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Bibliography UvA-DARE (Digital Academic Repository) History by proxy: imaging the great Irish famine Kelly, N.A. Publication date 2010 Link to publication Citation for published version (APA): Kelly, N. A. (2010). History by proxy: imaging the great Irish famine. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 History by Proxy BIBLIOGRAPHY Agamben, Giorgio. 2008. Remnants of Auschwitz. New York: Zone Books. Alpers, Svetlana. 1993. “Is art history?” Explanation and Value in the Arts, ed. Salim Kemal and Ivan Gaskell, 109-126. Cambridge: Cambridge University Press. Anderson, Benedict. 1983. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso. Anne Frank House. N.D. The Restoration of the Anne Frank House, ‘A House with a Story’. Amsterdam: The Anne Frank House. Arendt, Hannah. 1968. “Preface”. Between Past and Future, Hannah Arrendt, 3-15. New York: Penguin Group. Astill, James. 2002. “The Hidden Disaster”, in “Famine in Africa”. Supplement, The Guardian, in association with Concern. 30 November. Baer, Ulrich. 2000. “To Give Memory a Place: Holocaust Photography and the Landscape Tradition”. Representations 69 (Winter): 38-62. ---. 2002. Spectral Evidence. Cambridge, Mass./London: MIT press. Bal, Mieke. 1996. Double Exposures: The Subject of Cultural Analysis. New York/London: Routledge. ---. 1999. (a) “Introduction”. Acts of Memory: Cultural Recall in the Present, ed. Mieke Bal, Jonathan Crewer, and Leo Spitzer, vii-xvii. Hanover: Dartmouth College. ---. 1999. (a) “Memories in the Museum: Preposterous Histories for Today”. Acts of Memory – Cultural Recall in the Present, ed. Mieke Bal, Jonathan Crewer, ad Leo Spitzer, 171-190. Hanover: University Press of New England. ---. 1999. (b) Narratology: Introduction to the Theory of Narrative. Toronto/Buffalo/London: University of Toronto Press. ---. 2002. Travelling Concepts in the Humanities – A Rough Guide. Toronto/Buffalo/London: University of Toronto Press. ---. 2003. “Visual Essentialism and the Object of Visual Culture”. Journal of Visual Culture, 2 (5): 5-32. ---. 2007. “The Pain of Images”. Beautiful Suffering – Photography and the Traffic in Pain, ed. Mark Reinhardt, Holly Edwards and Erina Duganne, 93-115. Chicago: The University of Chicago Press. Balme, Christopher B. 1998. “Staging the Pacific: Framing Authenticity in Performances for Tourists at the Polynesian Cultural Center.” Theatre Journal 50 (4): 53-70. Bann, Stephen. 1998. “Art History & Museums”. The Subjects of Art History – Historical Objects in Contemporary Perspective, ed. Mark A. Cheetham, Michael 326 Bibliography Ann Holly and Keith Moxey, 230-249. Cambridge: Cambridge University Press. Barber, Fionna. 2004. “Alanna O’Kelly’s Sanctuary/Wasteland: Location, Memory and Hunger in Recent Irish Visual Culture”. Social History Society Annual Conference. University Of Rouen, Rouen, France, 9 January 2004 (unpublished). Bardgett, Suzanne. 2009. “Representing Repression in Museums: Challenges, Pressures, Methodologies”. Irish Museums Association Annual Conference. The Museum: A Dialogue In Shared Histories and Common Heritage. Derry/Londonderry, 27 February – 1 March 2009 (unpublished). Barthes, Roland. 2000. Camera Lucida. London: Vintage. Batchen, Geoffrey. 2004. Forget Me Not - Photography and Remembrance. New York: Princeton Architectural Press. Battersby, Christine. 1994. “Gender and the Picturesque: Recording ruins in the landscape of patriarchy”. Public Bodies Private States – New views on Photography, Representation and Gender, ed. Jane Brettle and Sally Rice, 78-95. Manchester: Manchester University Press. Baudrillard, Jean. 1994. “The System of Collecting”. The Cultures of Collecting, ed. John Elsner and Roger Cardinal. London: Reaktion Books. Beiner, Guy. 2005. “Commemorative Heritage and the Dialectic of Memory”. Ireland’s Heritages – Critical Perspective on Memory and Identity, ed. Mark McCarthy, 55- 69. Hants/ Burlington: Ashgate. Benjamin, Walter. 1999. “Theses on the Philosophy of History”. Illuminations, Walter Benjamin, 245-255. London: Pimlico. Bennett, W. Lance, Lawrence, Regina G., Livingston, Steven. 2008. When the Press Rails: Political Power and the New Media from Iraq to Katrina. Chicago: University of Chicago Press. Bennett, Tony. 1995. The Birth of the Museum. New York: Routledge. Berger, John. 1972. Ways of Seeing. London: Harmondsworth/Penguin. Bertelsen, Lars Kiel. 2008. “Reading Photographs Iconographically and Ichnographically”. The Meaning of Photography, ed. Robin Kelsey and Blake Stimson, 169-177. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute. Bhabha, Homi K. 1989. “Remembering Fanon”. Remaking History, ed. Barbara Kruger and Phil Mariani, 131-148. Seattle: Bay Press. ---. 1994. The Location of Culture. London: Routledge. 327 History by Proxy ---. 1996. “Aura and Agora: On Negotiating Rapture and Speaking Between”. Negotiating Rapture: The Power of Art to Transform Lives, Chicago Museum of Contemporary Art, 8-17. Chicago: Museum of Contemporary Art. ---. 1999. “DissemiNation: Time, Narrative, and the Margins of the Modern Nation”. Nation and Narration, ed. Homi K. Bhabha, 291-322. London and New York: Routledge. Bhreathnach-Lynch, Sighle. 1997. a “The Easter Rising 1916: Constructing a Canon in Art and Artefacts”. History Ireland 5 (1): 37-42. ---. 1997 b. “Framing the Irish: Victorian paintings of the Irish peasant”. Journal of Victorian Culture, 2 (2): 245-260. Blom, Thomas. 2000. “Morbid Tourism – A Postmodern Market Niche with an Example from Althrop”. Norwegian Journal of Geography, 54 (1): 29-36. Boland, Eavan. 2005. New Collected Poems. Manchester: Carcanet Press Ltd. Bonnell, Jennifer and Simon, Roger L. 2007. “’Difficult’ Exhibitions and Intimate Encounters”. Museum and Society, 5 (2): 65-68. Bordo, Jonathan. 2002. “Picture and Witness at the Site of Wilderness”. Landscape and Power ed. WJT Mitchell, 291-312. Chicago and London: University of Chicago Press. Bourke, Maire and Bhreathnach-Lynch, Sighle. 1999. Discover Irish Art at the National Gallery of Ireland. Dublin: The National Gallery of Ireland. Bourke, Marie. 1994. “Rural Life in Pre-Famine Connacht: A Visual Document”. Ireland – Art into History, ed. Brian P. Kennedy and Raymond Gillespie, 61-74. Dublin: Town House & Country House. Brawne, Michael. 1984. “Museums – Mirrors of their Time?” The Architectural Review 175 (February): 17-19. Butler, Judith. 2004. Precarious Life: The Powers of Mourning and Violence. London and New York: Verso. Campbell, Stephen J. 1994. The Great Irish Famine, Words and Images from the Famine Museum Strokestown Park, County Roscommon. Roscommon: The Famine Museum. Clarkson, L.A. 1989. “Conclusion: Famine and Irish History”. Famine: the Irish Experience, 900-1900, ed. Margaret E. Crawford, 220- 236. Edinburgh: John Donald Publishers. Conlon-McKenna, Marita. 1990. Under the Hawthorne Tree, Dublin: O’Brien Press ---. 1992. Wildflower Girl Dublin: O’Brien Press. ---. 1996. Fields of Home Dublin: O’Brien Press. Connelly, Charlie. 2009. And Did Those Feet: Walking Through 2,000 Years of British and Irish History. London: Little, Brown. 328 Bibliography Cooke, Lynne. 1998. “A Photo-Filmic Odyssey”. Tracey Moffatt: Free-Falling, ed. Dia Center for the Arts, 23-39. New York City: Dia Center for the Arts. Coombes, Annie E. 1991. “Ethnography and the fromation of national and cultural identities”. The Myth of Primitivism – Perspectives on Art, ed. Susan Hiller, 189- 214. London/New York: Routledge. Coulter, Riann. 2003. “Hibernian Salon des Refuses”. Irish Arts Review 20 (3): 80-85 Crawford Gallery of Art. 2006. Whipping the Herring – Survival and Celebration in Nineteenth Century Irish Art. Kinsale: Gandon Editions. Crawford, Donald W. 1993. “Comparing Natural and Artistic Beauty.” Landscape, Natural Beauty and the Arts, ed. Salim Kemal and Ivan Gaskell, 183-198. Cambridge: Cambridge University Press. Crawford, Margaret E. 1989. “Subsistence Crises and Famines in Ireland: A nutritionist’s View”. Famine: the Irish Experience, 900-1900, ed. Margaret E. Crawford, 198-219. Edinburgh: John Donald Publishers. ---. 1994. “The Great Irish Famine 1845-9: Image Versus Reality”. Ireland – Art into History, ed. Brian P. Kennedy and Raymond Gillsepie, 75-88. Dublin: Town House and Country House. Crookshank, Anne and the Knight of Glin. 2002. Ireland’s Painters 1600-1940. Yale: Yale University. Crowley, John. 2000. “Exhibiting the Great Famine”. The Heritage of Ireland – Natural, Man-Made and Cultural Heritage. Conservation and Interpretation, ed. Neil Buttimer, Colin Rynne, Helen Guerin, 399-403. Cork: The Collins Press. Cullen, Fintan, ed. 2000. Sources in Irish Art – A Reader. 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