1945 New Masses Contents January - June

Total Page:16

File Type:pdf, Size:1020Kb

1945 New Masses Contents January - June 1945 New Masses Contents January - June See page # (1 - 52) provided here to see scan of contents of that issue. If word-searching this file, note page number in this file of the pdf contents page, then look it up here to find the issue's date and volume and issue number. January 1 Vol. 54 No. 01 Jan 02 2 Vol. 54 No. 02 Jan 09 3 Vol. 54 No. 03 Jan 16 4 Vol. 54 No. 04 Jan 23 5 Vol. 54 No. 05 Jan 30 February 6 Vol. 54 No. 06 Feb 06 7 Vol. 54 No. 07 Feb 13 8 Vol. 54 No. 08 Feb 20 9 Vol. 54 No. 09 Feb 27 March 10 Vol. 54 No. 10 Mar 06 11 Vol. 54 No. 11 Mar 13 12 Vol. 54 No. 12 Mar 20 13 Vol. 54 No. 13 Mar 27 April 14 Vol. 55 No. 01 Apr 03 15 Vol. 55 No. 02 Apr 10 16 Vol. 55 No. 03 Apr 17 17 Vol. 55 No. 04 Apr 24 May 18 Vol. 55 No. 05 May 01 19 Vol. 55 No. 06 May 08 20 Vol. 55 No. 07 May 15 21 Vol. 55 No. 08 May 22 22 Vol. 55 No. 09 May 29 June 23 Vol. 55 No. 10 Jun 05 24 Vol. 55 No. 11 Jun 12 25 Vol. 55 No. 12 Jun 19 26 Vol. 55 No. 13 Jun 26 1945 New Masses Contents July-December July 27 Vol. 56 No. 01 Jul 03 28 Vol. 56 No. 02 Jul 10 29 Vol. 56 No. 03 Jul 17 30 Vol. 56 No. 04 Jul 24 31 Vol. 56 No. 05 Jul 31 August 32 Vol. 56 No. 06 Aug 07 33 Vol. 56 No. 07 Aug 14 34 Vol. 56 No. 08 Aug 17 35 Vol. 56 No. 09 Aug 28 September 36 Vol. 56 No. 10 Sep 04 37 Vol. 56 No. 11 Sep 11 38 Vol. 56 No. 12 Sep 18 39 Vol. 56 No. 13 Sep 25 October 40 Vol. 57 No. 01 Oct 02 41 Vol. 57 No. 02 Oct 09 42 Vol. 57 No. 03 Oct 16 43 Vol. 57 No. 04 Oct 23 44 Vol. 57 No. 05 Oct 30 November 45 Vol. 57 No. 06 Nov 06 46 Vol. 57 No. 07 Nov 13 47 Vol. 57 No. 08 Nov 23 48 Vol. 57 No. 09 Nov 30 December 49 Vol. 57 No. 10 Dec 04 50 Vol. 57 No. 11 Dec 11 51 Vol. 57 No. 12 Dec 18 52 Vol. 57 No. 13 Dec 25 ~IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIUIJIIIIJIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIft l Editor: JOSEPH NORTH. Associate Editors: MARJORIE DE ARMAND,~ FREDERICK V. FIELD, BARBARA GILES, HERBERT GOLDFRANK*, NEW MASSES A. B. MAGIL, VIRGINIA SHULL, JOHN STUART. Washh>gton Editor: ESTABLISHED 1911 VIRGINIA GARDNER. West Coast Editor: BRUCE MINTON. Film, JOSEPH FOSTER; Drama, HARRY TAYLOR; Art, MOSES SOYER: Music, PAUL ROSAS; Dance, FRANCIS STEUBEN. Business Manager: ' Contributing Editors LOTTIE GORDON. Field Director: DORETTA TARMON. Advertising' Manager: GERTRUDE CHASE. LIONEL BERMAN * On leave with the armed forces. :~~::R: : EBSO~~: The Truth About Belgium Henri de Maas . 3 j BELL A v. DoDD Can the Germans Keep Going? Colonel T. 6 J ~ , ~ ~ Yp A:~v: Do"u ~ ~ ~.:~;:;.~o~~~:" The Ed ;to" . :I WILLIAM GROPPER A Man to Remember Joseph North 10'! ALFRED KREYMBORG Your Taxes After the War J. R. Wilson . 111 JOHN H. LAWSON Copperhead Field Day Virginia Gardner 13·j.; VITOMARCANTONIO Zita's Boy Albert Wiener . 15j RUTH McKENNEY November 7 and the Future II Earl Browder. 17 FREDERICK MYERS Art and the New World llya Ehrenburg 20· SAMUEL PUTNAM Editorial Comment . 21 PAUL ROBESON Koestler's Devious Defeatism Joel Bradford 23 ISIDOR SCHNEIDER The Ordeal, by Arkady Perventsev: HOWARD SELSAM Book Reviews: American Army, SAMUEL SILLEN T. C. Foxx; Morale Education in the JOSEPH STAROBIN by Philip Foner: Ralph Bowman 28 MAX YERGAN Stage For Action Harry Taylor 29' Two weeks' notice is required for change of address. Notifications sent to NEw MASSES rather than the ~t,.:, office will give the best results. VoL LIV, No. I. Published weekly by THE NEw MASSES, INc., 104 East Ninth Street, New York 3, N. Y. Copyright 1944, THE NEw MAsSES, INc. Reg. U. S. Patent Office, Washington Office, 945 Pennsylvania Ave., N.W. Drawings and text may not be reprinted without permission. Entered as second-class ma·tter, June 23, 1926, at the Post Office at New York, N. Y., under the act of March 3, 1879. Single copies 15 cents. Subscriptions $5.00 a year in U. S. and Colonies and Mexico; six months $2.75; three months $1.50. Foreign, $6.00 a year; six months $3.25; three months $1.75. In Canada $6.00 a year, $3.50 for six months,. U. S. money; single copies in Canada 20c Canadian money. Subscribers are notified that no change in address carr be effected in less than two weeks. NEW MASSES welcomes the work of new writers and artists. Manuscripts an.d drawings must be accompanied by stamped, addressed ~ envelope. NEW MASSES does not pay for contributions. ....209 ~dlll!llllllllmiiHIIIIHIIIIIIIIIIIIIIIIHIUIIIIIIIIIIIIIIIIIIIIIIIIIIOIIIIIIIIIIIIIOIIIIIIIIIHIIIIIIIIIIIHHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIUIIIIIIIil ~IUIUIIIHIUIIIIIIHIIIHUIIHIIIIIIIUUIIIUIIIIIUIIHIIIIIIIIIIIIIIIIIIIIIIIIIUIIIIIIIIIIIIIIIIIIIIUIIIIIIIIIIIIIIIOIIIIIIIIIIUIIIIIIUIIUIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIUIIWIIIUIItu._ ' Editor: JOSEPH NORTH. Associate l:dltors: MARJORIE DE ARMA~ FREDERICK V. FII:LD, BARBARA GILES, HERBERT GOLDFRAN~ A. B. MAGIL, VIRGINIA SHULL, JOHN STUART. Washington Edit i ~~!LI~H~~$1~ VIRGINIA GARDNI:R. West Coast l:dltor: BRUCE MINTON. F/1 JOSEPH FOSTER: Drama, HARRY TAYLOR: Art, MOSES SOY Music, PAUL ROSAS; Dance, FRANCIS STEUBEN. Business Mana LOTTII GORDON. Field Director: DORETTA TARMON. Advertl1l 1_5= c .................. Manager: GERTRUDE CHASE. - LIONEL BERMAN • On leave with the armed forces. ALVAH BESSIE ~ RICHARD o. BOYER Meet Some Jew-Baiters Virginia Gardner i B E L LA v. D o D D Letter to a Liberal A. B. Magi! w·,nspear .. --E~ JOY DAVIDMAN Schools for a New World A. D. § R. PALME DUTT Shore Leave in Bari Jack Lasker t} ~=== WILLIAM GROPPER New Ideas in Medicine Edward Earle Starr ll.~ - ALFRED KREYMBORG In the Slaveowners' land Victor Rudny ( e JOHN H. LAWSON Readers' Forum 14, ! VITO MARCANTONIO Gropper's Cartoon Jl ~ RUTH McKENNEY Editorial Comment tJ i=--=-= :~E:::~c~U~~:R~ The Man Who Was Ralph Fox Samuel Sillen ] ...••.·.··.· ..•.•. ·.' = p Au L R 0 BE s 0 N Book Reviews: People on Our Side, by Edgar .· ISIDOR SCHNEIDER Snow: J. B. Davidson; The Five Arrows, by Allan I HOWARD SELSAM Chase: Sally Alford I ~~~~=-:: ::~~~:~: ~;::~.E:~~~~::r !:~~:,;.~~:beo ~ 5 Two weeks' notice is required for change of address. Notifications sent to NEw MASSES rather than the -~;~ 5 office will give the best results. VoL LIV, No. 2. Published weekly by THE NEW MASSES, INC., 104 Eut.'i § Ninth Street. New York 3, N. Y. Copyright 1944, THE NEW MASSES, INC. Reg. U. S. Patent Ollice.·,; ~ Washington Office, 94' Pennsylvania Ave., N.W. Drawings and text may not be reprinted without permissiOD..~.: 5 Entered as second-class matter, June 23, 1926, at the Post Office at New York., N. Y., under the act of - March 3, 1879. Single copies 15 cents. Subscriptions $5.00 a year in U. S. and Colonies and Mexico; sis·, ~ months $2.75; three months $1.50. Foreign, $6.00 a year; six months $3.25; three months $1.75. In Canada = $6.00 a year, $3.50 for six months, U. S. money; single copies in Canada 20c Canadian money. Subscribed~ 5 are notified that no change in address can be effected in less than two weeks. NEW MAssES welcomes the.': 5 work of new writers and artists. Manuscripts and . drawings must be- accompanied by stamped, addreue4 ~ envelope. NEw MASSES does not pay for contributions. ~201' = ~ ' ~IIUIUIRIIIWIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIUIIIIIIIIIIU lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllliiiiiiiiiiiiUIIIIIIIIIIIIIIIIIIIIIIUIIIIUIIUIUIIIIIUIIIIIIIIIII l!i!llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllUIIIIIIIIIIIIIIJIIIIIIIIIDIIIllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll § I Editor: JOSEPH NORTH. Associate Editors: MARJORIE DE ARMAND, NEW MASSES FREDERICK V. FIELD, BARBARA GILES, HERBERT GOLDFRANK*, ESTABLISHED 1911 A. B. MAGIL, VIRGINIA SHULL, JOHN STUART. Washington Editor: I VIRGINIA GARDNER. West Coast Editor: BRUCE MINTON. Literary ~ Edlfor: ISIDOR SCHNEIDER: Film, JOSEPH FOSTER: Drama, HARRY 31 TAYLOR: Art, MOSES SOYER: Music, PAUL ROSAS: Dance, FRANCIS STEUBEN. Business Manager: LOTTIE GORDON. Field Director: Contributing Editors DORETTA TARMON. Advertising Manager: GERTRUDE CHASE. * On leave with the armed forces. LIONEL BERMAN I ALVAH BESSIE Sho~ld We Recognize Lublin? Abraham Penzik 3 ~ ~ RICHARD 0. BOYER Romain Rolland: Journey's End Nathan Ausubel 6 ~ BELLA V. DODD The Dies Committee Phoenix Virginia Gardner § 9 ~ JOY DAVJDMAN A Jew Looks at His America Joseph North II R. PALME DUTT The New Bases for Peace F. J. Meyers 13 I WILLIAM GROPPER Editorial Comment . 16 ~ ALFRED KREYMBORG ~ Gropper's Cartoon 17 JOHN H. LAWSON = What the Red Army Is Doing Colonel T. 20 VITO MARCANTONIO I On Andre Gide Louis Aragon and Alan Benoit 22 ~ RUTH McKENNEY § Book Reviews: They Look Like Men, by Alexander FREDERICK MYERS SAMUEL PUTNAM F. Bergman: Aaron Kramer; Leningrad, by Alexan­ I PAUL ROBESON der Werth: Roy Sklar; Science at War, by George I HOWARD SELSAM W. Gray: James Knight; Brief Review: Made in ~ SAMUEL SILLEN the USSR, by William C. White . 23 ~ JOSEPH STAROBIN Some Recent Films Jo.seph Foster 27 ~ MAX YERGAN On Broadway Harry Taylor 29 ~ §§ Two weeks' notice is required for change of address. Notifications sent to NEW MASSES rathe-r than the post = office wtll give the best results. Vol. LIV, No. 3. Published weekly by THE NEw MASSES, INc., 104 East § Ninth Street, New York 3, N, Y. CopyriJ~ht 1944, THE NEw MASSES, INc. Reg. U. S. Patent .Office, 2 Washington Office, 945 Pennsylvania Ave., N.W. Drawings and text may not be reprinted without permission. ~ Entered as second-class matter, June 23, 1926, at the Post Office at New York, N.
Recommended publications
  • Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood
    LH 19_1 FInal.qxp_Left History 19.1.qxd 2015-08-28 4:01 PM Page 57 Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood, Howard Fast, and the Demise of American Communism 1 Henry I. MacAdam, DeVry University Howard Fast is in town, helping them carpenter a six-million dollar production of his Spartacus . It is to be one of those super-duper Cecil deMille epics, all swollen up with cos - tumes and the genuine furniture, with the slave revolution far in the background and a love tri - angle bigger than the Empire State Building huge in the foreground . Michael Gold, 30 May 1959 —— Mike Gold has made savage comments about a book he clearly knows nothing about. Then he has announced, in advance of seeing it, precisely what sort of film will be made from the book. He knows nothing about the book, nothing about the film, nothing about the screenplay or who wrote it, nothing about [how] the book was purchased . Dalton Trumbo, 2 June 1959 Introduction Of the three tumultuous years (1958-1960) needed to transform Howard Fast’s novel Spartacus into the film of the same name, 1959 was the most problematic. From the start of production in late January until the end of all but re-shoots by late December, the project itself, the careers of its creators and financiers, and the studio that sponsored it were in jeopardy a half-dozen times. Blacklist Hollywood was a scary place to make a film based on a self-published novel by a “Commie author” (Fast), and a script by a “Commie screenwriter” (Trumbo).
    [Show full text]
  • The Inventory of the Albert Maltz Collection #150
    The Inventory of the Albert Maltz Collection #150 Howard Gotlieb Archival Research Center Albert Maltz Manuscripts Box 1 1.) This Gun for Hire (1942) by Albert Maltz & Wo R. Burnett Movie script, dated October 5, 19/41. Typescript, carbon, holograph corrections, 150p. a9x 1 2.) "Husband and Wife" Short story s·econd draft, typescript with holograph corrections, 44P• Final draft, typescript, heavily corrected, 33p. / C/·. \..c. Box 1 J.) The Underground Stream (1940) Novel 11 Final draft with ms. changes" Typescript, carbon, holograph corrections and additions, 373p. '"' Maltz, Albert - Addenda Box:-:- 2 Folder "Material from the magazine 1F.quality1 published in New York, 1939-4011 11 holograph articles Folder "Anonymous Writings and Ghost Writings" 6 articles: 5 holograph, 1 typed Folder "Miscellaneous Non-Fiction Pieces" 17 articles: 13 holograph, 4 typed. Folder "Public lectures and Addresses" 7 articles: 5 holograph, 1 mimeo, l typed Folder "Short Stories" Season of Celebration Notes and discards. Holograph. Sunday Morning .Q!l 25th Street First notes. Holograph. Happiest Man Q!l Earth Notes and discards, holograph. Typescript of one drafto Way Things Are Notes for first draft, holograph. Discards from first and second version, holograph. Notes for revision, holograph, Second draft typescript with holograph corrections. Final version type8cript, last 2 rages missing. (Each folder contains typed list by.Albert Maltz identifying articles and giving number of pages of each piece.) Mi.ltz, Albert Addenda, October., 1967 SCBEENPLAY .-- . THE BOBE . A. Second draft of the screenplay, typed script with holograph changes ·on ~bi~type~cent of the pages. :.~2S pages. · .· ::,;:~:: ·<·: i; l · ;' . • • ;.:• B. Third' (final) draf.t, mimeographed ·224 pages.
    [Show full text]
  • Ronald Reagan and Albert Maltz, Testimony Before HUAC, 1947
    dominate the guild? Ronald Reagan and Albert Maltz, Mr. Reagan: Well, sir, by attempting to put over their own particular views on various issues, I guess you Testimony before HUAC, 1947 would have to say that our side was attempting to dominate, too, because we were fighting just as The House Un-American Activities Committee began to investigate hard to put over our views, and I think we were charges of alleged Communist influence in the movie industry in the proven correct by the figures—Mr. Murphy gave the fall of 1947. The hearings attracted an enormous amount of press figures—and those figures were always attention due to the glamour associated with Hollywood celebrities. approximately the same, an average of ninety HUAC began with a group of so-called “friendly” witnesses. They percent or better of the Screen Actors Guild voted cooperated with the investigation for a variety of reasons, including a in favor of those matters now guild policy. desire to settle old political scores. The Committee then moved to the Mr. Stripling: Mr. Reagan, there has been testimony to the effect “unfriendly” witnesses. These included some who were or had been here that numerous Communist-front organizations members of the Communist Party, but all of whom rejected HUAC’s have been set up in Hollywood. Have you ever been intrusion into their political beliefs. solicited to join any of those organizations or any Ronald Reagan, a friendly witness, was President of the Screen organization which you considered to be a Actors Guild. Albert Maltz, an unfriendly witness, was active in the Communist-front organization? Screen Writers Guild.
    [Show full text]
  • Reagan, Hollywood & the Red Scare
    Reagan, Hollywood & The Red Scare From the Archives brings primary source documents and exploration into the classroom. These educational resources, carefully curated by our Education team, are meant to enhance historical discussions around relevant topics of today in history, civics, geography, and economics. Overview: President Ronald Reagan was known as a staunch anti-communist. Many students are unaware that this reputation began years prior to President Reagan’s time in the White House. President Reagan began his anti- communist crusade as president, but not of the United States, instead it was the Screen Actors Guild of America. The attached documents highlight some of the members of the motion picture industry that were asked to testify before the committee, the perception of President Reagan that was held by the House Un-American Activities Committee (HUAC), and two selections from the testimony that President Reagan gave before the Committee in 1947. Suggested Classroom Activities: Have students look over the list of people that were subpoenaed to appear before the HUAC and see if there are any other names that they recognize (Primary Source A). Students should also read what the Committee was expecting from these witnesses. Next, have students read the internal Committee memo (Primary Source B) to see what the Committee thought about President Reagan prior to his testimony. Finally, have students read through one or both of the selections from the testimony of President Reagan before the HUAC. In the first selection (Primary Source C), students can read the testimony of both President Reagan as well as that of Walt Disney.
    [Show full text]
  • Organized Labor and Radio Station WEVD During the 1930S
    LaborHistory, Vol. 42, No. 4, 2001 Strugglingover Politics and Culture:Organized Labor and Radio Station WEVD duringthe 1930s NATHANGODFRIED* By theearly years ofthe Great Depression,corporate-controlled national radio net- works,Hollywood-centered motion picture producers,and large-circulation daily news- papers appeared todominate the means of ideological andcultural productionin the U.S.1 Labor,progressive, andradical leaderscorrectly perceivedthe mass media asan integral part ofthe larger social andeconomic relations ofproduction. Echoing the insights ofKarl Marx, they warnedof how the nation’ s dominantpropertied classes wouldseek to control society’ s “governing ideasand motives” by manipulating the massmedia tojustify, among other things,“ great inequalities in wealth in thecom- munity.”2 EdwardNockels of the Chicago Federation ofLabor (CFL),for example, protestedthat networkradio reinforcedthe luster of consumption, the holiness of the marketplace, andthe infallibility ofbusiness. The Socialist Party contendedthat commercial radio programs wereas standardized as anything rolling outof a Ford factory. Nockelsdescribed such shows as bland entertainment“ whennot outright propaganda or delusivespecial pleading.”3 Suchcriticisms foreshadowedthe arguments of e´migre´ Europeanintellectuals who,by thelate 1930s, woulddenounce mass culture for its bourgeois “consumerism,intellectual vapidness,and political complacency,”and contendthat ruling groups usedit “tomanipulate, pacify, andcontrol” the general public.4 In recentdecades, historians
    [Show full text]
  • Metro-Goldwyn-Mayer Short Story
    FOUR OUT OF TEN WINS! The record speaks for itself! There can be no question as to which company won the Quigley Short Subject Annual Exhibitor Vote. The results appeared on Page 21 of Motion Picture Herald, issue of Jan. 11, 1941, as follows: M-G-M 4 Next Company 3 Next Company 1 Next Company 1 Next Company 1 Leadership means doing the unusual first! Here's M-G-M's newest idea: Watch for this great short Tapping an unexplored field, subject! Short story masterpieces at last "THE On the screen— the first is HAPPIEST MAN 'THE HAPPIEST MAN ON EARTH" ON EARTH" One of M-G-M's most important steps featuring In years of short subject leadership. PAUL KELLY VICTOR KILLIAN Get ready for PETE SMITH'S "PENNY TO THE RESCUE," another Prudence Penny cookery The O. Henry Memorial comedy in Technicolor. It's swell. Also CAREY WILSON'S "MORE ABOUT NOSTRADAMUS/' Award -Winning Short Story a sequel to the prediction short that fascinated the nation. Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record 7 Quicker'n a wink' playing on the current program with 'Escape' is proving a sensation of unusual quality. Comments from our patrons are most enthusiastic. The sub- ject is a rare blending of scientific and entertaining units into an alto- gether delightful offering that is definitely boxoffice. This is an as- sured fact based on the number of calls we are receiving to inquire the screening time of the subject." BRUCE FOWLER, Mgr.
    [Show full text]
  • An Examination of Three Attorneys Who Represented
    UCLA UCLA Entertainment Law Review Title Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un-American Activities Committee Hearings in 1947 and the Consequences They Faced Permalink https://escholarship.org/uc/item/7mq6r2rb Journal UCLA Entertainment Law Review, 6(2) ISSN 1073-2896 Author Bose, Erica Publication Date 1999 DOI 10.5070/LR862026987 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un- American Activities Committee Hearings in 1947 and the Consequences They Faced Erica Bose* I. INTRODUCTION On September 30, 1952 an attorney appeared before the House Subcommittee on Un-American Activities in Los Angeles as an extremely hostile witness. Ben Margolis, prominent labor lawyer and well-known radical, vehemently refused to answer nearly every question Chairman John S. Wood put forth to him. When asked if he knew Edward Dmytryk, one of the first "unfriendly witnesses" to appear before the House Un-American Activities Committee (H.U.A.C.) in Washington in 1947 who later recanted and named names, Margolis responded by stating, "Unfortunately he has become a member of your stable. I refuse to answer on the ground that it would tend to degrade me by association with any such person."' When "J.D. candidate, UCLA School of Law, 2001. I would like to express my sincere thanks to Ben Margolis, Patricia Bosworth, Ellenore Bogigian Hittelman, Ring Lardner, Jr., Ann Fagan Ginger, and Michael O'Malley. Without their help, I would never have been able to write this comment.
    [Show full text]
  • 4 11"C. C(5-,,I/V-V--"-.1--• - Caa El-Dt4- 4 I K -
    ALBERT MALTZ 9120 ST. IVES DRIVE LOS ANGELES, CALIFORNIA 90069 A, I g 5 '73 wtereik des, (Li- I • 3 3 rt....J. -I- 1/4 11"C. C(5-,,i/v-v--"-.1--• - cAA el-dt4- 4 i k - , d- c FR wut 1— (TO. d / Iti-43we-sfe-N i fIrsfl 4. --(i. q 1..),I,, ..,,,,„_ --(.-_, Fn. (1., du a...„,„i Zw-LA-4 s A,,,,r-..- LA.L ik h k 'F- c..." L kva...-a , v.rErt 4 c-,.. A 14. GLAA ..), 4-ed J zi.,,e-y-. (k R_ v' t7 ce.,_444 .L.„. I vLA7 ,7721la, 4— tt,,a. (-1L/—t 4 cr-c- ii(F„ Witzit lowed began to disintegrate with the discovery those they accused of being Communists.' Robert The Hollywood 10 recalled in 1957 that the "Robert Rich" who won an Vaughn, who came to prominence as "The Man Academy Award for "The Brave One" was actually from 1.1.N,C.L.E.," has published his doctoral dtseer- Dalton Trumbo, perhaps the most rambunctious of tatleri, 3 study of thaw business blacklisting, as a the original 10, who used to earn 54,000 a week hook entitled "Only Victims." Stefan Ranier, aaso- To name before he was blacklisted. And yet many of abate editor of Time magazine, has written the the surviving victims of the blacklist—whether forthcoming "A Journal of the Plague Years," they are successful like Ring tardner Jr., who which, Like the Defoe novel of the same name, or not won an Oscar for "IWA"VH," or are on hard times shows how a disease—blacklisting—can infect an Like Alvah Bessie, who never made it back to entire society.
    [Show full text]
  • Active Viewers Guide Trumbo 1
    Active Viewers Guide Trumbo 1. Step 1 – Let’s view the trailer to the 2015 film Trumbo (located at https://www.youtube.com/watch?v=e9HbaaSukm4). 2. Step 2 – Please locate the Pre-Viewing: About Trumbo for class review. 3. Step 3 – We will now view the film, only to stop at Trumbo’s HUAC testimony (to view the videos linked below and to read the note below it), and we will also stop each time we are introduced to the characters that are found on the Cast of Trumbo page. a. We will stop to view a short history of HUAC located at https://youtu.be/FSRaDEUGRkM, and Dalton Trumbo’s HUAC testimony (located at https://www.youtube.com/watch?v=1zGHZPwImHI)y at that point in the film. Prior to watching the video we will read: Yes, Trumbo was a communist. He even openly tells his daughter about it in the movie, but he believes that shouldn't determine whether he should work or not. In the actual footage above, you can see his 1947 testimony in front of the House Committee on Un-American Activities where he was held in contempt of Congress for not admitting to being a communist. In the film's press notes, Niki said that being a communist in the '40s "meant that you were pro-labor and anti-Jim Crow, and you fought for civil rights for African Americans," she said. "It had nothing to do with Russia and everything to do with how an already great country could improve itself." Trumbo ended up going to prison for 11 months because of his beliefs.
    [Show full text]
  • A Critical Review of the 1947 HUAC Hearings and the Hollywood Ten
    Dublin Business School A Critical Review of the 1947 HUAC Hearings and the Hollywood Ten 1449707 By Emmet Kenny 5/25/2012 Acknowledgements I first want to sincerely thank my supervisor for this dissertation, Doctor Barnaby Taylor whose superb guidance, really helpful input, encouragement and overall support were invaluable to the creation of this dissertation. From start to finish he pushed me and allowed me to gain a much greater understanding and appreciation for film in general. I would also like to thank all the other lecturers I have had throughout my three years in DBS doing this course. Connor Murphy, Matt Nolan, Clare Dix, Kenny Leigh and Dave Gunning all played a huge part in helping me to fully experience the medium of film and all its aspects. Finally, I would like to offer my best regards and blessings to all of those who have supported me in any respect, mainly my mother Maura and my two sisters, Sheena and Avril for their continued support throughout the years 1 This dissertation looks at how in the aftermath of the Second World War, Hollywood became a prime target for the government forces of the conservative right. It shows how these forces through the House committee for Un-American Activities used the heightened public fear of the growing power of communist Russia as an opportunity to take down their political enemies on the left side of American politics. It will also look at the individuals who became their prime targets and the reasons behind why each of them was targeted. Finally this dissertation will show how the 1947 hearings affected each of their lives and especially careers.
    [Show full text]
  • The Hollywood Ten
    HUAC The Hollywood Ten InIn 1947,1947, CongressCongress setset upup thethe HOUSEHOUSE COMMITTEECOMMITTEE ONON UN-AMERICANUN-AMERICAN ACTIVITIESACTIVITIES (HUAC).(HUAC). It’sIt’s purposepurpose waswas toto looklook forfor CommunistsCommunists bothboth insideinside && outsideoutside government.government. HUAC House Un-American Activities Committee Congressional committee to find Communists. Focused more on Hollywood. The HUAC concentrated on the movie industry because of suspected Communist influences in Hollywood. Playwright Arthur Miller testifies before HUAC Many people were brought before HUAC. Some agreed that there had been Communist infiltration of the movie industry. They informed on others to save themselves. Hollywood in the 1950s A number of actors had been Communists in the 1930s. The US govt. had encouraged films that were pro-Soviet during WWII. Now they were out for the actors / writers / directors of “un- American” shows. In 1947, the House of Un-American Activities Committee (HUAC), which was chaired by J. Parnell Thomas, started an investigation into the Hollywood Motion Picture Industry. The HUAC interviewed 41 people who were working in Hollywood. These people were interviewed voluntarily and were known as friendly witnesses. During their interviews, they named nineteen people who they said held left-wing views. Ten of those people refused to answer any questions during the hearings thus became known as the Hollywood Ten. They were Alvah Bessie, Herbert Biberman, Lester Cole, Edward Dmytryk, Ring Lardner Jr., John Howard Lawson, Albert Maltz, Samuel Ornitz, Adrian Scott and Dalton Trumbo. HollywoodHollywood 1010 The ten men claimed that the First Amendment of the United States Constitution gave them the right to refuse to answer questions about their beliefs.
    [Show full text]
  • Screen Writers' Guild Records
    http://oac.cdlib.org/findaid/ark:/13030/c8xp773p Online items available Screen Writers' Guild Records Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2020 Screen Writers' Guild Records WGF-WGA-VII 1 Descriptive Summary Title: Screen Writers' Guild Records Dates: 1933-1954 Collection Number: WGF-WGA-VII Creator/Collector: Screen Writers' GuildWriters Guild of America, West Extent: 16.4 linear feet Online items available https://archive.org/search.php?query=publisher%3A%28screen%20writers%20guild%29 Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The Screen Writers’ Guild records detail the activities and development of members and the board. The collection contains early guild documents including correspondence, membership records, awards materials, board meeting minutes and other items. Language of Material: English Access Available by appointment only. Publication Rights The responsibility to secure copyright and publication permission rests with the patron. Preferred Citation Screen Writers' Guild Records. Writers Guild Foundation Archive Acquisition Information Transferred from the Guild Executive Office Transfiles in storage. Biography/Administrative History The Screen Writers’ Guild formed in 1920 as a professional club for film writers working in Hollywood, under the auspices of the Authors' League of America. Membership included induction into the social group The Writers as well as membership in the Authors' League. In 1933, members formalized the Screen Writers’ Guild as a labor union and it blossomed into the central organization representing screenwriters. In 1938, the Guild was officially recognized by the federal government as a labor union with collective bargaining rights.
    [Show full text]