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A quArterly mAgAzine of Art And culture issue 9 cHILDHOOD WINTER 2002/03 CABINET US $8 CanAdA $13 uK £6 columns 9 ThE CLEAN ROOM / SUPERFlY mE To ThE MOON DaviD serlin Race, physiology, and the culture of aerospace science 13 lEFToVERs / aT dEaTh’s DOORKNOB paul collins The bloody-minded invention of Dr. Dibble 15 COLORs / SULphuR THoMAS BELLER Moody, toxic, light, and tasty 17 InGEsTION / CULINARY LANDSCAPEs ALLEN s. WEISS Antonin Carême, the Palladio of cuisine maIn 21 ThE Wall and ThE Eye: an Interview with EYal Weizman Jeffrey KasTner & sina naJafi Architecture and negative planning in the West Bank 32 PaInT YouR TRouBlEs AwaY ricHarD fleMing A wall with a view in an Israeli settlement 35 caBlE TV’s FaIlEd Utopian VIsIon: an Interview with daRa BirnBaum nicolás guagnini Televisual activism and the revolution that never was 41 ThaddEus cahIll’s “musIc PlanT” Brian DeWan The Telharmonium and the promise of electrical music on tap 42 artisT projEcT: To be looked aT, from a dIsTancE, with eyes cRossEd Dan Wolgers 43 Hello, nIcE To meet You, do You WanT To Go To holland?: a conversation with Robert Kloos and mónIca dE la Torre regine BasHa How cultural attachés sell their countries 48 save YouR FamIlY Jay WorthingTon Readers’ photos, protected until 2047 chIldhood 51 FRöbel and ThE Gifts oF KIndergarten norMan BrosTerMan Cultivating the modern child in the garden of play 58 ArtisT PRojEcT: school YEaR Helen Mirra 65 Where ThE WIld ThInGs Were: an Interview with LeonaRd s. maRcus DaviD serlin & Brian selznicK The history of children’s literature from Orbis Pictus to The Rabbits’ Wedding 70 aRTIsT PROJEcT: a PacK oF BlInd sniffinG doGs Byron KiM 72 PIcTurinG InnocEncE: an Interview with annE Higonnet sina naJafi From the ideal child to the knowing child 78 doEs a PRoletarian chIld Need a FairytalE? alla rosenfelD The Soviet Production Book for Children 83 ArtisT projEcT: ON READInG WenDy EwalD 86 ThE doll GamEs Shelley & PaMela JacKson Thirty years on, a scholarly reconsideration of the Jacksons’ childhood world 92 homo Bulla: an Interview with sabinE mödersheim Kris coue The trouble with bubbles 95 ArtisT projEcT: DrawinGs Marcel DzaMa 99 FInders Keepers MicHael Witmore On the history of prodigies 102 ArtisT projEcT: PRaxIs Dr. KössEndRuP aura rosenBerg 104 Skabbetti, peas, applE cake, and IcE cream anonyMous A meal based on recipes by children 105 SpecIal CD Insert: juvenIlIa curaTeD By Brian conley & ChrisTopH cox 108 ArtisT PRojEcT: sound oF musIc BarBara pollacK 110 modEl chIld: an Interview with max Berger JosepH r. Wolin On being photographed. Constantly. By your mother. 112 somE RElIcs oF chIldhood roDney Phillips Early works by Auden, Isherwood, Kerouac, Plath, and Shelley 116 ArtisT PRojEcT: sculpture from DrawinG Billy & ChrisTo HalloWay 119 ThE RouGh GuIdE: Favell Lee mortimer’s The CounTries of europe DesCribeD Todd pruzan A xenophobic travelogue for Victorian tots AND PosTcaRd Babies of the World, Unite! cabinet Immaterial Incorporated Cabinet is a non-profit 501 (c) (3) magazine published by Immaterial 181 Wyckoff Street Brooklyn NY 11217 USA Incorporated. Contributions to Cabinet magazine are fully tax-deductible. tel + 1 718 222 8434 Donors of $50 or more will be ackowledged in the magazine and further fax + 1 718 222 3700 enriched by receiving some form of edifying tchotchke from us. Checks email [email protected] made out to “Cabinet” can be sent to our address. Please mark the envelope www.cabinetmagazine.org “Donation. Not to be spent on doughnuts or other late-night junk food.” Editor-in-chief Sina Najafi Cabinet wishes to thank the following foundations and individuals for their Senior editor Jeffrey Kastner generous support. Editors Frances Richard, David Serlin, Gregory Williams CD editors Brian Conley & Christoph Cox The Flora Family Foundation Art directors (Cabinet) Ariel Apte & Sarah Gephart of mgmt. The New York State Council on the Arts Managing editor & graphic designer Brian McMullen The Frankel Foundation Art director (Immaterial Incorporated) Richard Massey/OIG The Peter Norton Family Foundation Image editor Naomi Ben-Shahar “Childhood” image editing Brian Selznick Debbie Yu Editors-at-large Saul Anton, Mats Bigert, Jesse Lerner, Allen S. Weiss, Edward Wilson & Hesu Coue Jay Worthington Kendall B. McGreggor Website Kristofer Widholm & Luke Murphy Lydia Denworth & Mark Justh Production manager Sarah Crowner Ted Hartigan Development consultant Alex Villari Corina Goulden Contributing editors Joe Amrhein, Molly Bleiden, Eric Bunge, Andrea Codrington, Christoph Cox, Cletus Dalglish-Schommer, Pip Day, Carl Michael von Hausswolff, Srdjan Jovanovic Weiss, Dejan Krsic, Tan Lin, Roxana Marcoci, Ricardo de Oliveira, Phillip Scher, Rachel Schreiber, Lytle Shaw, Debra Singer, Cecilia Sjöholm, Sven-Olov Wallenstein Research assistants Sasha Archibald, Amoreen Armetta, Christine Potts Prepress Zvi @ Digital Ink Founding editors Brian Conley & Sina Najafi Printed in Belgium by Die Keure Cabinet (ISSN 1531-1430) is a quarterly magazine published by Immaterial Incorporated, 181 Wyckoff Street, Brooklyn, NY 11217. Periodicals Postage paid at Brooklyn, NY and additional mailing offices. Postmaster: Send address changes to Cabinet, 181 Wyckoff Street, Brooklyn, NY 11217 Subscriptions Individual one-year subscriptions (in US Dollars): United States $24, Europe and Canada $34, Mexico $50, Other $60 Institutional one-year subscriptions (in US Dollars): United States $30, Europe and Canada $42, Mexico $60, Other $75 Please either send a check in US dollars made out to “Cabinet,” or send, fax, or email us your Visa/Mastercard/American Express/Discover information. To process your credit card, we need your name, card number, expiry date, and billing address. You can also subscribe directly on our website at www.cabinetmagazine.org with a credit card. Institutions can also subscribe through EBSCO and Swets Blackwell. Back issues available in the US for $12. For prices outside the US, please see back page or email us. Advertising Email [email protected] or call + 1 718 222 8434. Distribution US and Canada: Big Top Newstand Services, a division of the IPA. For more information, call + 1 415 643 0161, fax + 1 415 643 2983, or email [email protected]. Europe: Central Books, London. Email: [email protected] Cabinet is also available through Tower stores around the world. Please send distribution questions to [email protected] Cabinet accepts unsolicited manuscripts and artist projects, preferably sent by e-mail to [email protected] as a Microsoft Word document or in Rich Text Format. Hard copies should be double-spaced and in duplicate. We do not publish poetry. Please see www.cabinetmagazine.org for our sub- mission guidelines. We can only return materials if a self-addressed, stamped envelope is provided. Contents © 2002 Immaterial Incorporated & the authors, artists, translators. cover: The 19th-century French neurologist Duchenne de Boulogne applying All rights reserved. Unauthorized reproduction of any material here is a no-no. electricity to stimulate a young girl’s individual facial muscles. The views published in this magazine are not necessarily those of the writers, Source: Duchenne’s 1862 book The Mechanism of Human Facial Expression let alone the cowardly editors of Cabinet. page 1: Samuel Kastner’s drawing of the cover, 2002 Erratum: We offer apologies to John Roberts. The first footnote of his essay “ The Logics opposite: Annika von Hausswolff, Girl with Chainsaw, 2002 of Deflation” in issue 8 was also printed as the final paragraph of the text. courtesy Casey Kaplan Gallery conTriBuTors founder of Clockwork Apple in New York City. Ellen Band is a composer and sound artist based in Somerville, Massachusetts. Annika von Hausswolff is an artist based in Stockholm. She is represented Her first solo CD, 90% Post Consumer Sound, was released by XI Records in by Casey Kaplan Gallery, New York, and by Andréhn-Schiptjenko Gallery, 2000. In 1994, she founded Audible Visions, a performance space for new Stockholm. music and sound art in Somerville. Anne Higonnet is a Professor at the Department of Art History and Archaeo- Regine Basha works independently as a curator, writer and co-producer of logy at Barnard College. She is the author of Pictures of Innocence: The History public projects. She is the former Cultural Affairs Officer for the Canadian and Crisis of Ideal Childhood (Thames & Hudson, 1998) and Berthe Morisot Consulate in New York. (Harper Collins, 1990). Tom Beller is a writer and founding editor of Open City. He is based in New York. Susanna Hood is a choreographer, composer, dancer, producer, singer, and actor based in Toronto. Max Berger, son of Barbara Pollack and Joel Berger, is a freshman at Brooklyn Tech High School. In 1998, he received a national photography award from the John Hudak, based in Dobbs Ferry, New York, creates sonic distillations of the Boys and Girls Club of America. His next project, “Max’s 15th Birthday Party,” sounds that surround him in his everyday life. The sounds that result from his will be presented at Participant, Inc. in January 2003. manipulations retain the essence of the original sounds, but transform them into ghost-like afterimages. New York-based artist and independent producer Dara Birnbaum has achieved international recognition within the arts, spurring some of the most controver- Pamela Jackson is an independent scholar. She is working on a book about sial discussions in contemporary media exploration. She is the recipient of the Philip K. Dick. American Film Institute’s prestigious Maya Deren Award, among numerous other awards from international film and video festivals. Her work is part of Shelley Jackson is the author of The Melancholy of Anatomy, a collection of renowned permanent collections both in this country and abroad. short stories, and Patchwork Girl, a hypertext novel. Philip Blackburn, a native of Cambridge, England, received a doctorate from Jeffrey Kastner is a Brooklyn-based writer and senior editor of Cabinet. the University of Iowa and has been senior program director at the American Composers Forum since 1991.