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Slate.Com Table of Contents Faith-Based a Skeptic's Guide to Passover
Slate.com Table of Contents faith-based A Skeptic's Guide to Passover fighting words ad report card Telling the Truth About the Armenian Genocide Credit Crunch foreigners Advanced Search Why Israel Will Bomb Iran books foreigners Why Write While Israel Burns? Too Busy To Save Darfur change-o-meter foreigners Supplemental Diet No Nukes? No Thanks. change-o-meter gabfest Unclenched Fists The Velvet Snuggie Gabfest change-o-meter grieving Dogfights Ahead The Long Goodbye change-o-meter human guinea pig Big Crowds, Few Promises Where There's E-Smoke … chatterbox human nature A Beat-Sweetener Sampler Sweet Surrender corrections human nature Corrections Deeper Digital Penetration culture gabfest jurisprudence The Culture Gabfest, Empty Calories Edition Czar Obama dear prudence jurisprudence It's a Jungle Down There Noah Webster Gives His Blessing drink jurisprudence Not Such a G'Day Spain's Most Wanted: Gonzales in the Dock dvd extras moneybox Wauaugh! And It Can't Count on a Bailout explainer movies Getting High by Going Down Observe and Report explainer music box Heated Controversy When Rock Stars Read Edmund Spenser explainer music box Why Is Gmail Still in Beta? Kings of Rock explainer my goodness It's 11:48 a.m. Do You Know Where Your Missile Is? Push a Button, Change the World faith-based other magazines Passionate Plays In Facebook We Trust faith-based poem Why Was Jesus Crucified? "Bombs Rock Cairo" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/125 politics today's papers U.S. Department of Blogging Daring To Dream It's -
Spin City Friday Night Lights
Spin city friday night lights click here to download Constance Elaine Britton (née Womack; born March 6, ) is an American actress, singer and producer. Britton made her feature film debut in the independent comedy-drama film The Brothers McMullen (), and the following year, she was cast as Nikki Faber on the ABC sitcom Spin City. In , Britton co-starred opposite Carla Gugino and her Friday Night Lights Early life and education · Career · Filmography · Discography. She previously appeared in Universal's Friday Night Lights () -the movie- directed by Spin City Nikki Faber Friday Night Lights (TV Series). Britton is most well known for her roles as Nikki Faber on the ABC sitcom Spin City (–); as Tami Taylor on the NBC/DirecTV sports drama Friday Night. Connie Britton talks about her character on "Spin City" (Nikki Faber). Emmy Roundtable: Connie. Connie Britton discusses getting cast on "Spin City" - www.doorway.ru Connie Brotton on signing. Connie Britton: Friday Night Lights / Spin City / Nashville - cool hat and leather jacket look Connie Britton--Nashville, Friday Nite Lights, Spin City #redheads. “Friday Night Lights” turned Britton into something of an icon, a something sex symbol and role model at the center of a “Spin City,” www.doorway.ru: Spin City: Season 1: Michael J Fox, Connie Britton, Alan Ruck, man- crazy accountant (Connie Britton, Friday Night Lights); and an idealistic. Connie Britton actress: know more information about Connie Britton Spin city, Friday, night lights, movie, married, husband, divorce, biography. Connie Britton interview, biography and videos from the Archive of American Television on her roles in Spin City, Friday Night Lights, Nashville, and more. -
Paying Their
www.insidevandy.com FRIDAY, APRIL 10, 2009 THE VOICE OF VANDERBILT SINCE 1888 121ST YEAR, NO. 25 OPINION: Katherine Miller laments how the freshmen don’t study in The Commons SEE PAGE 7 SPORTS: Jamie Graham talks about his move from wide receiver to cornerback. SEE PAGE 8 Some students left Paying their way behind due to by HAYLEY KARLAN In the original proposal, News Reporter applications would include essays lack of funding anks to the rst year of the Global and a budget Summer Fellows Program, 38 students plan for how by HANNAH TWILLMAN in a capstone research project participating in 19 di erent study abroad applicants News Editor and community service work programs will be able to travel to countries w o u l d in Nashville. around the world for an uncommon spend their While 38 students Many of the students who had summer experience. scholarship, were granted scholarships been denied funding found the e Global Summer Fellows Program as well as an from the Global Summer program’s application process was proposed by junior Wyatt Smith and interview in Fellows Program, many others to be frustrating. senior Joseph Williams during Williams’ which students did not receive funding, Four students who are going tenure as Vanderbilt Student Government would explain their complicating their summer to the Cape Town, South Africa president and initiated with the help of nancial need and how study abroad plans. site are in jeopardy of being the Global Education O ce and Richard studying abroad would Six such students were unable to go on the summer trip McCarty, provost and vice chancellor for enrich their undergraduate selected in December to be after not receiving adequate academic a airs. -
From Pigskins to Sheepskins the Role of Masculinity in Achieving the American Dream
Lunds universitet Andreas Lindbäck Språk- och litteraturcentrum FIVM01 Filmvetenskap Handledare: Lars Gustaf Andersson 2011-06-07 From Pigskins to Sheepskins The role of masculinity in achieving the American dream pig·skin /ˈpɪgˌskɪn/ Nouni Informal A football. sheep·skin /ˈʃipˌskɪn/ Nounii Informal A diploma. From Pigskins to Sheepskins Table of Contents Introduction..................................................................................................................2 Aim & Method ..................................................................................................................... 4 Summary of Films................................................................................................................ 5 American Dream..........................................................................................................7 Types of Masculinities ...............................................................................................11 A Reluctant Leader............................................................................................................ 13 Expected Behavior ............................................................................................................. 17 Missed Opportunities ........................................................................................................ 19 Doing what is Required ..................................................................................................... 21 Brotherhood on the Field ..........................................................................................25 -
Slate.Com Table of Contents Foreigners What Is There to Laugh About in Gaza?
Slate.com Table of Contents foreigners What Is There To Laugh About in Gaza? foreigners ad report card Remembering How To Cope The Super Bowl Special gabfest Advanced Search The Lack of Stimulus Gabfest architecture green room That Dogma Won't Hunt Date Local books green room How Good Are We, Really? Vulture World change-o-meter hot document Two Days Since Last Accident Like Daughter, Like Father change-o-meter human nature Strings Attached Vaginal Innard Course change-o-meter jurisprudence Tax Distractions I Need a Hero change-o-meter jurisprudence Homer Simpson's Washington Law! Law! Law! corrections medical examiner Corrections Dying To Play dear prudence moneybox Whack Off While You Work The King of Madison Avenue dispatches moneybox Come Hell or High Water, the Burmese Junta Endures Economic Know-Nothingism dvd extras moneybox Return to Waterworld Three Strikes and You're Bailed Out explainer moneybox A Snake the Size of a Plane Searching for an Optimist at Davos explainer movies You're Trashing My Scene! Button Eyes explainer music box Olympic-Size Bong Hits Great Composers, Lousy Reviews explainer my goodness Who Decides Which Drugs Athletes Can Take? All for ONE family number 1 No, You Shut Up! Monster Truck fighting words other magazines Farewell to a Much-Misunderstood Man Good Morning, Afghanistan foreigners poem Israel Has Already Decided "Paradise" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/101 politics the chat room Morning Joe Withdrawal Symptoms politics the dilettante Bipartisalesmanship He Should Have Played "The Wrestler" politics the green lantern Commercial Break Clean Jar, Clean Conscience? politics the has-been Tom Cries Uncle So You Had a Bad Day politics the oscars Tomfoolery The Batman Goes Bananas politics today's business press He's Lincoln! No, He's FDR! No, He's Polk! A Slimmer Stimulus? press box today's papers What Would Ann Landers Advise? Centrists Take Knife to Stimulus press box today's papers Who Should Replace William Kristol at the Times? Obama: No More Mr. -
Atx Television Festival 2016 Coverage
ATX TELEVISION FESTIVAL 2016 COVERAGE General ATX Coverage • NEW YORK TIMES | Norman Lear and Aaron Sorkin Help ATX Festival Reach New Heights | June 13 • FAST COMPANY | The Most Creative People in Business 2016: Emily Gipson | June 6 • FAST COMPANY | The Most Creative People in Business 2016: Caitlin McFarland | June 6 th • ENTERTAINMENT WEEKLY | EW & ATX Celebrate TV | June 24 Issue • EW.COM | ATX Festival 2016: See the Exclusive Portrait Photos | June 12 • EW.COM | When Is ATX Festival? And Other Burning Questions Answered! | June 9 • EW.COM | VIDEO: Actors and Creators Mourn the Loss of Their Shows Gone Too Soon |June 20 • VARIETY | Winners of Inaugural ATX-Black List Script Competition Announced (EXCLUSIVE) | June 9 • ACCESS HOLLYWOOD.COM | 10 Things You Need to Know From 100 Hours at the ATX TV Festival | June 13 • AUSTIN CHRONICLE | ATX Panel and Event Picks | June 10 • AUSTIN CHRONICLE | ATX Television Festival: Season 5 | June 10 • GOOD DAY AUSTIN | ATX Television Festival 2016 Gets Underway | June 9 • TELL-TALE TV | Interview with ATX TV Festival Co-Founders Emily Gipson and Caitlin McFarland | June 13 • TELL-TALE TV | Nick Wechsler Says the ATX Television Festival is a ‘Beautiful Family’ | June 14 • GLIDE MAGAZINE | Four Days at the Weird and Wonderful ATX TV Fest | June 16 • REALLY LATE REVIEWS | ATX Television Festival Recap: A First Timer’s Experience | June 22 • CW ATLANTA | 5th Annual ATX Television Festival Announces Its Lineup | May 10 • CW ATLANTA | ATX Television Festival 2016 - Day 1-2 | June 11 • CW ATLANTA | ATX -
Sword Swallowing, Music and More! P.16
Amy Goodman, P.6 * Paper Cuts, P.18 * Free Will, P.29 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND LOWER B.C. {03.14.12}{#11}{V.07}{FREE} Wicked Games The undeniable attraction of CHRIS ISAAK P.20 Gas Grief: Easy oil’s grim realities, P.8 :: Green Scene: The sounds of St. Patrick’s Day, P.21 Sideshow Alert: Sword swallowing, music and more! P.16 34 34 cascadia FOOD Stevie Coyle, a former member of the Waybacks and 27 a lauded fingerstyle guitarist, B-BOARD performs March 21 at the A glance at what’s happening this week Roeder Home 24 FILM FILM 20 MUSIC 18 ART ART 16 STAGE STAGE 14 GET OUT 12 WORDS 2 ) .4[03.x{.12] !-$4[03.x}.12] “Owls Outback” will be one of the many featured top- 8 ONSTAGE ONSTAGE ics at this year’s 2 *2 Northwest Bird- Lysistrata: 7:30pm, Syre Auditorium, WCC JustinCredible Sideshow: 7pm, 9pm and 11pm, The Fantasticks: 7:30pm, MBT’s Walton Theatre Bellingham Flea Market ing Festival, which takes place both outdoors and in CURRENTS CURRENTS MUSIC Lysistrata: 7:30pm, Syre Auditorium, WCC March 17 throughout Blaine The Fantasticks: 7:30pm, MBT’s Walton Theatre 6 Persa Gitana: 7:30pm, Roeder Home Cabaret: 7:30pm, RiverBelle Theatre, Mount FOOD Vernon VIEWS VIEWS Celebrate your love Beer Week: Through March 17, throughout The Wizard of Oz: 7:30pm, McIntyre Hall, Mount 4 Mount Vernon Vernon of Japanese comics Harold: 8pm, Upfront Theatre MAIL MAIL Games Galore: 10pm, Upfront Theatre and animation at an [03. -
Friday Night Lights 5X13 - Always.Pdf
Executive Producer: Peter Berg Script #: 513 Executive Producer: Jason Katims Episode #: 426 Executive Producer: David Nevins Production#: 04026 Executive Producer: Brian Grazer Executive Producer: Sarah Aubrey Executive Producer: David Hudgins Co-Executive Producer: Patrick Massett & John Zinman Co-Executive Producer: Bridget Carpenter Co-Executive Producer: John Cameron FRIDAY NIGHT LIGHTS "Always" Written by Jason Katims Directed by Michael Waxman PRODUCTION DRAFT July 9, 2010 July 12, 2010 Blue Pages: Sets,8,9,24,37,37A,38,49,51 July 13, 2010 Pink Pages: 13,14 July 15, 2010 Yellow Pages: Sets,8,14,34,35,36,46 © 2010 NBC STUDIOS, INC. All rights reserved. Not to be duplicated without permission. This material is the property of NBC Studios, Inc. and is intended solely for the use of its personnel. The sale, copying, reproduction or exploitation of this material in any form is prohibited. Distribution or disclosure of this material to unauthorized persons is also prohibited. FRIDAY NIGHT LIGHTS 513 - "Always" Production Draft 07/09/10 CAST LIST COACH ERIC TAYLOR TAMI TAYLOR JULIE TAYLOR VINCE HOWARD LUKE CAFFERTY JESS MERRIWEATHER BECKY SPROLES HASTINGS RUCKLE TIM RIGGINS TYRA COLLETTE MATT SARACEN LANDRY CLARKE BUDDY GARRITY BILLY RIGGINS MINDY COLLETTE-RIGGINS PRINCIPAL LEVI BURNWELL (N.S.) LAUREL SACHS (N.S.) COACH CROWLEY (N.S.) COACH SPIVEY (N.S) STAN TRAUB (N.S) DALLAS TINKER GRACIE TAYLOR BUDDY GARRITY JR. ORNETTE HOWARD REGINA HOWARD ANGELA COLLETTE CHERYL EVERHEART AUNT BIRD BUCKNER MRS. LORRAINE SARACEN ANDRE MERRIWEATHER DARIUS -
2013Maurerocr.Pdf (427.9Kb)
“YOU MAKE ME FEEL LIKE MY LIFE IS OVER!”: TELE/VISIONS OF CONTEMPORARY POSTMATERNAL WOMEN A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN‟S UNIVERSITY DEPARTMENT OF WOMEN‟S STUDIES COLLEGE OF ARTS AND SCIENCES BY DIANN R. MAURER, B.A., B.A. DENTON, TEXAS DECEMBER 2013 DEDICATION This work is dedicated to Janet and Joe Maurer, who gave me a safe place to grow up; the ability to empathize with others and think critically about everything I experience; an imagination big enough to envision a more just world; and above all, who allowed me to “govern myself accordingly” into a life that is truly my own. iii ACKNOWLEDGMENTS I would like to preface this thesis by acknowledging a few of the people who directly or indirectly influenced its completion. I would first like to thank Dr. Christa Downer for introducing me to motherhood studies. I would like to thank Dr. Claire Sahlin and Dr. Agatha Beins for the thoughtful feedback and continuous encouragement that helped me develop into a better writer, more thorough researcher, and more confident thinker. When I moved to Texas in 2009, sight unseen, to attend Texas Woman‟s University, I had no idea what a challenging and rewarding journey it would be, and I am so grateful for the opportunities, experiences, and individuals that have enriched my life along the way. I am so proud to be part of TWU‟s pioneering past, present, and future. I would also like to thank my friends and family for every draft read, every idea volley returned, and every floor mopped in support of my work. -
Friday Night Lights (NBC Et the 101 Network, 2006-2011) Ou Le Réinvestissement Du Mythe De La Small Town
TV/Series 4 | 2013 Écho et reprise dans les séries télévisées (II) : Re- présentations -- enjeux socio-culturels, politiques et idéologiques de la reprise Friday Night Lights (NBC et The 101 Network, 2006-2011) ou le réinvestissement du mythe de la small town Gérald Billard et Arnaud Brennetot Éditeur GRIC - Groupe de recherche Identités et Cultures Édition électronique URL : http://tvseries.revues.org/739 DOI : 10.4000/tvseries.739 ISSN : 2266-0909 Référence électronique Gérald Billard et Arnaud Brennetot, « Friday Night Lights (NBC et The 101 Network, 2006-2011) ou le réinvestissement du mythe de la small town », TV/Series [En ligne], 4 | 2013, mis en ligne le 15 décembre 2013, consulté le 30 septembre 2016. URL : http://tvseries.revues.org/739 ; DOI : 10.4000/ tvseries.739 Ce document est un fac-similé de l'édition imprimée. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Friday Night Lights1 ou le réinvestissement du mythe de la small town Gérald BILLARD Arnaud BRENNETOT À partir de l’exemple de Friday Night Lights, cet article entend montrer comment la double adaptation d’un livre documentaire puis d’un film au format d’une série télévisée peut conduire à une amplification et à un approfondissement de la mise en scène tels que l’histoire particulière d’une petite communauté locale du Texas conduit à une relecture originale de quelques-uns des grands thèmes de la fiction télévisée contemporaine (la réalisation de soi, la cohésion sociale, la pression communautaire, etc.). -
Friday Night Lights – Imellem Amerikansk Drøm Og Virkelighed
Friday Night Lights – imellem amerikansk drøm og virkelighed Af KENNETH MCNEIL Langt størstedelen af de nyere amerikanske dramaserier er præget af intel- lektualisme og eksotisme. De foregår gerne i lukkede miljøer befolket af lar- ger than life-personer, der røver fra narkohandlere, mens de filosoferer over eksistentielle grundvilkår (The Wire), eller fremstiller metamfetamin i trai- lere (Breaking Bad). Friday Night Lights er i det tv-serielandskab nærmest eksotisk i sin ikke- eksotiske miljøskildring. Det er et stykke vaskeægte americana gravet op af den texanske muldjord og svøbt i svinelæder. Og så alligevel ikke. I løbet af sine fem sæsoner viste NBC-serien sig nemlig i stand til ikke blot at behandle tunge emner, men at behandle dem bemærkelsesværdigt afbalanceret i sin fremstilling af et ”regionally specific but universally true portrait of America” (Poniewozik 2011). Med sporten som parentetisk bemærkning Fourth Down, to sekunder tilbage, og Permian Panthers er bagud 34-28. Ved halvleg var panterne bagud hele 26-7. Nu står de pludselig, imod alle odds, med chancen for at vinde high school-footballsportens hellige gral: et state championship. Vi tager en dyb indånding og forbereder os på fuldbyr- delsen af sportsfilmklichéen over dem alle: det umulige comeback. Men det mislykkes. Holdets quarterback løber selv med bolden, men bli- ver tacklet få centimeter fra modstanderens endzone. Først nægter man at tro det. Footballbanens kunstgræstæppe er blevet revet væk under os. Den traditionelle lykkelige slutning er ødelagt. Lang- somt – i takt med at spillerne løfter deres sammensunkne kroppe op fra jor- den og under omfavnelse kigger hinanden dybt i øjnene – bliver det imidler- tid klart, at sejren alligevel er blevet en realitet. -
Conclusion—Football, Postmodernism, and Us 125
How Postmodernism Explains Football and Football Explains Postmodernism DOI: 10.1057/9781137534071.0001 Also by Robert L. Kerr THE CORPORAATE FREE SPEECH MOVEMENT: Cognitive Feudalism and the Endangered Marketplace of Ideas THE RIGHTS OF CORPORAATE SPEECH: Mobil Oil and the Legal Development of the Voice of Big Business HALF LUCK AND HALF BRAINS: The Kemmons Wilson Story IMAGES OF TEXARKANA DOI: 10.1057/9781137534071.0001 How Postmodernism Explains Football and Football Explains Postmodernism: The Billy Clyde Conundrum Robert L. Kerr Professor, University of Oklahoma, USA DOI: 10.1057/9781137534071.0001 HOW POSTMODERNISM EXPLAINS FOOTBALL AND FOOTBALL EXPLAINS POSTMODERNISM Copyright © Robert L. Kerr, 2015. Softcover reprint of the hardcover 1st edition 2015 978-1-137-55588-5 All rights reserved. First published in 2015 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978-1-349-59296-1 ISBN: 978-1-137-53407-1 (eBook) DOI: 10.1057/9781137534071 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. A catalogue record of the book is available from the British Library.