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[email protected] YUJA WANG to Repla
FOR IMMEDIATE RELEASE ARTIST CHANGE March 21, 2019 Contact: Deirdre Roddin (212) 875-5700; [email protected] YUJA WANG To Replace Maurizio Pollini In One-Night-Only Performance of SCHUMANN’s Piano Concerto Conducted by MUSIC DIRECTOR JAAP VAN ZWEDEN Program Also To Include J. WAGENAAR’s Cyrano de Bergerac Overture BEETHOVEN’s Symphony No. 7 March 27, 2019 Yuja Wang will replace Maurizio Pollini, who has cancelled in order to fully recover from a brief illness, in the one-night-only performance of Schumann’s Piano Concerto with the New York Philharmonic led by Music Director Jaap van Zweden, Wednesday, March 27, 2019, at 7:30 p.m. The program will also include Johan Wagenaar’s Cyrano de Bergerac Overture and Beethoven’s Symphony No. 7. The performance will mark Yuja Wang’s 24th with the New York Philharmonic; she most recently appeared with the Orchestra and Jaap van Zweden in February–March 2018, both in New York and on tour to Asia. She will return next season for performances of Shostakovich’s Concerto No. 1 for Piano, Trumpet, and Strings, June 11–13, 2020, also conducted by Jaap van Zweden and featuring Principal Trumpet Christopher Martin. The Boston Globe wrote of her performance of Schumann’s Piano Concerto last month with the Boston Symphony Orchestra: “Not just a vehicle for virtuosic fireworks, the concerto calls for a keen listening ear and attunement to the larger ensemble… Wang demonstrated all that in spades. Like an elite figure skater or gymnast, the athletic effort she expended was palpable, but if the physical feats took any toll, the audience never saw it.” Biographies Beijing-born pianist Yuja Wang is set to achieve new heights in critical superlatives and audience ovations during the 2018–19 season, through recitals, concert series, season residencies, and extensive tours with some of the world’s most venerated ensembles and conductors. -
Program Design: Tim Osborne
MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A. -
The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
Great Offers for Your Employees
Email not displaying correctly? View it in your browser. SEPTEMBER 2017 Great offers for your employees SCHOOL OF ROCK From Only EXCLUSIVE OFFER: $79 ORCHESTRA SEATS New York, NY - The Winter Garden Theatre $59 Reg. Price: $79 - $155 FROZEN THE BROADWAY MUSICAL From Only GET ACCESS TO TICKETS New York, NY - St. James Theatre $93 BANDSTAND From Only FINAL WEEKS! LAST PERFORMANCE SEPTEMBER 17 - SAVE 30% $59 New York, NY - Bernard B Jacobs Theatre Reg. Price: $89 - $159 ALADDIN From Only TICKETS FROM $65.50 New York, NY - New Amsterdam Theatre $65.50 Reg. Price: $77 - $170 ANASTASIA From Only WEEKDAY OFFER: $94 ORCHESTRA SEATS New York, NY - Broadhurst Theatre $69 Reg. Price: $69 - $143 THE PHANTOM OF THE OPERA From Only SAVE OVER $45 New York, NY - The Majestic Theatre $69 Reg. Price: $89 - $135 BEAUTIFUL - THE CAROLE KING MUSICAL From Only SEE THE TONY WINNING MUSICAL AND SAVE $40 $60 New York, NY - Stephen Sondheim Theatre Reg. Price: $79 - $249 CATS From Only SAVE OVER 45% New York, NY - Neil Simon Theatre $61.50 TIME AND THE CONWAYS From Only SEE ELIZABETH MCGOVERN AND ANNA CAMP ON BROADWAY $59 New York, NY - American Airlines Theatre Reg. Price: $79 - $139 KINKY BOOTS From Only BILLY PORTER AND STARK SANDS RETURN 9/26 - SAVE OVER $45 $62 New York, NY - Al Hirschfeld Theatre Reg. Price: $79 - $137 Just a reminder that you're receiving this email because you subscribed via our website or provided your email during your last visit. You may Unsubscribe if you're no longer interested. *Prices and Offers are subject to availability and subject to change without notice. -
Stanley Chase Papers LSC.1090
http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. -
Threepenny Opera by Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins
UAF Music PLAYBILL Department Proudly Presents Threepenny Opera By Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins Scenic Designer Costume & Makeup Designer Bud Jet Kutz Tara Maginnis Lighting Designer Technical Director Dale F. Kohlmetz Kade Mendelowitz Sound Designer Stage Manager Dustin C. Grimes Karen Gaborik April 11-20, 1997 Lee H. Salisbury Theatre playbill.pm6 1 5/17/99, 1:31 AM Special Thanks Patricia Watts, Fairbanks Daily News-Miner Laura Lee Potrikus Ginger Stack, Magic FM 101.1 Pianos Unlimited Board of Regents, University of Alaska 101.1 MAGIC FM Aramark KWLF / KFAR Gambardella's Pasta Bella KTVF 11 Home Port Submarine Sandwich Shop KSUA Pizza Bella KUAC Souvlaki The UAF Student Drama Association Wood Center Pub Whole Earth Deli Angel Contributors AND 101.1 Magic FM Ted and Mary Ann Fathauer Gorden O. Hedahl and Jean Louden Gerald and Patricia Shields Thomas Riccio Donors Friends Jim and Susie Hackett Vivian L. Ames Dick and Jo Scott Julie Scott and John Ryer Theatre UAF's production program is income based. Our budget for sets, costumes, props, advertising, etc. is based on revenues from ticket sales, advertisements, and donations. We appreciate your support, and we hope you enjoy our work. We thank our program advertisers for their generous support, and hope that you will patronize these community-minded companies and mention that you saw their advertisement in our program. FOR THE AUDIENCE PAGERS: Please leave them with the house manager. CELLULAR PHONES: Please leave them with the house manager. SMOKING: Permitted outside the building only. -
Young New Yorkers Program
Young New Yorkers Program Go beyond the galas with a Young New Yorkers membership. Contributions directly support the New York Philharmonic’s extraordinary artistic and educational programming and help bring the beauty of classical music to our local and global audiences. New York Philharmonic Membership gifts: David Geffen Hall 10 Lincoln Center Plaza • Provide more than half of the income we New York, NY 10023 need to maintain this great Orchestra • Support the Philharmonic’s extensive Phone (212) 875-5683 educational programing that introduces students to the wonderful world of Email symphonic music [email protected] • Fosters the creation of new music Website nyphil.org/yny Membership provides you with benefits including: Tax Deductibility Federal law requires that only the portion of a gift in excess of the fair-market • Personalized ticketing services value of goods and services may be deducted as a charitable contribution for Federal Income Tax • Waived ticketing fees purposes, subject to provisions of the law. The New York Philharmonic has made a good-faith • Discounts at local restaurants effort, as required by law, to determine the fair-market value of the benefits at various membership levels. • Invitations to membership events that encourage you to engage directly with *Benefits are subject to change and availability. the music, members of the Orchestra, and Photos: Devra Berkowitz and Chris Lee. world-renowned visiting artists $494 non tax-deductible $494 $417 non tax-deductible $417 $285 non tax-deductible $285 $494 non tax-deductible -
SWALI.ACK-8 THEATRE. V
v NEW-YORK DAILY TRIBUNE, SUNDAY, MARCH 7, 1900. iNEVV PLAYS THIS WEEK STAGE AFFAIRS MONDAY NIGHT. NEW AMSTERDAM THEATRE ACADEMY OF MUSIC.MUSIC Bnaasi W ACADEMY Mant^li begins engagement with revival of Frederic Thompson's production at "Bre»Eter> "KingJohn." rMillions" willb* the attraction at the Academy for night. LJ- RETURN ENGAGEMENTS. X ailianii period, beginning to-morrow \u25a0-,,,: Abel** Is the chief actor In that drama It ACADEMY OF MUSlC—Edward Abelea, In " ago. and " hod to. lor.p run hi this city two \u25a0"\u25a0\u25a0 "Prewster's Millions." In other Basana fr-.r.j successful engagements WEST END THEATRE -Mr. Faversham, In parts of Use tsottntry- to-night, "The World and His \Vlf<\" Hurr Slclntosh mta give a lecture here on "Cur Country." It w!l!be amply illustrated. LEADING PERFORMERS ON VARIETY STAGE- L< ASTOR THEATRE. Hodpe as the AMERICAN MUSIC HALL—Laurenc* Irvir*. "The Man from Hcme." with Mr. play, that have In "The Kin** and the Vagabond." principal actor, is one of the few beginning of the oe*- COLONIAL THEATRE- Mny Imin. In been on the boards since the "Mr?. favorite, Caraajsa-." wn. Itis BtHIa Pscknasa'a LINCOLN SQUARE THEATRE Jarri^s J. BELASCO THEATRE. Jeffries. Bau-^ »nU The FigLtir.K Hope" are *t'.V. VICTORIA THEATRE— Eva Tanguay and JilM nc*s at the Belasco. Afternoon performs Wllla Hoit \Vaken>!d Viialar of |!m t*if< a week. t:. 2UHh performance >U 'hat drama w-i!! occur shortly. RINGLING BROTHERS' CIRCUS. BIJOU THEATRE la Another "World's Greatest Due at Those r.h. -
PLAYBILL 2019 Media Kit
® PLAYBILL 2019 Media Kit ® rev.10.03.18 DECEMBER 2016 12.16 Cover.indd 1 11/10/16 3:19 PM 2019 Editorial Profile PLAYBILL Theatre As the exclusive and most-trusted magazine in the theatre community for over 130 years, PLAYBILL’s coverage and access to the most exciting events and personalities on the stage is unparalleled. Inside a PLAYBILL, theatregoers find a wealth of stories dedicated to productions around the world, as well as pieces advising theatregoers on travel, dining and drinks. Playbill magazine features these beloved staples: • ”PROGRAM” SECTION: An essential guide to the show you are about to see, including: Who’s Who bios of the actors, creative team, producers etc.; a list of the musical numbers or play scenes and acts; and other theatre particulars. • THEATRE QUIZ: A magazine staple for decades that is a conversation generator before curtain and during intermission. • ON THE TOWN: PLAYBILL’s invaluable tool to navigating the culinary and bar scenes in and around the theatre district and city at large. It includes “Celebrity Choice,” featuring stage stars’ picks for their favorite dining experiences. • HOW MANY HAVE YOU SEEN?: The go-to listing for current productions. • PLAYBILL INTERVIEWS with the industry’s most respected talents, stars in the making and people working behind the scenes. 212.557.5757 729 Seventh Avenue, 4th floor [email protected] New York, NY 10019 PLAYBILL is a registered trademark of PLAYBILL Incorporated, NYC 2019 Editorial Profile PLAYBILL Classic Arts PLAYBILL’s Classic Arts editions present editorial content that enhances and deepens a concertgoer’s appreciation of the classical arts - from the solo piano recital to the most lavish opera production to thrilling high-concept festivals. -
TRU Speak Program 021821 XS
THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed -
Northern Stage Staff Board of Directors
NORTHERN STAGE STAFF Carol Dunne Irene Green Producing Artistic Director Managing Director ADMINISTRATION Madelyn Odegaard PROPS Shannon Fox Sales & Marketing Assistant James Roeder Finance & Admin. Manager Dallyn Brunck Props Master Emily Cuerdon Box Office Assistant Ali Kress Company Manager Asst. Props Master Eric Bunge ARTISTIC ASSOCIATES Special Projects Manager Jess Chayes ELECTRICS & SOUND BOLD Assoc. Artistic Director Kevin Allinder DEVELOPMENT Virginia Ogden Master Electrician Margaret Hunton BOLD Artistic Fellow Ben Montmagny Director of Development Maggie Burrows Sound Engineer Sue Kessler BOLD Resident Director Clif Rogers Development Manager Asst. Master Electrician & Isaac Lorton PRODUCTION IT Associate Development Associate Jess Johnston Helen Rooker Production Manager Lighting & Sound Intern EDUCATION & ARTISTIC Matthew Mills OUTREACH Assoc. Production Manager COSTUMES Eric Love & Technical Director Denise Block Director of Education Costume Shop Manager Amanda Rafuse SCENIC Rachel Allison Hector Figueroa Wardrobe Supervisor Director of Artistic Outreach Assistant Technical Director Shelby Connolly Amber Harrison Education Assistant Audra Giuliano Cutter/Draper Carpentry Intern Marissa Mattogno Steven Barnes Boot Camp Apprentice John Kantack Costume Intern Facilities & Scenic Carpenter SALES & MARKETING STAGE MANAGEMENT Ruby Summers PAINTS Brian R. Sekinger Dir. of Sales & Marketing Melissa Robinson Resident Production Stage Scenic Charge & Dir. of TAP Manager Amanda Sheehan Marketing Manager Diane Zimmerman Ciara Heaps