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The Kenya Wildlife Service at Its Best
ihe Kenya wild Life service Iru the 2±st century: "Protective cqlobally significant Areas and Resoutrces The George Wright Forum The GWS Journal of Parks, Protected Areas & Cultural Sites volume 29 number 1 • 2012 Origins Founded in 1980, the George Wright Society is organized for the pur poses of promoting the application of knowledge, fostering communica tion, improving resource management, and providing information to improve public understanding and appreciation of the basic purposes of natural and cultural parks and equivalent reserves. The Society is dedicat ed to the protection, preservation, and management of cultural and natu ral parks and reserves through research and education. Mission The George Wright Society advances the scientific and heritage values of parks and protected areas. The Society promotes professional research and resource stewardship across natural and cultural disciplines, provides avenues of communication, and encourages public policies that embrace these values. Our Goal The Society strives to be the premier organization connecting people, places, knowledge, and ideas to foster excellence in natural and cultural resource management, research, protection, and interpretation in parks and equivalent reserves. Board of Directors BRENT A. MITCHELL, PRESIDENT • Ipswich, Massachusetts MOLLY N. ROSS, VICE PRESIDENT • Arlington, Virginia DAVIDJ. PARSONS, SECRETARY • Florence, Montana GARY E. DAVIS, TREASURER • Thousand Oaks, California BRAD BARR • Woods Hole, Massachusetts NATHALIE GAGNON • Ottawa, Ontario BARRETT KENNEDY • Baton Rouge, Louisiana FRANKJ. PRIZNAR • Gaithersburg, Maryland JANW. VAN WAGTEN'DONK • El Portal, California JOHN WAITHAKA • Ottawa, Ontario LYNN WILSON • Cobble Hill, British Columbia GRADUATE STUDENT LIAISON TO THE BOARD CARENA J. VAN RIPER • College Station, Texas Executive Office DAVID HARMON, EXECUTIVE DIRECTOR EMILY DEKKER-FIALA, CONFERENCE COORDINATOR P. -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
Nd Mark the Appropriate Box(Es)
Telephone: (416) 944-1096 • Facsimile: (416) 465-4356 • Email: [email protected] • www.takeonemagazine.ca nd mark the appropriate box(es). Individuals: $10 (includes postage and GST) Institutions: $ 1 5 (includes postage and GST) No. 33: Summer Animation Issue: Reboot, 0 No. 7: Picture of Light, Wind from Wyoming, O No. 21: The Herd, Last Night, Un 32 aodt sur O Valentine's Day, Whale Music, Wasaga terre, Dirty, Saul Rubinek, the films of Joyce Xcalibur, Cyber World in 3—D, Paul Driessen, Wieland, interview with Wayne Clarkson Michele Cournoyer, Pierre Hebert, Cinar, 0 No. 8: Dance Me Outside, Goin' down the Road, Quickdraw Animation Society Jesus of Montreal, including 'Roads Not Taken, 0 No. 22: The Red Violin, Such a Long Journey, Avenues Not Explored: Confessions of an Power Play, Telefilm Canada, Canadian cinema: O No. 34: Last Wedding, Lost and Delirious, Unconscious Canonizer' by Peter Harcourt the tax—shelter years Atanarjuat, Century Hotel, a chronology of Canadian film and television 0 No. 9: Le Confessional, Rude, Soul Survivor, No. 23: eXistenZ C't'a ton tour, Laura Cadieux, O The War Between Us, Margaret's Museum, the Boy Meets Girl, Dog Park, Extraordinary Visitor, O No. 35: Un Grebe dans la tete, Picture Claire, Lip films of Mike Hoolboom Foolish Hearts, Emily of New Moon, interview Service: A Mystery, Mariages, Treed Murray, with Colin Low, part I Allan King, Callum Keith Rennie, Nick Mancuso 0 No. 10: Who's Counting? Marilyn Waring, Sex, No. 36: Men with Brooms, Red Green's Duct Lies and Global Economics, Baseball Girls, The O No. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Madonna's Music Videos Defined the MTV Era And
Strike a Pose Madonna’s music videos defined the MTV era and changed pop culture forever. Here are the stories behind the 20 greatest SOUND AND VISION Madonna in the “Vogue” video, 1990 00 72 | MADONNA | COLLECTORS EDITION COLLECTORS EDITION | MADONNA | 00 Ray of Light 1998 A bold embrace of electronica that got Madonna her due at the VMAs “it’s probably, to this day, No. 1 the longest shoot ever for a 2 music video,” remembers direc- tor Jonas Åkerlund, who traveled to New York, Los Angeles and Las Vegas to get “Ray of Light” ’s fast-forward cut- and-paste look. The clip had a simi- Express lar feel to the 1982 art-house favorite Koyaanisqatsi (which Åkerlund had never seen) and a frantic energy that fit the song’s embrace of “electronica.” “We had this diagram that I had in Yourself my pocket for the whole production,” 1989 Åkerlund recalls. “Let’s say you shoot Taking total control of the one frame every 10 seconds or so. Then artistic process, Madonna you have to do that for 30 minutes to worked with director David get like five seconds. Every shot was Fincher to make a sci-fi classic just, like, such a big deal.” The hard work paid off: Although she made near- ly 70 music videos during her career, “Ray of Light” is the only one to win he first of an MTV Video Music Award for Video The VMA- Madonna’s col- of the Year. Says Åkerlund, “I didn’t winning “Ray laborations with of Light” video really think about winning the VMAs. -
Difficulty in the Origins of the Canadian Avant-Garde Film
CODES OF THE NORTH: DIFFICULTY IN THE ORIGINS OF THE CANADIAN AVANT-GARDE FILM by Stephen Broomer Master of Arts, York University, Toronto, Canada, 2008 Bachelor of Fine Arts, York University, Toronto, Canada, 2006 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program in Communication and Culture Toronto, Ontario, Canada, 2015 © Stephen Broomer, 2015 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Codes of the North: Difficulty in the Origins of the Canadian Avant-Garde Film Stephen Broomer Doctor of Philosophy in Communication and Culture, 2015 Ryerson University and York University Abstract This dissertation chronicles the formation of a Canadian avant-garde cinema and its relation to the tradition of art of purposeful difficulty. It is informed by the writings of George Steiner, who advanced a typology of difficult forms in poetry. The major works of Jack Chambers (The Hart of London), Michael Snow (La Region Centrale), and Joyce Wieland (Reason Over Passion) illustrate the ways in which a poetic vanguard in cinema is anchored in an aesthetic of difficulty. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
Registrants' List • GWS 2011 Conference • New Orleans, LA
Registrants’ List • GWS 2011 Conference • New Orleans, LA • March 14–18, 2011 page 1 Jayne Aaron James Akerson Dick Anderson Andrea Atkinson Arch. Historian/Planner Supervisory Ecologist Environmental Protection Specialist Quantitative Ecologist AARCHER Inc. NPS Mid-Atlantic Exotic Plant Mgt. Team Alaska Regional Office, NPS National Park Service - SFCN [email protected] [email protected] [email protected] [email protected] Andrew Ackerman Marc Albert Laura Anderson Doug Austen Social Scientist Stewardship Program Manager Postdoctoral Associate National Coordinator, Landscape Conservation Cooperative Denali NPP NPS - Boston Harbor Islands The University of Vermont U.S. Fish and Wildlife Service [email protected] [email protected] [email protected] [email protected] Craig Ackerman Jeff Albright Mark Anderson Dave Avrin Superintendent Hydrologist Aquatic Ecologist Chief - Resources Management Crater Lake National Park Natural Resource Program Center Glen Canyon National Recreation Area Gateway NRA [email protected] [email protected] [email protected] [email protected] Lisa Acree Judy Alderson Roger Anderson Maria Ayub Botany Program Manager Wilderness and NNL coordinator Training Manager - Cultural Resources Design Advocate for Veve of Afa Project Yosemite National Park Alaska Region-NPS National Park Service ASLA [email protected] [email protected] [email protected] [email protected] Marty Acree Katie Algeo Sean Anderson Timothy Babalis Ecological Restorationist Associate Professor -
Cosmonauts of the Future: Texts from the Situationist
COSMONAUTS OF THE FUTURE Texts from The Situationist Movement in Scandinavia and Elsewhere Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen 1 COSMONAUTS OF THE FUTURE 2 COSMONAUTS OF THE FUTURE Texts from the Situationist Movement in Scandinavia and Elsewhere 3 COSMONAUTS OF THE FUTURE TEXTS FROM THE SITUATIONIST MOVEMENT IN SCANDINAVIA AND ELSEWHERE Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen COSMONAUTS OF THE FUTURE Published 2015 by Nebula in association with Autonomedia Nebula Autonomedia TEXTS FROM THE SITUATIONIST Læssøegade 3,4 PO Box 568, Williamsburgh Station DK-2200 Copenhagen Brooklyn, NY 11211-0568 Denmark USA MOVEMENT IN SCANDINAVIA www.nebulabooks.dk www.autonomedia.org [email protected] [email protected] AND ELSEWHERE Tel/Fax: 718-963-2603 ISBN 978-87-993651-8-0 ISBN 978-1-57027-304-9 Edited by Editors: Mikkel Bolt Rasmussen & Jakob Jakobsen | Translators: Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Fabian Tompsett, Jakob Jakobsen | Copyeditor: Marina Mikkel Bolt Rasmussen Vishmidt | Proofreading: Danny Hayward | Design: Åse Eg |Printed by: Naryana Press in 1,200 copies & Jakob Jakobsen Thanks to: Jacqueline de Jong, Lis Zwick, Ulla Borchenius, Fabian Tompsett, Howard Slater, Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Danny Hayward, Marina Vishmidt, Stevphen Shukaitis, Jim Fleming, Mathias Kokholm, Lukas Haberkorn, Keith Towndrow, Åse Eg and Infopool (www.scansitu.antipool.org.uk) All texts by Jorn are © Donation Jorn, Silkeborg Asger Jorn: “Luck and Change”, “The Natural Order” and “Value and Economy”. Reprinted by permission of the publishers from The Natural Order and Other Texts translated by Peter Shield (Farnham: Ashgate, 2002), pp. 9-46, 121-146, 235-245, 248-263. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Neuerwerbungen Noten
NEUERWERBUNGSLISTE OKTOBER 2019 FILM Cinemathek in der Amerika-Gedenkbibliothek © Eva Kietzmann, ZLB Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Film 5 Stummfilme 3 Film 7 Fernsehserien 3 Film 10 Tonspielfilme 6 Film 20 Animationsfilme 24 Film 27 Animation/Anime Serien 24 Film 30 Experimentalfilme 24 Film 40 Dokumentarfilme 25 Musi Musikdarbietungen/ Musikvideos 25 K 400 Kinderfilme 26 Ju 400 Jugendfilme 38 Sachfilme nach Fachgebiet 42 Seite 2 von 48 Stand vom: 01.11.2019 Neuerwerbungen im Fachbereich Film Film 5 Stummfilme Film 5 Chap 1 ¬The¬ circus / Charles Chaplin [Regie Drehbuch Darst. Prod. a:BD Komp.]. Merna Kennedy [Darst.] ; Allan Garcia [Darst.] ; Harry Cro- cker [Darst.] ; Eric James [Musikberatung] ; Lambert Williamson [Musikarrangement] ; Charles D. Hall [Ausstattung]. - 2019 Film 5 Chap 1 ¬The¬ circus / Charles Chaplin [Regie Drehbuch Darst. Prod. c:DVD Komp.]. Merna Kennedy [Darst.] ; Allan Garcia [Darst.] ; Harry Cro- cker [Darst.] ; Eric James [Musikberatung] ; Lambert Williamson [Musikarrangement] ; Charles D. Hall [Ausstattung]. - 2019 Film 7 Fernsehserien Film 7 AgentsS Agents of S.H.I.E.L.D. : [BD]. - 4. Staffel. ¬Die¬ komplette vierte 1:4.BD Staffel / Filmregisseur: Vincent Misiano ; Drehbuchautor: Stan Lee ; Komponist: Bear McCreary ; Kameramann: Feliks Parnell ; Schau- spieler: Clark Gregg, Ming-Na Wen ; Chloe Bennet, Iain de Caeste- cker [und weitere]. - 2019 Film 7 AgentsS 1 Agents of S.H.I.E.L.D. : [DVD-Video]. - 4. Staffel, Episoden 1-22. a:4.DVD ¬Die¬ komplette vierte Staffel. - 2019 Film 7 AmerHor American Horror Story : [BD]. - 8. Staffel. Apocalypse : die kom- 1:8.BD plette achte Season / Filmregisseur: Bradley Buecker ; Drehbuch- autor: Brad Falchuk, Ryan Murphy ; Komponist: James S. -
My Beloved Is a Bass Line: Musical, De-Colonial Interventions in Song Criticism and Sacred Erotic Discourse
THE BIBLE & CRITICAL THEORY My Beloved is a Bass Line: Musical, De-colonial Interventions in Song Criticism and Sacred Erotic Discourse Heidi Epstein, University of Saskatchewan Abstract How might musical settings of the Song of Songs provide critical interventions in the politics of love? This case study builds a womanist intertextual matrix for the Song such that its amatory and horticultural language can be reinterpreted as irreducibly “de-colonial.” Reread through Chela Sandoval’s model of love, Alice Walker’s search for her foremothers’ and foresisters’ gardens, and Toni Morrison’s “commentary” on the Song (Beloved), the biblical text circulates de-colonial energies. And, given that music figures centrally in these womanists’ genealogies of love, a de-colonial reading of the Song mandates deconstruction of a subaltern musical archive within the Eurocentric discourse of sacred eroticism, a discourse that the Song sustains as an Ur-text. If the biblical female protagonist’s longing and seeking are reread as de-colonial and trickster-esque, she begets a subaltern musical family tree—audible today in the “Shulammitic” bass playing and protest singing of Meshell Ndegeocello. Key words Meshell Ndegeocello; Song of Songs; Bible and music; love; de-colonial theory; Toni Morrison; Alice Walker Introduction What meanings might be produced from the Song of Song’s amatory and horticultural language if it is read with a sense of love as irreducibly “de-colonial”? Some of these meanings shall emerge over the course of this article as I re-read the Song of Song’s imagery and its musicality in four phases through womanist intertexts by Chela Sandoval, Toni Morrison, Alice Walker, and Meshell Ndegeocello.