The Inventory of the Albert Maltz Collection #150
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Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood
LH 19_1 FInal.qxp_Left History 19.1.qxd 2015-08-28 4:01 PM Page 57 Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood, Howard Fast, and the Demise of American Communism 1 Henry I. MacAdam, DeVry University Howard Fast is in town, helping them carpenter a six-million dollar production of his Spartacus . It is to be one of those super-duper Cecil deMille epics, all swollen up with cos - tumes and the genuine furniture, with the slave revolution far in the background and a love tri - angle bigger than the Empire State Building huge in the foreground . Michael Gold, 30 May 1959 —— Mike Gold has made savage comments about a book he clearly knows nothing about. Then he has announced, in advance of seeing it, precisely what sort of film will be made from the book. He knows nothing about the book, nothing about the film, nothing about the screenplay or who wrote it, nothing about [how] the book was purchased . Dalton Trumbo, 2 June 1959 Introduction Of the three tumultuous years (1958-1960) needed to transform Howard Fast’s novel Spartacus into the film of the same name, 1959 was the most problematic. From the start of production in late January until the end of all but re-shoots by late December, the project itself, the careers of its creators and financiers, and the studio that sponsored it were in jeopardy a half-dozen times. Blacklist Hollywood was a scary place to make a film based on a self-published novel by a “Commie author” (Fast), and a script by a “Commie screenwriter” (Trumbo). -
Ronald Reagan and Albert Maltz, Testimony Before HUAC, 1947
dominate the guild? Ronald Reagan and Albert Maltz, Mr. Reagan: Well, sir, by attempting to put over their own particular views on various issues, I guess you Testimony before HUAC, 1947 would have to say that our side was attempting to dominate, too, because we were fighting just as The House Un-American Activities Committee began to investigate hard to put over our views, and I think we were charges of alleged Communist influence in the movie industry in the proven correct by the figures—Mr. Murphy gave the fall of 1947. The hearings attracted an enormous amount of press figures—and those figures were always attention due to the glamour associated with Hollywood celebrities. approximately the same, an average of ninety HUAC began with a group of so-called “friendly” witnesses. They percent or better of the Screen Actors Guild voted cooperated with the investigation for a variety of reasons, including a in favor of those matters now guild policy. desire to settle old political scores. The Committee then moved to the Mr. Stripling: Mr. Reagan, there has been testimony to the effect “unfriendly” witnesses. These included some who were or had been here that numerous Communist-front organizations members of the Communist Party, but all of whom rejected HUAC’s have been set up in Hollywood. Have you ever been intrusion into their political beliefs. solicited to join any of those organizations or any Ronald Reagan, a friendly witness, was President of the Screen organization which you considered to be a Actors Guild. Albert Maltz, an unfriendly witness, was active in the Communist-front organization? Screen Writers Guild. -
Social Bonds, Sexual Politics, and Political Community on the U.S. Left, 1920S-1940S' Kathleen A
Social Bonds, Sexual Politics, and Political Community on the U.S. Left, 1920s-1940s' Kathleen A. Brown and Elizabeth Faue William Armistead Nelson Collier, a sometime anarchist and poet, self- professed free lover and political revolutionary, inhabited a world on the "lunatic fringe" of the American Left. Between the years 1908 and 1948, he traversed the legitimate and illegitimate boundaries of American radicalism. After escaping commitment to an asylum, Collier lived in several cooperative colonies - Upton Sinclair's Helicon Hall, the Single Tax Colony in Fairhope, Alabama, and April Farm in Pennsylvania. He married (three times legally) andor had sexual relationships with a number of radical women, and traveled the United States and Europe as the Johnny Appleseed of Non-Monogamy. After years of dabbling in anarchism and communism, Collier came to understand himself as a radical individualist. He sought social justice for the proletariat more in the realm of spiritual and sexual life than in material struggle.* Bearded, crude, abrupt and fractious, Collier was hardly the model of twentieth century American radicalism. His lover, Francoise Delisle, later wrote of him, "The most smarting discovery .. was that he was only a dilettante, who remained on the outskirts of the left wing movement, an idler and loafer, flirting with it, in search of amorous affairs, and contributing nothing of value, not even a hard day's work."3 Most historians of the 20th century Left would share Delisle's disdain. Seeking to change society by changing the intimate relations on which it was built, Collier was a compatriot, they would argue, not of William Z. -
Reagan, Hollywood & the Red Scare
Reagan, Hollywood & The Red Scare From the Archives brings primary source documents and exploration into the classroom. These educational resources, carefully curated by our Education team, are meant to enhance historical discussions around relevant topics of today in history, civics, geography, and economics. Overview: President Ronald Reagan was known as a staunch anti-communist. Many students are unaware that this reputation began years prior to President Reagan’s time in the White House. President Reagan began his anti- communist crusade as president, but not of the United States, instead it was the Screen Actors Guild of America. The attached documents highlight some of the members of the motion picture industry that were asked to testify before the committee, the perception of President Reagan that was held by the House Un-American Activities Committee (HUAC), and two selections from the testimony that President Reagan gave before the Committee in 1947. Suggested Classroom Activities: Have students look over the list of people that were subpoenaed to appear before the HUAC and see if there are any other names that they recognize (Primary Source A). Students should also read what the Committee was expecting from these witnesses. Next, have students read the internal Committee memo (Primary Source B) to see what the Committee thought about President Reagan prior to his testimony. Finally, have students read through one or both of the selections from the testimony of President Reagan before the HUAC. In the first selection (Primary Source C), students can read the testimony of both President Reagan as well as that of Walt Disney. -
2019-20 Atlantic 10 Commissioner's Honor Roll
2019-20 Atlantic 10 Commissioner’s Honor Roll Name Sport Year Hometown Previous School Major DAVIDSON Alexa Abele Women's Tennis Senior Lakewood Ranch, FL Sycamore High School Economics Natalie Abernathy Women's Cross Country/Track & Field First Year Student Land O Lakes, FL Land O Lakes High School Undecided Cameron Abernethy Men's Soccer First Year Student Cary, NC Cary Academy Undecided Alex Ackerman Men's Cross Country/Track & Field Sophomore Princeton, NJ Princeton High School Computer Science Sophia Ackerman Women's Track & Field Sophomore Fort Myers, FL Canterbury School Undecided Nico Agosta Men's Cross Country/Track & Field Sophomore Harvard, MA F W Parker Essential School Undecided Lauryn Albold Women's Volleyball Sophomore Saint Augustine, FL Allen D Nease High School Psychology Emma Alitz Women's Soccer Junior Charlottesville, VA James I Oneill High School Psychology Mateo Alzate-Rodrigo Men's Soccer Sophomore Huntington, NY Huntington High School Undecided Dylan Ameres Men's Indoor Track First Year Student Quogue, NY Chaminade High School Undecided Iain Anderson Men's Cross Country/Track & Field Junior Helena, MT Helena High School English Bryce Anthony Men's Indoor Track First Year Student Greensboro, NC Ragsdale High School Undecided Shayne Antolini Women's Lacrosse Senior Babylon, NY Babylon Jr Sr High School Political Science Chloe Appleby Women's Field Hockey Sophomore Charlotte, NC Providence Day School English Lauren Arkell Women's Lacrosse Sophomore Brentwood, NH Phillips Exeter Academy Physics Sam Armas Women's Tennis -
Organized Labor and Radio Station WEVD During the 1930S
LaborHistory, Vol. 42, No. 4, 2001 Strugglingover Politics and Culture:Organized Labor and Radio Station WEVD duringthe 1930s NATHANGODFRIED* By theearly years ofthe Great Depression,corporate-controlled national radio net- works,Hollywood-centered motion picture producers,and large-circulation daily news- papers appeared todominate the means of ideological andcultural productionin the U.S.1 Labor,progressive, andradical leaderscorrectly perceivedthe mass media asan integral part ofthe larger social andeconomic relations ofproduction. Echoing the insights ofKarl Marx, they warnedof how the nation’ s dominantpropertied classes wouldseek to control society’ s “governing ideasand motives” by manipulating the massmedia tojustify, among other things,“ great inequalities in wealth in thecom- munity.”2 EdwardNockels of the Chicago Federation ofLabor (CFL),for example, protestedthat networkradio reinforcedthe luster of consumption, the holiness of the marketplace, andthe infallibility ofbusiness. The Socialist Party contendedthat commercial radio programs wereas standardized as anything rolling outof a Ford factory. Nockelsdescribed such shows as bland entertainment“ whennot outright propaganda or delusivespecial pleading.”3 Suchcriticisms foreshadowedthe arguments of e´migre´ Europeanintellectuals who,by thelate 1930s, woulddenounce mass culture for its bourgeois “consumerism,intellectual vapidness,and political complacency,”and contendthat ruling groups usedit “tomanipulate, pacify, andcontrol” the general public.4 In recentdecades, historians -
Metro-Goldwyn-Mayer Short Story
FOUR OUT OF TEN WINS! The record speaks for itself! There can be no question as to which company won the Quigley Short Subject Annual Exhibitor Vote. The results appeared on Page 21 of Motion Picture Herald, issue of Jan. 11, 1941, as follows: M-G-M 4 Next Company 3 Next Company 1 Next Company 1 Next Company 1 Leadership means doing the unusual first! Here's M-G-M's newest idea: Watch for this great short Tapping an unexplored field, subject! Short story masterpieces at last "THE On the screen— the first is HAPPIEST MAN 'THE HAPPIEST MAN ON EARTH" ON EARTH" One of M-G-M's most important steps featuring In years of short subject leadership. PAUL KELLY VICTOR KILLIAN Get ready for PETE SMITH'S "PENNY TO THE RESCUE," another Prudence Penny cookery The O. Henry Memorial comedy in Technicolor. It's swell. Also CAREY WILSON'S "MORE ABOUT NOSTRADAMUS/' Award -Winning Short Story a sequel to the prediction short that fascinated the nation. Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record 7 Quicker'n a wink' playing on the current program with 'Escape' is proving a sensation of unusual quality. Comments from our patrons are most enthusiastic. The sub- ject is a rare blending of scientific and entertaining units into an alto- gether delightful offering that is definitely boxoffice. This is an as- sured fact based on the number of calls we are receiving to inquire the screening time of the subject." BRUCE FOWLER, Mgr. -
An Examination of Three Attorneys Who Represented
UCLA UCLA Entertainment Law Review Title Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un-American Activities Committee Hearings in 1947 and the Consequences They Faced Permalink https://escholarship.org/uc/item/7mq6r2rb Journal UCLA Entertainment Law Review, 6(2) ISSN 1073-2896 Author Bose, Erica Publication Date 1999 DOI 10.5070/LR862026987 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un- American Activities Committee Hearings in 1947 and the Consequences They Faced Erica Bose* I. INTRODUCTION On September 30, 1952 an attorney appeared before the House Subcommittee on Un-American Activities in Los Angeles as an extremely hostile witness. Ben Margolis, prominent labor lawyer and well-known radical, vehemently refused to answer nearly every question Chairman John S. Wood put forth to him. When asked if he knew Edward Dmytryk, one of the first "unfriendly witnesses" to appear before the House Un-American Activities Committee (H.U.A.C.) in Washington in 1947 who later recanted and named names, Margolis responded by stating, "Unfortunately he has become a member of your stable. I refuse to answer on the ground that it would tend to degrade me by association with any such person."' When "J.D. candidate, UCLA School of Law, 2001. I would like to express my sincere thanks to Ben Margolis, Patricia Bosworth, Ellenore Bogigian Hittelman, Ring Lardner, Jr., Ann Fagan Ginger, and Michael O'Malley. Without their help, I would never have been able to write this comment. -