Going Rogue from Glasgow to Glasto
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World-Class Electronic Music at Flow's Resident Advisor Front Yard
Press release. Free for publication March 22nd 2018, 11:30 EET World-class electronic music at Flow's Resident Advisor Front Yard Flow Festival is known for its stellar electronic music offering, and this year the audience gets to enjoy it at the Resident Advisor Front Yard, among other venues. Come August, Helena Hauff, Moodymann, Gerd Janson, Young Marco, Yaeji, Sammy Dee & Zip, Sonja Moonear and many others will take the stage at Flow. Flow Festival debuted the very popular Resident Advisor Front Yard at last year's festival. This year the stage is back and the cooperation with Resident Advisor, the world's num- ber one online media for electronic music, continues. The area's stripped down industrial atmosphere with its cargo container structures combined with a park-like greenery and gorgeous light design creates an amazing setting for enjoying the club sounds. On Friday Resident Advisor Front Yard will host Sammy Dee and Zip, two legendary Ger- man DJs playing together, Swiss top DJ Sonja Moonear, Finnish electro's ultimate cult duo Imatran Voima's 20th anniversary live performance, Amsterdam-based Young Marco with his original, obscure and fascinating record finds, and Korean-born, but Berlin-based house and techno sensation Peggy Gou. On Saturday, the Resident Advisor stage will be taken over by e.g. Helena Hauff, who reached the top spot on Crack Magazine's TOP 50 DJ list, Detroit In Effect with his Miami bass, techno and hip hop inspired set, as well as Veronica Vasicka, who personifies Mini- mal Wave, the style and the record company. -
Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
October 08 to 15, 2011 Marco Bruzzone Colli
October 08 to 15, 2011 Marco Bruzzone Colli Opening: October 08, 2011, 7pm Galleria collicaligreggi is proud to present the first solo show by Marco Bruzzone in Italy. Marco Bruzzone has lived for more than ten years in Berlin, where he works as an artist as well as curator, cook and DJ. His artistic practice is interdisciplinary – many of his works are of a transitory nature, such as a meeting or collaboration with other artists, and often become visible only at certain moments. In 2007, Bruzzone used stencils to spray the phrase “Less is cool“ on the wall just above the floor of the exhibition space (The importance not to be seen, Café Moskau/Galerie Isabella Bortolozzi, Berlin 2007). Instead of spray paint, however, he used spray glue. The statement first became legible over the course of time as dust collected in the room. Marco Bruzzone’s diverse works are unified by a sense of lightness and reduction, as well as a consistent rejection of grand artistic gestures. At galleria collicaligreggi the artist presents his new project Colli [engl. necks], which deals with the change of seasons from hot summer to autumn. In his installation of images, music, poetry and flowers, Bruzzone examines the shift from a time of leisurely distraction to the reality of everyday life. For the exhibition he stretched beach towels across frames like canvases: through their differing wear and tear and their printed or woven motifs they recall personal and collective memories. For some time now, Bruzzone has addressed issues of painting, examining its surface structures and forms of representation with unusual materials. -
PULLOUT3<S08> ... 18/02/11
Friday, February 18, 2011 SFTW 9 FILMS MUSIC DVDs Dot JR Stars Fall Down, fits in perfectly with his new sound. He performed WHO: James Reeves the track at ashowcase recently GAMES BOOKS COMEDY WHERE: Stornoway as he debuted his new sound. BY JIM FOR FANS OF: Daft Punk, Anthem Top Of The World was GELLATLY Chase &Status, Mr Hudson evidence that he has awealth of JIM SAYS: Hailed as “the future hits in waiting. king of pop” and likened to a While some acts doing the “Scottish Justin Timberlake” in rounds rely very much on the pro- blogthepopcop.co.uk, this lad duction to create asound, Dot JR from the Isle of Lewis is certainly appears to focus on the songs. going places. Pumping beats coupled with Ifirst met James when he was massive choruses create a bass player with indie rockers sound that’s going to be all over Our LunarActivities, so this is the nation’s dancefloors within a some transition. few months. His stock is set to TOM He formed Dot JR (J.R. being rise with his official remix of Tinie CHRIS his initials) as avehicle for his Tempah’s new single Wonder- BY SWEENEY BY songwriting in 2007 and the band man ft. Ellie Goulding. CHURCHILL Iintroduced on stage at the He signed to Polydor Records C C RockNess festival the following last month —it’s yet another step I I year was very much an acoustic towards the big time. SIC S S folk outfit. MORE: myspace.com/DotJRmusic W W W It was always clear he was an Q Hear Jim on Amazing Radio, U U E E accomplished writer, and one of Sunday 3-4pm (DAB digital radio the songs from that set, Where &online). -
Detroit's Maritime Techno Underground
Detroit’s maritime techno underground. On the relationship between the 18th century pirates movement and concepts of social utopias, ideology, and cultural production in Detroit techno. A proseminar-paper for PS Cultural and Media Studies, course title: Pirates in (US-)American Culture, conducted by Mag.a Dr.in Alexandra Ganser, WS 2014/2015, by Christian Hessle, matriculation number: 9450392, e-mail: [email protected] due to 1 March 2015, 3676 words. 2 Table of Contents 1. Introduction...................................................................................................................3 2. Double consciousness....................................................................................................3 3. The black Atlantic..........................................................................................................4 4. The ancestors of Detroit techno: Funk, Fusion Jazz, and Afrofuturism........................5 5. The Belleville Three......................................................................................................6 6. The factory: from the ship to the city............................................................................6 7. Underground Resistance................................................................................................7 8. Drexciya.......................................................................................................................10 9. Conclusion...................................................................................................................12 -
Chiemsee Summer Heldenfrühstück Call Me
PARTY >> NIGHTLIFE >> MUSIC | MÜNCHEN Casper Ry an Lew & is e or em kl c a M MEHR MUSIK, MEHR TAGE, MEHR FESTIVAL: CHIEMSEE SUMMER Reggae, Rock, Elektro: Die Highlights S. 10 Shaggy SO EIN THEATER ! CALL ME DRELLA Nightlife ganz anders ! Clubchef-Interview S. 20 FRESHER SOUND AUS MÜNCHEN: HELDENFRÜHSTÜCK Ska mit Posaunen und Trompeten S. 29 07/08 2014 >> WWW.FLASHTIMER.DE >> WWW.FLASHTIMER.DE >> SEEED · MACKLEMORE & RYAN LEWIS BLINK-182 · CASPER · PAUL KALKBRENNER SHAggY · BROILERS · MARTERIA · LABRASSBANDA · JIMMY CLIFF THE BLOODY BEETROOTS LIVE · FRITz KALKBRENNER LIVE DJ SET CHASE & STATUS & RA g E · FüNF STERNE DELUxE · NETSKY LIVE ALPHA BLONDY · BEENIE MAN · MAx ROMEO · BLUMENTOPF · LUCIANO & COLLIE BUDDz · PRINz PI · THEES UHLMANN B AND · THE CAT EMPIRE TERRORgRUPPE · BOSSE · JENNIFER ROSTOCK · JUPITER JONES & SMOKESTACK LIgHTNIN´ BELA B FEAT . PETA DEVLIN · IRIE RéVOLTéS · TANYA STEPHENS · DUKE DUMONT FEAT. & zINC FENCE FOREIgN BEggARS · THE gLADIATORS D ROOP L ION · CHRONIxx REDEMPTION TAKINg BACK SUNDAY · JAMARAM · KAKKMADDAFAKKA · gYPTIAN & HOMEgROWN JAH MASON & LUTAN FYAH · JOHNNY OSBOURNE B AND · gANJAMAN · REBELLION THE RECALLER EMIL BULLS · LAgWAgON · xxYYxx · TURBOSTAAT · ESKIMO CALLBOY · IgNITE · EgOTRONIC CONVERgE · JAHCOUSTIx · IRIEPATHIE · VITAMIN x · YOUNg REBEL SET · SAM · FIVA · WEEKEND & ONE I-FIRE · UWE KAA D ROP BAND · PROxY · RAggABUND · JACK BEATS · FEADz · MAT zO · SLOW MAgIC SAALSCHUTz · MUNDWERK CREW · OPEN SEASON · DUB à LA PUB · OK KID · THE FLATLINERS RAMPUE · BILDERBUCH · THE STANFIELDS · RAVINg gEORgE · SIx60 · LA PEgATINA ROCKSTAH · THE SKINTS · EAST CAMERON FOLKCORE · OY · zICO · U.V.M. CLAPTONE · BEN KLOCK · ADANA TWINS · OLIVER $ · LA FLEUR BüHNE H.O.S.H. · tINI · MONKEY SAFARI · BLOMQVIST · HELENA HAUFF · U.V.M. -
Decoding Dubstep: a Rhetorical Investigation of Dubstep╎s Development from the Late 1990S to the Early 2010S
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Transitions Into Art School 20/21 ENTRY
Transitions into Art School 20/21 ENTRY ALT CITY GUIDE GSA LIVE MAP OPEN DAYS Discover the Glasgow scene Tour GSA’s global creative networks Register for events and live chat page 2 page 10 page 22 1 Contents Welcome ALT CITY GUIDE TO GLASGOW page 2 GSA LIVE MAP page 10 TRANSITIONS IN TO ART SCHOOL page 14 GSA SINGAPORE page 18 THE GSA HUB page 20 PhD STUDY page 21 OPEN DAYS page 22 DEGREE SHOW page 24 preview 2019 Show Degree GSA PROGRAMMES, HOW TO APPLY AND MORE INFO page 30 Live map: Stow map: Live Follow us @GSofA @glasgowschoolart /glasgowschoolofart /glasgowschoolofart /glasgowschoolart [ ] GSA Live map The GSA Live Map is a Google Map-based guide to CONTENTS GSA’s global Creative Network, connections, locations • Creative Network and to the city at our heart, Glasgow. Throughout this • Alt City Guide to Glasgow guide you will see yellow highlights over text. These • vOpen Day highlights show that the place, business or person is featured on the Live Map and shows a map reference. Discover the GSA Live Map at: gsa.ac.uk/livemap The GSA is ranked 3rd in UK, 5th in Welcome Europe and 8th in the world for Art and Design in the QS World University Rankings 2019. 3 A network of indie galleries, clubs, restaurants and bars has created a robust creative scene in Scotland’s largest city, where talent is allowed time to flourish. The Alt City Guide to Glasgow The Alt City Poetry Club, image courtesy SWG3 image courtesy Club, Poetry Photographer Photographer Live map: Poetry Club Poetry map: Live Guide to James Anderson by Tony Naylor Glasgow originally published in The Guardian 5 Optimo 20 Live map: SWG3 map: Live Photographer Brian Sweeney Silvia Ziranek. -
Detroit Techno Und Die Frage Nach Der Hautfarbe
John-F.-Kennedy-Institut für Nordamerikastudien Abteilung für Kultur Freie Universität Berlin Detroit Techno und die Frage nach der Hautfarbe Magisterarbeit Erstgutachter: Prof. Dr. Winfried Fluck Zweitgutachter: Prof. Dr. Rolf Lindner (Institut für Europäische Ethnologie, Humboldt Universität Berlin) Verfasser: Daniel Schneider 05. Februar 2009 1 Inhalt 1. Einleitung S. 3 2. Einführung in Techno S. 5 2.1 Was ist Techno? S. 5 2.2 Wie funktioniert Techno? S. 8 2.3 Struktur der Technoszene und eigene Position S. 9 3. Einführung in die Geschichte Detroits S. 15 3.1 Die Geschichte der Stadt S. 16 3.2 Die Stadt als Inspiration und Kulisse S. 18 4. Die Vorgeschichte von Detroit Techno S. 21 5. Die Technoszene von Detroit S. 24 5.1 Die erste Generation S. 24 5.2 Die zweite Generation S. 27 5.3 Detroit House s. 34 6. Detroit Techno und „schwarze“ Musik S. 36 6.1 „Schwarze“ und „weiße“ Musik S. 36 6.2 Rockmusik vs. Tanzmusik S. 40 6.3 Ein Beispiel: Simon Reynolds vs. Jeff Mills S. 43 6.4 Stuart Cosgrove – der radikale Bruch mit der Vergangenheit S. 48 6.5 Wie „weiß“ sind eigentlich Kraftwerk? S. 52 6.6 Post-Soul S. 57 6.7 Kodwo Eshun – Düsseldorf als Mississippidelta S. 59 6.8 Afrofuturismus und Posthumanismus S. 61 6.9 Underground Resistance und die ethnischen Identitäten S. 69 7. Die Bedeutung von Detroit Techno in der europäischen Technoszene S. 76 7.1 Die Relevanz des afroamerikanischen Hintergrundes S. 77 7.2 Distinktionsmerkmal Detroit Techno S. 80 7.3 Detroit Techno und die „linken Kreise“ S. -
THE FAST FORWARD NEWSLETTER Some Kind of April Fool's Joke
and “Colony,” and of course FAST FORWARD EDITORIAL played them all. With each, Larkin’s confidence THE FAST FORWARD grew, and these tracks became the blueprints for what would become the “Escape From Planet Well, we’re back on track for spring, get- Techno” EP. ting these issues out in quick succession. This Just as he began to devote more time to his summer looks like it’s shaping up to be a wild ISSUE 8 APRIL 1991 music, opportunity knocked once again. one, music-wise ... we’ll just have to wait and NEWSLETTER Original Shelter DJ Scott “Go-Go” Gordon had see. One to watch out for is Yolanda’s new one taken a gig with big-time, chi-chi, frou-frou club on UR called “I Live for the Night,” a high-flying Vis-a-Vis. Now, Richie Rich was the man there deep house scream-up that elevates my girl to on Saturday nights, and every headliner needs diva status. Paris who? I heard it in the studio (that's the dirt, Richie) an opening act. Kenny fit that bill. and it’s a smoker. Out in the dead of summer Now, Kenny’s making his mark in the form Underground Resistance. OOPS! DEPT.: Metroplex Record is NOT dead Detroit Techno underground. As well as adding Thanks to Gwenn Volkert and Steve Kuo, as we reported last time. They've signed a dis- So I’m at Richie Hawtin’s “Confusion” night credibility to the Plus 8 label amongst the hard- our charter subscribers, and so far, our only tribution deal with Polydor from what we hear. -
British Film Institute Report & Financial Statements 2006
British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society.