Phantom Captain in Wakeathon
... • • • •• • • • •• • • • • • •• • • •I • • • • ' • • ( • ..• •.• ., .,,. .. , ••• .• • . • • •• • • • • •• • • • • • • • • • •"' • •. • .••• . ' . J '•• • - - • • • • • .• ...• • . • • • •• • • • • • • •• • ••• • ••••••••• • • • •••••• • • • • • • ••••• . • f • ' • • • ••• • •• • • •f • .• . • •• • • ., • , •. • • • •.. • • • • ...... ' • •. ... ... ... • • • • • ,.. .. .. ... - .• .• .• ..• . • . .. .. , • •• . .. .. .. .. • • • • .; •••• • •••••••• • 4 • • • • • • • • ••.. • • • •"' • • • • •, • -.- . ~.. • ••• • • • ...• • • ••••••• •• • 6 • • • • • • ..• -•• This issue of Performance Magazine has been reproduced as part of Performance Magazine Online (2017) with the permission of the surviving Editors, Rob La Frenais and Gray Watson. Copyright remains with Performance Magazine and/or the original creators of the work. The project has been produced in association with the Live Art Development Agency. NEW DANCE THEATRE IN THE '80s? THE ONLY MAGAZINE BY FOR AND ABOUT TODAYS DANCERS "The situation in the '80s will challenge live theatre's relevance, its forms, its contact with people, its experimentation . We believe the challenge is serious and needs response. We also believe that after a decade of 'consolidation' things are livening up again. Four years ago an Honours B.A. Degree in Theatre was set up at Dartington College of Arts to meet the challenge - combining practice and theory, working in rural and inner-city areas, training and experimenting in dancing, acting, writing, to reach forms that engage people. Playwrights, choreographers
[Show full text]