Kafka Fragments 50 on Kurtág & Kafka 58 Fragments Across Distances (4) 64
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Programme De Salle
GUY MADDIN LE MAGICIEN DE WINNIPEG 15 OCTOBRE-7 NOVEMBRE 2009 SOMMAIRE • Guy Maddin, le magicien de Winnipeg, p.1 • Nos rêves nous regardent, par Philippe Azoury, p. 3 • Séances présentées par Guy Maddin et Isabella Rossellini, p. 6 • La leçon de… Guy Maddin menée par Antoine Guillot, p. 7 • Représentation de Des trous dans la tête ! à l’ Odéon-Théâtre de l’Europe dans le cadre du Festival d’Automne à Paris, p. 8 • Les longs métrages, p. 10 • Les courts métrages, p. 17 • Index alphabétique des films, p. 22 • Calendrier des séances, p. 23 Couverture Tales From the Gimli Hospital, 1988, DR © Centre Pompidou, Direction de la communication, Conception graphique : Ch. Beneyton - Impression : Iro, Perigny, 2009 GUY MADDIN LE MAGICIEN DE WINNIPEG 15 OCTOBRE - 7 NOVEMBRE 2009 AU CENTRE POMPIDOU CINÉMA 1 ET CINÉMA 2 Rétrospective intégrale en présence de Guy Maddin, les 15, 16 et 17 octobre Cinéaste-artisan, génial bricoleur d’images, Guy Maddin doit surtout être considéré comme un artiste complet à l’insatiable curiosité qui, depuis plus de vingt ans, réinvente l’histoire du cinéma pour écrire la sienne, hors du temps et des modes. Son œuvre, éclairée par les mouvements expressionnistes, formée à l’art de la danse, rythmée par celui du collage, colorée d’un kitsch chatoyant, déploie ses influences à foison. Maddin revient toujours à l’essence de l’art cinématographique, à ses récits mythiques au long cours, en même temps qu’à la façon dont la pellicule imprime et surimprime nos fantasmes fondateurs les plus intimes, avec un talent d’alchimiste. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
John Ashbery and Surrealism
John Ashbery and Surrealism David Spittle Submitted for Doctor of Philosophy Newcastle University School of English Literature, Language & Linguistics April 2016 Page Left Intentionally Blank ii Abstract This thesis will demonstrate that an engagement with Surrealism alongside John Ashbery’s poetry can provide a mutually beneficial discussion through which to further understand both. Through its phenomenological attention, Ashbery’s poetry configures the everyday experience of his reality in a way that responds to, and invites, a surrealist perspective. The first chapter explores Joseph Cornell, collecting and the ‘found object’, with an emphasis on Ashbery’s first collection, Some Trees (1956). The second Chapter examines dreams and dreaming throughout Ashbery’s first four collections, ending with an analysis of Three Poems (1972). Merleau-Ponty is used to demonstrate the oneiric implications of Ashbery’s poetics of phenomenology as a basis for Surrealism, whereby a perception of reality becomes comparable to a dream. My third chapter presents Ashbery’s book-length poem Flow Chart (1991) alongside the Canadian filmmaker, Guy Maddin. The concept of noise, alongside the pioneering presence of Surrealism in early radio, is used to understand treatments of memory that connect Maddin’s films to Ashbery’s interruptive poetics and lead both to be understood through Georges Bataille’s notion of ‘The Labyrinth’. The fourth chapter discusses the relationship between visual perspective and a surrealist imagining of childhood. This chapter returns to the enduring importance of ‘The Skaters’ in order to understand the poem’s relation to collage, ‘play’ and metaphor as key examples of how Ashbery’s poetry comes to realise Breton’s surrealist dictum: ‘always for the first time’. -
Brand Upon the Brain! Regie: Guy Maddin
© Adam L. Weintraub Brand Upon the Brain! Regie: Guy Maddin Land: USA, Kanada 2006. Produktion: The Film Company, Seattle. Regie: Guy Maddin. Buch: Guy Maddin, George Toles. Kamera: Benjamin Kasulke. Musik: Jason Staczek. Production Design: Tania Kupczak. Kostüme: Nina Moser. Maske: Denise Giago, Dan Wol- cott. Casting, Production Manager: Joy Fairfield. Schnitt: John Gurdebeke. Produzenten: Amy E. Jacobson, Gregg Lachow. Executive Producers: Jody Shapiro, Philip Wohlstetter, A. J. Epstein. Regieassistenz: Anna Waggoner. Darsteller: Gretchen Krich (Mutter), Sullivan Brown (Guy Maddin, jung), Maya Lawson (Schwester), Chance Hale/Wendy Hale (Katherine E. Scharhon), Todd Jefferson Moore (Vater), Andrew Loviska (Tom), Kellan Larson (Neddie), Erik Steffen Maahs (Guy Maddin, erwach- sen), Cathleen O’Malley (junge Mutter), Clayton Corzatte (alter Vater), Susan Corzatte (alte Mutter), Megan Murphy, Annette Toutonghi (mörderische Schwestern), David Lobo, Eric Lobo (Ruderer), Sarah Harlett, Daniel Tierney (adoptionswillige Eltern), David Armo, Erica Badgely, Riley Calcagno, Jesa Chiro, Munya Chiro, Bailey Gibart, Frank Hughes (Waisenkinder). Format: 35mm (gedreht auf Super8), 1:1.85, Schwarzweiß. Länge: 95 Minuten, 24 Bilder/Sekunde. Originalsprache: Englisch. Ur- aufführung: 8. September 2006, Internationales Film Festival Toronto. Weltvertrieb: Celluloid Dreams, 2 rue Turgot, 75009 Paris, Frankreich. Tel.: (33-1) 4970 0370, Fax: (33-1) 4970 0371, email: [email protected] Inhalt Synopsis Der Protagonist namens Guy Maddin verbringt seine Kindheit zusam- The protagonist named Guy Maddin lazes away his under- men mit seiner halbwüchsigen Schwester auf einer geheimnisvollen stimulated youth with his teenage sister on the mysterious Insel, die er später erben wird. Ebenfall auf dieser Insel lebt eine island that he one day stands to inherit. -
9. Festiw Al Filmu I Sztuki Dw a Brzegi K Azimierz Doln Y
ISBN 978-83-931360-1-8 9. Festiwal Filmu i Sztuki Dwa Brzegi Kazimierz Dolny - Janowiec nad Wisłą 1 — 9 VIII 2015 - Janowiec Dolny Kazimierz Brzegi Filmu i Sztuki Dwa Festiwal 9. Festiwal Dwa Brzegi 3 Sponsor Generalny Sponsorzy Przyjaciele festiwalu Festival’s Friends Ofi cjalny Hotel Festiwalu Ofi cjalny Samochód Festiwalu Partnerzy Organizatorzy Patronat medialny Współorganizatorem wydarzenia jest Narodowe Centrum Kultury Dofi nansowano ze środków Ministra Kultury i Dziedzictwa Narodowego Dofi nansowano ze środków Narodowego Centrum Kultury w ramach Programu Narodowego Centrum Kultury – Ojczysty – dodaj do ulubionych Projekt dofi nansowano ze środków Programu Operacyjnego Fundusz Inicjatyw Obywatelskich Festiwal Dwa Brzegi 5 Spis treści Content Przyjaciele Festiwalu Festival’s Friends 3 Spis treści Content 5 Kto jest kto Who is who 6 Podziękowania Acknowledgements 9 Zaproszenie Invitation 11 Film Uroczystość Otwarcia Opening Ceremony 17 Uroczystość Zamknięcia Closing Ceremony 18 Świat pod Namiotem World Under Canvas 22 Pokazy specjalne Special Screenings 43 Lekcje kina Cinema Lessons 59 Retrospektywa Margarethe von Trotta Retrospective Margarethe von Trotta 65 Retrospektywa Jerzy Skolimowski Retrospective Jerzy Skolimowski 73 Muzyka moja miłość Music My Love 83 Wielkie kino na Małym Rynku Great Cinema on Small Market Square 87 Konkurs Filmów Krótkometrażowych Short Films Competition 93 Adam Woronowicz · I Bóg stworzył aktora Adam Woronowicz · And God Created Actor 103 Kino za Rogiem Cinema Round the Corner 115 TVP ABC - Projekcje dla dzieci -
Contact General Festivals Sales
contact general festivals sales Kieran Turner Jeffrey Winter Orly Ravid Eight Track Tape Productions The Film Collaborative The Film Collaborative 10602 Landale Street [email protected] [email protected] North Hollywood, CA 91602 (323) 207‐8321 (323) 610‐81281 (213) 985‐0295 [email protected] jobriath a.d. info sheet title JOBRIATH A.D. genre Documentary running time 102 minutes format HDCAM, Blu‐Ray, DIGIBETA copyright 2011 Producer & director Kieran Turner editor Danny Bresnik cinematographers Michael Canzoniero, PJ Gaynard original score by Ian Moore, Jason Staczek music supervision Mike Turner, Amine Ramer sound Rachel Chancey animation segments by Benjamin Nielsen, Will Moritz, Jennifer D’urso, Matt Saunders, Eric Power, Chris Hutchings narrated by Henry Rollins with appearances by Marc Almond, Joey Arias, Jayne County, Joe Elliott of Def Leppard, Stephin Merritt of Magnetic Fields, Jake Shears of Scissor Sisters, Will Sheff of Okkervil River and Justin Tranter of Semi Precious Weapons website http://www.jobriaththemovie.com FACEBOOK http://www.facebook.com/jobriaththemovie TWITTER @jobriathdoc page 2 of 18 jobriath a.d. ABOUT THE FILM LOGLINE Feature documentary about ‘70s glam rock musician Jobriath, the first openly gay rock star. SHORT SYNOPSIS “The American Bowie,” “The True Fairy of Rock & Roll,” “Hype of the Year.” Known as the first openly gay rock star, Jobriath’s reign was brief, lasting less than two years and two albums. Done in by a over‐hyped publicity machine, shunned by the gay community, and dismissed by most critics as all flash, no substance, Jobriath was excommunicated from the music business and retreated to the Chelsea Hotel, where he died forgotten in 1983 at the age of 37, one of the earliest casualties of AIDS. -
Katalog Pdf Download
31. Internationales KurzFilmFestival Hamburg Katalog 9. – 15. Juni 2015 3001 • B-Movie • Filmraum • Lichtmeß • Metropolis • zeise Festivalzentrum, Kolbenhof Halle 5, Friedensallee 128 • www.shortflm.com Inhaltsverzeichnis Contents Programmplan/Festivalinfos Umschlag Schedule/Festival info Cover Grußwort der Senatorin 2 Welcome Note by Senator Barbara Kisseler 2 Vorwort 3 Preface 3 Orte 4 Places 4 Wettbewerbe und Preise 2015 5 Competitions and awards 2015 5 Jurys 6 Juries 6 Wettbewerbe Competitions Internationaler Wettbewerb 17 International Competition 17 NoBudget-Wettbewerb 34 NoBudget Competition 34 Deutscher Wettbewerb 52 German Competition 52 Hamburger Wettbewerb 65 Hamburg Competition 65 Flotter-Dreier-Wettbewerb 71 Three-Minute-Quickie Competition 71 Mo&Friese KinderKurzFilmFestival 79 Mo&Friese Children’s ShortFilmFestival 79 Sonderprogramme Special Programmes Galerie: Freud und Helfer – Wermke/Leinkauf beim IKFF 115 Gallery: Wermke/Leinkauf at ISFF 115 Land: Kanada 124 Country: Canada 124 Motiv: Black and Light 138 Motive: Black and Light 138 Labor: Robert Darroll – Layers and Sounds 144 Lab: Robert Darroll – Layers and Sounds 144 Frühwerke aus Ost und West 151 Early Works from the East and the West 151 Screenings / Events Screenings / Events Festivalzentrum Kolbenhof 157 Festival Center 157 Open Air 158 Open Air 158 Die Handwerker-Rolle 159 Craftsmen’s Guil(t)d 159 Das Grauen kommt um Mitternacht 160 Something Wicked Comes at Midnight 160 Open Screen – A Saturday Night at the NoBudget Hotel 161 Open Screen – A Saturday Night at