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Judy & Punch: Amor E Vingança
COMUNICADO DE IMPRENSA 23/07/2020 Museu da Marioneta exibe bonecos tradicionais que dão origem ao filme ‘JUDY & PUNCH: AMOR E VINGANÇA’ ESTREIA NA PRÓXIMA SEMANA Mia Wasikowska e Damon Herriman são ‘Judy & Punch: Amor e Vingança’, uma adaptação de Mirrah Foulkes do tradicional espetáculo de marionetas. O filme estreia a 30 de julho nos cinemas nacionais e com o bilhete de cinema é possível obter 50% de desconto para a Exposição Permanente do Museu da Marioneta, em Lisboa. Judy e Punch são autores de um espetáculo de marionetas em Seaside, uma cidade sem costa que, em pleno século XVII, é dominada pela pobreza e violência. Apesar do sucesso das suas representações teatrais, também a vida do casal vai ser tomada pelo caos e tragédia que os rodeia, numa mistura entre conto de fadas e realidade que revela a natureza inevitável de cada um. A direção desta produção australiana ficou a cargo da atriz e argumentista Mirrah Foulkes (‘Reino Animal’, ‘The Turning’ e séries ‘All Saints’, ‘Top of the Lake’). Depois das experiências de realização em curta-metragens (a primeira, ‘Dumpy Goes to the Big Smoke’, foi em 2012), Foulkes sentiu-se inspirada para criar este filme “a partir de um espetáculo de marionetas esquisito e misógino, explorando a nossa obsessão contemporânea por violência e, dessa forma, reapropriar e reavivar os seus significados e ressonâncias com o clima atual”. O resultado é um filme sombrio, realista e divertido, onde a imaginação não tem limites. Os protagonistas são interpretados por Mia Wasikowska (‘Alice no País das Maravilhas’, ‘Os Miúdos Estão Bem’, ‘O Homem do Coração de Ferro’) e Damon Herriman (‘Era uma vez em…Hollywood’, ‘The Nightingale’, e séries ‘Caçador de Mentes', ‘Justified’). -
Parent/Student Handbook 2020-2021
ALL SAINTS CATHOLIC SCHOOL Parent/Student Handbook 2021-2022 Administration is the final resource and has the right to amend this handbook at any time. 2021-2022 School Staff Administration Ms. Kristen Strausbaugh Principal [email protected] Mr. Gary Yee Assistant Principal [email protected] Mrs. Christine Lerch School Counselor [email protected] Mrs. Micki Shore Curriculum Director [email protected] Mrs. Michele Santillan Director of Advancement & Marketing [email protected] Mrs. Jennifer Walker Accountant [email protected] Office Staff Mrs. Andrea Hansen Administrative Assistant [email protected] Director of Admissions Mrs. Carol Pisarski [email protected] Administrative Assistant Teachers Preschool Mrs. Liz Muncy Teacher 112 [email protected] Pre-Kindergarten Ms. Susan Swiderek Teacher 113 [email protected] Mrs. Tina Sowders Teacher 114 [email protected] Kindergarten Mrs. Gina Simmons Teacher 109 [email protected] Mrs. Erin Kolpacke Teacher 103 [email protected] Mrs. Alicia Baker Teacher 111 [email protected] Mrs. Amy McIvor Teacher 105 [email protected] Grade 1 Mrs. Lisa Formosa Teacher 102 [email protected] Ms. Samantha Vendittelli Teacher 106 [email protected] Mrs. Alex Spangler Teacher 110 [email protected] Grade 2 Mrs. Michelle MacLellan Teacher 107 [email protected] Mrs. Kayla DeLuna Teacher 105 [email protected] Mrs. Sarah Button Teacher 104 [email protected] Grade 3 Mrs. Nancy Christie Teacher 108 [email protected] Ms. Jessica Swartz Teacher 101 [email protected] Ms. Alexa Deutschmann Teacher 300 [email protected] Grade 4 Mrs. Lori Trower Teacher 202 [email protected] Mrs. Maria MacKenzie Teacher 203 [email protected] Mrs. MaryBeth Nicholas Teacher 204 [email protected] Grade 5 and 6 Ms. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Mitchell Brothers – Vaudeville and Western
Vaudeville and the Last Encore By Marlene Mitchell February, 1992 William Mitchell, his wife Pearl Mitchell, and John Mitchell 1 Vaudeville and the Last Encore By Marlene Mitchell February, 1992 Vaudeville was a favorite pastime for individuals seeking clean entertainment during the early part of the 20th century. The era of vaudeville was relatively short because of the creation of new technology. Vaudeville began around 1881 and began to fade in the early 1930s.1 The term vaudeville originated in France.2 It is thought that the term vaudeville was from “Old French vaudevire, short for chanson du Vaux de Vire, which meant popular satirical songs that were composed and presented during the 15th century in the valleys or vaux near the French town of Vire in the province of Normandy.”3 How did vaudeville begin? What was vaude- ville’s purpose and what caused its eventual collapse? This paper addresses the phenomenon of vaudeville — its rise, its stable but short lifetime, and its demise. Vaudeville was an outgrowth of the Industrial Revolution, which provided jobs for peo- ple and put money in their pockets.4 Because of increased incomes, individuals began to desire and seek clean, family entertainment.5 This desire was first satisfied by Tony Pastor, who is known as the “father of vaudeville.”6 In 1881 Pastor opened “Tony Pastor’s New Fourteenth Street Theatre” and began offering what he called variety entertainment.7 Later B. F. Keith, who is called the “founder of vaudeville,” opened a theater in Boston and expanded on Pastor’s original variety concept.8 Keith was the first to use the term “vaudeville” when he opened his theater in Boston in 1894.9 Keith later joined with E. -
Download Detailseite
BERLINALE SPECIAL TOP OF THE LAKE Jane Campion Bis zur Brust steht die zwölfjährige Tui im eiskalten See in der neusee- Australien/Neuseeland 2012 Garth Davis ländischen Provinz. Sie hat offensichtlich mit dem Gedanken gespielt, Länge 350 Min. · Format DCP · Farbe sich umzubringen. Es stellt sich heraus, dass sie im fünften Monat STABLISTE schwanger ist. Die Polizistin Robin, die vorübergehend in ihren Heimat- Regie Jane Campion, Garth Davis ort versetzt wurde, wird als Spezialistin für Kindesmissbrauch von der Buch Jane Campion, Gerard Lee örtlichen Polizei eingeschaltet. Doch noch bevor sie eine Beziehung zu Kamera Adam Arkapaw dem Mädchen aufbauen kann, verschwindet Tui spurlos, und eine breit Schnitt Alexandre De Franceschi, angelegte Suchaktion beginnt. Um das Netz der Intrigen und Machen- Scott Gray schaften zu zerschlagen, muss sich Robin ihrer eigenen Vergangenheit Musik Mark Bradshaw stellen. Zur gleichen Zeit richtet sich am See eine Frauenkommune in Ausstattung Fiona Crombie BIOGRAFIE Art Director Ken Turner Jane Campion Geboren 1954 in Wellington, einer verwunschenen Landschaft aus Containern ein. Angeführt wird sie von einer geheimnisvollen Frau mit langen weißen Haaren. Kostüm Emily Seresin Neuseeland. Sie studierte zwei Jahre Malerei Maske Noriko Watanabe Mit ihrer sechsteiligen TV-Serie heben die Regisseurin Jane Campion und wechselte 1981 auf die Australian Film Produzentin Phillippa Campbell Television and Radio School. 1986 wurde ihr und ihr Co-Regisseur Garth Davis das Erzählen in Fernsehformaten auf Ausführende Produzenten Emile Sherman, Kurzfilm AN EXERCISE IN DISCIPLINE – PEEL eine neue ästhetische Stufe. Alle Elemente eines spannenden Krimis Iain Canning mit der Goldenen Palme ausgezeichnet. 1991 sind da. Eingebettet in eine magisch-mystische Landschaft, zeichnet mit AN ANGEL AT MY TABLE Gast des Forums. -
Filming Begins on Fighting Season a Foxtel Original Drama
Media Release: Monday, May 8 2017 Filming begins on Fighting Season A Foxtel original drama L-R: Jay Ryan, Ewen Leslie (sitting) George Pullar, Paul De Gelder , Marco Alosio, Julian Maroun (sitting), Photo by Mark Rogers Foxtel today announced that Fighting Season, a complex, character-driven drama about Australian soldiers returning from Afghanistan, begins filming this week in Sydney with a superb ensemble cast. Jay Ryan (Beauty and the Beast, Top of the Lake,) Ewen Leslie (Top of the Lake, The Daughter), and Kate Mulvany (Secret City, The Great Gatsby), headline a cast that also includes new and diverse talent including George Pullar (A Place to call Home S5), Marco Alosio, Julian Maroun, Paul De Gelder, Sarah Armanious and Sabryna Walters. Lucy Bell, Lex Marinos, David Roberts, Camilla Ah Kin, Ching Po and Jay Lagaiai will play supporting roles. The series will be helmed by the award-winning Director Kate Woods (Looking for Alibrandi), who returns to Australia after a decade in the US working on shows such as Law and Order SVU, Nashville and Suits. Also directing is the dynamic Ben Lucas (Wasted on the Young). Fighting Season, from production company Goalpost Pictures (Cleverman,The Sapphires) and writer Blake Ayshford (Barracuda, Devil’s Playground) is the story about the invisible men and women who fight for our country, what they bring home and what of themselves they leave behind, and the secrets that must remain hidden. The six-part event drama is a compelling mystery regarding a possible cover-up where the lines between killer and family man, between hero and victim, between truth and imagination, are constantly shifting. -
Nominees for Election
128th Annual Council of the Diocese of Southern Virginia Nominees for Election Standing Committee The Standing Committee is composed of three members of the clergy and three members of the laity. It acts as a Council of Advice to the Bishop and assumes many Episcopal duties for the diocese if there is a vacancy in the Bishop’s Office, as outlined in the Diocesan Constitution Article XV, Diocesan Canon V and in the Canons of the National Church. Lay Nominees, one to be elected. Rusty Bishop, St. Timothy’s, Clarksville I have been a member of the Episcopal Church since 1994, initially in the Diocese of Washington (EDOW) and then the Diocese of Southern Virginia when I transferred membership to St. Timothy's, Clarksville, in 2015. I had attended St. Timothy's part time (twice monthly) since 2004 until my retirement and move to Clarksville in 2015. While a member of the EDOW, I served 12 years on parish Vestry, numerous years as delegate to Convention, 6 years on Standing Committee (2005-2011), and 3 years on the Disciplinary Board (2011-2014). I attended the 2009 General Convention as an Alternate Lay Deputy. Since transferring membership to St. Timothy's I have served as the delegate to Council and on the Vestry. I have also served a term on the Executive Board as the lay representative for Convocation 9, and on the Disciplinary Committee. I have served with the Credentials Committee for the past several Councils, including the special Council for the election of the Bishop. Recently I was appointed to the Commission on Ministry. -
Soundmerch Announces Partnership with the Australian Music Prize $20,000 in Prize Money Guaranteed
SOUNDMERCH ANNOUNCES PARTNERSHIP WITH THE AUSTRALIAN MUSIC PRIZE $20,000 IN PRIZE MONEY GUARANTEED MEDIA RELEASE November 12th 2020 MELBOURNE’S Australia’s most prestigious music award announced Emerging in 2005, the Australian Music Prize its return in 2020 for its 16th prize, last month. With has provided a mouthpiece for the best albums in SOUNDMERCH COVID-19 putting many people and businesses under Australian contemporary music, judged by esteemed TODAY PROUDLY immense financial pressure, The AMP, whose primary peers within the Australian music industry that ANNOUNCES A source of income had been sponsorship, announced a focuses on creative merit over mainstream popularity. unique opportunity to purchase t-shirts with 70% of A sister prize to the UK’s coveted Mercury Prize, the PARTNERSHIP WITH all profit from sales going directly to the artists Australian Music Prize is Australia’s most sought- THE AUSTRALIAN through prize money and marketing of the albums. after achievement within the music community, MUSIC PRIZE honouring the album as an art form. Since then, SoundMerch has generously stepped (THE AMP) IN 2020, up to give back to the Australian music industry by With over 50 Australian albums nominated - so far STEPPING UP AS sponsoring the prize. With COVID-19 putting a pause - the 16th AMP will announce its final list of 2020 THE NAMING RIGHTS in live music and the tour merch that comes with Nominated Albums in December. In 2019, this list that, bands have been pushing their online music was 107 albums long out of 440 eligible albums with SPONSOR. merch more than ever as one of their main sources of numbers looking similar this year. -
WICKED FLIES INTO SINGAPORE and CASTS ITS SPELL! Singapore to Be Enchanted As Broadway’S Biggest Blockbuster Opens Tonight at Marina Bay Sands
WICKED FLIES INTO SINGAPORE AND CASTS ITS SPELL! Singapore to be enchanted as Broadway’s biggest blockbuster opens tonight at Marina Bay Sands Singapore, 12th December 2011–WICKED, the international Broadway hit musical, celebrated its Singapore premiere on Friday 9 December at the Grand Theater, Marina Bay Sands. WICKED is “one of the most successful shows in Broadway history” (The New York Times) and now it is Singapore’s turn to be enchanted bythe award-winning musical and be part of the 30 million people worldwide who have been spellbound by this production. When WICKEDopened on Broadway, it worked its magic on critics and audiences alike.Winner of 35 major awards including a Grammy® and three Tony Awards®, WICKED is the untold story of the witches of Oz. Long before Dorothy drops in, two other girls meet in the Land of Oz, one born with emerald green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. WICKED tells the story of their remarkable odyssey, how these two unlikely friends grow to become the Wicked Witch of the Westand Glinda the Good. “The defining musical of the decade.” The New York Times Currently in its 9th year on Broadway, WICKED’s North American and International companies have cumulatively grossed over US$2.5 billion. Since opening at the Gershwin Theatre on Broadway in October 2003, WICKED has regularly broken box office records,grossing more than $US1.6 million a week, and has been seen by nearly 6 million people on Broadway. “If every musical had the brain, the heart, and the courage of WICKED, Broadway really would be a magical place.” Time Magazine In London,WICKED had the highest weekly gross in West End history (a record WICKED also holds on Broadway, as well as a North American weekly touring record in both the United States and Canada), and in Tokyo and Stuttgart it again set new box office records. -
Historical Sketches of Savage Life in Polynesia; with Illustrative Clan Songs
LIFE 11 r \ V ^VY THE .W.W.GILL.B.A. s^i*v iHilNiiaiHiliA -^ V:»-y*Vi .^^Mtfwjjtooiffn., !'#:j,;_>_'-i3S*!ii.ilEit«St-»4f J»»,J vriL-«r--r the estf.te of the late William Edward Kelley / HISTORICAL SKETCHES OF SAVAGE LIFE IN POLYNESIA. : HISTORICAL SKETCHES OP SAVAGE LIFE IN POLYNESIA: WITH ILLUSTRATIVE CLAN SONGS. BY THB REV. WILLIAM WYATT GILL, BA., AUTHOR OF "MYTHS AND SONGS FEOM THE SOUTH PACIFIC. WELLINGTON GEORGE DIDSBURY, GOVERNMENT PRINTER. 1880. LIBRARY 731325 UNIVERSITY OF TORONTO — INTRODUCTORY REMARKS. The flattering reception accorded to a former^ volume has induced me to collect and publish a series of Historical Sketches with Illustrative Songs, which may not be without interest to students of ethnology and others. Some of them have already appeared in a serial publication. During a long residence on Mangaia, shut out to a great extent from the civilized world, I enjoyed great facilities for the study of the natives themselves and their traditions. I soon found that they had two sets of traditions — one referring to their gods, and to the supposed experiences of men after death; another relating veritable history. The natives themselves carefully distinguish the two. Thus, historical songs are called '^ pe^e ;^' the others, ^^ kapa,'^ &c. In the native mind the series now presented to the English public is a natural sequence to " Myths and Songs ;" the mythical, or, as they would say, the spiritual, necessarily taking precedence of the historical or human. In such researches we cannot be too careful to distinguish history from myth. But when we find hostile clans, in their epics, giving substantially the same account of the historical past, the most sceptical must yield to the force of evidence. -
Volume 38, Number 09 (September 1920) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1920 Volume 38, Number 09 (September 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 09 (September 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/672 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE Presser’s Musical Magazine MUSIC COMPOSITION FOR WOMEN BY CARRE JACOBS-BOND ULTRA-MODERN MUSIC EXPLAINED BY PROFESSOR CHARLES QUEF KEYBOARD MASTERY BY CONSTANTIN STERNBERG WHY UNDERPAY THE MUSIC TEACHER? BY CHARLES E. WATT HOW HAYDN SUCCEEDED BY COMMENDATORE E. di PIRANI $2.00 A YEAR THE EjTUDE SEPTEMBER 1920 Page 577 This TRADE MARK 'Represenhs Lhe BEST Lhere is in Beautiful Balladv Smil/nThittOUGH ( Sacred - Secular ) Solos - Duets - Quartete r%gj THEY SONGS G;i? C / I* *V>* ' CAN AND MORE 5°*G „ / ARE I/S , BE OtWllTTltBOYQfMlNf S«S£„. &-*£? AT T: °A iJjev*. ri»e* '**». /PLAYED CONG «««** ON A>f 9 ■0 2-4, , PIANO Evening Brings Rest DjARD/ ' G^f„ And you /or ORGAN *e ' 50 Wes Tb*^tefi each like *5'”' / IDEAL FOR THIS IT I^^SSCE?* 'the HOME ACTUAL SIZE / 6 by 9 Inches CONCERT MAUMUSUNfUWaS-fiOOON'OHl SENT /and CHURCH on requeshy IF YOU LOVE A GOOD enclosej BALLAD 5 cents i H°WONETm in stan ( SACRED or SECULAR) . -
Mcpherson's Limited Results for the Year Ended 30 June 2014
McPherson’s Limited Full Year Results Release Financial Year 2016 Paul Maguire – Managing Director Paul Witheridge – Chief Financial Officer 22 August 2016 MCP FY2016 - Financial Overview Underlying Results* Brand consolidation – fewer, bigger brands Revenue (Comparable) 1.3% Range rationalisation – exiting of lower $312.6m margin product ranges EBIT Improvement in revenue quality 14.2% $25.7m Growth despite significant AUD devaluation NPAT 12.3% $13.4m EPS 9.7% 13.6cps * Underlying amounts exclude the significant non-recurring items outlined on Slide 4 2 Summary Bridge of Growth in Underlying EBIT FY15 to FY16 ($m) 1.0 Increased Housewares JV contribution 5.2 Volume Increase / Product 5.1 Mix (13.1) FY16 Price Product EBIT FY15 Increases 1.7 Sourcing $25.7m EBIT Commodity Savings $22.5m Cost Reductions 7.0 AUD/USD Currency (3.7) Decline Increased A&P Expenditure, Cost Increases 3 MCP FY2016 Financial Overview – Significant Items Significant Items A$m FY2016 FY2015 Profit from divestment of Housewares 2.0 - Inventory rationalisation and restructuring costs (4.4) (4.1) Closure of Impulse Merchandising Division (1.4) - Bond buyback cost (0.3) - Legal and acquisition costs (0.2) (0.4) Interest rate swap termination loss - (2.0) Impairment of intangible assets - (0.6) Contingent consideration adjustment - 2.0 Total Significant Items before Tax (4.3) (5.1) Tax benefit on Significant Items 1.9 2.0 Total Significant Items After Tax (2.4) (3.1) 4 MCP FY2016 - Financial Overview Underlying Cash Conversion* $34.2m operating cash flow before