezebox apps currently work with ReQuest. This list is subject to change. Absolute Radio UK, AccuRadio, BBC, CBC, CBS Radio, Classical.com, Digitally Imported, Last.fm Radio, Live365, Live Music Archive, MOG, Orange Liveradio, Pandora, Podcasts, RadioFeeds UK & Ireland, RadioIO, Radionomy, SHOUTcast, SiriusXM Internet Radio, SKY.fm, Slacker, SomaFM, Sounds & Effects, Spotify, TuneIn Radio ReQuest Server Setup Screen Saver ReQuest.com | Remote | Settings Use a computer to browse to your Status ReQuest web server. Streaming Services If you don’t know the address of your System Info webserver, use a computer on the same Task Manager network as your ReQuest and go to: Click on Settings at the bottom Choose Streaming Services from the top request.com/findmyserver pulldown menu. If Streaming Services is not an option, you may not be running Serious Play 7. Enter your MySqeezebox account information here. Status messages: Some MySqueezebox services require separate accounts. This list is subject to Valid -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing Price (25 May 2020): €4.06 Market Capitalisation: €43M EV: €50M Free Float: C
AudioValley BELGIUM Equity Research Report Bloomberg: ALAVY FP 28 May 2020 ISIN: BE0974334667 Closing price (25 May 2020): €4.06 Market capitalisation: €43m EV: €50m Free float: c. 33% Digital audio software, ad tech and monetisation engine, all-in-one Share price performance vs. peers (€, rebased) Unique European listed technology play on digital audio disruption… 6 AudioValley is a Belgian technology company active in the field of digital audio disruption covering most of the industry’s value chain: from music licencing to software enabling the 5 creation, streaming and hosting of digital audio content over the internet for a range of 4 publishers including online radio channels, podcasts, connected hardware, etc. The digital audio 3 market is growing fast, catching up (Europe) or taking over (North America) analogue audio in terms of audience. We expect digital audio ad spend to grow at 21% CAGR 2019-23e. 2 … and ad tech engine for digital audio publishers 1 AudioValley’s main USP, and growth driver, is its global digital ad selling business, Targetspot, a 0 technology platform allowing digital audio publishers to monetise their audience through Jul-18 Jan-19 Jul-19 Jan-20 targeted advertising. The B2B platform consists of an ad tech software providing AudioValley Peers audience/listener data management with real-time analytics allowing for targeted advertising over streaming audio, the sweet-spot for any global or local advertisers (looking for efficiency) and publishers (looking to monetise their audience with higher CPMs). AudioValley operates globally, with over 1.1bn monthly impressions moving through its ad server (70% in N. -
B160s Networked Streaming Stereo Amplifier
B160S NETWORKED STREAMING STEREO AMPLIFIER The Bluesound Professional B160S networked streaming stereo amplifier is a complete solution for a commercial music installation. The B160S combines a high-quality stereo amplifier with a BluOS enabled network music player. The B160S’s HybridDigital™ amplifier section provides 2 x 60W of power into 8Ω – plenty for most small/medium spaces and thermostatic fan cooling provides for reliable operation in commercial environments. The amplifier technology is highly energy efficient and also has a standby mode consuming only 6W of power. The player within the B160S is based on the established BluOS platform and is capable of playing and distributing content from local storage as well as from a large number of streaming services, including some specifically designed for commercial use, such as SoundMachine. As well as stand-alone use, it is possible to use the B160S in a larger BluOS system allowing for grouping into user-definable groups of whatever size is required with other B160S units and/or any other connected Bluesound Professional players on the network. As well as the amplified outputs, a dedicated balanced line level subwoofer output is provided for connection to an active subwoofer. Access to network control is via ethernet for increased reliability. Balanced analog mic/line (with phantom powering) allows for the connection of a local source. A USB input further adds to the capability of the system by provid- ing replay of files stored on connected drives. Built-in DSP allows for equalization as well as other audio processing. Control of the system can be accomplished by any Windows/Mac computer as well as iOS/Android phones or tablets and the Bluesound Professional CP100W wall mount controller. -
M10 Bluos Streaming Amplifier
M10 BluOS Streaming Amplifier The Audio World has shifted. The best quality of music available is now delivered over FEATURES & DETAILS the internet, not via disc. Not only does it sound better, but the entire catalog of recorded music is available at your fingertips; a great convenience. Curated playlists make music BluOS Streaming Amplifier selection and discovery easy and fun. Multi-room wireless audio multiplies the joy. HybridDigital nCore Amplifier With the NAD Masters M10 we combine all of this goodness with state-of-the-art Continuous Power: 100W into 8/4 Ohms amplification to make it an all-in-one solution that only needs speakers to transport you Dynamic Power: 160W into 8 Ohms to your favorite musical destination. 300W into 4 Ohms 32-BIT/384kHz ESS Sabre DAC BluOS MAKES THE M10 SOMETHING SPECIAL 1GHz ARM® CORTEX A9 Processor BluOS is the most advanced network streaming and multi-room operating system available. Part of a growing ecosystem of compatible products, BluOS tightly integrates Dirac Live Room Correction* hardware and software for an unbeatable user experience. The only wireless High Color LCD display Resolution multi-room system available today, BluOS supports the new standard for Supports Amazon Alexa & Google Assistant High Res streaming, Master Quality Authenticated (MQA). BluOS also supports over 15 Voice Control Skills free and paid subscription services as well as supporting locally stored music libraries. AirPlay 2 Integration* Adding additional rooms is easy and affordable using Bluesound all-in-one speakers, or Supports Siri Voice Assistant via AirPlay 2 you can add premium components from NAD, DALI, and others to provide amazing sound throughout your home. -
Autonomic Mirage Media Server Programming Guide for Control4
programming guide 042517 Control4 Driver v5 for Mirage Media Server compatible with mms·5a mms·2a mms·1e ® OS 2.8+ ©2006–2017 Autonomic Controls, Inc. Autonomic and TuneBridge are registered trademarks of Autonomic Controls, Inc. All other trademarks are property of their respective owners. Autonomic Programming Guide | 2 of 7 Quick Start Important Note: If configuring both eSeries servers and amps, please ensure that the set of amps is on a different system ID than the group of servers. This can be accomplished on the System tab of an MMS’s configuration page and the Amplifier tab of an amplifier’s configuration page. To quickly setup a system, follow these steps: 1. Add the MCP driver for your specific model (MMS-5A, MMS-2A, or MMS-1e) to the system. 2. Enter the target MMS’s IP address in the IP Address field in MCP. 3. Add Instance drivers for the outputs you’d like to use in the Control4 environ- ment. a. For integrations inclusive of the MMS-5A or MMS-2A models, ensure that the Instance drivers are bound properly according to the Configuration section below. 4. In each Instance driver, select the target output from the MMS Instance dropdown. 5. Bind either the audio output of your choice from each Instance driver to the audio distribution, or bind to an eAudioCast input to an eAudioCast input on the eSeries Amp driver (these should autobind). 6. Add Streaming Service drivers based on your client’s needs. 7. Under the Actions tab in MCP, click Configure MMS. Overview The Autonomic Control4® Version 5 driver suite allows for convenient program- ming of all models of the Mirage Media Servers (MMS) in a Control4 environment. -
Musicals Go Undiscovered and Never Get the Productions They Deserve
SPRING 2020 PITCH BOOK At The Producer’s Perspective, we are on a mission to help 5000 shows get produced by 2025 and have curated this book of new work for your consideration. All too often, exciting new plays and musicals go undiscovered and never get the productions they deserve. So we wanted to provide an opportunity for theaters, producers, and organizations like yours to access information on new material just waiting to be discovered. The Pitch Book features over 100 new plays and musicals from creators across the country and provides you with a tagline and succinct pitch, as well as essential show and collaborator information for each project. We encourage you to peruse the pitches in this book and if you find a project that appeals to you, please feel free to reach out to the show directly or let us know by emailing [email protected]! To view the online version of our Pitch Book with clickable links and zooming capabilities, please visit www.theproducersperspective.com/producer-pitch-book now! 1 TABLE OF CONTENTS MUSICALS A CHRISTMAS CAROL (CUSTOMIZED FOR YOUR REGION) 5 A GREEN UNBRELLA 6 A SYMPHONY FOR PORTLAND 7 ACROSS THE AMAZONS 8 AFTER HAPPILY EVER AFTER 9 BAGELS! (THE MUSICAL) 10 BEGGARS & CHOOSERS, THE MUSICAL 12 BENDING TOWARDS THE LIGHT… A JAZZ NATIVITY 13 BETWIXT AND BETWEEN 14 BEYOND PERFECTION 15 BILLIONAIRE 16 BLANK SPACE THE MUSICAL (JUKEBOX MUSICAL WITH MUSIC & LYRICS BY TAYLOR SWIFT) 17 BRICKTOP: LEGEND OF THE JAZZ AGE 18 BROOKLYN BRIDGE EMILY’S STORY 20 BRUSH ARBOR REVIVAL 20 COME AND SEE 22 COMPANY MATTERS 23 DAISY AND THE WONDER WEEDS 24 DESERT ROSE 25 DOGS 26 EARTHBOUND (AN ELECTRONICA MUSICAL) 27 EMERALD MAN 28 EMERGENCY 29 EVANGELINE, A CURIOUS JOURNEY 30 GEORGINE 31 SUITE MOMS 32 GLINDA/MRS.