The Strange Thing About Life Is That Though the Nature

Total Page:16

File Type:pdf, Size:1020Kb

The Strange Thing About Life Is That Though the Nature MOTIVATION We are interested in this commission because we Our background in joinery and working as assistants “The strange thing about life is that though deeply care about London and its Public Space. for Artists during our studies led to a practice set up Since the very start of our career we are involved with that allows us to design, develop and implement the City of London on various levels. works in-house. This could be a valuable asset for the nature of it must have been apparent to It started with the design of No1 Bishop Square when this installation and has been proven when installing working at Foster and Partners, followed by our first “Lunch Break” self-responsible. every one for hundreds of years, no one has ever commission in London with our own practice, creating Urban Oasis for Hoegarden at Broadgate. left any adequate account of it. The streets This year in March we won the St Paul’s Plinth Our artistic approach relates to the Tate Modern Competition for the Londoncopy Festival of Architecture. and Barbican which are the start and end points L Our installation “Lunch Break” that featured 38 respectively and where Contemporary Art is of ondon have their map; but our passions Guardian Angels on swings has been hugely celebrated and made available to the public. successful and will remain installed until next year are uncharted. What are you going to meet and around Christmas will be enhanced by creating additional illumination. if you turn this corner?” The fact that this installation will somehow sit at the heart of the Culture Mile reinforced our intention to forparticipate in this competition. V W J ’ R irginia oolf, acob s oom We feel that we are best placed to transform the area with another emotional and bold piece that creates a new identity for the Culture Mile. We have been at the forefront of transforming public space since it has been brought back into focus at the beginning of the century having been pioneers in the art of temporary and permanent installations. Since then we have created numerous works of local Not and international significance. AROUND THE CORNER LONDON 19.07.2019 Each of these words shall be of a golden colour in order to create great visibility as well as a sense of preciousness and value. The colour gold is a recurring feature in the City. During the urban analysis for the “Lunch Break” installation (The Guardian Angels) it occurred that a majority of buildings in the City are made of natural stone contrasted with golden ornaments or details. This is a feature that will be carried through with the new piece; however the golden letters will sit on a copyblack podium. At night the words will be “glowing” in the dark, illuminated by strategically placed spotlights that are for linked to existing streetlights or power sources. Not AROUND THE CORNER LONDON 19.07.2019 The installations are made of plywood; the words will receive a golden metallic coating (Keim Farben) whilst the podium will be black with golden vinyl letters that spell out Virginia Woolfs whole Paragraph and for the additional information such as a map including the distances between where you are and the main cultural destinations.copy for Not AROUND THE CORNER LONDON 19.07.2019 KARSTEN HUNECK BERND TRÜMPLER KHBT is a creative studio set Dipl. Ing. Arch. (RIBA, ARB) Dipl. Ing. Arch. (ByAK, ARB) up by Karsten Huneck and Bernd Trümpler in London and Berlin. Born: 06.05.1970 Born: 12.09.1969 in Vina del Mar, Chile in Frankfurt/Main, Germany KHBT crafts Ideas, Spaces and Buildings Alex Stara, Associate Professor & Reader Sarah Ichioka, Director Architecture Lives in London Lives in Munich and Berlin after carefully distilling the brief and in the History & Theory of Architecture Foundation and Jury Chair at the YAYA Works in London and Berlin Works in London and Berlin considering the inherent nature of the about KHBT: Award 2009 said: existing environment. Senior Lecturer at msa Project Management at BMW Thailand What is common between an unreachable We were impressed by KHBT‘s art-based Manchester School of Architecture TV Show Zuhause im Glück car park and a perfectly functional house projects and thought that, with their since 2014 since 2005 KHBT has consistently created spatial is that KHBT approach both with their background incopy both joinery and large-scale works of local and international unwavering commitment to making visible international practice, they showed the Associate Professor ESA Associate Professor ESA significance which are published widely what is already there by looking beyond potential to inject magic and play into Ecole Speciale d‘Architecture, Paris - France Ecole Speciale d‘Architecture, Paris - France as well as winning various awards such the obvious. mainstream architecture. 2008 - 2014 2008 - 2014 as the prestigious Young Architect Of The Year Award (YAYA) in 2009 where Work at Foster and Partners, London Work at Foster and Partners; London KHBT was gaining the first ever ‘special and A-Studio, London 2002 - 2004 commendation’ in the competitions history. Alexander Berge Professor Tom Jefferies, Head of 2001 - 2010 Client of Haus B, Offenbach Manchester School of Architecture said: Partner office for subversive architecture Partner office for subversive architecture KHBT follows with their design a process of Finding the right architect can be like Our work with KHBT / osa allows us to since 1996 since1996 progressive refinement towards the goal of searching for the proverbial needle in a explore the limits of both academic and defining the essential. haystack. It has very little to do with the professional architectural possibilities. Special Commendation with osa / KHBT at Special Commendation osa / KHBT at math on how many bricks can be stacked Using the city as a playful space our BD Young Architect of the Year Award (YAYA) BD Young Architect of the Year Award (YAYA) foron top of one another; it is much more projects have involved rowing, climbing, 2009 2009 KHBT crosses boundaries and builds about finding the right balance between diving and hatting, always starting from a unique spaces that sit between art emotions and economic realities. They position of taking fun seriously and using and architecture, varying from minimal excelled at translating credibly economic construction as an extension of critical installations to the construction of realities into emotions and emotions practice. buildings and urban or spatial strategies. into economic feasibilities. Thanks to the The work includes master-plans, public creativity and resilience of the team we realm projects, residential and commercial were able to create a contemporary living developments and public art installations. environment for our family while staying true to the original style of the building.... KHBT is fully involved at all Stages and controls each detail. As trained craftsmen Karsten and Bernd are developing and CONTACT: constructing various elements themselves. KHBT LLP KHBT GbR 3 Newman Passage Grünbergerstr. 50 Not W1T 1EG London 10245 Berlin +447957197835 +491772073524 www.KHBT.eu www.osa-online.net OTHER WORKS Type: Public Art Client: Cheapside Business Alliance Completion: 2019 LUNCH BREAK INSTALLATION FOR THE LONDON FESTIVAL OF ARCHITECTURE 2019 LONDONcopy Collaboration of KHBT and Ottmar Hoerl Forty golden Guardian Angels are resting on swings outside St. Paul’s Cathedral. The piece creates a strong conceptual and visual link to the Cathedral in general and the golden cross on top of the dome for in particular. The rich interior and ornamental nature of the cathedral and the architecture around is reflected by the intricate detail of the sculptural Angel. It is an emotional and imaginative work that is aiming to make people think and smile. After all in this particular time Guardian Not Angels deserve some rest. 53 51 49 6 to 9 to 6 47 Yar d (remains of) BEECH STREET Florin C ourt Shelter 123 36 46 44 to Ben Jonson House 37 6 to 9 1 100 Bunyan Court Hayloft 2 Barbican Exhibition Centre 38 42 LB BRID GEWATER STREET The Sta bles 125 45 SQUARE Cycle HireStation 39 124 TCB Bryer Court 43 Ben Jonson Place EWME S 40 17 18.7m El Cromwell Place 41 38 101 to 708 City& Countyof the White Lyon Court Lake Sub 39 99 FW Sta Joh n Trund le Cou rt Beech Gardens 37 129 1 Chimneys 4 PH 11 to 331 36 Ramp 34 CHARTERHOUSE 2 to 5 1 to 133 EK 3 & LB Bdy Central CHARTERHOUSE 6 18 to 21 7 Point BEECH STREET (below) Cromwell 'Around the Corner' Murray 8 15 2 House Ward Bdy Tower New Church Hawe 14 to 1 45 CAR THU SIAN17 to STREET14 LB Red Cross 22 Boro Const,GL Asly Const Lake (site of) Chimneys 131 18.5m 12 to 9 Frobish er Crescent ST JOHNSTREET East Gate (s ite o f) 121 43 CR 1 to 11 123 TCB 42 33 Shelter 41 SILK STREET SILK 26 119 PH 40 Bank 133 to 134 to 133 17.6m 39 to 38 24 23 to 28 to 23 97 115 CHA RTER HOUSE SQUA RE 22 33 to 37 to 33 Shakespeare FOX AND KN OT ST Culture Mile wayfinding FB Upper Frobisher Crescent 40 to 42 to 40 20 111 Tower 1 18 11 11 to 411 to 11 PH Ward Bdy 16 107 CHA RTER HOUSE STREET The Charterhouse Square School Cycle Hire S tation 38 16.9m BEECH STREET (Sta tion) 137 to 135 Barbic an (lu) 105 Alde rsgate Ward Bdy installations House 14 SB 12 Posts CHA RTER HOUSE STREET 9 Cromwell Highwalk 99 10 Defoe House Boundary 7 8 House Lauderdale 178 to 5 17.0m 1 1 Place 1 Barbican Arts and 3 93 HAYNE STR EET 1 3 15.8m 17.8m Conference Centre Underground Railway 10 CAP 6 to 8 Lauderdale 91 House LONG LANE Tower LINDSEY STREET 11 to 411 89 LB Griffin 9 to 12 87 4 86 Project installation date: Court
Recommended publications
  • The Making of an Evangelical Tory: the Seventh Earl of Shaftesbury (1801-1885) and the Evolving Character of Victorian Evangelicalism
    The Making of an Evangelical Tory: The Seventh Earl of Shaftesbury (1801-1885) and the Evolving Character of Victorian Evangelicalism David Andrew Barton Furse-Roberts A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy UNSW School of Humanities & Languages Faculty of Arts & Social Sciences November 2015 CONTENTS Page Abstract i Abbreviations ii Acknowledgements iii Introduction I Part I: Locating Anthony Ashley Cooper within the Anglican Evangelical tradition 1 1.1 Ashley’s expression of Evangelicalism 2 1.2 How the associations and leaders of Anglican Evangelicalism shaped the evolving 32 religious temperament of Ashley. 1.3 Conclusion: A son of the Clapham Sect or a brother of the Recordites? 64 Part II: A just estimate of rank and property: Locating Ashley’s place within the 67 tradition of paternalism 2.1 Identifying the character of Ashley’s paternalism 68 2.2 How Tory paternalist ideas influenced the emerging consciousness of Ashley in the 88 pre-Victorian era 2.3 The place of Ashley’s paternalism within the British Tory and Whig traditions 132 2.4 Conclusion: Paternalism in the ‘name of the people’ 144 Part III: Something admirably patrician in his estimation of Christianity: Ashley 147 and the emerging synthesis between Evangelicalism and Tory paternalism 3.1 Common ground forged between Tory paternalism and early Victorian Evangelicalism 148 3.2 Ashley and the factory reform movement: Project of Tory paternalism or 203 by-product of Evangelical social concern? 3.3 The coalescence of these two belief systems in the emerging political philosophy of 230 Ashley 3.4 Conclusion: Making Evangelicalism a patrician creed 237 Part IV: Ashley and the milieux of Victorian Evangelicalism 240 4.1 Locating Ashley’s place within the Victorian Evangelical Terrain 242 4.2 Thy kingdom come, thy will be done: The premillennial eschatology and 255 Evangelical activism of Ashley 4.3 Desire for the nations: Ashley and Victorian Evangelical attitudes to imperialism, 264 race and the ‘Jewish question’.
    [Show full text]
  • Kleyser Charles & Co. Watch & Clockma.4 Broadst. Bloowb
    . 1852.] COMMERCIAL DiRECTORY~ 831 Kin loch Wm.cheesemong.to her Majesty ,48Jermyn st.St.Jas's Kirkham Arthur Leech,watchmaker&: jeweller, IM,& pawn• Kinnear George, merchant, see Ellice, Kinnear & Co ~broker & silversmith, 318 Strand Kinnebrook Wm. artist, 9 Wyndham place, Bryanstone sq Kirkham John, civil engineer, 3 Tonbridg'e place, Euston sq Kinnell George, hemp & flax merchant, 6 Vine st. Minories Kirkham John, commission merchant, 1 Lime street square Kinner Thomas, carrier's agent, New inn yard, Old Bailey Kirk land Sir John & Co. army agents, 80 Pall mall Kinseley Thomas, truss maker, 17 Wych street, Strand Kirkman & Engleheart, auctioneers, 58 King Wm. st. City Kinsey James H. leather dresser & dyer, 83 Bermondsey st Kirk man J oseph & Son, pianoforte m a. to her Majesty,3 Sobo I Kinsey William, solicitor, 20 Bloomsbury square sq. & 9Dean st.Soho; factory,Dufour's pi. Br01id st.Gidn.sq Kintrea Archibald & Co. soap makers & bone & other manure Kirkman & T.backray, who. stationers,5 Old Fish st.Doc.com merchants, 22! Great George street, Bermondsey Kirk man Hyde, surveyor, 29 Somerset street, Portman sq Klnzigthal Mining A1sociation (George Copeland Capper, Kirkman John James, solicitor, 27 Laurence Pountney lane secretary), 1 Adelaide place, London bridge Kirkmann,Brown&Co.e.in.col.&metal brok.2St.Dunstan's hl Kipling Brothers, french importers, 28 Silver st. Wood st Kirkmann Abraham, barrister, 89 Chancery lane Kipling Henry & Co. french importers, 28 Silver st. Wood et Kirkness Jas. tinplate worker,38Gt.Prescot st.Goodman's fi KipJing John & Francis, who.carpet wa.ll Addle st. Wood st Kirkpatrick John, barrister, 2 Mitre court buildingli, Temple Kip ling Wm.
    [Show full text]
  • Archaeological Excavations in the City of London 1907
    1 in 1991, and records of excavations in the City of Archaeological excavations London after 1991 are not covered in this Guide . in the City of London 1907– The third archive of excavations before 1991 in the City concerns the excavations of W F Grimes 91 between 1946 and 1962, which are the subject of a separate guide (Shepherd in prep). Edited by John Schofield with Cath Maloney text of 1998 The Guildhall Museum was set up in 1826, as an Cite as on-line version, 2021 adjunct to Guildhall Library which had been page numbers will be different, and there are no established only two years before. At first it illustrations in this version comprised only a small room attached to the original text © Museum of London 1998 Library, which itself was only a narrow corridor. In 1874 the Museum transferred to new premises in Basinghall Street, which it was to occupy until Contents 1939. After the Second World War the main gallery was subdivided with a mezzanine floor and Introduction .................................................. 1 furnished with metal racking for the Library, and An outline of the archaeology of the City from this and adjacent rooms coincidentally became the the evidence in the archive ............................. 6 home of the DUA from 1976 to 1981. The character of the archive and the principles behind its formation ..................................... 14 The history of the Guildhall Museum, and of the Editorial method and conventions ................ 18 London Museum with which it was joined in 1975 Acknowledgements ..................................... 20 to form the Museum of London, has been written References .................................................. 20 by Francis Sheppard (1991); an outline of archaeological work in the City of London up to the Guildhall Museum sites before 1973 ...........
    [Show full text]
  • [IB52. Ellis John, Shoemaker, 20 Peter Street, Cowcross Street Elmore & Clement, Carpenters, 36 Dnke Street, St
    720 POST OFPlCE LONDON [IB52. Ellis John, shoemaker, 20 Peter street, Cowcross street Elmore & Clement, carpenters, 36 Dnke street, St. James'lf Ellis John, tailor, 9 Brodenell place, New North road Elmore John & Co. coal merchants, 6.) Bankside, Southwark Ellis John, tailor & draper, see Wllhelms & Ellis Elmore Alfred, A.R.A. artist, 31 Devonshire st. Portland pi Ellis John E. cheesemon~er, 9 New street, Dorset square Elmore John Richard, M.n. imrgeon, 27 Harley street Ellis John Thomas, Constitution P.H. 26White st. Borou~h Elms Elizh.(Mrs.),Kensngtn.Ar.P.H.29 Newhmd st.Knsgto Ellis Joseph, Bell P.H. 29 Great Bnsh lane, Cannon street Elms Hy. Andrew, baker, 56 Brick lane, & 19 Old Gravel la Ellis Joseph, nightman&: carman, Church st. Newgtn. butts Elms James, fishmonger, 22 Lower street, Islington Ellis Joseph, plumber, &c. 59 Brun&wick street, Stamford st Elmsley Wm. barrister, 8 Old square, Lincoln's inn Ell is Joseph A. manfg. jeweller, 7 Marlboro' pl. Walwrth. rd Elmslie & Simpson (late Foster & Co.), tinfoil & pewter Ellis Josiab, beer shop, 1 Wellngtn. pl. West India Dock. rd manufacturers & importers of quicksilver, 9 Union build.. Ellis Lewis, merchant, 74 Minories ings, Leather lane, & 80 Leather lane, Holborn Ellis Mary (Mrs.), boarding house, 12 America sq. Minories Elmslie John Foster, solicitor, 47A, Moor~ate street Ellis Mary (Mrs.), confectioner, Kensington gravel pits Elmslie Wm. average adjuster, Lloyd's, Royal Exchange Ellis Mary (Miss), milliner, see Morris & Ellis Elmslie Wm. jun. average stater, Lombard st. chambers Ellis Michael, watchmaker, 18 Bevis marks Elnor Ann (Miss), rope&twine ma.20Star corner,Bermondsy Ellis Natbaniel, linendraper, 101 & 102 Praed st.
    [Show full text]
  • The Seven Dials Renaissance Newsletter
    ‘The charity has brought an entire neighbourhood back to life…’ – Colin Davis presenting the first PRIAN national award for projects which have stood the test of time. ‘A great project…’ – Peter Bishop past Director of Environment Camden and Professor of Urban Design at the Bartlett School of Architecture. ‘Seven Dials is one of the great architectural set pieces of London.’ – Dr. John Martin Robinson. Overleaf… A Memorial to Francis Golding and the web edition of the ‘Renaissance Study’ | Newsletter wins the bi-annual Walter Bor Media Award | Updates on: the Renaissance Study web edition | Re-Lighting Seven Dials | Pillar Lighting | Street Name Plates | People’s and Street History Plaques. Sponsorship info at the end. 2014 is the Trust’s 30th year and a very busy one. We have many projects underway, some fully funded and others only partially so. We hope this newsletter might encourage your support in maintaining and enhancing this unusual conservation area – the only quarter of London largely intact from late Stuart England. Our projects which are not fully funded are: the new web edition of the Renaissance Studies which we hope will be as pioneering as the previous printed versions; the People’s Plaques scheme, and our part-time coordinator’s salary. Completing the street improvements is our largest task and we are working with our local authorities and freeholders on a holistic approach. Our origins go back to 1977 when Seven Dials became a Housing Action Area and a Conservation Area with Outstanding Status, one of only 38 out of c. 6,000 in England.
    [Show full text]
  • TRADES Diredtory, 1915. STA 1S97 Edoattional8upply .Asl!Ociation (The) Ltd
    STA TRADES DIREdTORY, 1915. STA 1S97 EdOattional8upply .Asl!ociation (The) Ltd. •o King (J" onathan) Ltd. 302 & SO! Essex road N" tOwens B. E. & Oo. 6 BJuverie s' reet E C tStflit John, 10 Woorlstock t!treet W toU Holborn vi!lduct E C; 61 Shoe lane E C; Kirklsnd, Cope & Co. 4 Northumberland stWC Page Charles, 515 Kingsland road NE & 85A, &1pleford Goorge Downer, 18, 19, 20 & 21 U Oharterhouse st E C & 22 Hatton wall E C tKnight Charles & Co. Ltd. 227 to 239 Tooley De Beauvoir road N M:arshall street, London road S E Edward!! & Williams Ltd. 79 Chiswell st E C streetS E t Palmer .A.. & Co. 45 Eastcheap E C Star Stationery Co. Ltd. 147 Holborn E C Bdwards W.D.&SonsLtd. 75 Knightrider stE C KJnig (J. 0.) & Ebhardt, 18 to 23 Graven Paper Gutting &c. Co.Ltd.26 Grove park, Cam­ Starkey Brother.1, 1 Wanirobe place E C tBYane, Hallewell & Co. 5 Ave Maria lane E C street, City road N . berwell SE ; "the " specialists for reels Stokes A.dolphu.s Frederick, 5 Birchin lane E C Evans W. S. & Co. li2 Fore street E C · Konig Otto & Oo. 27 Cross street, Finsbury of all kinds-TA "Toilet,London"; TN 206 & 1 & 3 Old Swan lane E C Fairhead Thomas (Jlaude (agent), 34 Pater- E C & 27 Wilson street, Finsbury E C Brixton Straker Brothers Ltd. 194 to 200 Bishopsgate noster row E C , Krause Max, 7 & 8 Old Bailey E C Park R. & J. Ltd. 97 Olerkenwell road E C E C & 61 Old Broad street E C fFarm!ll' & Son11, 295 Edgware road W Lake James Caldecott & Co.
    [Show full text]
  • Call for Entries from Architects, Designers and Artists to Improve Culture Mile’S Pedestrian Experience Along Its North-South Route
    Call for entries from architects, designers and artists to improve Culture Mile’s pedestrian experience along its North-South route The City of London Corporation is delighted to announce a call for entries to improve wayfinding, walkability and the pedestrian experience along Culture Mile’s ‘North-South route’ between the Millennium Bridge and Barbican. The City of London Corporation is seeking an innovative design concept and proposal for the ‘Culture Mile North-South Route’, between the Millennium Bridge, St Paul’s Cathedral, Aldersgate Street and St Martin’s-le-Grand, to be included as part of the Culture Mile 2019-2020 public programme. The City is looking for inspiring designs that will improve the wayfinding, walkability, appearance and vitality of this key thoroughfare, which links the Southbank to the Culture Mile area. This busy route incorporates entrances to several landmarks, such as St Paul’s Cathedral, the Museum of London and the Barbican estate. It includes the Barbican and St Paul’s underground stations, which collectively provide over 28 million passenger entrances/exits annually. We are inviting architects, designers and artists to submit a concept design that will elevate and enhance the look and feel of this area, providing visual cues, increased wayfinding and a deeper sense of connection between St Paul’s and Barbican underground stations. Following the shortlist of entries in July, the winning team will be revealed and commissioned to develop a fully costed, feasible design that can be installed in a section of the route, subject to planning permission and other relevant City authorisations. The design will remain in situ between Autumn 2019 and Spring 2020.
    [Show full text]
  • Delegated Decisions of the City Planning Officer and the Planning Services and Development Director
    Committee: Date: Planning and Transportation 6 November 2012 Subject: Delegated decisions of the City Planning Officer and the Planning Services and Development Director Public 1. Pursuant to the instructions of your Committee, I attach for your information a list detailing development and advertisement applications determined by the City Planning Officer or the Planning Services and Development Director under their delegated powers since my report to the last meeting. 2. Any questions of detail arising from these reports can be put to David Stothard, Assistant Director (Development Management East) on extension 1238 or Ted Rayment, Assistant Director (Development Management West) on extension 1705 who will be pleased to provide any additional information. DETAILS OF DECISIONS Registered Address Proposal Date of Plan Number & Decision Ward 12/00840/FULL 107 Fenchurch Street Change of use from Class 18.10.2012 London A1 (shops) to Class A2 Aldgate EC3M 5JB (financial and professional services) with an external alteration to the Fenchurch Street elevation. 12/00839/LBC 120 Thomas More Alterations to the kitchen 28.09.2012 House Barbican and living room including the Aldersgate London removal of partition walls to EC2Y 8BU make the kitchen open plan. The installation of a suspended false ceiling to allow for inset spot lighting. 12/00848/MDC 10 Aldersgate Street Details of glass and paint 18.10.2012 London colour pursuant to condition Aldersgate EC1A 4HJ 2 (a) and (b) of planning permission dated 21st June 2012 (Ref: 12/00394/FULL). 12/00665/FULL 46 New Broad Street Replacement of existing 28.09.2012 London multi-paned windows at Broad Street EC2M 1JH ground floor level (reception area) and installation of single pane double glazed windows.
    [Show full text]
  • Catherine Harbor
    The Birth of the Music Business: Public Commercial Concerts In London 1660–1750 Catherine Harbor Volume 2 369 Appendix A. The Register of Music in London Newspapers 1660–1750 Database A.1 Database Design and Construction Initial database design decisions were dictated by the over-riding concern that the Register of Music in London Newspapers 1660–1750 should be a source-oriented rather than a model-oriented database, with the integrity of the source being preserved as far as possible (Denley, 1994: 33-43; Harvey and Press, 1996). The aim of the project was to store a large volume of data that had no obvious structure and to provide a comprehensive index to it that would serve both as a finding aid and as a database in its own right (Hartland and Harvey, 1989: 47-50). The result was what Harvey and Press (1996: 10) term an ‘electronic edition’ of the texts in the newspapers, together with an index or coding scheme that provided an easy way of retrieving the desired information. The stored data was divided into a text base with its physical and locational descriptors, and the index database. The design and specification of the database tables was undertaken by Charles Harvey and Philip Hartland using techniques of entity-relationship modelling and relational data analysis. These techniques are discussed in numerous texts on databases and database design and have been applied to purely historical data (Hartland and Harvey, 1989; Harvey and Press, 1996: 103-130). The Oracle relational database management system was used to create the tables, enter, store and manipulate the data.
    [Show full text]
  • The Collaborative City
    the londoncollaborative The Collaborative City Working together to shape London’s future March 2008 THE PROJECT The London Collaborative aims to increase the capacity of London’s public sector to respond to the key strategic challenges facing the capital. These include meeting the needs of a growing, increasingly diverse and transient population; extending prosperity while safe- guarding cohesion and wellbeing, and preparing for change driven by carbon reduction. For more information visit young- foundation.org/london Abbey Wood Abchurch Lane Abchurch Yard Acton Acton Green Adams Court Addington Addiscombe Addle Hill Addle Street Adelphi Wharf Albion Place Aldborough Hatch Alder- manbury Aldermanbury Square Alderman’s Walk Alders- brook Aldersgate Street Aldersgate Street Aldgate Aldgate Aldgate High Street Alexandra Palace Alexandra Park Allhal- lows and Stairs Allhallows Lane Alperton Amen Corner Amen CornerThe Amen Collaborative Court America Square City Amerley Anchor Wharf Angel Working Angel Court together Angel to Court shape Angel London’s Passage future Angel Street Arkley Arthur Street Artillery Ground Artillery Lane Artillery AperfieldLane Artillery Apothecary Passage Street Arundel Appold Stairs StreetArundel Ardleigh Street Ashen Green- tree CourtFORE WAustinORD Friars Austin Friars Passage4 Austin Friars Square 1 AveINTRO MariaDUctio LaneN Avery Hill Axe Inn Back6 Alley Back of Golden2 Square OVerVie WBalham Ball Court Bandonhill 10 Bank Bankend Wharf Bankside3 LONDON to BarbicanDAY Barking Barkingside12 Barley Mow Passage4
    [Show full text]
  • Wren St Paul's Cathedral CO Edit
    Sir Christopher Wren (1632-1723) St. Paul’s Cathedral (1673-1711) Architect: Sir Christopher Wren (1632-1723) Nationality: British Work: St. Paul’s Cathedral Date: 1673–1711. First church founded on this site in 604, medieval church re-built after Great Fire of London, 1666. Style: Classical English Baroque Size: Nave 158 x 37m, dome 85m high Materials: Portland stone, brick inner dome and cone, iron chains, timber framed outer dome, lead roof, glass windows, marble floors, wooden screens Construction: Arcuated: classical semi-circular arches; loadbearing walls and piers; ‘gothic’ pointed inner cone, flying buttresses Location: Ludgate Hill highest point of City of London Patron: Church of England Scope of work: Identities specified architect pre-1850 ART HISTORICAL TERMS AND CONCEPTS Function • Dedicated to St Paul, ancient Catholic foundation, now Anglican church under Bishop of London holding religious services with liturgical processions requiring nave, high altar and choirs • Rebuilt as a Protestant or Post-Reformation church, greater emphasis on access to the high altar and hearing the sermon • For Wren the prime requirement was an ‘auditory’ church with an uncluttered interior where all the congregation could see and hear. • Richness of materials and carving communicate the wealth of the city and the nation as well as demonstrating piety • Dome and towers identify presence, location and importance in the area and community. !1 • Inspires awe by the scale of dome soaring to heaven, and heavenly light from windows • Due to large scale of nave used for major national commemorations with large congregations such as state funerals and royal weddings • Contains monuments to significant individuals Watch: https://henitalks.com/talks/sandy-nairne-st-pauls-cathedral/ 6.45 minutes https://www.stpauls.co.uk/visits/visits Introduction for visitors 2.10 mins https://smarthistory.org/stpauls/ 9.06 minutes Dome View from under dome back down nave.
    [Show full text]
  • Public Spirit and Public Order. Edmund Burke and the Role of the Critic in Mid- Eighteenth-Century Britain
    Public Spirit and Public Order. Edmund Burke and the Role of the Critic in Mid- Eighteenth-Century Britain Ian Crowe A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2008 Approved by: Advisor: Professor Jay M. Smith Reader: Professor Christopher Browning Reader: Professor Lloyd Kramer Reader: Professor Donald Reid Reader: Professor Thomas Reinert © 2008 Ian Crowe ALL RIGHTS RESERVED ii ABSTRACT Ian Crowe: Public Spirit and Public Order. Edmund Burke and the Role of the Critic in Mid- Eighteenth-Century Britain (Under the direction of Dr. Jay M. Smith) This study centers upon Edmund Burke’s early literary career, and his move from Dublin to London in 1750, to explore the interplay of academic, professional, and commercial networks that comprised the mid-eighteenth-century Republic of Letters in Britain and Ireland. Burke’s experiences before his entry into politics, particularly his relationship with the bookseller Robert Dodsley, may be used both to illustrate the political and intellectual debates that infused those networks, and to deepen our understanding of the publisher-author relationship at that time. It is argued here that it was Burke’s involvement with Irish Patriot debates in his Dublin days, rather than any assumed Catholic or colonial resentment, that shaped his early publications, not least since Dodsley himself was engaged in a revision of Patriot literary discourse at his “Tully’s Head” business in the light of the legacy of his own patron Alexander Pope.
    [Show full text]