FULL CAST ANNOUCED TODAY the National Theatre

Total Page:16

File Type:pdf, Size:1020Kb

FULL CAST ANNOUCED TODAY the National Theatre 18 July 2017 FULL CAST ANNOUCED TODAY The National Theatre production of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME BEGINS AN INTERNATIONAL TOUR AT THE KONINKLIJK THEATRE CARRÉ, AMSTERDAM 20 SEPTEMBER – 1 OCTOBER 2017 A NEW PLAY BY SIMON STEPHENS ADAPTED FROM THE NOVEL BY MARK HADDON DIRECTED BY MARIANNE ELLIOTT The National Theatre today announced casting for the international tour of the Olivier and Tony Award®-winning production of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, which premieres at the Koninklijk Theater Carré, Amsterdam on 20 September 2017. THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME is adapted by Olivier Award- winning playwright Simon Stephens from Mark Haddon’s best-selling book, and directed by Tony Award winner Marianne Elliott (War Horse. Curious Incident). The all-British company for this first-ever international tour is Joshua Jenkins (Christopher), who played the role in the first UK tour, Julie Hale (Siobhan), David Michaels (Ed), Emma Beattie (Judy), Bruce McGregor (Reverend Peters), Amanda Posener (Mrs Shears), Oliver Boot (Mr Shears), Crystal Condie (Punk Girl), Debra Michaels (Mrs Alexander), Matt Wilman (Mr Thompson) with Sam Newton will play Christopher at certain performances and the understudies are; Emma Jane Goodwin, Jâms Thomas, Danielle Young, Joe Rising. Director Marianne Elliott said: ‘I’m absolutely thrilled that our production of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME will continue to tour across the world and I look forward to sharing with audiences our staging of Mark Haddon’s beautiful story of love, family and bravery in the most unlikely of environments.’ THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME transferred to London’s West End, following a sold-out run at the National Theatre’s Cottesloe theatre in September 2012,. It is the recipient of a record-breaking seven 2013 Olivier Awards, including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design – more Olivier’s than any other play in the history of London’s West End. CURIOUS INCIDENT, the longest-running play on Broadway in over a decade, premiered at the Barrymore Theatre in September 2014, winning five Tony Awards® including Best Play, six Drama Desk Awards including Outstanding Play, five Outer Critics Circle Awards including Outstanding New Broadway Play and the Drama League Award for Outstanding Production of a Broadway or Off Broadway Play. CURIOUS INCIDENT was named among the top 10 productions of 2014 by over 20 leading media outlets, including The New York Times, Associated Press, New York Post, Time Out New York, Playbill and Time Magazine. CURIOUS INCIDENT is currently on a major tour of the US until September 2017, and a second tour of the UK and Ireland continues until September 2017. The show tells the story of Christopher John Francis Boone, who is fifteen years old. He stands besides Mrs Shears’ dead dog, which has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in a book he is writing to solve the mystery of who killed Wellington. He has an extraordinary brain, and is exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world. The production is designed by Olivier and Tony Award-winner Bunny Christie, Tony Award- winning lighting designer Paule Constable and Tony Award-winning video designer Finn Ross. Movement is by Scott Graham and Olivier Award-winning Steven Hoggett for Frantic Assembly, music by Adrian Sutton (who also composed music for War Horse) and sound by Ian Dickinson for Autograph. Mark Haddon’s novel THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME was published in 2003 and was the winner of more than 17 literary awards, including prizes in the US, Japan, Holland and Italy, as well as the prestigious Whitbread Book of the Year Award in the UK in 2004. The novel has been translated into 44 languages and sold more than 5.5 million copies world-wide. Marianne Elliott was an Associate Director of the National Theatre for 10 years, and her current play for the company, a new production of Tony Kushner’s Angels in America appears at the NT until August 2017. Her other work includes War Horse (co-directed with Tom Morris), The Light Princess, Port, Season’s Greetings, All’s Well that Ends Well, Harper Regan, Saint Joan (Olivier Award for Best Revival, South Bank Show Award for Theatre), and Pillars of the Community (Evening Standard Award for Best Director). Marianne was consultant director on The Elephantom for the National Theatre and directed Sweet Bird of Youth for the Old Vic with Kim Cattrall. Marianne recently formed a new company with producer Chris Harper - Elliott Harper Productions. Mark Haddon is an author, illustrator and screenwriter who has written fifteen books for children and won two BAFTAs. His bestselling novel, The Curious Incident of the Dog in the Night-Time, was published simultaneously by Jonathan Cape and David Fickling in 2003. It won seventeen literary prizes, including the Whitbread Award. His poetry collection, The Talking Horse and the Sad Girl and the Village Under the Sea, was published by Picador in 2005, and his last novel, The Red House, was published by Jonathan Cape in 2012. His latest book is The Pier Falls, a collection of stories. He lives in Oxford. Simon Stephens’ plays for the National Theatre include: a new translation of The Threepenny Opera, Port (originally produced at the Royal Exchange and directed by Marianne Elliott) at the National Theatre’s Lyttelton Theatre , Harper Regan (which was produced at Canadian Stage) and On the Shore of the Wide World (co-production with Royal Exchange, Manchester: Olivier Award for Best New Play). His many other plays include Carmen Disruption, Heisenberg (currently running on Broadway), Birdland, Blindsided, Three Kingdoms, Wastwater, Punk Rock, Seawall, Pornography, Country Music, Christmas and Herons; A Thousand Stars Explode in the Sky (co-written with Robert Holman and David Eldridge); an adaptation of Jon Fosse’s I Am the Wind and Motortown. His version of A Doll’s House for the Young Vic transferred to the West End and then New York in 2014. Simon is an Associate at the Lyric, Hammersmith and the Royal Court Theatre. Simon’s book – Simon Stephens, A working Diary was published earlier this year: http://www.bloomsbury.com/uk/simon-stephens-a-working-diary-9781474251457/ The Curious Incident of the Dog in the Night-Time international tour dates Koninklijk Theter Carré, Amsterdam 20 September – 1 October 2017 Princess of Wales Theatre, Toronto 10 October – 19 November 2017 Further international dates to be announced. For images, click here. ENDS Press contact: Susie Newbery on 020 7452 3155 / [email protected] About the National Theatre The National Theatre is dedicated to making the very best theatre and sharing it with as many people as possible. We produce productions on the South Bank in London each year, ranging from reimagined classics to modern masterpieces and new work by contemporary writers and theatre-makers. The National’s work is seen on tour throughout the UK, in London’s West End, internationally (including on Broadway) and in collaborations and co- productions with regional theatres. National Theatre Live, which broadcasts live performances to cinema screens internationally, is now celebrating its 7th year and has been experienced by over 6 million people worldwide in 200 countries. For more information, visit NTLive.com The Clore Learning Centre at the NT is committed to providing programmes for schools, young people, families, community groups and adult learners. The nationwide youth theatre festival Connections and playwriting competition New Views engage thousands of young people around the country. Further, over 2,600 secondary schools have signed up to the free streaming service, On Demand in Schools since its launch in September 2015. In 2015-2016 the NT: Staged 34 productions and gave 3,057 performances in the UK and internationally. Reached audiences of over 787,000 on the South Bank, and over 3.7 million worldwide (South Bank, West End, touring and NT Live). Broadcast, via the NT Live programme, to nearly 6 million people around the world. Engaged with over 189,000 participants through the NT Learning events programme. Current and upcoming tours from the National Theatre include: The Curious Incident of the Dog in the Night-Time and Jane Eyre touring the UK until September 2017; War Horse begins a second UK tour in September 2017 and Hedda Gabler begins a UK tour in October 2017. .
Recommended publications
  • The Mechanic the Secret World of the F1 Pitlane Marc 'Elvis' Priestley
    ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON REMARQUE RIVAS ROTH RUSHDIE SARAMAGO SCHAMA SEBALD SHUTE SNYDER SOLZHENITSYN STEVENSON STYRON TAN TANIZAKI THIONG’O THIRLWELL TVINTAGEHORPE BOOKS THU CATALOGUEBRON TOLSTOY TREMAIN TJULY–DECEMBERYLER VARGAS 2018 VONNEGUT WARHOL WELSH WESLEY WHEELER WIGGINS WILLIAMS WINTERSON WOLFE WOOLF WYLD YATES ZOLA ALLENDE AMIS ATWOOD AUSTEN BARNES BARRY BINET BOLAÑO BORGES BULGAKOV BURNSIDE BYATT CALVINO CARROLL CARTER CARVER CHANG CHATWIN COETZEE CONRAD DARWIN DE BERNIÈRES DE WAAL DIAMOND DI LAMPEDUSA DICKENS DOSTOEVSKY DOYLE ECO ENRIGHT FAULKNER FAULKS FIELDING FITZGERALD FOULDS FOWLES GIBBONS GRASS GREENE GROSSMAN HADDON HELLER HIGHSMITH HOUELLEBECQ HUXLEY ISHERWOOD JACOBSON JOHNSON JONES JOYCE KAFKA KENNEDY KNAUSGAARD KUSHNER LEE LENNON MAK MARÍAS MATTHIESSEN MAXWELL McCARTHY McEWAN MISHIMA MORRISON MUNRO MURAKAMI MURDOCH NADAS NÉMIROVSKY NIFFENEGGER OGAWA ONDAATJE OZ PASTERNAK PENROSE PEREC PETTERSON POLITKOVSKAYA PROUST PYNCHON
    [Show full text]
  • Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
    This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership
    [Show full text]
  • ENGLISH ENGLISH ENGLISH ENGLISH Toneelgroep Amsterdam Content / About Us
    ENGLISH ENGLISH ENGLISH ENGLISH toneelgroep amsterdam content / about us 3 ABOUT US 4 MEDEA 6 SONG FROM FAR AWAY 8 THE GLASS MENAGERIE / GLAZEN SPEELGOED 10 HUSBANDS AND WIVES ABOUT 12 THE FOUNTAINHEAD 14 THE THINGS THAT PASS / DE DINGEN DIE VOORBIJGAAN 16 THE MAIDS / DE MEIDEN 18 IBSEN HOUSE / IBSEN HUIS 20 KINGS OF WAR 22 THE OTHER VOICE / DE ANDERE STEM US 24 OBSESSION 26 TICKET SALES Toneelgroep Amsterdam (TA) is the largest repertory theatre company of the 27 TA THANKS Netherlands and is led by Ivo van Hove. Each season we present new plays of 28 SURTITLED PERFORMANCES IN AMSTERDAM internationally acclaimed directors – such as Ivo van Hove, Katie Mitchell, Luk Perceval, Guy Cassiers, Sam Gold and Simon Stone – and also provide opportunities for new directing talent. In addition, we reprise several of our most successful pieces from previous seasons. Our large ensemble is a permanent pool of acting talent which enables us to develop distinctive and daring productions. It also enables us to continue reviving our successful productions at regular intervals. This is only possible because of the permanent ensemble of 21 actors and actresses, as well as longstanding contacts with some 25 renowned guest actors every season. In the space of just a few years, we’ve achieved an enviable worldwide reputation. Renowned festivals and playhouses are looking out for our work, from Taipei to Buenos Aires, from Avignon to Sydney. Our contemporary readings of the classics are regarded as eye-openers. Amsterdam is and will remain our home base. It is where we develop and present all our productions, together with an extensive fringe programme.
    [Show full text]
  • The Curious Incident of the Dog in the Night-Time Illinois Theatre
    THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME ILLINOIS THEATRE A play by Simon Stephens Based on the novel by Mark Haddon Latrelle Bright, director Thursday-Saturday, February 28-March 2, 2019, at 7:30pm Thursday-Saturday, March 7-9, 2019, at 7:30pm Saturday, March 9, 2019, at 1pm (Sensory-friendly Performance) Sunday, March 10, 2019, at 3pm Colwell Playhouse three overlapping audiences, and that our departmental mission of inclusion is enacted on and behind our stages. We have to serve our own students, the people who’ve come to receive the education to make a career as professional theatre makers. We have an obligation to train them to become working designers, actors, technicians, playwrights, stage managers, directors, scholars, and teachers. We also serve the other 44,000+ students on the campus, many of whom take our classes and enjoy our productions. POWER + PLEASURE We have to serve the University of Illinois I think a lot about the enormous privilege at Urbana-Champaign. As part of a I have as Head of Illinois Theatre. I have Research I university, we are obligated the very great pleasure of working with to create new knowledge and to pass it incredibly talented and committed faculty, on. Our productions must take part in students, and staff in the Department broad conversations and reflect the goals of Theatre, the College of Fine and and strategic plan of the university as a Applied Arts, and Krannert Center for the whole. We must make connections across Performing Arts. I have the power to shape disciplines and across campus.
    [Show full text]
  • Reading Groups Collection Multiple-Copy Titles Available for Loan Master List Revised May 2019
    Reading Groups Collection Multiple-Copy Titles Available for Loan Master list revised May 2019 Susan ABULHAWA - Mornings in Jenin (2011, 352 pages) Palestine, 1948. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin , the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother. Mornings in Jenin is a novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Ayobami ADEBAYO - Stay with me (2017, 298 pages) Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything - arduous pilgrimages, medical consultations, dances with prophets, appeals to God. But when her in- laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of '80s Nigeria, Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood.
    [Show full text]
  • National Theatre
    WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy
    [Show full text]
  • [PDF] Read Online the Curious Incident of the Dog in the Night-Time Full Book
    [PDF] Read Online The Curious Incident of the Dog in the Night-time Full Book Book info: Author: Mark Haddon Format: 288 pages Dimensions: 112 x 176mm Publication date: 24 Sep 2014 Publisher: Vintage Publishing Imprint: VINTAGE Release location: London, United Kingdom Description: The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's, a form of autism. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the end of the road on his own, but when he finds a neighbour's dog murdered he sets out on a terrifying journey which will turn his whole world upside down. Recommendations: About Mark Haddon Mark Haddon is an author, illustrator and screenwriter who has written fifteen books for children and won two BAFTAs. His bestselling novel, The Curious Incident of the Dog in the Night-time won seventeen literary prizes, including the Whitbread Award. His poetry collection, The Talking Horse and the Sad Girl and the Village Under the Sea, was published by Picador in 2005, and his last novel, The Red House, was published by Jonathan Cape in 2012. His most recent title is short story collection The Pier Falls. He lives in Oxford. Review quote "Wondrous...brilliantly inventive...dazzling. Not simply the most original novel I've read in years - it's also one of the best" * The Times * "A deservedly acclaimed read." * Time Out London * Review Text The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other.
    [Show full text]
  • Draining the English Channel': the European Revolution in Three Kingdoms & Three Keynotes (By Simon Stephens, David Lan & Edward Bond)
    ©Draining the English Channel©: The European Revolution in three kingdoms & three keynotes (by Simon Stephens, David Lan & Edward Bond) Article (Accepted Version) Fowler, Benjamin (2016) 'Draining the English Channel': The European Revolution in three kingdoms & three keynotes (by Simon Stephens, David Lan & Edward Bond). Contemporary Theatre Review, 26 (3). pp. 328-336. ISSN 1048-6801 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/61989/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content
    [Show full text]
  • Stephens Plays: 2: One Minute; Country Music; Motortown; Harper
    Simon Stephens Plays: 2 One Minute, Country Music Motortown, Pornography, Sea Wall One Minute: ‘Set in London in the aftermath of the disappearance of an eleven-year-old girl, One Minute brings together the girl’s mother, an unreliable witness, a student/barmaid and two investigating officers . the writing cleverly suggests how much the characters would like to connect but never really can.’ Guardian Country Music ‘spotlights four fateful moments in the life of Jamie Carris, an engaging but violent south Londoner. The play unfolds in a series of tightly focused two-handers, set before, during and after the prison sentences he has served for glassing one man and for killing another.’ Independent Motortown: ‘Danny – a squaddie who has served in Basra – is bringing the war back home [to] an England where the “war on terror” has become a war waged using the tactics of the terrorists. It is also a place of dubious moralities, small-time arms dealers and middle-class swingers and anti-war protesters. A searingly honest play written with a deadly coiled energy.’ Guardian Pornography: ‘Set in July 2005, between the announcement that London had been awarded the Olympics and the July 7 bombings, it tells seven entwining stories, including the imagined story of one of the bombers journeying towards London to commit an act of terrorism.’ Guardian Sea Wall: ‘A quietly gripping monologue about grief and belief . this play is like a deceptive calm blue sea beneath which lurks a ferocious riptide of sorrow.’ Guardian Simon Stephens is a British writer whose theatrical career began in the literary department of the Royal Court Theatre where he ran its Young Writers’ Programme.
    [Show full text]
  • Simon Stephens: a Working Diary (Theatre Makers) Online
    HI6qS (Online library) Simon Stephens: A Working Diary (Theatre Makers) Online [HI6qS.ebook] Simon Stephens: A Working Diary (Theatre Makers) Pdf Free Simon Stephens ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #872531 in eBooks 2016-04-21 2016-04-21File Name: B019JPNL8O | File size: 78.Mb Simon Stephens : Simon Stephens: A Working Diary (Theatre Makers) before purchasing it in order to gage whether or not it would be worth my time, and all praised Simon Stephens: A Working Diary (Theatre Makers): 0 of 0 people found the following review helpful. Simon Stephens is a wonderful playwright and just as a good a journal writerBy Julia PerlowskiSimon Stephens is a wonderful playwright and just as a good a journal writer. I am a youth theatre teachers and director of Shakespeare. Simon's incites into the collaboration with actors is invaluable to me. 2014 was a spectacular year for playwright Simon Stephens, who has been described by the Independent as 'a brilliant writer of immense imagination' and by the Financial Times as having 'emerged in this millennium as an outstanding playwright'.2014 was a year for Simon Stephens which featured a high number of world premiere plays including one for the theatre of his birthplace, Manchester's Royal Exchange, a major new play for the Downstairs space at London's Royal Court, and a Chekhov translation for London's Young Vic; a transfer of his West End hit The Curious Incident of the Dog in the Night-Time to Broadway; and projects in Germany, a country which has seen Stephens lauded, in which he has worked extensively, and which has shaped much of his dramaturgy.
    [Show full text]
  • A Level Drama and Theatre Studies
    A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination.
    [Show full text]
  • Kurt Weill Newsletter FALL 2016
    VOLUME 34 NUMBER 2 Kurt Weill Newsletter FALL 2016 FEATURES Adapting Dreigroschenoper: A New Threepenny Opera Featured Review: Critical Edition of Mahagonny: Ein Songspiel IN THIS ISSUE VOLUME 34 Kurt Weill Newsletter NUMBER 2 2 Correction FALL 2016 3 Editor’s Note World Premiere Recording of The Road of Promise © 2016 Kurt Weill Foundation for Music ISSN 0899-6407 25th Annual Kurt Weill Fest 7 East 20th Street tel (212) 505-5240 FEATURE New York, NY 10003-1106 fax (212) 353-9663 [email protected] [email protected] Adapting Dreigroschenoper: A New Threepenny Opera 4 Excerpts from A Working Diary Published twice a year, the Kurt Weill Newsletter features articles and reviews Simon Stephens (books, performances, recordings) that center on Kurt Weill but take a broader 5 An Interview with Simon Stephens look at issues of twentieth-century music and theater. With a print run of 5,000 copies, the Newsletter is distributed worldwide. Subscriptions are free. The editor 6 Recycling The Threepenny Opera welcomes the submission of articles, reviews, and news items for inclusion in Anja Hartl future issues. 8 Proofing the Pudding: Threepenny in English A variety of opinions are expressed in the Newsletter; they do not necessarily Michael Morley represent the publisher’s official viewpoint. Letters to the editor are welcome. 10 3 Pennies in English Staff Kim H. Kowalke Dave Stein, Editor REVIEWS Elizabeth Blaufox, Associate Editor Veronica Chaffin, Production Score Natasha Nelson, Editorial Assistant; Production and Circulation 12 Mahagonny: Ein Songspiel (Kurt Weill Edition) Philip Headlam Kurt Weill Foundation Officers Kim H. Kowalke, President and CEO Performances Ed Harsh, Chair of the Board of Trustees 14 Aufstieg und Fall der Stadt Mahagonny Philip Getter, Executive Vice Chair Municipal de Santiago Guy Stern, Vice Chair Juan Antonio Muñoz Susan Feder, Secretary 15 Der Lindberghflug/Der Ozeanflug Trustees: André Bishop, Victoria Clark, Joanne Hubbard Cossa, Corey Field, James St.
    [Show full text]