Preemptive Execution in Tacitus' Annals
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ANNALS UNABRIDGED Read by David Timson
TACITUS NON- FICTION ANNALS UNABRIDGED Read by David Timson Beginning at the end of Augustus’s reign, Tacitus’s Annals examines the rules of the Roman emperors from Tiberius to Nero (though Caligula’s books are lost to us). Their dramas and scandals are brought fully under the spotlight, as Tacitus presents a catalogue of their murders, atrocities, sexual improprieties and other vices in no unsparing terms. Debauched, cruel and paranoid, they are portrayed as being on the verge of madness. Their wars and battles, such as the war with the Parthians, are also described with the same scrutinising intensity. Tacitus’s last major historical work, the Annals is an extraordinary glimpse into the pleasures and perils of a Roman leader, and is considered by many to be a masterpiece. David Timson has made over 1,000 broadcasts for BBC Radio Drama. For Naxos AudioBooks he has written The History of Theatre, an award-winning Total running time: 18:11:34 production read by Derek Jacobi, and directed four Shakespeare plays including View our catalogue online at n-ab.com/cat King Richard III (with Kenneth Branagh). He has also read the entire Sherlock Holmes canon and Gibbon’s Decline and Fall of the Roman Empire. 1 The Annals of Imperial Rome 14:18 27 The emperor opposed the motion. ‘Although,’ he said… 11:46 2 On the first day of the senate he allowed nothing to… 14:33 28 Book 4 15:05 3 Great too was the Senate’s sycophancy to Livia. 14:31 29 The same honours were decreed to the memory of… 14:28 4 As soon as he entered the entrenchments… 12:30 30 -
Women in Criminal Trials in the Julio-Claudian Era
Women in Criminal Trials in the Julio-Claudian Era by Tracy Lynn Deline B.A., University of Saskatchewan, 1994 M.A., University of Saskatchewan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Classics) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2009 © Tracy Lynn Deline, 2009 Abstract This study focuses on the intersection of three general areas: elite Roman women, criminal law, and Julio-Claudian politics. Chapter one provides background material on the literary and legal source material used in this study and considers the cases of Augustus’ daughter and granddaughter as a backdrop to the legal and political thinking that follows. The remainder of the dissertation is divided according to women’s roles in criminal trials. Chapter two, encompassing the largest body of evidence, addresses the role of women as defendants, and this chapter is split into three thematic parts that concentrate on charges of adultery, treason, and other crimes. A recurring question is whether the defendants were indicted for reasons specific to them or the indictments were meant to injure their male family members politically. Analysis of these cases reveals that most of the accused women suffered harm without the damage being shared by their male family members. Chapter three considers that a handful of powerful women also filled the role of prosecutor, a role technically denied to them under the law. Resourceful and powerful imperial women like Messalina and Agrippina found ways to use criminal accusations to remove political enemies. Chapter four investigates women in the role of witnesses in criminal trials. -
Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Valerius Maximus on Vice: a Commentary of Facta Et Dicta
Valerius Maximus on Vice: A Commentary on Facta et Dicta Memorabilia 9.1-11 Jeffrey Murray University of Cape Town Thesis Presented for the Degree of Doctor of Philosophy (Classical Studies) in the School of Languages and Literatures University of Cape Town June 2016 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Abstract The Facta et Dicta Memorabilia of Valerius Maximus, written during the formative stages of the Roman imperial system, survives as a near unique instance of an entire work composed in the genre of Latin exemplary literature. By providing the first detailed historical and historiographical commentary on Book 9 of this prose text – a section of the work dealing principally with vice and immorality – this thesis examines how an author employs material predominantly from the earlier, Republican, period in order to validate the value system which the Romans believed was the basis of their world domination and to justify the reign of the Julio-Claudian family. By detailed analysis of the sources of Valerius’ material, of the way he transforms it within his chosen genre, and of how he frames his exempla, this thesis illuminates the contribution of an often overlooked author to the historiography of the Roman Empire. -
Rebellious Legions and Senatorial Delegations: Tacitus’ Histories 1.19 and 1.74
Rebellious Legions and Senatorial Delegations: Tacitus’ Histories 1.19 and 1.74 Reports of the revolt of the Fourth and Twenty-Second Legions in Upper Germany during the first days of 69 prompted the Roman Senate to vote to send out a delegation. Tacitus discusses the make-up of this delegation in Histories 1.19.2. Members of the senate obviously were to participate, but there was also discussion secreto (Heubner 57; Sage ANRW II.33.2 899) as to whether Piso, newly adopted by Galba, should go “in order to add the prestige of a Caesar to the senate’s authority” (illi auctoritatem senatus, hic dignationem Caesaris laturus). The senate further resolved (placebat) to send Laco, the praetorian prefect, with the legati. Laco, however, refused (is consilio intercessit). At the end of Tacitus’ account we learn that the senate left the selection of the actual members of the delegation to Galba. The emperor consequently exposed the political nature of the delegation and the power struggles among the Romans by incompetently naming and then revising his list of envoys as they either begged to go or to stay in Rome, ut quemque metus uel spes impulerat. Otho recalled this delegation (1.74.2) after Galba’s murder and his own accession to power, only to send out another specie senatus (cf. Talbert 1984, 410), after adding praetorian guards per simulationem officii. In addition to being sent to the two legions in Upper Germany, Otho sent the delegation to the Italic Legion and an urban cohort stationed in Lugdunum. According to Tacitus, the praetorians were sent back without being granted the opportunity to “mix” (Damon 164) with the legions, although the senatorial envoys got to Vitellius and stayed with him longer than was justifiable (Chilver 137). -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
The Supernatural in Tacitus When Compared with His Predecessor Livy, Tacitus Has Been Said to Be Less Interested in the “Super
The Supernatural in Tacitus When compared with his predecessor Livy, Tacitus has been said to be less interested in the “supernatural,” a rubric under which we include the prodigies and omens of traditional Roman religion; characters’ participation in forms of religious expression, both traditional and non-normative; and nebulous superhuman forces such as fate and fortune. In this panel, we seek to modify this perception by investigating aspects of the superhuman, religious, and/or inexplicable in Tacitus’ works that contribute in important ways to his historiographical project and to our view of Tacitus as an historian. As the most recent contribution on this topic shows (K. Shannon-Henderson, Religion and Memory in Tacitus’ Annals. Oxford, 2019), religion and its related fields are extremely important to Tacitus’ narrative technique, and ‘irrational’ elements such as fatum and fortuna are constantly at play in Tacitus’ works, particularly, but not exclusively, in his historical narratives. Each of the five papers that we have gathered for this panel addresses these topics from different angles, whether focusing more on the literary, historical, or linguistic elements of the Tacitean narrative under examination. Two papers focus on omens and other ways of predicting the future; two examine religious experiences of Tacitus’ characters; and one considers the role of fortuna in the world of the Dialogus. In the first paper, Contributor #1 examines the value of observing supernatural signs for decision-making in the Histories. In particular, s/he looks at the practical value of observing and interpreting supernatural signs as predictors of the future success or failure of military leaders. -
Galba 5 B.C.? - 69 A.D
75 AD GALBA 5 B.C.? - 69 A.D. Plutarch translated by John Dryden Plutarch (46-120) - Greek biographer, historian, and philosopher, sometimes known as the encyclopaedist of antiquity. He is most renowned for his series of character studies, arranged mostly in pairs, known as “Plutarch’s Lives of the Noble Grecians and Romans” or “Parallel Lives.” Galba (75 AD) - A study of the life of the Roman Emperor, Galba. GALBA IPHICRATES the Athenian used to say that it is best to have a mercenary soldier fond of money and of pleasures, for thus he will fight the more boldly, to procure the means to gratify his desires. But most have been of opinion, that the body of an army, as well as the natural one, when in its healthy condition, should make no efforts apart, but in compliance with its head. Wherefore they tell us that Paulus Aemilius, on taking command of the forces in Macedonia, and finding them talkative and impertinently busy, as though they were all commanders, issued out his orders that they should have only ready hands and keen swords, and leave the rest to him. And Plato, who can discern use of a good ruler or general if his men are not on their part obedient and conformable (the virtue of obeying, as of ruling, being, in his opinion, one that does not exist without first a noble nature, and then a philosophic education, where the eager and active powers are allayed with the gentler and humaner sentiments), may claim in confirmation of his doctrine sundry mournful instances elsewhere, and, in particular, the events that followed among the Romans upon the death of Nero, in which plain proofs were given that nothing is more terrible than a military force moving about in an empire upon uninstructed and unreasoning impulses. -
Representing Roman Female Suicide. Phd Thesis
GUILT, REDEMPTION AND RECEPTION: REPRESENTING ROMAN FEMALE SUICIDE ELEANOR RUTH GLENDINNING, BA (Hons) MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis examines representations of Roman female suicide in a variety of genres and periods from the history and poetry of the Augustan age (especially Livy, Ovid, Horace, Propertius and Vergil), through the drama and history of the early Principate (particularly Seneca and Tacitus), to some of the Church fathers (Tertullian, Jerome and Augustine) and martyr acts of Late Antiquity. The thesis explores how the highly ambiguous and provocative act of female suicide was developed, adapted and reformulated in historical, poetic, dramatic and political narratives. The writers of antiquity continually appropriated this controversial motif in order to comment on and evoke debates about issues relating to the moral, social and political concerns of their day: the ethics of a voluntary death, attitudes towards female sexuality, the uses and abuses of power, and traditionally expected female behaviour. In different literary contexts, and in different periods of Roman history, writers and thinkers engaged in this same intellectual exercise by utilising the suicidal female figure in their works. ii Acknowledgments I would like to thank the Arts and Humanities Research Council for providing the financial assistance necessary for me to carry out this research. The Roman Society also awarded a bursary that allowed me to undertake research at the Fondation Hardt pour I'etude de I'antiquite classique, in Geneva, Switzerland (June 2009). I am also grateful for the CAS Gender Histories bursary award which aided me while making revisions to the original thesis. -
Matthew Gwinne's Nero
Matthew Gwinne’s Nero (1603): Seneca, Academic Drama, and the Politics of Polity 16 Emma Buckley University of St. Andrews Broadly speaking, J.W. Cunliffe’s narrative of the role of Senecan influence in the early modern period still holds good today, positing as it does a reception history moving from performance, to the influential 1550s translations, to a final phase of Senecan contact in the mature vernacular dramaturgy of the Elizabethan age, where Senecan drama plays an important (but more limited role) in inspiring the Renaissance revenge-tragedy model. Though it may be difficult to isolate ‘Seneca’ in the melting-pot of other literary influences, from the medievalde casibus tradition to tragedies being produced on the continent, it is clear that Senecan tragedy makes a special contribution to the bloodthirsty, spectacular and rhetorically-daring theatre of the late Tudor age.1 In its movement from production, through translation, to cre- ative reconfiguration, and working from dependency to independence, from Latin to English, and from private to public, such a reception-model for ‘Seneca in English’ offers a satisfying arc of progression that fits with the broader story of a Renaissance literary culture, challenging and surpassing norms of what had previously been con- sidered Classical ‘perfection’. In such a narrative, it is easy for the so-called ‘academic drama’ of the late six- teenth century-a form of theatre displaying conspicuous and deep-set engagement with Seneca, and with its roots in the earlier phases of Senecan reception-to -
Caught Not by Surprise: Captatio in Roman Satire and Law
HUMANITIESSTEM | Astronomy | Classics VOL.VOL. 1.1 1.1 | |Dec. Nov. 2020 2020 Caught Not by Surprise: Captatio in Roman Satire and Law Alisia (Si Hui) Pan1 1Yale University Abstract What constitutes the legacies left behind by the Roman Empire and who has been empowered to evaluate their value and legitimacy? The Romans left wills, expressions of the most solemn and honest emotions prompted by a sense of duty and declarations which insured one’s remembrance in life and death. The authors left evaluations, through which the frequent appearance of certain topoi characterized vivid aspects of daily life and expected societal practices. Scholars are left conflict- ed. To reconstruct the social world of family, friends, enemies, and community members, it is necessary to interact with both literary and legal texts to understand the intentions of the testatores when drafting and revising their final wishes. In hoping to remain attuned to assumptions of typified Roman life, this essay aims to connect practiced legal undertakings and established characterization of the parasite to the condemnation of captatio in the first centuries BCE and CE. Aurelia ornata femina signatura testamentum sumpserat he forced her to open her will and to leave him the tunic that pulcherrimas tunicas. Regulus cum uenisset ad signandum, she has put on. Aurelia considered such a request to be a joke, ‘Rogo,’ inquit ‘has mihi leges.’ Aurelia ludere hominem pu- as contemporary and modern audiences would largely agree, tabat, ille serio instabat; ne multa, coegit mulierem aperire but Regulus insisted. His persistence was driven by greed and tabulas ac sibi tunicas quas erat induta legare nurtured in a socio-historical context where such a peculiar (Pliny, Letters and Panegyricus, 1:2.20.10-11).1 practice of legacy-hunting (captatio) was widely and tactfully carried out in accordance with the law, at least in literature. -
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